In the refugee camp of Jenin, Amal is born into a world of loss—of home, country, and heritage. Her Palestinian family was driven from their ancestral village by the newly formed state of Israel in 1948. As the villagers fled that day, Amal's older brother, just a baby, was stolen away by an Israeli soldier. In Jenin, the adults subsist on memories, waiting to return to the homes they love. Amal's mother has walled away her heart with grief, and her father labors all day. But in the fleeting peacefulness of dawn, he reads to his young daughter daily, and she can feel his love for her, "as big as the ocean and all its fishes." On those quiet mornings, they dream together of a brighter future. This is Amal's story, the story of one family's struggle and survival through over sixty years of the Palestinian-Israeli conflict, carrying us from Jenin to Jerusalem, to Lebanon and the anonymity of America. It is a story shaped by scars and fear, but also by the transformative intimacy of marriage and the fierce protectiveness of motherhood. It is a story of faith, forgiveness, and life-sustaining love. Mornings in Jenin is haunting and heart-wrenching, a novel of vital contemporary importance. Lending human voices to the headlines, it forces us to take a fresh look at one of the defining political conflicts of our lifetimes.

A young royal from the far north is sent south for a political marriage in an empire reminiscent of imperial China. Her brothers are dead, her armies and their war mammoths long defeated and caged behind their borders. Alone and sometimes reviled, she must choose her allies carefully. Rabbit, a handmaiden, sold by her parents to the palace for the lack of five baskets of dye, befriends the emperor's lonely new wife and gets more than she bargained for. At once feminist high fantasy and an indictment of monarchy, this evocative debut follows the rise of the empress In-yo, who has few resources and fewer friends. She's a northern daughter in a mage-made summer exile, but she will bend history to her will and bring down her enemies, piece by piece.

Before the nightmare, Yeong-hye and her husband lived an ordinary life. But when splintering, blood-soaked images start haunting her thoughts, Yeong-hye decides to purge her mind and renounce eating meat. In a country where societal mores are strictly obeyed, Yeong-hye's decision to embrace a more “plant-like” existence is a shocking act of subversion. And as her passive rebellion manifests in ever more extreme and frightening forms, scandal, abuse, and estrangement begin to send Yeong-hye spiraling deep into the spaces of her fantasy. In a complete metamorphosis of both mind and body, her now dangerous endeavor will take Yeong-hye—impossibly, ecstatically, tragically—far from her once-known self altogether.

A searing, postapocalyptic novel destined to become Cormac McCarthy’s masterpiece. A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, “each the other’s world entire,” are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.

Hailsham seems like a pleasant English boarding school, far from the influences of the city. Its students are well tended and supported, trained in art and literature, and become just the sort of people the world wants them to be. But, curiously, they are taught nothing of the outside world and are allowed little contact with it. Within the grounds of Hailsham, Kathy grows from schoolgirl to young woman, but it’s only when she and her friends Ruth and Tommy leave the safe grounds of the school (as they always knew they would) that they realize the full truth of what Hailsham is. Never Let Me Go breaks through the boundaries of the literary novel. It is a gripping mystery, a beautiful love story, and also a scathing critique of human arrogance and a moral examination of how we treat the vulnerable and different in our society. In exploring the themes of memory and the impact of the past, Ishiguro takes on the idea of a possible future to create his most moving and powerful book to date.

Food critic Dorothy Daniels loves what she does. Discerning, meticulous, and very, very smart, Dorothy's clear mastery of the culinary arts make it likely that she could, on any given night, whip up a more inspired dish than any one of the chefs she writes about. Dorothy loves sex as much as she loves food, and while she has struggled to find a long-term partner that can keep up with her, she makes the best of her single life, frequently traveling from Manhattan to Italy for a taste of both. But there is something within Dorothy that's different from everyone else, and having suppressed it long enough, she starts to embrace what makes Dorothy uniquely, terrifyingly herself. Recounting her life from a seemingly idyllic farm-to-table childhood, the heights of her career, to the moment she plunges an ice pick into a man's neck on Fire Island, Dorothy Daniels show us what happens when a woman finally embraces her superiority. A satire of early foodieism, a critique of how gender is defined, and a showcase of virtuoso storytelling, Chelsea G. Summers' A Certain Hunger introduces us to the food world's most charming psychopath and an exciting new voice in fiction.

