A sapphic rivals to lovers rom com for fans of Ted Lasso and A League of Their Own, where two soccer teammates are at odds before falling in love as their team gears up for the World Cup.Grace Henderson has been a star of the US Women’s National Team for ten years, even though she’s only 26. But when she’s sidelined with an injury, a bold new upstart, Phoebe Matthews, takes her spot. Phoebe is everything Grace isn’t—a gregarious jokester who plays with a joy that Grace lost somewhere along the way. The last thing Grace expects is to become friends with benefits with this class clown she sees as her rival.Phoebe Matthews has always admired Grace’s skill and was star struck to be training alongside her idol. But she quickly finds herself looking at Grace as more than a mere teammate. After one daring kiss, she’s hooked. Grace is everything she has been waiting to find.As the World Cup approaches, and Grace works her way back from injury, the women decide to find a way they can play together instead of vying for the same position. Except, when they are off the field, Grace is worried she’s catching feelings while Phoebe thinks they are dating. As the tension between them grows, will both players realize they care more about their relationship than making the roster?

Debunks the pervasive and self-congratulatory myth that our country is proudly founded by and for immigrants, and urges readers to embrace a more complex and honest history of the United States Whether in political debates or discussions about immigration around the kitchen table, many Americans, regardless of party affiliation, will say proudly that we are a nation of immigrants. In this bold new book, historian Roxanne Dunbar-Ortiz asserts this ideology is harmful and dishonest because it serves to mask and diminish the US’s history of settler colonialism, genocide, white supremacy, slavery, and structural inequality, all of which we still grapple with today. She explains that the idea that we are living in a land of opportunity—founded and built by immigrants—was a convenient response by the ruling class and its brain trust to the 1960s demands for decolonialization, justice, reparations, and social equality. Moreover, Dunbar-Ortiz charges that this feel good—but inaccurate—story promotes a benign narrative of progress, obscuring that the country was founded in violence as a settler state, and imperialist since its inception. While some of us are immigrants or descendants of immigrants, others are descendants of white settlers who arrived as colonizers to displace those who were here since time immemorial, and still others are descendants of those who were kidnapped and forced here against their will. This paradigm shifting new book from the highly acclaimed author of An Indigenous Peoples’ History of the United States charges that we need to stop believing and perpetuating this simplistic and a historical idea and embrace the real (and often horrific) history of the United States.

Two top women gladiators fight for their freedom within a depraved private prison system not so far-removed from America's own. Loretta Thurwar and Hamara "Hurricane Staxxx" Stacker are the stars of Chain-Gang All-Stars, the cornerstone of CAPE, or Criminal Action Penal Entertainment, a highly-popular, highly-controversial, profit-raising program in America's increasingly dominant private prison industry. It's the return of the gladiators and prisoners are competing for the ultimate prize: their freedom. In CAPE, prisoners travel as Links in Chain-Gangs, competing in death-matches for packed arenas with righteous protestors at the gates. Thurwar and Staxxx, both teammates and lovers, are the fan favorites. And if all goes well, Thurwar will be free in just a few matches, a fact she carries as heavily as her lethal hammer. As she prepares to leave her fellow Links, she considers how she might help preserve their humanity, in defiance of these so-called games, but CAPE's corporate owners will stop at nothing to protect their status quo and the obstacles they lay in Thurwar's path have devastating consequences. Moving from the Links in the field to the protestors to the CAPE employees and beyond, Chain-Gang All-Stars is a kaleidoscopic, excoriating look at the American prison system's unholy alliance of systemic racism, unchecked capitalism, and mass incarceration, and a clear-eyed reckoning with what freedom in this country really means.

