Florence, 1557. Le peintre Pontormo est retrouvé assassiné au pied des fresques auxquelles il travaillait depuis onze ans. Un tableau a été maquillé. Un crime de lèse-majesté a été commis. Vasari, l’homme à tout faire du duc de Florence, est chargé de l’enquête. Pour l’assister à distance, il se tourne vers le vieux Michel-Ange exilé à Rome. La situation exige discrétion, loyauté, sensibilité artistique et sens politique. L’Europe est une poudrière. Cosimo de Médicis doit faire face aux convoitises de sa cousine Catherine, reine de France, alliée à son vieil ennemi, le républicain Piero Strozzi. Les couvents de la ville pullulent de nostalgiques de Savonarole tandis qu'à Rome, le pape condamne les nudités de le chapelle Sixtine. Perspective(s) est un polar historique épistolaire. Du broyeur de couleurs à la reine de France en passant par les meilleurs peintres, sculpteurs et architectes, chacun des correspondants joue sa carte. Tout le monde est suspect.

FROM HAN KANG, WINNER OF THE 2024 NOBEL PRIZE IN LITERATURE “[Han Kang writes in] intense poetic prose that confronts historical traumas and exposes the fragility of human life.”—from the Nobel Prize citation “Unforgettable . . . a disquietingly beautiful novel about the impossibility of waking up from the nightmare of history.”—Hernan Diaz Han Kang’s most revelatory book since The Vegetarian, We Do Not Part tells the story of a friendship between two women while powerfully reckoning with a hidden chapter of Korean history. One winter morning, Kyungha receives an urgent message from her friend Inseon to visit her at a hospital in Seoul. Inseon has injured herself in an accident, and she begs Kyungha to return to Jeju Island, where she lives, to save her beloved pet—a white bird called Ama. A snowstorm hits the island when Kyungha arrives. She must reach Inseon’s house at all costs, but the icy wind and squalls slow her down as night begins to fall. She wonders if she will arrive in time to save the animal—or even survive the terrible cold that envelops her with every step. Lost in a world of snow, she doesn't yet suspect the vertiginous plunge into the darkness that awaits her at her friend's house. Blurring the boundaries between dream and reality, We Do Not Part powerfully illuminates a forgotten chapter in Korean history, buried for decades—bringing to light the lost voices of the past to save them from oblivion. Both a hymn to an enduring friendship and an argument for remembering, it is the story of profound love in the face of unspeakable violence—and a celebration of life, however fragile it might be.

A fascinating, little-known story of the massive explosion in Holland that killed Carel Fabritius, renowned painter of The Goldfinch and A View of Delft and nearly killed Johannes Vermeer—two of the greatest artists of the 17th century. As a brilliant art critic and historian, Laura Cumming has explored the importance of art in life and can give us a perspective on the time and place in which the artist worked. Now, through the lens of one dramatic event in 17th-century Holland, Cumming “has fashioned a book that combines memoir, art criticism, and history to illuminating effect” ( The New York Times Book Review ). In 1654, the Thunderclap—an enormous explosion at a gunpowder store—devasted the city of Delft, killing hundreds of people, including the extraordinary painter Carel Fabritius, and injuring thousands more. Framing the story around the life of Fabritius, Cumming illuminates this extraordinary moment in art history while also writing about her own father, a painter. Like Dutch art, the story gradually links country, city, town, street, house, interior—all the way to the bird on its perch, the blue and white tile, the smallest seed in a loaf of bread. The impact of a painting and how it can enter our thoughts, influence our view and understanding of the world is the heart of this book. Cumming has brought her unique eye to her most compelling subject yet. Featuring beautiful full-color images of Dutch paintings throughout.

50th Anniversary Edition, with a new introduction by David Mitchell and a new afterword by Charlie Jane Anders Ursula K. Le Guin’s groundbreaking work of science fiction—winner of the Hugo and Nebula Awards. A lone human ambassador is sent to the icebound planet of Winter, a world without sexual prejudice, where the inhabitants’ gender is fluid. His goal is to facilitate Winter’s inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the strange, intriguing culture he encounters... Embracing the aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of intellectual science fiction.

This Modern Love is a unique crowdsourced book of letters, stories, and photographs about the state of modern romance by YouTuber Will Darbyshire. ‘Question 1. What would you say to your ex, without judgement?’ Seeking closure after a tough break-up, Will Darbyshire was driven to strike up an intimate conversation with his online audience. Posting a series of questions via his YouTube, Twitter and Instagram channels, Will asked his followers to share their innermost thoughts about their relationship experiences, in the form of hand-written letters, poems, photographs, and emails. After 6 months and over 15,000 heartfelt submissions later, from over 100 countries, This Modern Love collects these letters together to form a compendium of 21st century love, structured into the beginning, middle and end of a relationship. Tender, funny and cathartic, This Modern Love is a compelling portrait of individual desires, resentments and fears that reminds us that, whether we're in or out of love, we're not alone.