“I’ve arrived in London without incident. There are few triumphs in my recent life, but I count this as one. My existence of the last three years has been nothing but incident.” The Year is 1883 and Emma M. Lion has returned to her London neighborhood of St. Crispian’s. But Emma’s plans for a charmed and studious life are sabotaged by her eccentric Cousin Archibald, her formidable Aunt Eugenia, and the slightly odd denizens of St. Crispian’s. Emma M. Lion offers up her Unselected Journals, however self-incriminating they may be, which comprise a series of novella-length volumes. Armed with wit and a sideways amusement, Emma documents the curious realities of her life at Lapis Lazuli House.

What if you woke up one morning and found you’d acquired another self―a double who was almost you and yet not you at all? What if that double shared many of your preoccupations but, in a twisted, upside-down way, furthered the very causes you’d devoted your life to fighting against? Not long ago, the celebrated activist and public intellectual Naomi Klein had just such an experience―she was confronted with a doppelganger whose views she found abhorrent but whose name and public persona were sufficiently similar to her own that many people got confused about who was who. Destabilized, she lost her bearings, until she began to understand the experience as one manifestation of a strangeness many of us have come to know but struggle to define: AI-generated text is blurring the line between genuine and spurious communication; New Age wellness entrepreneurs turned anti-vaxxers are scrambling familiar political allegiances of left and right; and liberal democracies are teetering on the edge of absurdist authoritarianism, even as the oceans rise. Under such conditions, reality itself seems to have become unmoored. Is there a cure for our moment of collective vertigo? Naomi Klein is one of our most trenchant and influential social critics, an essential analyst of what branding, austerity, and climate profiteering have done to our societies and souls. Here she turns her gaze inward to our psychic landscapes, and outward to the possibilities for building hope amid intersecting economic, medical, and political crises. With the assistance of Sigmund Freud, Jordan Peele, Alfred Hitchcock, and bell hooks, among other accomplices, Klein uses wry humor and a keen sense of the ridiculous to face the strange doubles that haunt us―and that have come to feel as intimate and proximate as a warped reflection in the mirror. Combining comic memoir with chilling reportage and cobweb-clearing analysis, Klein seeks to smash that mirror and chart a path beyond despair. Doppelganger What do we neglect as we polish and perfect our digital reflections? Is it possible to dispose of our doubles and overcome the pathologies of a culture of multiplication? Can we create a politics of collective care and undertake a true reckoning with historical crimes? The result is a revelatory treatment of the way many of us think and feel now―and an intellectual adventure story for our times.

Extensively revised by Nabokov in 1965 - thirty years after its original publication -Despair is the wickedly inventive and richly derisive story of Hermann Karlovich, a man who undertakes the perfect crime - his own murder.

Ornamentalism offers one of the first sustained and original theories of Asiatic femininity. Examining ornamentality, in lieu of Orientalism, as a way to understand the representation, circulation, and ontology of Asiatic femininity, this study extends our vocabulary about the woman of color beyond the usual platitudes about objectification. By offering us a conceptual frame through which to focus on race without being solely beholden to flesh or skin, this study alters the foundational terms of feminism and places Asian femininity at the center of an entire epistemology of race. By tracing a direct link between the making of artificial Asiatic femininity and a seemingly much more technological history of synthetic personhood in the West from the nineteenth to the twenty-first century, Ornamentalism shows how the construction of modern personhood in the multiple realms of law, culture, and art has been surprisingly indebted to this very marginal figure. Drawing from and speaking to the multiple fields of feminism, critical race theory, visual culture, performance studies, legal studies, Modernism, Orientalism, Object Studies and New Materialism, Ornamentalism will leave reader with a greater understanding of what it is to be in American culture.

Librarian's Note: an alternate cover for this ISBN can be found here. Set during the waning days of the Trujillo dictatorship in the Dominican Republic in 1960, this extraordinary novel tells the story the Mirabal sisters, three young wives and mothers who are assassinated after visiting their jailed husbands. From the author of How the Garcia Girls Lost Their Accents comes this tale of courage and sisterhood set in the Dominican Republic during the rise of the Trujillo dictatorship. A skillful blend of fact and fiction, In the Time of the Butterflies is inspired by the true story of the three Mirabal sisters who, in 1960, were murdered for their part in an underground plot to overthrow the government. Alvarez breathes life into these historical figures--known as "las mariposas," or "the butterflies," in the underground--as she imagines their teenage years, their gradual involvement with the revolution, and their terror as their dissentience is uncovered. Alvarez's controlled writing perfectly captures the mounting tension as "the butterflies" near their horrific end. The novel begins with the recollections of Dede, the fourth and surviving sister, who fears abandoning her routines and her husband to join the movement. Alvarez also offers the perspectives of the other sisters: brave and outspoken Minerva, the family's political ringleader; pious Patria, who forsakes her faith to join her sisters after witnessing the atrocities of the tyranny; and the baby sister, sensitive Maria Teresa, who, in a series of diaries, chronicles her allegiance to Minerva and the physical and spiritual anguish of prison life. In the Time of the Butterflies is an American Library Association Notable Book and a 1995 National Book Critics Circle Award nominee.

