This is the story of a serial killer. A stolen child. Revenge. Death. And an ordinary house at the end of an ordinary street. All these things are true. And yet they are all lies... You think you know what's inside the last house on Needless Street. You think you've read this story before. That's where you're wrong. In the dark forest at the end of Needless Street, lies something buried. But it's not what you think...

A hilarious, surreal, and devastating journey into the mind of Reality Kahn, a young woman on a quest to be the greatest girlfriend of all time.It was decreed from the moment she was born. Twenty-three-year-old Reality Kahn would embark on a quest so great, so bold. She would become the greatest girlfriend of all time. She would be a zine maker, an aspiring notary, the greatest waterslide commercial actress on the Eastern Seaboard. She would receive messages from the beyond in the form of advice from the esteemed and ancient ladies magazine, Girlfriend Weekly. When she attends a party in Gowanus at a punk venue known as “Paradise,” Reality meets Ariel, who will become her boyfriend. She bravely works for his everlasting affection and joins a clinical trial created by Dr. Zweig Altmann to help her become a more perfect girlfriend. She stars in a new commercial. She learns how to become an indelible host. But Reality will also learn that sheer will and determination, and a very open heart, are not always enough to make true love manifest. At turns laugh-out-loud funny, tragic, and jarring, Reality’s quest grows ever complicated as the men in her Ariel, her waterpark commercial agent Jethro, and Dr. Altmann himself prove treacherous. Paradise Logic is a thrilling, psychosexual breakdown of our obsession with authentic true love, asking whether that is even possible in a patriarchal world, and announces Sophie Kemp as a wholly original, transformative, and brilliant new voice in fiction.

FROM HAN KANG, WINNER OF THE 2024 NOBEL PRIZE IN LITERATURE “[Han Kang writes in] intense poetic prose that confronts historical traumas and exposes the fragility of human life.”—from the Nobel Prize citation “Unforgettable . . . a disquietingly beautiful novel about the impossibility of waking up from the nightmare of history.”—Hernan Diaz Han Kang’s most revelatory book since The Vegetarian, We Do Not Part tells the story of a friendship between two women while powerfully reckoning with a hidden chapter of Korean history. One winter morning, Kyungha receives an urgent message from her friend Inseon to visit her at a hospital in Seoul. Inseon has injured herself in an accident, and she begs Kyungha to return to Jeju Island, where she lives, to save her beloved pet—a white bird called Ama. A snowstorm hits the island when Kyungha arrives. She must reach Inseon’s house at all costs, but the icy wind and squalls slow her down as night begins to fall. She wonders if she will arrive in time to save the animal—or even survive the terrible cold that envelops her with every step. Lost in a world of snow, she doesn't yet suspect the vertiginous plunge into the darkness that awaits her at her friend's house. Blurring the boundaries between dream and reality, We Do Not Part powerfully illuminates a forgotten chapter in Korean history, buried for decades—bringing to light the lost voices of the past to save them from oblivion. Both a hymn to an enduring friendship and an argument for remembering, it is the story of profound love in the face of unspeakable violence—and a celebration of life, however fragile it might be.

The Underworld is for every reader you know; thinkers, laughers, empaths, quirky folk, queer folk, nostalgists, the young and those getting on. Readers seeking a happy ending and anyone ready to feel. Anyone who has ever been fourteen. Martha Mullins is a misfit. Her mother is glamorous, aloof and judgemental. Her father, mostly absent. Academic and shy, Martha finds herself fascinated by the underworld, a place she learns about in Roman mythology classes at school. To Martha, the underworld and its divine inhabitants provide a place of refuge, escape, imagination and desire. But Martha also finds joy in friendship. Connection. Intimacy. It’s Martha’s band of friends who show her the value in spontaneity, fun, laughter. Until things go wrong. How will Martha find her way in the world where she cannot be herself? Will she ever find a home for the love she feels? The Underworld is a wondrous novel from an author who wields her considerable powers with assuredness and grace. Funny, brave, insightful and clever, Martha will break your heart – then mend it – many times over.

The Underworld is for every reader you know; thinkers, laughers, empaths, quirky folk, queer folk, nostalgists, the young and those getting on. Readers seeking a happy ending and anyone ready to feel. Anyone who has ever been fourteen. Martha Mullins is a misfit. Her mother is glamorous, aloof and judgemental. Her father, mostly absent. Academic and shy, Martha finds herself fascinated by the underworld, a place she learns about in Roman mythology classes at school. To Martha, the underworld and its divine inhabitants provide a place of refuge, escape, imagination and desire. But Martha also finds joy in friendship. Connection. Intimacy. It’s Martha’s band of friends who show her the value in spontaneity, fun, laughter. Until things go wrong. How will Martha find her way in the world where she cannot be herself? Will she ever find a home for the love she feels? The Underworld is a wondrous novel from an author who wields her considerable powers with assuredness and grace. Funny, brave, insightful and clever, Martha will break your heart – then mend it – many times over.

