Get ready for another binge-worthy romance from international bestselling author and TikTok sensation Elle Kennedy. He's a player in more ways than one… College junior John Logan can get any girl he wants. For this hockey star, life is a parade of parties and hook-ups, but behind his killer grins and easygoing charm, he hides growing despair about the dead-end road he'll be forced to walk after graduation. A sexy encounter with freshman Grace Ivers is just the distraction he needs, but when a thoughtless mistake pushes her away, Logan plans to spend his final year proving to her that he's worth a second chance. Now he's going to need to up his game… After a less than stellar freshman year, Grace is back at Briar University, older, wiser, and so over the arrogant hockey player she nearly handed her V-card to. She's not a charity case, and she's not the quiet butterfly she was when they first hooked up. If Logan expects her to roll over and beg like all his other puck bunnies, he can think again. He wants her back? He'll have to work for it. This time around, she'll be the one in the driver's seat…and she plans on driving him wild.

An alternative cover edition can be found here. She's about to make a deal with the college bad boy... Hannah Wells has finally found someone who turns her on. But while she might be confident in every other area of her life, she's carting around a full set of baggage when it comes to sex and seduction. If she wants to get her crush's attention, she'll have to step out of her comfort zone and make him take notice... even if it means tutoring the annoying, childish, cocky captain of the hockey team in exchange for a pretend date. ...and it's going to be oh so good. All Garrett Graham has ever wanted is to play professional hockey after graduation, but his plummeting GPA is threatening everything he's worked so hard for. If helping a sarcastic brunette make another guy jealous will help him secure his position on the team, he's all for it. But when one unexpected kiss leads to the wildest sex of both their lives, it doesn't take long for Garrett to realize that pretend isn't going to cut it. Now he just has to convince Hannah that the man she wants looks a lot like him.

At once a relentlessly fast-paced, admirably observed novel of social unrest and the story of a young man’s struggle for identity, In Dubious Battle is set in the California apple country, where a strike by migrant workers against rapacious landowners spirals out of control. Caught in the upheaval is Jim Nolan, a once aimless man who finds himself in the course of the strike.

In his journal, Nobel Prize winner John Steinbeck called East of Eden “the first book,” and indeed it has the primordial power and simplicity of myth. Set in the rich farmland of California’s Salinas Valley, this sprawling and often brutal novel follows the intertwined destinies of two families—the Trasks and the Hamiltons—whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel. Adam Trask came to California from the East to farm and raise his family on the new rich land. But the birth of his twins, Cal and Aaron, brings his wife to the brink of madness, and Adam is left alone to raise his boys to manhood. One boy thrives nurtured by the love of all those around him; the other grows up in loneliness enveloped by a mysterious darkness. First published in 1952, East of Eden is the work in which Steinbeck created his most mesmerizing characters and explored his most enduring themes: the mystery of identity, the inexplicability of love, and the murderous consequences of love's absence. A masterpiece of Steinbeck's later years, East of Eden is a powerful and vastly ambitious novel that is at once a family saga and a modern retelling of the Book of Genesis.

The time has come! Book seven in the bestselling Dungeon Crawler Carl series is here! They call it Faction Wars. The ninth floor. Nine armies, each led by rich and powerful aliens from across the galaxy. Each team has one objective: to capture and hold the castle at the very center of the battlefield. Strategy, alliances, pitched battles, and, of course, betrayal... It all makes for great fun and even greater television. After all, none of these powerful aliens really die when they’re playing war. Except this time. This time, winner takes all. Those who fall, stay in the ground. As the AI continues its rapid decline, Carl and company take advantage of the chaos. For the first time ever, the crawlers are fighting back. They are now one of the nine teams. And this season, there’s a tenth army on the playing field. The NPCs, who are normally used as nothing but cannon fodder, have become fully self-aware and formed a team of their own. For Donut and Katia, the stakes are even higher. Only one of them will be allowed to leave this level. If they all want to survive, they’re going to need a little help from a veteran or two. This is it. This is what they’ve been fighting toward. This is war. This inevitable ruin.

A pantheon of forgotten gods. An old grudge between a talk show host, an heiress, and the man they shattered along the way. A rapidly deteriorating AI system. An inconvenient tiara upon the head of a friend. It is bedlam on the eighth floor. As management reels from the unexpected conclusion of the seventh level, the surviving crawlers stumble onto the eighth and find themselves scattered. It’s a map based on Earth’s final days before the collapse, where ethereal, intangible ghosts of humanity go about their lives, oblivious of the impending doom. Living amongst these ghosts are monsters based in Earth lore. “Legendary” creatures tied to the geographical location they inhabit. Each team of crawlers is given a task: find and capture six of these beasts. The captured monsters will be turned into cards. Cards that can be summoned into battle again and again. The stronger, the deadlier, the better. At the end of the floor, the bad guys will also have decks, and they will have some of the most powerful cards available. So it’s crucial to assemble the toughest squad possible. But, like always, there is a catch. There’s always a catch. As Carl and Donut know all too well, just because someone is captured, it doesn’t mean they have been tamed. Her name is Shi Maria. She’s easily the most powerful monster in their area. If they want to survive, they must capture her. But she is no ordinary beast. She’s intelligent. She was once married to a god, a god who is now missing. Her special attack is known to drive one insane. They call her the Bedlam Bride. “Beware, beware. Beware the Eye of the Bedlam Bride”