On May 2, 1973, Black Panther Assata Shakur (aka JoAnne Chesimard) lay in a hospital, close to death, handcuffed to her bed, while local, state, and federal police attempted to question her about the shootout on the New Jersey Turnpike that had claimed the life of a white state trooper. Long a target of J. Edgar Hoover's campaign to defame, infiltrate, and criminalize Black nationalist organizations and their leaders, Shakur was incarcerated for four years prior to her conviction on flimsy evidence in 1977 as an accomplice to murder. This intensely personal and political autobiography belies the fearsome image of JoAnne Chesimard long projected by the media and the state. With wit and candor, Assata Shakur recounts the experiences that led her to a life of activism and portrays the strengths, weaknesses, and eventual demise of Black and White revolutionary groups at the hand of government officials. The result is a signal contribution to the literature about growing up Black in America that has already taken its place alongside The Autobiography of Malcolm X and the works of Maya Angelou. Two years after her conviction, Assata Shakur escaped from prison. She was given political asylum by Cuba, where she now resides.

An urgent, vital manifesto of intersectional, internationalist, abolitionist feminism, from leading scholar-activists Angela Y. Davis, Gina Dent, Erica Meiners, and Beth E. Richie. As a politic and a practice, abolition increasingly shapes our political moment—halting the construction of new jails and propelling movements to divest from policing. Yet erased from this landscape are the central histories of feminist organizing—usually queer, anti-capitalist, grassroots, and women of color—that continue to cultivate abolition. Also erased is a recognition of the stark reality: abolition is our best response to endemic forms of state and interpersonal gender and sexual violence. Amplifying the analysis and the theories of change generated from vibrant community based organizing, Abolition. Feminism. Now. surfaces necessary historical genealogies, key internationalist learnings, and everyday practices to grow our collective and flourishing present and futures.

What fuels and sustains activism and organizing when it feels like our worlds are collapsing? Doing Justice is a practical and imaginative resource for activists and organizers building power in an era of destabilization and catastrophe. Longtime organizers and movement educators Mariame Kaba and Kelly Hayes examine some of the political lessons of the COVID-19 pandemic, including the convergence of mass protest and mass formations of mutual aid, and consider what this confluence of power can teach us about a future that will require mass acts of care, rescue and defense, in the face of both state violence and environmental disaster. The book is an assemblage of co-authored reflections, interviews and questions that are intended to aid and empower activists and organizers as they attempt to map their own journeys through the work of justice-making. It includes insights from a spectrum of experienced organizers, including Sharon Lungo, Carlos Saavedra, Ejeris Dixon, Barbara Ransby, and Ruth Wilson Gilmore about some of the difficult and joyous lessons they have learned in their work.

Selected as an Evening Standard 'one to watch in 2023' It's the early 1990s, and in the Irish village of Crossmore, Lucy feels out of place. Despite her fierce friendships, she's always felt this way, and the conventional path of marriage and motherhood doesn't appeal to her at all. Not even with handsome and doting Martin, her closest childhood friend. Lucy begins to make sense of herself during a long hot summer, when a spark with her school friend Susannah escalates to an all-consuming infatuation, and, very quickly, to a desperate and devastating love. Fearful of rejection from her small and conservative community, Lucy begins living a double life, hiding the most honest parts of herself in stolen moments with Susannah. But with the end of school and the opportunity to leave Crossmore looming, Lucy must choose between two places, two people and two futures, each as terrifying as the other. But only one can offer her real happiness. Sunburn is an astute and tender portrayal of first love, adolescent anxiety and the realities of growing up in a small town where tradition holds people tightly in its grasp.

A previously published edition of ISBN 9781616202415 can be found here. Fifteen-year-old Kambili and her older brother Jaja lead a privileged life in Enugu, Nigeria. They live in a beautiful house, with a caring family, and attend an exclusive missionary school. They're completely shielded from the troubles of the world. Yet, as Kambili reveals in her tender-voiced account, things are less perfect than they appear. Although her Papa is generous and well respected, he is fanatically religious and tyrannical at home—a home that is silent and suffocating. As the country begins to fall apart under a military coup, Kambili and Jaja are sent to their aunt, a university professor outside the city, where they discover a life beyond the confines of their father’s authority. Books cram the shelves, curry and nutmeg permeate the air, and their cousins’ laughter rings throughout the house. When they return home, tensions within the family escalate, and Kambili must find the strength to keep her loved ones together.Purple Hibiscus is an exquisite novel about the emotional turmoil of adolescence, the powerful bonds of family, and the bright promise of freedom.