'Truth is not found in fixed stillness, but in ceaseless change/movement. Isn't this the quintessential core of what stories are all about?' — Haruki Murakami, from the afterword to The City and Its Uncertain Walls. The long-awaited new novel from Haruki Murakami, his first in six years, revisits a Town his readers will remember, a place where a Dream Reader reviews dreams and where our shadows become untethered from our selves. A love story, a quest, an ode to books and to the libraries that house them, and a parable for these strange post-pandemic times, The City and Its Uncertain Walls is a singular and towering achievement by one of modern literature’s most important writers.

‘In The Theory of Everything, Kassab realises the potential and fulfils the promise of her earlier work. This is a writer at her intellectual and poetic peak. Innovative, ambitious, unapologetically intellectual, fearlessly honest, deeply emotional. Read this book – you will be changed.’ – Shankari Chandran, Miles Franklin–award winning author of Chai Time at Cinnamon GardensGood The worst has already happened. Bad Even worse is on the way. This is a fictional theory, a rant, a manifesto, an engagement or disengagement with the times, a record; it is bearing witness, a dramatisation of actual events, a horror-scape, either a monologue or dialogue, a testament, travel guide, handbook, textbook, potential encyclopaedia; it is five mini-novels or else five post-novels, an epic, a drop in the ocean, an homage, a reference, one long secret handshake, an agreement, a wink; it is an explosion of form, tangential, discursive, a firming of the foundations, a lament, an absurdist comedy with realism that is as realistic as it gets; it is a spectrum, shades of black from the dark to the next shade up from white, a proliferation, a step back, a righting, a note to oneself, a line in the sand or a gust in the form of a structure-shaking gale; it is a dance (a two-footed, single-person linedance), an experiment, pure science, flicking the finger; it is, of course, backing away, crossing the street and avoiding eye contact; it is fantasy, humour, a romance without any leads, a defiance, a subdued rebellion, an anti-philosophical philosophy; it is pacifism that instigates a fight, a denouncement in the form of a laugh, an exploration, an adventure, a time lapse, a panorama, a conclusion; you may just have to read the theory because these are just alluding-to-the-theory words.PRAISE FOR THE THEORY OF EVERYTHING ‘a wheeling, unpinnable squall of a book.’ – The Guardian ‘Kassab’s book poses questions about the novel form and answers them in ways that are continuously surprising and probing. It is both personal and expansive; introspective and ambitious.’ – Kylie Mirmohamadi, author Diving, FallingPRAISE FOR POLITICA ‘Like an impressionist painter, Kassab uses words like brushstrokes to build a vivid picture of intertwined lives set against the continuing drumbeat of war. The narrative moves between past, present and future and uses time as an effective device to illustrate how the effects of war linger long after its cessation.’ – Books + Publishing ‘an evocative literary tale’ – The Australian Women's Weekly ‘In a 2022 interview, Kassab said a responsibility of the novelist is to “write with an eye towards humanity”. And she never falters in this, with Politica always drawing us back to war’s immeasurable personal cost.’ – The Guardian PRAISE FOR THE LOVERS ‘Sometimes, Kassab shows us, love can be another word for cruelty. Sometimes the stories we hide behind reveal our deepest truths.

An intimate portrait of coming of age in a dangerous time and an epic tale of a nation divided. Women can be heroes. When twenty-year-old nursing student Frances “Frankie” McGrath hears these words, it is a revelation. Raised in the sun-drenched, idyllic world of Southern California and sheltered by her conservative parents, she has always prided herself on doing the right thing. But in 1965, the world is changing, and she suddenly dares to imagine a different future for herself. When her brother ships out to serve in Vietnam, she joins the Army Nurse Corps and follows his path. As green and inexperienced as the men sent to Vietnam to fight, Frankie is over- whelmed by the chaos and destruction of war. Each day is a gamble of life and death, hope and betrayal; friendships run deep and can be shattered in an instant. In war, she meets—and becomes one of—the lucky, the brave, the broken, and the lost. But war is just the beginning for Frankie and her veteran friends. The real battle lies in coming home to a changed and divided America, to angry protesters, and to a country that wants to forget Vietnam. The Women is the story of one woman gone to war, but it shines a light on all women who put themselves in harm’s way and whose sacrifice and commitment to their country has too often been forgotten. A novel about deep friendships and bold patriotism, The Women is a richly drawn story with a memorable heroine whose idealism and courage under fire will come to define an era.

'Truth is not found in fixed stillness, but in ceaseless change/movement. Isn't this the quintessential core of what stories are all about?' — Haruki Murakami, from the afterword to The City and Its Uncertain Walls. The long-awaited new novel from Haruki Murakami, his first in six years, revisits a Town his readers will remember, a place where a Dream Reader reviews dreams and where our shadows become untethered from our selves. A love story, a quest, an ode to books and to the libraries that house them, and a parable for these strange post-pandemic times, The City and Its Uncertain Walls is a singular and towering achievement by one of modern literature’s most important writers.

A little book with a big heart! From the New York Times bestselling author of A Man Called Ove, My Grandmother Asked Me to Tell You She’s Sorry, and Britt-Marie Was Here comes an exquisitely moving portrait of an elderly man’s struggle to hold on to his most precious memories, and his family’s efforts to care for him even as they must find a way to let go. With all the same charm of his bestselling full-length novels, here Fredrik Backman once again reveals his unrivaled understanding of human nature and deep compassion for people in difficult circumstances. This is a tiny gem with a message you’ll treasure for a lifetime.