For her collection Lost Wax , Jericho Parms borrows her title from a casting method used by sculptors. As such, these eighteen essays, centered on art and memory, offer an investigation into form and content and the language of innocence, experience, and loss. Four sections (each borrowing names from the sculptures of Degas, Bernini, and Rodin) frame a series of meditations that consider the boundaries of the discernible world and the extremes of the body and the self. Here Parms draws heavily on memories of a Bronx upbringing in the 1980s and1990s; explorations in Spain, Portugal, Ireland, and the American West; the struggle to comprehend race, love, family, madness, and nostalgia; and the unending influence of art, poetry, and music. Written largely within the galleries of the Metropolitan Museum of Art, Lost Wax is an inquiry into the ways we curate memory and human experience despite the limits of observation and language. In these essays, Parms exhibits and examines her greatest how to describe the surface of marble or bronze; how to embrace the necessary complexities of identity, stillness and movement, life and death―how to be young and alive.

A curmudgeonly professor journeys to a small town in the far north to study faerie folklore and discovers dark fae magic, friendship, and love in the start of a heartwarming and enchanting new fantasy series. Cambridge professor Emily Wilde is good at many things: She is the foremost expert on the study of faeries. She is a genius scholar and a meticulous researcher who is writing the world's first encyclopaedia of faerie lore. But Emily Wilde is not good at people. She could never make small talk at a party--or even get invited to one. And she prefers the company of her books, her dog, and the Fair Folk. So when she arrives in the hardscrabble village of Hrafnsvik, Emily has no intention of befriending the gruff townsfolk. Nor does she care to spend time with another new arrival: her dashing and insufferably handsome academic rival Wendell Bambleby, who manages to charm the townsfolk, get in the middle of Emily's research, and utterly confound and frustrate her. But as Emily gets closer and closer to uncovering the secrets of the Hidden Ones--the most elusive of all faeries--lurking in the shadowy forest outside the town, she also finds herself on the trail of another mystery: Who is Wendell Bambleby, and what does he really want? To find the answer, she'll have to unlock the greatest mystery of all--her own heart.

What fuels and sustains activism and organizing when it feels like our worlds are collapsing? Doing Justice is a practical and imaginative resource for activists and organizers building power in an era of destabilization and catastrophe. Longtime organizers and movement educators Mariame Kaba and Kelly Hayes examine some of the political lessons of the COVID-19 pandemic, including the convergence of mass protest and mass formations of mutual aid, and consider what this confluence of power can teach us about a future that will require mass acts of care, rescue and defense, in the face of both state violence and environmental disaster. The book is an assemblage of co-authored reflections, interviews and questions that are intended to aid and empower activists and organizers as they attempt to map their own journeys through the work of justice-making. It includes insights from a spectrum of experienced organizers, including Sharon Lungo, Carlos Saavedra, Ejeris Dixon, Barbara Ransby, and Ruth Wilson Gilmore about some of the difficult and joyous lessons they have learned in their work.

Bringing his trademark style and charming whimsy, Antoine Laurain’s new novel of intrigue, murder and neighbourly curiosity is sure to delight fans old and new.  Nathalia, a young photographer, has been seeing a therapist. Having accidentally photographed a murder, she finds that she can no longer do her job.  Instead, Doctor Faber suggests that she write about the neighbours she idly observes in the building across the street. But as these written snapshots become increasingly detailed, he starts to wonder how she can possibly know so much about them. With each session, Doctor Faber and his mysterious patient will get closer and closer to the truth. But are the stories Nathalia submits each week as she claims... Bestselling author Antoine Laurain serves up a dose of suspense and intrigue in Rear Window with a Parisian heart.

A pair of Gothic novelists trade rivalry for love in this swoony, steamy, sapphic Regency by USA Today bestselling author Alexandra Vasti.Celebrated authoress Lady Georgiana Cleeve has achieved fame and fortune. Unfortunately, she’s also acquired an the enigmatic Lady Darling, whose spine-tingling plots appear to be pulled straight from Georgiana’s own manuscripts. What’s a stubborn, steely writer to do? Unmask her rival, of course.But unmasking doesn’t go according to plan—because Lady Darling is actually Cat Lacey, the butler’s daughter and object of Georgiana’s very secret, very embarrassing teenage infatuation.Cat Lacey has spent a decade clawing her family out of poverty. The last thing she needs is to be distracted by the stunning(ly pretentious) Lady Georgiana Cleeve. But Cat can’t seem to escape her infuriatingly beautiful rival—including at the eerie manor where they both plan to set their next books. The plot unexpectedly thickens, however, when the novelists find themselves trapped in the manor together. In between ghostly moans and spectral staff, Cat and Georgiana come face-to-face with real the scorching passion that’s been haunting their rivalry all along.

