The Turn of the Screw is an 1898 horror novella by Henry James that first appeared in serial format in Collier's Weekly magazine (January 27 - April 16, 1898). In October 1898 it appeared in The Two Magics, a book published by Macmillan in New York City and Heinemann in London. A very young woman's first job: governess for two weirdly beautiful, strangely distant, oddly silent children, Miles and Flora, at a forlorn estate... An estate haunted by a beckoning evil. Half-seen figures who glare from dark towers and dusty windows- silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls. But worse-much worse- the governess discovers that Miles and Flora have no terror of the lurking evil. For they want the walking dead as badly as the dead want them. Excerpt: I remember the whole beginning as a succession of flights and drops, a little seesaw of the right throbs and the wrong. After rising, in town, to meet his appeal, I had at all events a couple of very bad days - found myself doubtful again, felt indeed sure I had made a mistake. In this state of mind I spent the long hours of bumping, swinging coach that carried me to the stopping place at which I was to be met by a vehicle from the house.

The Turn of the Screw is an 1898 horror novella by Henry James that first appeared in serial format in Collier's Weekly magazine (January 27 - April 16, 1898). In October 1898 it appeared in The Two Magics, a book published by Macmillan in New York City and Heinemann in London. A very young woman's first job: governess for two weirdly beautiful, strangely distant, oddly silent children, Miles and Flora, at a forlorn estate... An estate haunted by a beckoning evil. Half-seen figures who glare from dark towers and dusty windows- silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls. But worse-much worse- the governess discovers that Miles and Flora have no terror of the lurking evil. For they want the walking dead as badly as the dead want them. Excerpt: I remember the whole beginning as a succession of flights and drops, a little seesaw of the right throbs and the wrong. After rising, in town, to meet his appeal, I had at all events a couple of very bad days - found myself doubtful again, felt indeed sure I had made a mistake. In this state of mind I spent the long hours of bumping, swinging coach that carried me to the stopping place at which I was to be met by a vehicle from the house.

A hauntingly good sapphic paranormal romance from USA Today bestselling author Emma R. Alban. A struggling writer falls for the hot ghost mom she meets in the iconic Dakota Building in a romance perfect for fans of The Dead Romantics.Frannie's awful boss, celebrated literary novelist Henry L. Olsen, just told her that her latest manuscript is a dud—again. Frustrated and lonely, Frannie stomps around the ninth floor of the famously haunted Dakota Building in Manhattan, desperate for something to change. And then, something does.Bridgette, the ghost of a little girl from 1889, appears out of nowhere and asks Frannie to play catch. Shocked, and wildly curious, Frannie says yes to the ghostly invitation, and soon meets Bridgette's ghost-brother, Michael . . . and the children's exceedingly attractive and aloof 1960s ghost mom, Elsa.Fascinated, and more than a little flustered, Frannie starts secretly writing a book about Elsa (a.k.a. Hot Ghost Mom). And while her boss is on book tour, through a mutual affection for musicals, banter, and the ghost children, Frannie and Elsa slowly become friends, until Frannie finds herself tumbling head over heels in love with a ghost tied to a building she couldn't afford to live in over four lifetimes.Now, Frannie either has to give up her ambitions of becoming a novelist to remain Henry's assistant in the Dakota forever, or somehow free her ghost family from their immortal home. With her career, future, and heart on the line, can Frannie find a way to write them all a happily ever after . . . life?Emma R. Alban brings her signature swoon-worthy writing to another gorgeous sapphic love story that will have every reader yearning for their own Hot Ghost Mom.

A hauntingly good sapphic paranormal romance from USA Today bestselling author Emma R. Alban. A struggling writer falls for the hot ghost mom she meets in the iconic Dakota Building in a romance perfect for fans of The Dead Romantics.Frannie's awful boss, celebrated literary novelist Henry L. Olsen, just told her that her latest manuscript is a dud—again. Frustrated and lonely, Frannie stomps around the ninth floor of the famously haunted Dakota Building in Manhattan, desperate for something to change. And then, something does.Bridgette, the ghost of a little girl from 1889, appears out of nowhere and asks Frannie to play catch. Shocked, and wildly curious, Frannie says yes to the ghostly invitation, and soon meets Bridgette's ghost-brother, Michael . . . and the children's exceedingly attractive and aloof 1960s ghost mom, Elsa.Fascinated, and more than a little flustered, Frannie starts secretly writing a book about Elsa (a.k.a. Hot Ghost Mom). And while her boss is on book tour, through a mutual affection for musicals, banter, and the ghost children, Frannie and Elsa slowly become friends, until Frannie finds herself tumbling head over heels in love with a ghost tied to a building she couldn't afford to live in over four lifetimes.Now, Frannie either has to give up her ambitions of becoming a novelist to remain Henry's assistant in the Dakota forever, or somehow free her ghost family from their immortal home. With her career, future, and heart on the line, can Frannie find a way to write them all a happily ever after . . . life?Emma R. Alban brings her signature swoon-worthy writing to another gorgeous sapphic love story that will have every reader yearning for their own Hot Ghost Mom.

