From the International Booker Prize Shortlisted author of Heaven and Breasts and Eggs.Hana has nothing but she’s hopeful. She’s fifteen years old. She lives in a tiny apartment in a suburb of Tokyo with her young mother, a hostess at a local dive bar. They have no money, no security. Then Kimiko appears.Kimiko is older, a bright light in Hana’s dark world. Together they set up Lemon, a bar that caters to hostesses and their marks, small-time crooks, men with low morals and deep pockets, and anyone down on their luck. Suddenly Hana has a job she loves, friends to share her days with, and the glittering promise of money. She feels like a normal girl. She feels invincible.But in the seedy streets of Setagaya, nothing is as it seems. Soon all of Hana’s hope, her optimism, and her drive, will be tested to the limt . . .Twenty years later, Kimiko is on trial. Now Hana must wrestle with her own actions, and face their devastating consequences.A story of enduring friendship and deep betrayal, Sisters in Yellow is a masterpiece of teenage dreams and adult cruelties that confirms Mieko Kawakami as one of the great writers of her generation.

“Thank you for your interest in our school, but we regret to inform you that…” you’re not special. You’re too average. You’re too boring. Well, in that case, she’ll have to show them just how interesting she can be. Elizabeth Zhang is well aware of her place in the world. She’s in the tenth percentile for likability, the seventieth percentile for attractiveness, and the ninety-ninth percentile for academics. While she’s never been the most beautiful or the most liked, she knows she has the intelligence and ambition to achieve her greatest dream: Harvard Law School. But when Harvard rejects Elizabeth for not standing out enough—which she knows means she's just another boring Asian female—her carefully constructed life falls apart. What shocks her even more is that Laura Kim, a classmate at Columbia, got in. Elizabeth can’t figure out how this could have happened. Why was Laura accepted? What makes her so interesting? At first, she follows her because she’s just curious. What Laura orders for lunch. Where Laura shops. What Laura’s hobbies are. All of these things must contribute to her overall package, what makes her an acceptable person to Harvard. But still, Elizabeth just can’t see it. The only thing she sees is that Laura has taken her spot. A spot that she knows she deserves after working so hard. A spot that she’ll simply have to take back. Layered and subversive, this novel brings to light how, in the face of societal expectations and self-inflicted pressures, a person can unlock the darkest parts of themselves and show how far they’re willing to go to achieve their vision of success.

The English-language debut of one of Japan's most talented contemporary writers, selling over 650,000 copies there, Convenience Store Woman is the heartwarming and surprising story of thirty-six-year-old Tokyo resident Keiko Furukura. Keiko has never fit in, neither in her family, nor in school, but when at the age of eighteen she begins working at the Hiiromachi branch of “Smile Mart,” she finds peace and purpose in her life. In the store, unlike anywhere else, she understands the rules of social interaction―many are laid out line by line in the store’s manual―and she does her best to copy the dress, mannerisms, and speech of her colleagues, playing the part of a “normal” person excellently, more or less. Keiko is very happy, but the people close to her, from her family to her coworkers, increasingly pressure her to find a husband, and to start a proper career, prompting her to take desperate action… A brilliant depiction of a world hidden from view, Convenience Store Woman is an ironic and sharp-eyed look at contemporary work culture and the pressures we all feel to conform, as well as a charming and completely fresh portrait of an unforgettable heroine.

An elegant, razor-sharp debut about women's ambitions and appetites—and the truth about having it all. Outside of a childhood nickname she can't shake, Piglet's rather pleased with how her life's turned out. An up-and-coming cookbook editor at a London publishing house, she's got lovely, loyal friends and a handsome fiancé, Kit, whose rarefied family she actually, most of the time, likes, despite their upper-class eccentricities. One of the many, many things Kit loves about Piglet is the delicious, unfathomably elaborate meals she's always cooking. But when Kit confesses a horrible betrayal two weeks before they're set to be married, Piglet finds herself suddenly… hungry. The couple decides to move forward with the wedding as planned, but as it nears, and Piglet balances family expectations, pressure at work, and her quest to make the perfect cake, she finds herself increasingly unsettled, behaving in ways even she can't explain. Torn between a life she's always wanted and the ravenousness that comes with not getting what you know you deserve, Piglet is, by the day of her wedding, undone, but also ready to look beyond the lies we sometimes tell ourselves to get by. A stylish, uncommonly clever novel about the things we want and the things we think we want, Piglet is both an examination of women's sometimes complicated relationship with food and a celebration of the messes life sometimes makes for us.

