Dr. Henry Jekyll, fascinated by the dichotomy of good and evil, no longer wants to inhibit his dark side. He concocts a potion to create the alter ego of Mr. Edward Hyde. With the burden of evil placed on Hyde, Jekyll can now take pleasure in his immoral, nefarious fantasies - free of conscience and guilt. It’s when Hyde turns to murder that Jekyll realizes how monstrous his impulses are and how hard they are to suppress. Exploring the nature of shame, repression, desire, and control, Stevenson’s story has so endured that “a Jekyll and Hyde personality” has become part of our lexicon in understanding our own - sometimes involuntary - duality. AmazonClassics brings you timeless works from the masters of storytelling. Ideal for anyone who wants to read a great work for the first time or rediscover an old favorite, these new editions open the door to literature’s most unforgettable characters and beloved worlds.

Diagnosed by her physician husband with a “temporary nervous depression—a slight hysterical tendency” after the birth of her child, a woman is urged to rest for the summer in an old colonial mansion. Forbidden from doing work of any kind, she spends her days in the house’s former nursery, with its barred windows, scratched floor, and peeling yellow wallpaper. In a private journal, the woman records her growing obsession with the “horrid” wallpaper. Its strange pattern mutates in the moonlight, revealing what appears to be a human figure in the design. With nothing else to occupy her mind, the woman resolves to unlock the mystery of the wallpaper. Her quest, however, leads not to the truth, but into the darkest depths of madness. A condemnation of the patriarchy, The Yellow Wallpaper explores with terrifying economy the oppression, grave misunderstanding, and willful dismissal of women in late nineteenth-century society. First published in January 1892 in The New England Magazine. Excerpt: Out of another I get a lovely view of the bay and a little private wharf belonging to the estate. There is a beautiful shaded lane that runs down there from the house. I always fancy I see people walking in these numerous paths and arbors, but John has cautioned me not to give way to fancy in the least. He says that with my imaginative power and habit of story-making a nervous weakness like mine is sure to lead to all manner of excited fancies, and that I ought to use my will and good sense to check the tendency. So I try.

Diagnosed by her physician husband with a “temporary nervous depression—a slight hysterical tendency” after the birth of her child, a woman is urged to rest for the summer in an old colonial mansion. Forbidden from doing work of any kind, she spends her days in the house’s former nursery, with its barred windows, scratched floor, and peeling yellow wallpaper. In a private journal, the woman records her growing obsession with the “horrid” wallpaper. Its strange pattern mutates in the moonlight, revealing what appears to be a human figure in the design. With nothing else to occupy her mind, the woman resolves to unlock the mystery of the wallpaper. Her quest, however, leads not to the truth, but into the darkest depths of madness. A condemnation of the patriarchy, The Yellow Wallpaper explores with terrifying economy the oppression, grave misunderstanding, and willful dismissal of women in late nineteenth-century society. First published in January 1892 in The New England Magazine. Excerpt: Out of another I get a lovely view of the bay and a little private wharf belonging to the estate. There is a beautiful shaded lane that runs down there from the house. I always fancy I see people walking in these numerous paths and arbors, but John has cautioned me not to give way to fancy in the least. He says that with my imaginative power and habit of story-making a nervous weakness like mine is sure to lead to all manner of excited fancies, and that I ought to use my will and good sense to check the tendency. So I try.

Lina Schäfer é uma jovem diferente. Gosta muito de coelhos, cafeomancia e de empalhar animais mortos para preservá-los. Seu jeito peculiar chama a atenção em Baga, pequena cidade em Santa Catarina, onde vive com os pais e o irmão gêmeo.Em um evento da empresa de café dos pais, ela descobre que o antigo casarão do seu querido avô Joaque – que faleceu – será posto à venda.Motivada por um desejo de mudança e pela esperança de reconstruir sua reputação, Lina cogita se mudar para o casarão situado em Lúgu, na serra catarinense. No entanto, uma leitura das borras de café durante o evento revela prenúncios de desafios familiares, incluindo… morte.Lina traz o mundo dos bruxos para o cenário de terror nacional, e a autora Carol Castro põe, sem misericórdia, todos os seus personagens à prova.Uma leitura imperdível para quem procura tensão e aventura com aquela pitada de suspense.

Six Ways is a handbook of practical skills and methods that help build the foundation of a sound magical practice. Six Ways looks at relationships with allies, sigils, energy work and other simple approaches to magic presented in clear and direct language. It explains how to develop the internal and external skills required for effective practice.

There is no plague in Enfaire… Dead things have been found in the fields of Enfaire, a God-fearing town north of Reams. Not just dead things but twisted forms… unholy shapes. And there are rumours, too—of a blasphemous union and of fell creatures that haunt the night. Yet, even as plague and witch pyres blacken the sky, the town remains untouched by the malady that has already claimed thousands and will claim thousands more. It is here, in Enfaire, that an old Franciscan friar and his ward take shelter from a storm. It is here, in a little town on the edge of civilization, that they will have their faith truly tested. His Black Tongue is a tale of medieval horror, plunging the reader into the plague-torn land of 14th century France, when pestilence and death walked hand-in-hand, and life was little more than a sputtering candle, waiting to be put out. But there are worse things than death, than sickness and decay… and it comes upon leathery black wings. Includes The Bone Fields novella and the short stories The Knights of the Non-Euclidean Table and Necropolis.

Whenever we envision a world without war, without prisons, without capitalism, we are producing visionary fiction. Organizers and activists envision, and try to create, such worlds all the time. This book brings twenty of them together in the first anthology of short stories to explore the connections between radical speculative fiction and movements for social change. The visionary tales of Octavia's Brood span genres—sci-fi, fantasy, horror, magical realism—but all are united by an attempt to experiment with new ways of understanding ourselves, the world around us, and all the selves and worlds that could be. The collection is rounded off with essays by Tananarive Due and Mumia Abu-Jamal, and a foreword by Sheree Renée Thomas.