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The Night Eaters, Vol. 1: She Eats the Night
Marjorie M. Liu
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![ăčăă€ăȘăŒ 1 [Smiley 1]](https://m.media-amazon.com/images/S/compressed.photo.goodreads.com/books/1680731805i/125420658.jpg)
ăčăă€ăȘăŒ 1 [Smiley 1]
Mitei Hattori
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Your Body is Not Your Body
Alex Woodroe
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Your Body is Not Your Body
Alex Woodroe
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The Wedding Party
Liu Xinwu
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Poison for Breakfast
Lemony Snicket
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Another great collection of horror stories from Junji Ito! I found this to be much creepier and disturbing than the first volume. I love that I never know what to expect when beginning a story. What really stood out to me in this volume was his ability to draw such beautiful characters alongside very ugly and grotesque ones in vivid detail; the facial expressions are seriously captivating and haunting.
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The Liminal Zone, Vol. 2
Junji Ito
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You're Mom: A Little Book for Mothers (And the People Who Love Them)
Liz Climo
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World Without End
Christophe Blain
Post from the The Liminal Zone, Vol. 2 forum
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You're Mom: A Little Book for Mothers (And the People Who Love Them)
Liz Climo
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bookishpancit commented on aririii's review of Lobster
Well that was something⊠I had to take a tiny moment to compose my thoughts before writing a review. I donât usually read erotica so this was ⊠an experience. I have to say that I absolutely HATED Alfredâs thoughts about his daughter and I was extremely horrified at the implications of it.. So this did not turn out to be a smooth reading experience.
Having said that I wouldnât have read if it wasnât for my curiosity and the lovely community. So at least Iâm glad I didnât experience this alone! đŠđŠđŠ
bookishpancit commented on a post from the Pagebound Club forum
Since this went so well last weekâŠ. What is YOUR complaint of the week? No matter how big, small, or insignificant it may feel, shout it to the void!!! (Be supportive and niceâšđââïžđ€)
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i really like how this chapter shows the journey of radicalization so succinctly. Assata parroting US propaganda, and having friends around her who are more radical educate her. the way she portrays questioning everything is so realistic
when you realize the truth about the systems we live under, about capitalism and racism and patriarchy and imperialism, there is a feeling of having the world drop out from under you. the way Assata describes almost listlessly moving through life without any real grounding, as she tries to untangle what she thinks she knows and relearn reality. and the biting way she views people around her who still play into the "old beliefs", those who cling to inclusion and optics and believing that the system can be reformed. it's such an isolating experience, to be the only one in the room that thinks deeply about the world and the US political system
it's why having people, like her African friends, is so important. people who can be your sounding board, who will let you be wrong and give you things to think about, who will think out loud with you and figure the world out alongside you. also, i love how this section connects back to her early years after leaving home, being more or less adopted by queens who showed her a different perspective in her formative young adulthood, it definitely helped set the foundation for her being open to dismantling the US propaganda further
it's oddly reassuring to know that Assata experienced this? like, someone as intelligent and impactful as Assata experienced the radicalization, the alienation, the loneliness, the grief, the trying to understand how to move forward. it gives a sense of an almost timeless collectivism, i think? like, my radicalization is my own journey, but it's one that many people have walked, survived, and turned into power in their own way
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Women and Other Monsters: Building a New Mythology
Jess Zimmerman