“Your next favorite horror-comedy.”—Syfy Fangrrls Teen Wolf meets Emergency Contact in this sharply observed, hilarious, and heartwarming debut young adult novel about friendship, chronic illness, and . . . werewolves. Priya worked hard to pursue her premed dreams at Stanford, but the fallout from undiagnosed Lyme disease sends her back to her childhood home in New Jersey during her sophomore year—and leaves her wondering if she’ll ever be able to return to the way things were. Thankfully she has her online pen pal, Brigid, and the rest of the members of “oof ouch my bones,” a virtual support group that meets on Discord to crack jokes and vent about their own chronic illnesses. When Brigid suddenly goes offline, Priya does something out of character: she steals the family car and drives to Pennsylvania to check on Brigid. Priya isn’t sure what to expect, but it isn’t the horrifying creature that's shut in the basement. With Brigid nowhere to be found, Priya begins to puzzle together an impossible but obvious truth: the creature might be a werewolf—and the werewolf might be Brigid. As Brigid's unique condition worsens, their friendship will be deepened and challenged in unexpected ways, forcing them to reckon with their own ideas of what it means to be normal.

Personal stories of how women survive after the trauma of sexual assault. In the era of #MeToo, we've become better at talking about sexual assault. But sexual assault isn't limited to a single, terrible moment of violence: it stays with survivors, following them wherever they go. Through the voices of twelve diverse female writers, Whatever Gets You Through offers a powerful look at the narrative of sexual assault not covered by the headlines--the weeks, months, and years of survival and adaptation that women live through in its aftermath. With a foreword by Jessica Valenti, an extensive introduction by editors Stacey May Fowles and Jen Sookfong Lee, and contributions by acclaimed literary voices listed in presentation order: Lauren McKeon, Heather O'Neill, Alicia Elliott, Juliane Okot Bitek, Kai Chen Thom, Elly Danica, Gwen Benaway, Karyn L. Freedman, Amber Dawn, Soraya Palmer, Lea Lakshmi Piepzna-Samarasinha and Elisabeth de Mariaffi. The collection explores some of the many different forms that survival can take. From ice hockey to kink, boxing to tapestry-making, these striking personal essays address subjects as varied as the women who have lived them. With candor and insight, each writer shares her own unique experience of enduring: the everyday emotional pain and trauma, but also the incredible resilience and strength that can emerge in the aftermath of sexual assault.

Ostberlin im Sommer 1989: Mirco Watzke steckt in der Klemme. Der sonst so vorbildliche Schüler der Klasse 5a hat Ärger mit den blöden FDJlern, und der Einzige, der ihm dabei helfen kann, ist ausgerechnet dieser unheimliche Neue aus der Parallelklasse…

A shocking exposé of how food in prison is used as a form of hidden punishment, and a call to nourish our common humanityPrisons and jails are the nation’s lesser-known food deserts, where hunger and malnourishment exist alongside extreme levels of food waste, because much of what’s served is so unpalatable it ends up in the trash. Mealtime is also tense and humiliating when incarcerated people are sometimes forced to eat in silence, finish within minutes, and punished for sharing or swapping items on their tray. This disturbing portrait of eating behind bars came to light in 2020 when the nonprofit Impact Justice released the first-ever national examination of food in prison, catapulting the issue from the margins of prison litigation to the center of national conversations about mass incarceration and food justice. The result is this landmark book, about an unseen food crisis affecting millions of Americans. Rich in accessible graphics and compelling photography of actual prison meals, and with riveting testimonials from formerly incarcerated people, Eating Behind Bars documents the scarcity of fresh food in prison, high rates of diet-related disease and illness, the race to spend as little as possible, and other punishing aspects of food behind bars. The authors answer the crisis with meaningful “farm to tray” programs, Chefs In Prisons, vertical farms on the grounds of correctional facilities, and other ways of providing fresh, nourishing, and appealing food as an inherent human right—work that challenges the heartless machinery of mass incarceration overall.

A vibrant new vision of food justice that celebrates Black food and recognizes the power of gathering to create sustainable, systemic change. How can we create a world where everyone has enough? We can start by focusing less on lack and more on abundance. In Gather, anthropologist Ashanté M. Reese argues for a new vision of food justice that centers the resilience of Black communities and argues that community nourishment deserves as much consideration as individual health. Highlighting four spaces of gathering—gardens, family reunions, repasts, and protests —Reese offers rich, on–the–ground studies of the places and people who make up the food justice movement. From Black church networks and community farms to student protests, these studies illuminate ways we can challenge structures of power and nourish ourselves, body and soul. In a world of social isolation and unequal food systems, Gather offers a compelling argument for the beauty and political power of togetherness.