An epic love story one hundred years in the making… Leap years are a strange, enchanted time. And for some, even a single February can be life-changing. Ricki Wilde has many talents, but being a Wilde isn’t one of them. As the impulsive, artistic daughter of a powerful Atlanta dynasty, she’s the opposite of her famous socialite sisters. Where they’re long-stemmed roses, she’s a dandelion: an adorable bloom that’s actually a weed, born to float wherever the wind blows. In her bones, Ricki knows that somewhere, a different, more exciting life awaits her. When regal nonagenarian, Ms. Della, invites her to rent the bottom floor of her Harlem brownstone, Ricki jumps at the chance for a fresh beginning. She leaves behind her family, wealth, and chaotic romantic decisions to realize her dream of opening a flower shop. And just beneath the surface of her new neighborhood, the music, stories and dazzling drama of the Harlem Renaissance still simmers. One evening in February as the heady, curiously off-season scent of night-blooming jasmine fills the air, Ricki encounters a handsome, deeply mysterious stranger who knocks her world off balance in the most unexpected way. Set against the backdrop of modern Harlem and Renaissance glamour, A Love Song for Ricki Wilde is a swoon-worthy love story of two passionate artists drawn to the magic, romance, and opportunity of New York, and whose lives are uniquely and irreversibly linked.

An epic love story one hundred years in the making… Leap years are a strange, enchanted time. And for some, even a single February can be life-changing. Ricki Wilde has many talents, but being a Wilde isn’t one of them. As the impulsive, artistic daughter of a powerful Atlanta dynasty, she’s the opposite of her famous socialite sisters. Where they’re long-stemmed roses, she’s a dandelion: an adorable bloom that’s actually a weed, born to float wherever the wind blows. In her bones, Ricki knows that somewhere, a different, more exciting life awaits her. When regal nonagenarian, Ms. Della, invites her to rent the bottom floor of her Harlem brownstone, Ricki jumps at the chance for a fresh beginning. She leaves behind her family, wealth, and chaotic romantic decisions to realize her dream of opening a flower shop. And just beneath the surface of her new neighborhood, the music, stories and dazzling drama of the Harlem Renaissance still simmers. One evening in February as the heady, curiously off-season scent of night-blooming jasmine fills the air, Ricki encounters a handsome, deeply mysterious stranger who knocks her world off balance in the most unexpected way. Set against the backdrop of modern Harlem and Renaissance glamour, A Love Song for Ricki Wilde is a swoon-worthy love story of two passionate artists drawn to the magic, romance, and opportunity of New York, and whose lives are uniquely and irreversibly linked.

A swoon-worthy debut queer Victorian romance in which two debutantes distract themselves from having to seek husbands by setting up their widowed parents, and instead find their perfect match in each other—the lesbian Bridgerton/Parent Trap you never knew you needed! Gwen has a brilliant beyond brilliant idea. It’s 1857, and anxious debutante Beth has just one season to snag a wealthy husband, or she and her mother will be out on the street. But playing the blushing ingenue makes Beth’s skin crawl and she’d rather be anywhere but here. Gwen, on the other hand, is on her fourth season and counting, with absolutely no intention of finding a husband, possibly ever. She figures she has plenty of security as the only daughter of a rakish earl, from whom she’s gotten all her flair, fun, and less-than-proper party games. “Let’s get them together,” she says. It doesn’t take long for Gwen to hatch her latest scheme: rather than surrender Beth to courtship, they should set up Gwen’s father and Beth’s newly widowed mother. Let them get married instead. “It’ll be easy” she says. There’s just…one, teeny, tiny problem. Their parents kind of seem to hate each other. But no worries. Beth and Gwen are more than up to the challenge of a little twenty-year-old heartbreak. How hard can parent-trapping widowed ex-lovers be? Of course, just as their plan begins to unfold, a handsome, wealthy viscount starts calling on Beth, offering up the perfect, secure marriage. Beth’s not mature enough for this… Now Gwen must face the prospect of sharing Beth with someone else, forever. And Beth must reckon with the fact that she’s caught feelings, hard, and they’re definitely not for her potential fiancé. That’s the trouble with matchmaking: sometimes you accidentally fall in love with your best friend in the process.