For readers of Modern Lovers and Conversations with Friends, an addictive, humorous, and poignant debut novel about the shock waves caused by one couple's impulsive marriage. Twenty-four-year-old British painter Cleo has escaped from England to New York and is still finding her place in the sleepless city when, a few months before her student visa ends, she meets Frank. Twenty years older and a self-made success, Frank's life is full of all the excesses Cleo's lacks. He offers her the chance to be happy, the freedom to paint, and the opportunity to apply for a Green Card. But their impulsive marriage irreversibly changes both their lives, and the lives of those close to them, in ways they never could've predicted. Each compulsively readable chapter explores the lives of Cleo, Frank, and an unforgettable cast of their closest friends and family as they grow up and grow older. Whether it's Cleo's best friend struggling to embrace his gender queerness in the wake of Cleo's marriage, or Frank's financially dependent sister arranging sugar daddy dates to support herself after being cut off, or Cleo and Frank themselves as they discover the trials of marriage and mental illness, each character is as absorbing, and painfully relatable, as the last. As hilarious as it is heartbreaking, entertaining as it is deeply moving, Cleopatra and Frankenstein marks the entry of a brilliant and bold new talent.

A controversial Los Angeles author attempts to revive her career and finally find true love in this hilarious nod to 1950s lesbian pulp fiction. Having recently moved both herself and her formidable perfume bottle collection into a tiny bungalow in Los Angeles, mid-list author Astrid Dahl finds herself back in the Zoom writer’s group she cofounded, Sapphic Scribes, after an incident that leaves her and her career lightly canceled. But she temporarily forgets all that by throwing herself into a few sexy distractions—like Ivy, a grad student who smells like metallic orchids and is researching 1950s lesbian pulp, or her new neighbor, Penelope, who smells like patchouli. Penelope, a painter living off Urban Outfitters settlement money, immediately ingratiates herself in Astrid’s life, bonding with her best friends and family, just as Astrid and Ivy begin to date in person. Astrid feels judged and threatened by Penelope, a responsible older vegan, but also finds her irresistibly sexy. When Astrid receives an unexpected call from her agent with the news that actress and influencer Kat Gold wants to adapt her previous novel for TV, Astrid finally has a chance to resurrect her waning career. But the pressure causes Astrid’s worst vice to rear its head—the Patricia Highsmith, a blend of Adderall, alcohol, and cigarettes—and results in blackouts and a disturbing series of events. Unapologetically feminine yet ribald, steamy yet hilarious, Anna Dorn has crafted an exquisite homage to the lesbian pulp of yore, reclaiming it for our internet- and celebrity-obsessed world.

Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. The bloody messes don't bother her, not when she's already witnessed the most horrific thing possible: her sister being pushed in front of a train. Before fleeing the scene, the murderer whispered two words: bat eater. Months pass, the killer is never caught, and Cora can barely keep herself together. She pushes away all feelings, disregards the bite marks that appear on her coffee table, and won't take her aunt's advice to prepare for the Hungry Ghost Festival, when the gates of hell open. Cora tries to ignore the rising dread in her stomach, even when she and her weird co-workers begin finding bat carcasses at their crime scene clean-ups. But Cora can't ignore the fact that all their recent clean-ups have been the bodies of East Asian women. Soon Cora will learn: you can't just ignore hungry ghosts.

“Thank you for your interest in our school, but we regret to inform you that…” you’re not special. You’re too average. You’re too boring. Well, in that case, she’ll have to show them just how interesting she can be. Elizabeth Zhang is well aware of her place in the world. She’s in the tenth percentile for likability, the seventieth percentile for attractiveness, and the ninety-ninth percentile for academics. While she’s never been the most beautiful or the most liked, she knows she has the intelligence and ambition to achieve her greatest dream: Harvard Law School. But when Harvard rejects Elizabeth for not standing out enough—which she knows means she's just another boring Asian female—her carefully constructed life falls apart. What shocks her even more is that Laura Kim, a classmate at Columbia, got in. Elizabeth can’t figure out how this could have happened. Why was Laura accepted? What makes her so interesting? At first, she follows her because she’s just curious. What Laura orders for lunch. Where Laura shops. What Laura’s hobbies are. All of these things must contribute to her overall package, what makes her an acceptable person to Harvard. But still, Elizabeth just can’t see it. The only thing she sees is that Laura has taken her spot. A spot that she knows she deserves after working so hard. A spot that she’ll simply have to take back. Layered and subversive, this novel brings to light how, in the face of societal expectations and self-inflicted pressures, a person can unlock the darkest parts of themselves and show how far they’re willing to go to achieve their vision of success.

Challenging every preconception about storytelling and prose style, mixing wry humor and riveting emotional depth, Kawakami is today one of Japan’s most important and best-selling writers. She exploded onto the cultural scene first as a musician, then as a poet and popular blogger, and is now an award-winning novelist. Breasts and Eggs paints a portrait of contemporary womanhood in Japan and recounts the intimate journeys of three women as they confront oppressive mores and their own uncertainties on the road to finding peace and futures they can truly call their own. It tells the story of three women: the thirty-year-old Natsu, her older sister, Makiko, and Makiko’s daughter, Midoriko. Makiko has traveled to Tokyo in search of an affordable breast enhancement procedure. She is accompanied by Midoriko, who has recently grown silent, finding herself unable to voice the vague yet overwhelming pressures associated with growing up. Her silence proves a catalyst for each woman to confront her fears and frustrations. On another hot summer’s day ten years later, Natsu, on a journey back to her native city, struggles with her own indeterminate identity as she confronts anxieties about growing old alone and childless.