Before there was money, there was debt Every economics textbook says the same thing: Money was invented to replace onerous and complicated barter systems—to relieve ancient people from having to haul their goods to market. The problem with this version of history? There’s not a shred of evidence to support it.Here anthropologist David Graeber presents a stunning reversal of conventional wisdom. He shows that for more than 5,000 years, since the beginnings of the first agrarian empires, humans have used elaborate credit systems to buy and sell goods—that is, long before the invention of coins or cash. It is in this era, Graeber argues, that we also first encounter a society divided into debtors and creditors. Graeber shows that arguments about debt and debt forgiveness have been at the center of political debates from Italy to China, as well as sparking innumerable insurrections. He also brilliantly demonstrates that the language of the ancient works of law and religion (words like “guilt,” “sin,” and “redemption”) derive in large part from ancient debates about debt, and shape even our most basic ideas of right and wrong. We are still fighting these battles today without knowing it.Debt: The First 5,000 Years is a fascinating chronicle of this little known history—as well as how it has defined human history, and what it means for the credit crisis of the present day and the future of our economy.

NEW YORK TIMES BESTSELLER • The dramatic story of the Jewish Bund—a revolutionary movement from a vanished world—and its radical vision of solidarity in an age of division. In the aftermath of the Holocaust, Sam Rothbort created “memory paintings” with the hope of resurrecting the vanished world of his shtetl childhood. Decades later, his great-granddaughter, the award-winning artist Molly Crabapple, discovered these paintings and one stood out: a girl, her dress the color of sky, hurling a rock through a cottage window. Itka the Bundist, Breaking Windows. Itka is how Crabapple met the Jewish Labor Bund. Once the most influential Jewish political force in eastern Europe, the Bund was secular, socialist, and uncompromisingly anti-Zionist. The Bundists fought for dignity and equality, not in an imagined homeland in Palestine but “here where we live.” In the first popular history of the Bund, Crabapple re-creates their extraordinary world through dramatic portraits of insurgent poets and antireligious rebels, clandestine revolutionaries and lovers on the barricades. The Bundists live deeply within this violent, volatile, and somehow hopeful period, as their stories interweave with the Russian Revolution and the Holocaust. The Bund’s rise and fall raises the vital question: What can we learn from a movement that, for all its toughness, imagination, and moral clarity, was largely destroyed? Here Where We Live Is Our Country reanimates a band of idealists who broadened our global political imagination. As we once again contend with nationalism, repression, and the struggle for belonging, the Bund’s remarkable story and message—that liberation, dignity, and solidarity must begin where we stand—reaches across time as a guide to our own urgent moment.

Brought to you by Penguin.#1 bestselling author John Green makes his much-anticipated return to fiction with a behind-the-scenes Hollywood love story that brilliantly confronts the private cost of a public life. For rising young actors Kai Laramie and Juniper Castillo, being cast in the buzzy biopic Andy Warhol Never Gets Old is the opportunity they’ve both been waiting for. They’re on the verge of breaking out, and maybe even falling in love. Soon, the movie is blowing up, and so are their lives—in exciting, but also terrifying, ways.John Green artfully blends a behind-the-scenes Hollywood love story with an unflinching examination of the insatiable attention economy. Told through dual points of view, the novel follows Kai and Juniper from the first days on location to the movie’s premiere, brilliantly juxtaposing their story with the on-screen study of Warhol’s life at the dawn of celebrity culture.Hollywood, Ending is a deeply observed novel about the tension between a public and a private life, and finding your safe someone to hold onto. Tender, heartbreaking, and shrewdly funny, this is a story as only John Green can tell it.© John Green 2026 (P) Penguin Audio 2026

Doppelgängers, corporate intrigue, heartbreak, betrayal, and the harsh permanence of the border: Sublimation is a thrilling and provocative debut for fans of Severance that asks what you'd sacrifice for a different life from award-winning author Isabel J. Kim. The border cuts you in two. When you immigrate, you leave a copy of yourself behind, an instance. One person enters their new country; the other stays trapped at home. Some instances keep in touch, call each other daily, keep their lives and minds in sync in the hopes of reintegrating and resuming a life as one person. Others, like Soyoung Rose Kang, leave home at ten years old and never speak to their other selves again. Rose, in America, never imagined going back to Korea until her grandfather died and her Korean instance called her home for the funeral. She doesn’t know that Soyoung plans to steal her body and her life. How far would you go to live the choice you didn’t make?