Osamu Dazai's No Longer Human, this leading postwar Japanese writer's second novel, tells the poignant and fascinating story of a young man who is caught between the breakup of the traditions of a northern Japanese aristocratic family and the impact of Western ideas. In consequence, he feels himself "disqualified from being human" (a literal translation of the Japanese title). Donald Keene, who translated this and Dazai's first novel, The Setting Sun, has said of the author's work: "His world … suggests Chekhov or possibly postwar France, … but there is a Japanese sensibility in the choice and presentation of the material. A Dazai novel is at once immediately intelligible in Western terms and quite unlike any Western book." His writing is in some ways reminiscent of Rimbaud, while he himself has often been called a forerunner of Yukio Mishima. Cover painting by Noe Nojechowiz, from the collection of John and Barbara Duncan; design by Gertrude Huston

In this moving exploration of dual identities reminiscent of Past Lives, a Korean writer’s pregnancy raises questions about her own childhood abandonment.Nana, a Korean playwright, was adopted as a child by a French couple. Before she was Nana, she was Esther Pak, a girl growing up in a Korean orphanage. And before she was Esther Pak, she was Munju, an infant abandoned on the railway tracks of Cheongnyangni station in Seoul.Pregnant with the child of her ex-boyfriend, Nana receives a request from a Korean filmmaker who wishes to make a documentary about her life. Following a sudden compulsion to learn more about her own roots, she heads to Seoul as she prepares to bring a new life into the world. There, through unexpected encounters, the dark threads of her memory gradually begin to unravel.Simple Heart delves into profound questions about identity and belonging, with a focus on family connections and motherhood that recalls Kyung-Sook Shin’s Please Look After Mother. It also shines a necessary light on issues such as international adoption and the historic US military presence in Korea.

Americans, babies and… camels? In one-child China, when a mother runs from home because of her illegal pregnancy, it’s Kong Fanhua’s problem. She’s the only female village chief in Xiushui County, and her day-to-day tasks range from the mundane to the near-impossible: tracking down this runaway who left her twins behind, keeping rumours of a vengeful ghost at bay while trying to convince some rich American to invest in the local paper plant. Not to mention looking after her own farm and family. After all, the crops aren’t going to plant themselves. While the incompetent men in local government fail to get much done, Fanhua picks up the slack. But when higher-ups start investigating her hometown’s birth quotas, just as she’s up for re-election, the squeeze is on. Can she keep all the plates spinning? Or will she resort to villainous tactics to preserve the peace? And why won’t her lazy husband shut up about camels?

From the celebrated author of Ghost Music and Braised Pork, a bewitching and atmospheric novel following two sisters in an isolated village as the sun begins to diminish above them In Five Poems Lake, a small village surrounded by impenetrable deserts, the sun is slowly disappearing overhead. A young woman keeps one apprehensive eye on the sky above as she tends the pharmacy of traditional medicine that belonged to her great grandfather. She has few customers, and even fewer her older sister Dong Ji, her last living relative, works at a wellness parlor across town for those who can afford it—which, during these strange and difficult days, is not many. Five Poems Lake had fallen on hard times long before the sun began shrinking, but now, every few days, a new sliver disappears. As the temperature drops and the lake freezes over, the population of the town realizes that they will soon die—if not of the cold and starvation, then of despair. When the Beacons begin to appear—ordinary people with heads replaced by searing, blinding light, like miniature suns—the town’s residents wonder if they may hold the answer to their salvation, or if they are just another sign of impending ruin. Soon, a photograph found in the possessions of their father, who disappeared mysteriously twelve years ago, will offer another clue in the mystery of the Beacons, and Dong Ji and her sister wonder if they may finally learn what happened to their father. With a richly surreal sensibility that has earned comparisons to the work of Haruki Murakami, and anchored by searching curiosity and wisdom, in Sunbirth An Yu honors the unique relationship held between sisters and asks how much we can ever know about the deepest mysteries of the world.

