In fairy tales, happy endings are the norm—as long as you're beautiful and walk on two legs. After all, the ogre never gets the princess. And since fairy tales are the foundational myths of our culture, how can a girl with a disability ever think she'll have a happy ending? By examining the ways that fairy tales have shaped our expectations of disability, Disfigured will point the way toward a new world where disability is no longer a punishment or impediment but operates, instead, as a way of centering a protagonist and helping them to cement their own place in a story, and from there, the world. Through the book, Leduc ruminates on the connections we make between fairy tale archetypes—the beautiful princess, the glass slipper, the maiden with long hair lost in the tower—and tries to make sense of them through a twenty-first-century disablist lens. From examinations of disability in tales from the Brothers Grimm and Hans Christian Andersen through to modern interpretations ranging from Disney to Angela Carter, and the fight for disabled representation in today's media, Leduc connects the fight for disability justice to the growth of modern, magical stories, and argues for increased awareness and acceptance of that which is other—helping us to see and celebrate the magic inherent in different bodies.

There's nothing more dangerous than an eligible duke... Every unmarried young lady of the Teacup Isles wants to marry the Duke of Storm, except Miss Mnemosyne Seabourne, who is quite content on the shelf, thank you very much. All she wants is a quiet life and a good book. At a house party full of ruthless debutantes willing to employ sneaky sympathetic magic to win a husband of quality, Mneme joins forces with an enigmatic spellcracker to rescue the duke from being married against his will, and to find out who is responsible for his abduction. Can Mneme save the Duke of Storm without becoming his bride? Will this caper ruin her reputation forever? Can teacups and hedgehogs be used as projectile weapons in emergencies? Why are attractive men more devastating when they roll up their sleeves? If you enjoy Regency house parties, witty romantic banter and high society sorcery, you'll adore this magical comedy of manners cozy mystery novella.

While investigating a man claiming to be the long-lost heir to a noble family, Veronica Speedwell gets the surprise of her life in this new adventure from the New York Times bestselling and Edgar Award-nominated author Deanna Raybourn. London, 1889. Veronica Speedwell and her natural historian beau Stoker are summoned by Sir Hugo Montgomerie, head of Special Branch. He has a personal request on behalf of his goddaughter, Euphemia Hathaway. After years of traveling the world, her eldest brother, Jonathan, heir to Hathaway Hall, was believed to have been killed in the catastrophic eruption of Krakatoa a few years before. But now a man matching Jonathan's description and carrying his possessions has arrived at Hathaway Hall with no memory of his identity or where he has been. Could this man truly be Jonathan, back from the dead? Or is he a devious impostor, determined to gain ownership over the family's most valuable possessions--a legendary parure of priceless Rajasthani jewels? It's a delicate situation, and Veronica is Sir Hugo's only hope. Veronica and Stoker agree to go to Hathaway Hall to covertly investigate the mysterious amnesiac. Veronica is soon shocked to find herself face-to-face with a ghost from her past. To help Sir Hugo discover the truth, she must open doors to her own history that she long believed to be shut for good.

From the #1 New York Times bestselling author of Sapiens comes the groundbreaking story of how information networks have made, and unmade, our world. For the last 100,000 years, we Sapiens have accumulated enormous power. But despite all our discoveries, inventions, and conquests, we now find ourselves in an existential crisis. The world is on the verge of ecological collapse. Misinformation abounds. And we are rushing headlong into the age of AI—a new information network that threatens to annihilate us. For all that we have accomplished, why are we so self-destructive? Nexus looks through the long lens of human history to consider how the flow of information has shaped us, and our world. Taking us from the Stone Age, through the canonization of the Bible, early modern witch-hunts, Stalinism, Nazism, and the resurgence of populism today, Yuval Noah Harari asks us to consider the complex relationship between information and truth, bureaucracy and mythology, wisdom and power. He explores how different societies and political systems throughout history have wielded information to achieve their goals, for good and ill. And he addresses the urgent choices we face as non-human intelligence threatens our very existence. Information is not the raw material of truth; neither is it a mere weapon. Nexus explores the hopeful middle ground between these extremes, and in doing so, rediscovers our shared humanity.

