Sisters? Forever. Friends? NEVER. Who knew a reunion weekend could be so deadly? Meet the sorority sisters of Theta Gamma Roxy Callahan Gentry, the ruthless former sorority president and current hostess who has painstakingly choreographed every detail of this weekend—even matching the cocktails to her couture—to prove that she remains their undisputed queenAmelia Dell, the widow drenched in old money and alcohol, with her big pot-stirring spoon and uninvited boy-toy in towJamie Vale, the double-legacy pledge, straight-A student with no sparkle, now a top cardiologist with a picture-perfect family—and a well-guarded bad habitBeth Harrison, the scholarship student who never quite fit in and was only admitted because her best friend Sunny insisted that the two were a package dealSunny Spencer, the carefree and beloved friend to all, or so it seemed—until she wasn'tThey've been summoned to Roxy's luxurious Palm Springs vacation home to celebrate the engagement of her son to Beth's daughter. But the refurbished 1920s estate is eerily reminiscent of the hotel where tragedy struck during Spring Break twenty-five years ago. Long-simmering tensions and shocking secrets begin bubbling to the surface like bodies—because while the weekend was supposed to be about celebrating the future, it's not so easy to bury the past… For fans of Shari Lapena, Mary Kubica, and B. A. Paris, We Were Never Friends is an unputdownable, riveting train wreck full of dark humor and bad behavior.

As the F/ACE showdown progresses, Tamon and bandmate Ori’s rivalry transforms their relationship from a mere fan-service facade to…a true friendship?! Tamon starts acting odd, however, after overhearing Utage encouraging Ori. Could Utage’s fave singer actually be jealous?

As the F/ACE showdown progresses, Tamon and bandmate Ori’s rivalry transforms their relationship from a mere fan-service facade to…a true friendship?! Tamon starts acting odd, however, after overhearing Utage encouraging Ori. Could Utage’s fave singer actually be jealous?

From acclaimed author K. Ancrum, on the National Book Award longlist for The Corruption of Hollis Brown, and Lambda Literary Award winner for Icarus, comes a queer romantic horror thriller that is a love letter to Frankenstein about the consequences of our decisions, the legacy of family, and the depths we’ll go to be forgiven.Victor Frankenstein, a 17-year-old brilliant prodigy, wants his fellow university peers to finally take him seriously. After suffering a public humiliation over his wild academic theories, Victor makes a bet with the most popular student: he swears he will find the secret to human reanimation before graduation. Desperate and unwilling to be humiliated again, Victor does the unspeakable: he kidnaps a young man from a small, neighboring village and destroys his body using untried Alchemy instead of science… Elias Hilfiker awakens, horrified—his voice is gone, his skin is stitched and scarred, and his community has exiled him. Worse, Victor’s clumsy alchemy has unintentionally created a bond between Elias and his tormentor, forcing them to constantly feel each other’s emotions. Enraged by the desecration of his life, Elias swears before God and Man that he will seek vengeance on Victor at any cost. Meanwhile, Victor embarks on a journey to reverse the horror he’s unleashed. As they cross the European landscape—hunter and hunted—Victor bows before the weight of his sins while Elias uncovers the secrets of his own power in a world where he was once powerless.

With her country's future and her own life at stake, an orphaned duchess must journey into a world of myth and there discover a power that may be her salvation—or her demise—in this enchanting new novel from the New York Times bestselling author of the Winternight Trilogy and The Warm Hands of Ghosts. Anne of Brittany was a child when her realm was invaded, her home besieged, and her royal father driven to his death. Now her treasury is empty, her land occupied by her enemies, and she is ordered, under threat of renewed war, to become queen of her conquerors and marry the King of France. This marriage means her country’s annexation. But Anne promised her father that Brittany would never be conquered. Defiantly, she betroths herself in secret to France’s greatest enemy. But in a world where courts may spy on each other by magic, there is only one way to solemnize this illicit union. Anne takes her court deep into a legendary forest, where the court diviners’ skill cannot reach. The world thinks they are only a hunting party, coursing after unicorns. But that is a lie, a trick, a feint. No one in living memory has seen a unicorn. All Anne wants is this secret wedding, which is her only hope of salvation. But when against all hope a unicorn appears and a stranger out of legend stumbles from the trees and falls at her feet, Anne is plunged into a world of enchantment where a doomed sovereign might find the power to change her own and her country’s destiny—or be lost in the shadows forever.

From the critically acclaimed author of Bunny, a darkly funny novel about a theater professor suffering chronic pain, who in the process of staging a troubled production of Shakespeare’s most maligned play, suddenly and miraculously recovers. Miranda Fitch’s life is a waking nightmare. The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers. That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known. With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged...genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.

With her country's future and her own life at stake, an orphaned duchess must journey into a world of myth and there discover a power that may be her salvation—or her demise—in this enchanting new novel from the New York Times bestselling author of the Winternight Trilogy and The Warm Hands of Ghosts. Anne of Brittany was a child when her realm was invaded, her home besieged, and her royal father driven to his death. Now her treasury is empty, her land occupied by her enemies, and she is ordered, under threat of renewed war, to become queen of her conquerors and marry the King of France. This marriage means her country’s annexation. But Anne promised her father that Brittany would never be conquered. Defiantly, she betroths herself in secret to France’s greatest enemy. But in a world where courts may spy on each other by magic, there is only one way to solemnize this illicit union. Anne takes her court deep into a legendary forest, where the court diviners’ skill cannot reach. The world thinks they are only a hunting party, coursing after unicorns. But that is a lie, a trick, a feint. No one in living memory has seen a unicorn. All Anne wants is this secret wedding, which is her only hope of salvation. But when against all hope a unicorn appears and a stranger out of legend stumbles from the trees and falls at her feet, Anne is plunged into a world of enchantment where a doomed sovereign might find the power to change her own and her country’s destiny—or be lost in the shadows forever.

Doppelgängers, corporate intrigue, heartbreak, betrayal, and the harsh permanence of the border: Sublimation is a thrilling and provocative debut for fans of Severance that asks what you'd sacrifice for a different life from award-winning author Isabel J. Kim. The border cuts you in two. When you immigrate, you leave a copy of yourself behind, an instance. One person enters their new country; the other stays trapped at home. Some instances keep in touch, call each other daily, keep their lives and minds in sync in the hopes of reintegrating and resuming a life as one person. Others, like Soyoung Rose Kang, leave home at ten years old and never speak to their other selves again. Rose, in America, never imagined going back to Korea until her grandfather died and her Korean instance called her home for the funeral. She doesn’t know that Soyoung plans to steal her body and her life. How far would you go to live the choice you didn’t make?