There is something haunting Nuhad's childhood home in Haifa. Cats avoid its perimeter, strange noises come from within, and residents have been known to disappear entirely in its walls without a trace.Our Cut of Salt is an unflinching, sinister and moving take on the haunted house novel, from a bold new Palestinian voice. Perfect for fans of The Only Good Indians and The Haunting of Hill House.Although Nuhad has not returned to her home since the Nakba in 1948, she always held a place for the house in her heart. And, in return, the house did the same for her. After Nuhad passes away, her granddaughter, Marina, is determined to visit her grandmother's home in Haifa after a lifetime of being kept in the dark about her culture and family history. Marina's mother, Haifa-named for the city that was lost to their family-reluctantly agrees to her trip, despite her omnipresent anxiety. When a long-buried spirit of the past begins to haunt both dreams and waking life, Marina develops breathing problems that cause her to feel as if she is drowning on dry land. Despite Nuhad's warnings, Haifa rushes to help her daughter. As the three women converge in their ancestral haunted home, they must learn what the price of the past truly is.

Michelangelo Merisi da Caravaggio (29 September 1571–18 July 1610) lived probably the darkest and most dangerous life of any of the great painters. The worlds of Milan and Rome through which Caravaggio moved and which Andrew Graham-Dixon describes brilliantly in this book, are those of cardinals and prostitutes, prayer and violence. Graham-Dixon puts the murder of a pimp, Ranuccio Tomassoni, at the centre of his story. It occurred at the height of Caravaggio’s fame in Rome and probably brought about his flight through Malta and Sicily, which led to his death in suspicious circumstances off the coast of Naples. Graham-Dixon shows how Caravaggio’s paintings emerged from this extraordinarily wild and troubled life: his detailed readings of them explain their originality and Caravaggio’s mentality better than any of his predecessors.

A subversive literary horror novel that disrupts the tropes of women’s historical fiction with delusions, wild beasts, and the uncontainable power of female rage. The year is 1901, and Ada Byrd ― spinster, schoolmarm, amateur naturalist ― accepts a teaching post in isolated Lowry Bridge, grateful for the chance to re-establish herself where no one knows her secrets. She develops friendships with her neighbors, explores the woods with her students, and begins to see a future in this tiny farming community. Her past ― riddled with grief and shame ― has never seemed so far away. But then, Ada begins to witness strange and grisly a swarm of dying crickets, a self-mutilating rabbit, a malformed faun. She soon believes that something ancient and beastly ― which she calls the grey dog ― is behind these visceral offerings, which both beckon and repel her. As her confusion deepens, her grip on what is real, what is delusion, and what is traumatic memory begins to fail. Ada takes on the wildness of the woods, and begins to wonder which is more dangerous: the grey dog, or herself.

The definitive account of Mary Shelley's life from her own pen is now available in a single softcover volume. Here we see even more vividly than in her letters her sympathetic identification with nature and her struggles with--and ultimate surrender to--the lifelong depression that followed her husband's death. Supplementing the text are extensive annotations, a chronology, a thorough index, maps of the Shelleys' travels, portraits of acquaintances, appendices giving biographical accounts of the members of Mary Shelley's social circles in Pisa and London, the Shelleys' reading lists, and a bibliography.

Collette LeSange has been hiding a dark secret: She is immortal. In 1834, Collette’s grandfather granted her the gift of eternal life and since then, she has endured centuries of turmoil and heartache. Now, almost 150 years later, Collette is a lonely artist running an elite fine art school for children in upstate New York. But her life is suddenly upended by the arrival of a gifted child from a troubled home, the return of a stalking presence from her past, and her own mysteriously growing hunger for blood.

A subversive literary horror novel that disrupts the tropes of women’s historical fiction with delusions, wild beasts, and the uncontainable power of female rage. The year is 1901, and Ada Byrd ― spinster, schoolmarm, amateur naturalist ― accepts a teaching post in isolated Lowry Bridge, grateful for the chance to re-establish herself where no one knows her secrets. She develops friendships with her neighbors, explores the woods with her students, and begins to see a future in this tiny farming community. Her past ― riddled with grief and shame ― has never seemed so far away. But then, Ada begins to witness strange and grisly a swarm of dying crickets, a self-mutilating rabbit, a malformed faun. She soon believes that something ancient and beastly ― which she calls the grey dog ― is behind these visceral offerings, which both beckon and repel her. As her confusion deepens, her grip on what is real, what is delusion, and what is traumatic memory begins to fail. Ada takes on the wildness of the woods, and begins to wonder which is more dangerous: the grey dog, or herself.