The CNN host and best-selling author explores the revolutions—past and present—that define the polarized and unstable age in which we live. Populist rage, ideological fracture, economic and technological shocks, war, and an international system studded with catastrophic risk—the early decades of the twenty-first century may be the most revolutionary period in modern history. But it is not the first. Humans have lived, and thrived, through more than one great realignment. What are these revolutions, and how can they help us to understand our fraught world? In this major work, Fareed Zakaria masterfully investigates the eras and movements that have shaken norms while shaping the modern world. Three such periods hold profound lessons for today. First, in the seventeenth-century Netherlands, a fascinating series of transformations made that tiny land the richest in the world—and created politics as we know it today. Next, the French Revolution, an explosive era that devoured its ideological children and left a bloody legacy that haunts us today. Finally, the mother of all revolutions, the Industrial Revolution, which catapulted Great Britain and the US to global dominance and created the modern world. Alongside these paradigm-shifting historical events, Zakaria probes four present-day revolutions: globalization, technology, identity, and geopolitics. For all their benefits, the globalization and technology revolutions have produced profound disruptions and pervasive anxiety and our identity. And increasingly, identity is the battlefield on which the twenty-first century’s polarized politics are fought. All this is set against a geopolitical revolution as great as the one that catapulted the United States to world power in the late nineteenth century. Now we are entering a world in which the US is no longer the dominant power. As we find ourselves at the nexus of four seismic revolutions, we can easily imagine a dark future. But Zakaria proves that pessimism is premature. If we act wisely, the liberal international order can be revived and populism relegated to the ash heap of history. As few public intellectuals can, Zakaria combines intellectual range, deep historical insight, and uncanny prescience to once again reframe and illuminate our turbulent present. His bold, compelling arguments make this book essential reading in our age of revolutions.

“A master of narrative nonfiction … in this mesmerizing tale about a Jazz Age gentlemanly thief, Jobb has found his own perfect jewel.” – David Grann, New York Times #1 bestselling author of The Wager and Killers of the Flower Moon Catch Me If You Can meets The Great Gatsby meets the hit Netflix series Lupin in this captivating Jazz Age true-crime caper about "the greatest jewel thief who ever lived" (Life Magazine), Arthur Barry, who charmed celebrities and millionaires—everyone from Rockefellers to members of the royal family—while simultaneously planning and executing the most audacious and lucrative heists of the 1920s.  A skilled con artist and one of the most successful burglars in history, Arthur Barry was adept at slipping in and out of bedrooms undetected, even when his victims slept only inches away. He became a folk hero, a gentleman bandit touted in the press as the “Prince of Thieves” and an “Aristocrat of Crime.” Think Cary Grant in To Catch a Thief.  In a span of seven years, Barry stole pearls, diamonds, and other precious gems worth almost $60 million today. Among his many victims were a Rockefeller, an heiress to the Woolworth Department Store fortune, an oil magnate, Wall Street bigwigs, a top executive of automotive giant General Motors, members of the Royal Family who were touring America, and a famous polo player. He befriended the Prince of Wales, Harry Houdini, and other luminaries. The rollicking, caper-filled rise and dramatic downfall of this master thief is a high-speed ride told in stylish prose.   A Gentleman and a Thief is also a love story. Barry confessed to dozens of burglaries to protect his wife, Anna Blake (and was the prime suspect in scores of others on Long Island and across Westchester County). Sentenced to a twenty-five-year term, he staged a dramatic prison break—triggering a bloody inmates' riot—when Anna became seriously ill, so they could be together for a few more years as fugitives. Page-turning, escapist, and sparkling with insight into the allure of gemstones and our fascination with well-planned heists and the suave, clever criminals who pull them off, A Gentleman and a Thief is perfect for true crime fans who relish the exploits of con artists and high-class crooks.

For her collection Lost Wax , Jericho Parms borrows her title from a casting method used by sculptors. As such, these eighteen essays, centered on art and memory, offer an investigation into form and content and the language of innocence, experience, and loss. Four sections (each borrowing names from the sculptures of Degas, Bernini, and Rodin) frame a series of meditations that consider the boundaries of the discernible world and the extremes of the body and the self. Here Parms draws heavily on memories of a Bronx upbringing in the 1980s and1990s; explorations in Spain, Portugal, Ireland, and the American West; the struggle to comprehend race, love, family, madness, and nostalgia; and the unending influence of art, poetry, and music. Written largely within the galleries of the Metropolitan Museum of Art, Lost Wax is an inquiry into the ways we curate memory and human experience despite the limits of observation and language. In these essays, Parms exhibits and examines her greatest how to describe the surface of marble or bronze; how to embrace the necessary complexities of identity, stillness and movement, life and death―how to be young and alive.

A curmudgeonly professor journeys to a small town in the far north to study faerie folklore and discovers dark fae magic, friendship, and love in the start of a heartwarming and enchanting new fantasy series. Cambridge professor Emily Wilde is good at many things: She is the foremost expert on the study of faeries. She is a genius scholar and a meticulous researcher who is writing the world's first encyclopaedia of faerie lore. But Emily Wilde is not good at people. She could never make small talk at a party--or even get invited to one. And she prefers the company of her books, her dog, and the Fair Folk. So when she arrives in the hardscrabble village of Hrafnsvik, Emily has no intention of befriending the gruff townsfolk. Nor does she care to spend time with another new arrival: her dashing and insufferably handsome academic rival Wendell Bambleby, who manages to charm the townsfolk, get in the middle of Emily's research, and utterly confound and frustrate her. But as Emily gets closer and closer to uncovering the secrets of the Hidden Ones--the most elusive of all faeries--lurking in the shadowy forest outside the town, she also finds herself on the trail of another mystery: Who is Wendell Bambleby, and what does he really want? To find the answer, she'll have to unlock the greatest mystery of all--her own heart.