In this captivating cat-and-mouse thriller, a struggling actress is only just beginning to enjoy the life she's always wanted after inadvertently killing her rival—but now she must contend with the woman who threatens to take it all away.Struggling actress Dimple Kapoor wouldn’t call herself a murderer, per se—she’d prefer the term “opportunist.” Years ago, she did what had to be done to get herself out of a bad situation. And now, after accidentally killing her Hollywood rival, Irene Singh, at a party, she’s simply seizing the chance to nab her dream leading role and resuscitate her career in the process. There's only one someone else at the event witnessed the crime…and caught it all on camera.With everything she’s ever wanted within reach, Dimple will stop at nothing to keep stardom in her grasp. But Irene’s parents have hired Saffi Mirai Iyer, one of the best private investigators in the business. Living up to her reputation, Saffi immediately zeroes in on Dimple, who feels she has no choice but to raise the stakes. Playing along with Dimple’s façade, Saffi invites her onto the case, suggesting she act as bait to draw out the killer—and as the two women’s cat-and-mouse game intensifies, Saffi starts to wonder if she may have finally met her match.With their careers at risk, both women must fight the potent chemistry drawing them closer together. Dimple needs Saffi dead and for her theories to die with her. And Saffi needs Dimple behind bars, but catching her elusive prey won’t be so easy—especially as emotions begin to cloud her judgement. When ambition and desire collide, only the most cunning will survive.

An aspiring chef and world-famous popstar cook up what starts to sound like a love song in this sapphic new adult debut from Betty Cayouette.This is Riley’s last summer as a chef. At least, this is what she’s promised her dads, who run a Cape Cod lobster shack and don’t want their daughter to follow in their stress-ridden footsteps. So Riley decides to go big and audition as a private chef for a singer’s European tour. When she finds out she got the gig, she’s thrilled. But when she learns that the singer she’ll be cooking for is Luna Leya, she and her sister’s favorite popstar? She almost can’t believe it.Soon enough, Riley and Luna strike up an unexpected friendship, much to Luna’s manager’s disapproval. Luna should be focused on getting her Grammy, which means pulling off this tour without a hitch and continuing to date the notorious singer/heart throb/beloved bad boy Hudson, who’s rocketed her to a new level of fame with their hit single. Luna should definitely not be sneaking off to the Eiffel Tower and private Andalucian dinners to spend time with Riley. As the two get closer, Riley thinks she might be losing her mind. Is it possible the Luna Leya is flirting with her? And is there a world where Riley could keep her dream of being a chef alive? Soon, things will reach a tipping point and both Riley and Luna will be left could their story be a love song after all?

An aspiring chef and world-famous popstar cook up what starts to sound like a love song in this sapphic new adult debut from Betty Cayouette.This is Riley’s last summer as a chef. At least, this is what she’s promised her dads, who run a Cape Cod lobster shack and don’t want their daughter to follow in their stress-ridden footsteps. So Riley decides to go big and audition as a private chef for a singer’s European tour. When she finds out she got the gig, she’s thrilled. But when she learns that the singer she’ll be cooking for is Luna Leya, she and her sister’s favorite popstar? She almost can’t believe it.Soon enough, Riley and Luna strike up an unexpected friendship, much to Luna’s manager’s disapproval. Luna should be focused on getting her Grammy, which means pulling off this tour without a hitch and continuing to date the notorious singer/heart throb/beloved bad boy Hudson, who’s rocketed her to a new level of fame with their hit single. Luna should definitely not be sneaking off to the Eiffel Tower and private Andalucian dinners to spend time with Riley. As the two get closer, Riley thinks she might be losing her mind. Is it possible the Luna Leya is flirting with her? And is there a world where Riley could keep her dream of being a chef alive? Soon, things will reach a tipping point and both Riley and Luna will be left could their story be a love song after all?