Winner of the Prix Femina and the Goncourt des Lycéens in 2023 and the Strega Prize in 2024, the book that shook France to its core. “Sad Tiger forces you to see, to really see, what it means to be a child abused by an adult.” (Annie Ernaux)Like Annie Ernaux or Sheila Heti, Neige Sinno has created a powerful new literary autobiographical form.Through its radical honesty, and also through its thoughtful interrogations into the nature of life and literature, Neige Sinno shares with her readers her journey from someone who considered her life to have been stolen from her to someone who over the twenty years that elapsed from her reporting the rape to writing this book, somehow got her life back, all without ever being able to erase or even change what had happened to her as a child.“Reading Sad Tyger is like descending into an abyss with your eyes open. It forces you to see, to really see, what it means to be a child abused by an adult, for years. Everyone should read it. Especially teenagers.” —Annie ErnauxThis international literary phenomenon—the title inspired by William Blake’s poem The Tyger—is a forensic exploration into how to speak about the unspeakable. Repeatedly exposed to sexual violence as a child, Neige Sinno tells of a family life built around lies and deception. She was seven or eight years old when her stepfather started abusing her. At fourteen or fifteen the abuse stopped. At nineteen, she decides to break her silence which leads to a public trial and prison for her stepfather, and Sinno starts a new life in Mexico, far away from France.It is through the craft of her narrative and her powerful direct analysis of the deep-seated taboo that Sinno explores the different facets of memory, her own, her mother’s, as well as her abusive stepfather’s; and of abuse itself in all its monstrosity and banality. How do we become who we are? What remains unsaid in families? How is society implicated? This harrowing auto-fictional account of the author's sexual abuse as a child is mediated through analysis of various literary texts, including works by Vladimir Nabokov, Virginia Woolf, Toni Morrison, Christine Angot, and Virginie Despentes.In this unparalleled work that contains a thousand questions, a thousand jewel-like insights, there is an abiding how to protect others from the rape, the incest that she herself endured? In the midst of so much darkness, an answer reads crystal by speaking up and asking questions. A striking, shocking, and necessary masterpiece.Winner of the US and UK Goncourt Prizes, 2024Winner of the Goncourt Prizes in Belgium, Slovakia, India, Turkey, Tunisia, and South Korea, 2023Winner of the European Strega Prize, 2024Winner of the Goncourt des Lyceens, 2023Winner of the Femina Prize, 2023Winner of the Le Monde Literary Prize, 2023Winner of the Inrockuptibles Prize, 2023Shortlisted for the Medicis Prize, 2023Shortlisted for the Decembre Prize, 2023

A remarkable, defiant work of radical acceptance from celebrated author Yiyun Li as she considers the loss of her son James. 'There is no good way to say this,' Yiyun Li writes at the beginning of this book. 'There is no good way to state these facts, which must be acknowledged. My husband and I had two children and lost them Vincent in 2017, at sixteen, James in 2024, at nineteen. Both chose suicide, and both died not far from home.' There is no good way to say this – because words fall short. It takes only an instant for death to become fact, 'a single point in a timeline'. Living now on this single point, Li turns to thinking and reasoning and searching for words that might hold a place for James. Li does what she including not just writing but gardening, reading Camus and Wittgenstein, learning the piano, and living thinkingly alongside death. This is a book for James, but it is not a book about grieving or mourning. As Li writes, 'The verb that does not die is to be. Vincent was and is and will always be Vincent. James was and is and will always be James. We were and are and will always be their parents. There is no now and then, now and later, only, now and now and now and now.' Things in Nature Merely Grow is a testament to Li’s indomitable spirit.

From a fearless, internationally acclaimed activist, We Will Be Jaguars is an impassioned memoir about an indigenous childhood, a clash of cultures, and the fight to save the Amazon rainforest and protect her people. Born into the Waorani tribe of Ecuador’s Amazon rainforest—one of the last to be contacted by missionaries in the 1950s—Nemonte Nenquimo had a singular upbringing. She was taught about plant medicines, foraging, oral storytelling, and shamanism by her elders. She played barefoot in the forest and didn’t walk on pavement, or see a car, until she was a teenager and left to study with an evangelical missionary group in the city. But after Nemonte’s ancestors began appearing in her dreams, pleading with her to return and embrace her own culture, she listened. Nemonte returned to the forest and traditional ways of life and became one of the most forceful voices in climate change activism. She spearheaded an alliance of Indigenous nations across the Upper Amazon and led her people to a landmark victory against Big Oil, protecting over a half million acres of primary rainforest. We Will Be Jaguars is an astonishing memoir by an equally astonishing woman. Nemonte digs into generations of oral history, uprooting centuries of conquest, and hacking away at racist notions of Indigenous peoples. Ultimately, she reveals a life story as rich, harsh, and vital as the Amazon rainforest herself.

Still reeling from a sudden tragedy, our biracial narrator receives a letter from an attorney: he has just inherited a plot of land from his estranged white grandfather. He travels to a beach town several hours south of his home with the intention of selling the land immediately and moving on. But upon inspection, what lies beneath the dirt is far more complicated than he ever imagined. In a shocking irony, he is now the Black owner of a former plantation passed down by the men on his white mother’s side of the family. Vercher deftly blurs the lines between real and imagined, past and present, tragedy and humor, and fathers and sons in this story of discovering and reclaiming a painful past. With the wit and rawness of Paul Beatty’s The Sellout, Devil Is Fine is a gripping, surreal, and brilliantly crafted dissection of the legacies we leave behind and those we inherit.

When Bree Prescott arrives in the sleepy, lakeside town of Pelion, Maine, she hopes against hope that this is the place where she will finally find the peace she so desperately seeks. On her first day there, her life collides with Archer Hale, an isolated man who holds a secret agony of his own. A man no one else sees. Archer's Voice is the story of a woman chained to the memory of one horrifying night and the man whose love is the key to her freedom. It is the story of a silent man who lives with an excruciating wound and the woman who helps him find his voice. It is the story of suffering, fate, and the transformative power of love.

When Baek Sehee started recording her sessions with her psychiatrist, her hope was to create a reference for herself. She never imagined she would reach so many people, especially young people, with her reflections. I Want to Die but I Want to Eat Tteokbokki became a runaway bestseller in South Korea, Indonesia, and the U.S., and reached a community of readers who appreciated depression and anxiety being discussed with such intimacy. Baek's struggle with dysthymia continues in I Want to Die but I Still Want to Eat Tteokbokki. And healing is a difficult process; the inner conflict she experiences in treatment becomes more complex, more challenging. With this second book, Baek Sehee reaches out to hold the hands of all those for whom grappling with everyday despair is part of a lifelong project, part of the journey.