A Film in Which I Play Everyone takes its title from a response David Bowie gave to a fan who asked if he had upcoming film roles. “I’m looking for backing for an unauthorized autobiography that I am writing,” Bowie answered. “Hopefully, this will sell in such huge numbers that I will be able to sue myself for an extraordinary amount of money and finance the film version in which I will play everybody.” Mary Jo Bang’s brilliant poems might be the soundtrack to such a movie, where the first-person speaker plays herself and everyone she’s ever met. She falls in and out of love with men, with women, and struggles to realize her ambitions while suffering crushing losses that give rise to dark thoughts. She’s drawn to stories that mirror her own those of women who struggle to speak in a world that would silence them. Embedded in these poems are those minor events that inexplicably persist in the memory and become the time she lied and had her mouth washed out with soap; the time someone said she wasn’t his “original idea of beauty but something. / Something he couldn’t quite // put his hands on”; the time she stood in indifferent moonlight on a pier as a cat lapped at the water. Tinged with dark humor and sharpened with keen camerawork, A Film in Which I Play Everyone stars Bang at her best, her most provocative.

Creating an impressionistic portrait of the poet's boyhood in rural Jamaica, these narrative poems explore the West Indian distrust of European literature and mythology. Written in both traditional and formless verse, as well as in English and Jamaican patois, the book is structured as the spiritual journey of a poet-speaker caught between two worlds: one a benign culture of bush folk and the other a luminous but dangerous sea of myth. The speaker fears the land of myth because he is loyal to the bush people, but he also desires to transcend his physical and intellectual poverty. Little by little, the two cultures come together as the speaker begins grafting childhood memory to the world of imagination, shaped by books, art, music, and travel. At the core of the collection are several elegies to the poet’s grandmother, May, who encouraged his young creativity.

Miraculously preserved on clay tablets dating back as much as four thousand years, the poem of Gilgamesh, king of Uruk, is the world’s oldest epic, predating Homer by many centuries. The story tells of Gilgamesh’s adventures with the wild man Enkidu, and of his arduous journey to the ends of the earth in quest of the Babylonian Noah and the secret of immortality. Alongside its themes of family, friendship and the duties of kings, the Epic of Gilgamesh is, above all, about mankind’s eternal struggle with the fear of death.The Babylonian version has been known for over a century, but linguists are still deciphering new fragments in Akkadian and Sumerian.

Named a Most Anticipated Book of 2023 by LitHub A new collection of vivid, personal and provocative work from the author of Or to Begin Again, a finalist for the 2009 National Book Award in poetry In Ann Lauterbach's eleventh collection, the image of a Door recurs across several poems, as she considers the perpetual dialogue between what is open and what is shut for each of us. The Door is a threshold between the inner landscape of memory, thought, imagination and dream and the outer so-called real world, which increasingly comes to us through technology's lens, displacing and distorting our sense of intimacy, presence and relation. What is near, and what is far away? She asks about the efficacy of language itself, when confronted by the urgent uncertainties of contemporary experience.

Pulitzer Prize-winning poet Mary Oliver presents a personal selection of her best work in this definitive collection spanning more than five decades of her esteemed literary career. Throughout her celebrated career, Mary Oliver has touched countless readers with her brilliantly crafted verse, expounding on her love for the physical world and the powerful bonds between all living things. Identified as "far and away, this country's best selling poet" by Dwight Garner, she now returns with a stunning and definitive collection of her writing from the last fifty years. Carefully curated, these 200 plus poems feature Oliver's work from her very first book of poetry, No Voyage and Other Poems, published in 1963 at the age of 28, through her most recent collection, Felicity, published in 2015. This timeless volume, arranged by Oliver herself, showcases the beloved poet at her edifying best. Within these pages, she provides us with an extraordinary and invaluable collection of her passionate, perceptive, and much-treasured observations of the natural world.

RHS Botany for Gardeners is more than just a useful reference book on the science of botany and the language of horticulture - it is a practical, hands-on guide that will help gardeners understand how plants grow, how this affects how they perform in the garden and so help them get better results. Illustrated throughout with beautiful botanical prints and simple technical diagrams, RHS Botany for Gardeners provides easy-to-understand explanations of over 3,000 botanical words and terms, and shows how these can be applied to everyday gardening practice. For easy navigation, the book is divided into thematic changes - covering everything from Plant Parts to Plant Pests - and further subdivided into useful headings, such as 'Seed Sowing' and 'Pruning'. In addition, feature spreads profile the remarkable individuals who have collected, studied and illustrated the plants that we grow today, and 'Botany in Action' boxes provide instantly accessible practical tips and advice. Aided by this book, every gardener - and every garden - will benefit from unlocking the wealth of information that lies within the intriguing world of botanical science.

Mindfulness in the Garden offers simple mindfulness verses (gathas) composed to connect the mind and body and to bring the reader/gardener’s awareness to the details of the present moment as they work in the garden. These gathas are signposts leading to nature, to the present, and ultimately to one’s self through the love and understanding they evoke. The gathas offered with each gardening activity serves to water the seeds of mindfulness within us, and softening and preparing the ground for our ability to be present. Mindfulness in the Garden values weeds as important messengers seeking to bring into close communion our spiritual nature with that of the environment. It likens spiritual practice to cultivating a garden and inspires each person to accept themselves and start where they are, weeds and all. Through the practice of mindful gardening, we invite not only the thriving of the natural world but also the flowering and beauty of the pure land of our true self to emerge. Features black and white botanical illustrations throughout. Introduction by Thich Nhat Hanh, author of Present Moment Wonderful Moment Foreword by Wendy Johnson,author of Gardening at the Dragon's Gate

From the New York Times–bestselling author of The Lost Art of Reading Nature's Signs, an eye-opening, totally original approach to the perennially popular topic of the changing seasons, revealing a whole world of clues and signs that show there’s much more to see and explore than spring, summer, winter, and fall Everybody notices the flowers of spring, longer days of summer, and colors of autumn. Very few notice the hundreds of changes that hide behind these annual events. The sun, moon, stars, plants, fungi, animals, water, and weather all reflect seasonal changes back to us. Spring is the time of meteor showers, unique cloud shapes, and secret woodland sounds. Summer is a time of sky shadows, strange silences, and one-off colors. Autumn is laced with curious animal behavior and warm-water phenomena. In The Hidden Seasons, New York Times–bestselling author Tristan Gooley shows us the deeper meaning behind these changes by connecting them with their hidden, complementary clues. A cloud of dancing insects in a sun pocket, for instance, marks an interesting moment in the spring calendar to see the link between astronomy and animal behavior. In winter we expect snowfall, but there’s a whole hidden world of meaning in every footprint; ice crystals in a deer print suggests the deer stood in that one spot long enough to melt the snow. In summer, ephemeral star compasses appear, only to hide away again by September; with Tristan as guide, you will not only see the stars that others miss, but also learn when these stars warn of summer storms. Come autumn, you’ll discover how to predict the appearance of mushrooms. In twelve chapters, you’ll uncover each granular seasonal change, month by month—every event an extraordinary occasion of its own—to more deeply understand the way nature makes its way through a year.