From the author of the bestselling literary sensations Convenience Store Woman and Earthlings comes a surprising and highly imaginative story set in a version of Japan where sex between married couples has vanished and all children are born by artificial insemination Sayaka Murata has proven herself to be one of the most exciting chroniclers of the strangeness of society, x-raying our contemporary world to bizarre and troubling effect. Her depictions of a happily unmarried retail worker in Convenience Store Woman and a young woman convinced she is an alien in Earthlings have endeared her to millions of readers worldwide. Vanishing World takes Murata’s universe to a bold new level, imagining an alternative Japan where attitudes to sex and procreation are wildly different to our own. As a girl, Amane realizes with horror that her parents “copulated” in order to bring her into the world, rather than using artificial insemination, which became the norm in the mid-twentieth century. Amane strives to get away from what she considers an indoctrination in this strange “system” by her mother, but her infatuations with both anime characters and real people have a sexual force that is undeniable. As an adult in an appropriately sexless marriage—sex between married couples is now considered as taboo as incest—Amane and her husband Saku decide to go and live in a mysterious new town called Experiment City or Paradise-Eden, where all children are raised communally, and every person is considered a Mother to all children. Men are beginning to become pregnant using artificial wombs that sit outside of their bodies like balloons, and children are nameless, called only “Kodomo-chan.” Is this the new world that will purify Amane of her strangeness once and for all?

One day, the mother was a mother but then, one night, she was quite suddenly something else... At home full-time with her two-year-old son, an artist finds she is struggling. She is lonely and exhausted. She had imagined - what was it she had imagined? Her husband, always travelling for his work, calls her from faraway hotel rooms. One more toddler bedtime, and she fears she might lose her mind. Instead, quite suddenly, she starts gaining things, surprising things that happen one night when her child will not sleep. Sharper canines. Strange new patches of hair. New appetites, new instincts. And from deep within herself, a new voice... With its clear eyes on contemporary womanhood and sharp take on structures of power, Nightbitch is an outrageously original, joyfully subversive read that will make you want to howl in laughter and recognition. Addictive enough to be devoured in one sitting, this is an unforgettable novel from a blazing new talent.

From Alix E. Harrow, the New York Times bestselling author of Starling House, comes a moving and genre-defying quest about the lady-knight whose legend built a nation, and the cowardly historian sent back through time to make sure she plays her part–even if it breaks his heart. Sir Una Everlasting was Dominion’s greatest hero: the orphaned girl who became a knight, who died for queen and country. Her legend lives on in songs and stories, in children’s books and recruiting posters—but her life as it truly happened has been forgotten. Centuries later, Owen Mallory—failed soldier, struggling scholar—falls in love with the tale of Una Everlasting. Her story takes him to war, to the archives—and then into the past itself. Una and Owen are tangled together in time, bound to retell the same story over and over again, no matter what it costs. But that story always ends the same way. If they want to rewrite Una’s legend—if they want to tell a different story--they’ll have to rewrite history itself.

The girl knows she has a destiny before she even knows her name. She grows up in the wild, in a cave with her mother, but visions of a faraway lake come to her on the spring breeze, and when she hears a traveler speak of Artos, king of Caer Leon, she knows that her future lies at his court. And so, brimming with magic and eager to test her strength, she breaks her covenant with her mother and, with a broken hunting spear and mended armour, rides on a bony gelding to Caer Leon. On her adventures she will meet great knights and steal the hearts of beautiful women. She will fight warriors and sorcerers. And she will find her love, and the lake, and her fate.