Every child knows what it means to play, but the rest of us can merely speculate. Is it a kind of adaptation, teaching us skills, inducting us into certain communities? Is it power, pursued in games of prowess? Fate, deployed in games of chance? Daydreaming, enacted in art? Or is it just frivolity? Brian Sutton-Smith, a leading proponent of play theory, considers each possibility as it has been proposed, elaborated, and debated in disciplines from biology, psychology, and education to metaphysics, mathematics, and sociology. Sutton-Smith focuses on play theories rooted in seven distinct “rhetorics”―the ancient discourses of Fate, Power, Communal Identity, and Frivolity and the modern discourses of Progress, the Imaginary, and the Self. In a sweeping analysis that moves from the question of play in child development to the implications of play for the Western work ethic, he explores the values, historical sources, and interests that have dictated the terms and forms of play put forth in each discourse’s “objective” theory. This work reveals more distinctions and disjunctions than affinities, with one striking however different their descriptions and interpretations of play, each rhetoric reveals a quirkiness, redundancy, and flexibility. In light of this, Sutton-Smith suggests that play might provide a model of the variability that allows for “natural” selection. As a form of mental feedback, play might nullify the rigidity that sets in after successful adaption, thus reinforcing animal and human variability. Further, he shows how these discourses, despite their differences, might offer the components for a new social science of play.

WINNER OF THE NOBEL PRIZE IN LITERATURE In The Feast of the Goat, this 'masterpiece of Latin American and world literature, and one of the finest political novels ever written' (Bookforum), Mario Vargas Llosa recounts the end of a regime and the birth of a terrible democracy, giving voice to the historical Trujillo and the victims, both innocent and complicit, drawn into his deadly orbit.Haunted all her life by feelings of terror and emptiness, forty-nine-year-old Urania Cabral returns to her native Dominican Republic - and finds herself reliving the events of l961, when the capital was still called Trujillo City and one old man terrorized a nation of three million. Rafael Trujillo, the depraved ailing dictator whom Dominicans call the Goat, controls his inner circle with a combination of violence and blackmail. In Trujillo's gaudy palace, treachery and cowardice have become a way of life. But Trujillo's grasp is slipping. There is a conspiracy against him, and a Machiavellian revolution already underway that will have bloody consequences of its own. "A fierce, edgy and enthralling book ... Mr. Vargas Llosa has pushed the boundaries of the traditional historical novel, and in doing so has written a book of harrowing power and lasting resonance."--The New York Times

FREEDOM AND JUSTICE -- AMERICAN STYLE 1632 And in northern Germany things couldn't get much worse. Famine. Disease. Religous war laying waste the cities. Only the aristocrats remained relatively unscathed; for the peasants, death was a mercy. 2000 Things are going OK in Grantville, West Virginia, and everybody attending the wedding of Mike Stearn's sister (including the entire local chapter of the United Mine Workers of America, which Mike leads) is having a good time THEN, EVERYTHING CHANGED.... When the dust settles, Mike leads a group of armed miners to find out what happened and finds the road into town is cut, as with a sword. On the other side, a scene out of Hell: a man nailed to a farmhouse door, his wife and daughter attacked by men in steel vests. Faced with this, Mike and his friends don't have to ask who to shoot. At that moment Freedom and Justice, American style, are introduced to the middle of the Thirty Years' War.

Ida M. Tarbell's muckraking exposé of Standard Oil remains a classic of Progressive-era American history. Tarbell explores the rise of the "octopus" led by John D. Rockefeller as it sought to build an oil Trust which came to dominate the oil industry in the U.S. and became an important player in the international market as well.This unexpurgated edition contains the complete text with errors and omissions corrected.

A highly contentious, very readable and totally up-to-the-minute investigation of women’s natural relationship with modern technology, an association which, Plant argues, will trigger a new sexual revolution. Zeros and Ones is an intelligent, provocative and accessible investigation of the intersection between women, feminism, machines and in particular, information technology. Arguing that the computer is rewriting the old conceptions of man and his world, it suggests that the telecoms revolution is also a sexual revolution which undermines the fundamental assumptions crucial to patriarchal culture. Historical, contemporary and future developments in telecommunications and in IT are interwoven with the past, present and future of feminism, women and sexual difference, and a wealth of connections, parallels and affinities between machines and women are uncovered as a result. Challenging the belief that man was ever in control of either his own agency, the planet, or his machines, this book argues it is seriously undermined by the new scientific paradigms emergent from theories of chaos, complexity and connectionism, all of which suggest that the old distinctions between man, woman, nature and technology need to be radically reassessed.

The War of the End of the World is one of the great modern historical novels. Inspired by a real episode in Brazilian history, Mario Vargas Llosa tells the unforgettable story of an apocalyptic movement, led by a mysterious prophet, in which prostitutes, beggars and bandits establish Canudos, a new republic, a libertarian paradise. ~publisher's web site