A beautiful restoration of Steadman's 1968 edition The force of social satire and fantasy in the original text of Alice in Wonderland is as relevant today as when the novel was first published in 1865 This version of Carroll's classic tale is a startling departure from the traditional Victorian or Disney approaches In his introduction, Ralph Steadman describes how a fresh illustrative perspective created an original, modern vision The irony and satire of Alice in Wonderland acquires new life with Steadman's audacious and dynamic illustrations The 47 pen and ink illustrations from the critically acclaimed 1968 British edition are faithfully restored and reformatted The energy, imagination and power of Steadman's pen introduces the wit and wisdom of Alice to a new generation of readers

Sookie Stackhouse is just a small-time cocktail waitress in small-town Louisiana. Until the vampire of her dreams walks into her life-and one of her coworkers checks out.... Maybe having a vampire for a boyfriend isn't such a bright idea.

Sookie Stackhouse is just a small-time cocktail waitress in small-town Louisiana. Until the vampire of her dreams walks into her life-and one of her coworkers checks out.... Maybe having a vampire for a boyfriend isn't such a bright idea.

Some doors are locked for a reason… While eleven-year-old Nora Davis was up in her bedroom doing homework, she had no idea her father was killing women in the basement. Until the day the police arrived at their front door. Decades later, Nora’s father is spending his life behind bars, and Nora is a successful surgeon with a quiet, solitary existence. Nobody knows her father was a notorious serial killer. And she intends to keep it that way. Then Nora discovers one of her young female patients has been murdered. In the same unique and horrific manner that her father used to kill his victims. Somebody knows who Nora is. Somebody wants her to take the fall for this unthinkable crime. But she’s not a killer like her father. The police can’t pin anything on her. As long as they don’t look in her basement.

Some doors are locked for a reason… While eleven-year-old Nora Davis was up in her bedroom doing homework, she had no idea her father was killing women in the basement. Until the day the police arrived at their front door. Decades later, Nora’s father is spending his life behind bars, and Nora is a successful surgeon with a quiet, solitary existence. Nobody knows her father was a notorious serial killer. And she intends to keep it that way. Then Nora discovers one of her young female patients has been murdered. In the same unique and horrific manner that her father used to kill his victims. Somebody knows who Nora is. Somebody wants her to take the fall for this unthinkable crime. But she’s not a killer like her father. The police can’t pin anything on her. As long as they don’t look in her basement.

Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish. Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company. His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through space on this tiny ship, it’s up to him to puzzle out an impossible scientific mystery—and conquer an extinction-level threat to our species. And with the clock ticking down and the nearest human being light-years away, he’s got to do it all alone. Or does he?