Kylie Scott returns with the highly anticipated follow-up to international bestseller Lick. Mal Ericson, the drummer for the world-famous rock band Stage Dive, needs to clean up his image fast—at least for a little while. Having a good girl on his arm should do the job just fine. Mal doesn't plan on this temporary fix becoming permanent, but he didn't count on finding the one right girl. Anne Rollins never thought she'd ever meet the rock god who plastered her teenage bedroom walls—especially not under these circumstances. Anne has money problems. Big ones. But being paid to play the pretend girlfriend to a wild life-of-the-party drummer couldn't end well. No matter how hot he is. Or could it?

Set in thirteenth-century Bruges, this debut novel follows a young woman’s explorations of faith, agency, and love among a community of fiercely independent women.Aleys is sixteen years old and serious, stubborn, prone to religious visions. She and her only friend, a young scholar, have been learning Latin together in secret—but just as she thinks their connection might become something more, he abandons her for the monastery. When her family falls on hard financial times, her father promises her in marriage to the unctuous head of the weavers’ guild, and in desperation she runs away from home, eventually finding shelter within a community of religious women who do not answer to the church.Among the hardworking and strong-willed Beguines, Aleys glimpses for the first time the joys of a life of song, friendship, and time spent in the markets and along the canals of Bruges. But forces both mystical and political are afoot. Illegal translations of scripture, the women’s independence, and a sudden rash of miracles all draw the attention of an ambitious bishop—and bring Aleys and those around her into ever-increasing danger, a danger that will push Aleys to a new understanding of love and sacrifice.Introducing a spirited, indelible heroine and a major new talent, Canticle is a luminous work of historical fiction, vividly evoking a world on the verge of transformation.

The Spellshop is Sarah Beth Durst’s romantasy debut–a lush cottagecore tale full of stolen spellbooks, unexpected friendships, sweet jams, and even sweeter love. Kiela has always had trouble dealing with people. Thankfully, as a librarian at the Great Library of Alyssium, she and her assistant, Caz—a magically sentient spider plant—have spent the last decade sequestered among the empire’s most precious spellbooks, preserving their magic for the city’s elite. When a revolution begins and the library goes up in flames, she and Caz flee with all the spellbooks they can carry and head to a remote island Kiela never thought she’d see again: her childhood home. Taking refuge there, Kiela discovers, much to her dismay, a nosy—and very handsome—neighbor who can’t take a hint and keeps showing up day after day to make sure she’s fed and to help fix up her new home. In need of income, Kiela identifies something that even the bakery in town doesn’t have: jam. With the help of an old recipe book her parents left her and a bit of illegal magic, her cottage garden is soon covered in ripe berries. But magic can do more than make life a little sweeter, so Kiela risks the consequences of using unsanctioned spells and opens the island’s first-ever and much needed secret spellshop. Like a Hallmark rom-com full of mythical creatures and fueled by cinnamon rolls and magic, The Spellshop will heal your heart and feed your soul.

“This is the story of one of the boldest women in American history: a self-made millionaire, a celebrity in her era, a woman beloved by her patients and despised by the men who wanted to control them.”   In Madame Restell, readers are instantly transported to the glamorous mansions and bejeweled carriages of pre-Gilded Age New York, where they meet our eponymous heroine: the city’s premiere abortionist. An industrious woman who built her business from the ground up, Restell was a self-taught surgeon on the cutting edge of healthcare, and her bustling “boarding house” provided birth control, abortions, and medical assistance to thousands of women—rich and poor alike. As her practice expanded, her notoriety swelled, and Restell established herself as a prime target for tabloids, threats, and lawsuits galore. But far from fading into the background, she flaunted her wealth defiantly, parading across the city in designer duds and expensive jewelry, rubbing her success in the faces of the many politicians, publishers, religious zealots, and male competitors determined to bring her down. Unfortunately for Madame Restell, her rise to the top of her field coincided with “the greatest scam you’ve never heard about”: the campaign to curtail women’s power by restricting their access to healthcare. For centuries, midwives and female practitioners, like Restell, had tended to public healthcare needs of both men and women. But after the birth of the medical clinic, newly-minted male MDs were eager to edge out their feminine competition—by forcing women back into the home and turning medicine into a standardized, male-only practice. At the same time, a group of powerful, secular men—threatened by women’s burgeoning independence in other fields—persuaded the Christian leadership to declare abortion a sin, rewriting the meaning of “Christian morality” to protect their own interests. By unraveling the misogynistic and misleading lies that put women’s health in jeopardy, Wright simultaneously restores Restell to her rightful place in history and obliterates the faulty, fractured reasoning underlying the very foundation of what has since been dubbed the “pro-life” movement. Thought-provoking, character-driven, boldly written, and feminist as hell, Madame Restell is required reading for anyone and everyone who believes that when it comes to women’s rights, women’s bodies, and women’s history, women should have the last word.