"A landmark, one of the most important books of the year" - David Brooks, New York Times“Real, practical, solutions to create a world that would be better for all of us, across the gender spectrum." — Anne-Marie Slaughter, CEO, New America and author of Unfinished Women Men Work Family A positive vision for masculinity in more equal world. Boys and men are struggling. Profound economic and social changes of recent decades have many losing ground in the classroom, the workplace, and in the family. While the lives of women have changed, the lives of many men have remained the same or even worsened. Our attitudes, our institutions, and our laws have failed to keep up. Conservative and progressive politicians, mired in their own ideological warfare, fail to provide thoughtful solutions. The father of three sons, a journalist, and a Brookings Institution scholar, Richard V. Reeves has spent twenty-five years worrying about boys both at home and work. His new book, Of Boys and Men, tackles the complex and urgent crisis of boyhood and manhood. Reeves looks at the structural challenges that face boys and men and offers fresh and innovative solutions that turn the page on the corrosive narrative that plagues this issue. Of Boys and Men argues that helping the other half of society does not mean giving up on the ideal of gender equality.

In his journal, Nobel Prize winner John Steinbeck called East of Eden “the first book,” and indeed it has the primordial power and simplicity of myth. Set in the rich farmland of California’s Salinas Valley, this sprawling and often brutal novel follows the intertwined destinies of two families—the Trasks and the Hamiltons—whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel. Adam Trask came to California from the East to farm and raise his family on the new rich land. But the birth of his twins, Cal and Aaron, brings his wife to the brink of madness, and Adam is left alone to raise his boys to manhood. One boy thrives nurtured by the love of all those around him; the other grows up in loneliness enveloped by a mysterious darkness. First published in 1952, East of Eden is the work in which Steinbeck created his most mesmerizing characters and explored his most enduring themes: the mystery of identity, the inexplicability of love, and the murderous consequences of love's absence. A masterpiece of Steinbeck's later years, East of Eden is a powerful and vastly ambitious novel that is at once a family saga and a modern retelling of the Book of Genesis.

How do powerand beauty join forces to determine who is considered ugly? What role does thatugliness play in fomenting hatred? Moshtari Hilal, anAfghan-born author and artist who lives in Germany, has written a touching,intimate, and highly political book. Dense body hair, crookedteeth, and big Hilal uses a broad cultural lens to question norms ofappearance—ostensibly her own, but in fact, everyone’s. She writes about beautysalons in Kabul as a backdrop to the U.S. invasion of Afghanistan, Darwin’stheory of evolution, Kim Kardashian, and a utopian place in the shadow of hernose. With a profound mix of essay, poetry, her own drawings, and cultural andsocial history of the body, Hilal explores notions of repulsion and attraction,taking the reader into the most personal of realms to put self-image to thetest. Why are we afraid of ugliness?

A lively, accessible survey of literary censorship through the ages. The freedom to read is under attack. There are, today, more efforts to ban books from libraries than ever before. The supposed "dangers" posed by books including The Handmaid's Tale, Gender Queer, Huckleberry Finn, and the works of Dr. Seuss—leading children down a path of sexual deviance, or harming them with racist language or non-inclusive narratives—fuel the puritanical zeal of De Santis Republicans and progressive educators alike. On Book Banning argues that today's culture warriors proceed from a misunderstanding of literature as instrumental to the pursuit of their ideological agendas. In treating libraries as sites of contagion and exposure, censors are warping our children's relationship with literature and teaching them that the solution to opposing viewpoints is cancellation or outright expurgation. On Book Banning provides a lively, accessible survey of literary censorship through the ages—from the destruction of libraries in ancient Rome, to the Catholic Church's attempts to tamp down religious dissent and scientific innovation, to state-sponsored efforts to suppress LGBTQ literature in the 1980s and beyond. Throughout, Ira Wells demonstrates how today's book bans stem from the ineradicable human impulse toward social control. In a whistle-stop tour of landmark legal cases, literary controversies, and philosophical arguments, we discover that the freedom to read and publish is the aberration in human history, and that censorship and restriction have been the rule. At a moment in which our democratic institutions are buckling under the stress of polarization, On Book Banning is both rallying cry and guide to resistance for those who reject the conflation of art and propaganda, for whom books remain sacred vessels of our shared humanity, and who will always insist upon reading for ourselves.

A pantheon of forgotten gods. An old grudge between a talk show host, an heiress, and the man they shattered along the way. A rapidly deteriorating AI system. An inconvenient tiara upon the head of a friend. It is bedlam on the eighth floor. As management reels from the unexpected conclusion of the seventh level, the surviving crawlers stumble onto the eighth and find themselves scattered. It’s a map based on Earth’s final days before the collapse, where ethereal, intangible ghosts of humanity go about their lives, oblivious of the impending doom. Living amongst these ghosts are monsters based in Earth lore. “Legendary” creatures tied to the geographical location they inhabit. Each team of crawlers is given a task: find and capture six of these beasts. The captured monsters will be turned into cards. Cards that can be summoned into battle again and again. The stronger, the deadlier, the better. At the end of the floor, the bad guys will also have decks, and they will have some of the most powerful cards available. So it’s crucial to assemble the toughest squad possible. But, like always, there is a catch. There’s always a catch. As Carl and Donut know all too well, just because someone is captured, it doesn’t mean they have been tamed. Her name is Shi Maria. She’s easily the most powerful monster in their area. If they want to survive, they must capture her. But she is no ordinary beast. She’s intelligent. She was once married to a god, a god who is now missing. Her special attack is known to drive one insane. They call her the Bedlam Bride. “Beware, beware. Beware the Eye of the Bedlam Bride”