The author of the widely praised Wordslut analyzes the social science of cult influence: how cultish groups from Jonestown and Scientology to SoulCycle and social media gurus use language as the ultimate form of power. What makes “cults” so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we’re looking for a satisfying explanation for what causes people to join—and more importantly, stay in—extreme groups. We secretly want to know: could it happen to me? Amanda Montell’s argument is that, on some level, it already has . . . Our culture tends to provide pretty flimsy answers to questions of cult influence, mostly having to do with vague talk of “brainwashing.” But the true answer has nothing to do with freaky mind-control wizardry or Kool-Aid. In Cultish, Montell argues that the key to manufacturing intense ideology, community, and us/them attitudes all comes down to language. In both positive ways and shadowy ones, cultish language is something we hear—and are influenced by—every single day. Through juicy storytelling and cutting original research, Montell exposes the verbal elements that make a wide spectrum of communities “cultish,” revealing how they affect followers of groups as notorious as Heaven’s Gate, but also how they pervade our modern start-ups, Peloton leaderboards, and Instagram feeds. Incisive and darkly funny, this enrapturing take on the curious social science of power and belief will make you hear the fanatical language of “cultish” everywhere.

«Ich bin die Marie Kondo der Literatur. If it doesn′t spark joy – weg damit in die Mülltonne.» Barbi Marković hat sich das Stehlen als kulturelle Unverschämtheit zum Programm gemacht. In ihrem neuen Buch erzählt sie, wie es dazu kam und warum man ihr trotz offener Piraterie die Originalität nie abgestritten hat. Fast nie. Aber es geht auch um die Kraft und den Zug einer guten, rhythmisch abgestimmten Schimpftirade. Es geht um Machtverhältnisse. Um Regeln, die man sich selbst auferlegt. Darum, objektiv zu sein, und wütend, aber auf niemanden konkret. Distanz zu erzeugen, damit die Geschichte näher kommen kann. Dass die Texte am Ende mehr wissen als die Person, die sie geschrieben hat, und über mehr berichten als nur über ein Privatschicksal. – Wie geht das? «Stehlen, Schimpfen, Spielen» gibt Antworten. «Der Genuss ihrer witzigen und scheinbar so einfachen Sätze, die die absurde Fallhöhe zwischen Alltag und existenzieller Weltlage ausmessen, soll bitte nicht enden.» Jury zum Preis der Leipziger Buchmesse 2024

Hinter der perfekten Idylle lauert die »Tradwife«-Szene – Hannah Lühmanns Roman über ein virales Thema und den Rechtsruck in unserem LandAls Jana mit ihrer Familie aufs Land zieht, merkt sie Hier gelten andere Regeln. Hinter der bürgerlichen Fassade lauert ein höchst problematisches Weltbild, wie selbstverständlich wird hier AfD gewählt. Auch Janas charismatische Nachbarin Karolin hat sich ganz der Rolle als Hausfrau und Mutter verschrieben. Je mehr Zeit Jana mit Karolin verbringt, desto klarer wird ihr, dass sie auf eine sehr zeitgemäße Weise ultrakonservativ ist – sie kämpft als »Tradwife« im Namen der Tradition gegen alles, wofür Jana eigentlich steht. Jana versucht, sich gegen ihre Faszination zu wehren, und ertappt sich doch immer wieder bei dem verstörenden Gedanken, dass sie Karolin um ihr Leben beneidet …

«Ich habe ein Konsumproblem. Ich kaufe, um zu vergessen, und dann vergesse ich, dass ich gekauft habe. Wenn ich Dinge nicht sehe, vergesse ich, dass sie existieren. Mein Pürierstab, mein Fahrradhelm, mein Ex-Freund, als er mal für eine Woche nach Dänemark gefahren ist. Ich kann mich plötzlich nicht mehr an sie erinnern und denke: Da könntest du mal einen neuen gebrauchen! Infolgedessen habe ich mehrere Pürierstäbe, Fahrradhelme und Ex-Freunde.» Giulia Becker ist die Königin des Grotesken, des Überdrehten. In ihrem neuen, zweiten Buch strickt sie einen ganzen Kosmos aus kleinen Alltagsbeobachtungen. Ein Urlaub im Wellnesshotel, der Umstieg vom Zweirad aufs Einrad, die Anmeldung im Fitnessstudio – Becker erzählt von Ereignissen, die meist harmlos beginnen und dann die unerwartetsten Wendungen nehmen. Und damit entlarvt sie alltägliche Herausforderungen als das, was sie eine Aneinanderreihung von Absurditäten, die in ihrer Summe vor allem urkomisch sind.