The Waste Land, first published in 1922, is often regarded as T.S. Eliot's masterpiece, as well as one of the most important poems of the 20th century and a central work of modernist poetry. The work, divided in 5 sections, juxtaposes the legend of the Holy Grail and the Fisher King, with a snapshot of early twentieth-century British society. In contemporary times, it is often read published within The Waste Land and Other Poems and has come to be Eliot's most popular poem. T.S. Elliot was a poet, essayist, publisher, playwright, literary critic and editor. Born in 1888 in St. Louis (MO, USA), he is considered one of the 20th century's major poets, and a central figure in English-language Modernist poetry."In ten years' time," wrote Edmund Wilson in Axel's Castle (1931), "Elliot has left upon English poetry a mark more unmistakable than that of any other poet writing in English." In 1948, Eliot was awarded the Nobel Price "for his work as a trail-blazing pioneer of modern poetry."

House witch Finlay Ashowan must contend with matters of the heart, hearth, family, and kingdom in the second book of a whimsical and winning fantasy series. As a wielder of domestic magic, Finlay Ashowan likes to keep his affairs as neat and orderly as his kitchen. But between his work for the King and Queen of Daxaria and a new (secret) relationship with Lady Annika Jenoure, his life is anything but tidy. For one thing, if Annika and Fin are to continue their romance, they’ll need to sort out the pesky issue of Fin’s being a commoner—before Annika is forced into a political marriage that interferes with her own carefully laid plans. For another, pressure is mounting as the war with Troivack draws ever closer. When Fin requests time away from the castle to rest, the King agrees but under a very particular condition: Fin must brave the streets of Austice as a spy, sleuthing out the plans of the Troivackian troops allegedly hidden there. Further complicating things, Fin’s estranged father is on his way to Daxaria, an unexpected and unappreciated arrival that’s bound to wreak even more havoc in his son’s life. As Fin forges new friendships and alliances—magical and non-magical alike—he becomes even more enmeshed in courtly intrigues, old feuds, and very personal problems. And the more he tries to clean up the various messes in his life, the more apparent it becomes that his troubles are only just beginning . . .

Fernando Pessoa was many writers in one. He attributed his prolific writings to a wide range of alternate selves, each of which had a distinct biography, ideology, and horoscope. When he died in 1935, Pessoa left behind a trunk filled with unfinished and unpublished writings, among which were the remarkable pages that make up his posthumous masterpiece, The Book of Disquiet, an astonishing work that, in George Steiner's words, "gives to Lisbon the haunting spell of Joyce's Dublin or Kafka's Prague." Published for the first time some fifty years after his death, this unique collection of short, aphoristic paragraphs comprises the "autobiography" of Bernardo Soares, one of Pessoa's alternate selves. Part intimate diary, part prose poetry, part descriptive narrative, captivatingly translated by Richard Zenith, The Book of Disquiet is one of the greatest works of the twentieth century.

For all the ten years of her life, Hà has only known Saigon: the thrills of its markets, the joy of its traditions, and the warmth of her friends close by. But now the Vietnam War has reached her home. Hà and her family are forced to flee as Saigon falls, and they board a ship headed toward hope. In America, Hà discovers the foreign world of Alabama: the coldness of its strangers, the dullness of its food . . . and the strength of her very own family.

One night Melanie walks through the garden in her mother's wedding dress. The next morning her world is shattered. Forced to leave the comfortable home of her childhood, she is sent to London to live with relatives she never met: Aunt Margaret, beautiful and speechless, and her brothers, Francie, whose graceful music belies his clumsy nature, and the volatile Finn, who kisses Melanie in the ruins of the pleasure garden. And brooding Uncle Philip loves only the life-sized wooden puppets he creates in his toyshops. The classic gothic novel established Angela Carter as one of our most imaginative writers and augurs the themes of her later creative works. "Beneath its contemporary surface, this novel shimmers with blurred echoes—from Lewis Carroll, from 'Giselle' and 'Coppelia,' Harlequin and Punch… It leave behind it a flavor, pungent and unsettling" —The New York Times Book Review

Winner of the 1963 Newbery Medal It was a dark and stormy night. Out of this wild night, a strange visitor comes to the Murry house and beckons Meg, her brother Charles Wallace, and their friend Calvin O'Keefe on a most dangerous and extraordinary adventure—one that will threaten their lives and our universe. A Wrinkle in Time is the first book in Madeleine L'Engle's classic Time Quintet.

The brilliant, bestselling, landmark novel that tells the story of the Buendia family, and chronicles the irreconcilable conflict between the desire for solitude and the need for love—in rich, imaginative prose that has come to define an entire genre known as "magical realism."

"The training levels have concluded. Now the games may truly begin." The ratings and views are off the chart. The fans just can't get enough. The dungeon gets more dangerous each day. But in a grinder designed to chew up and spit out crawlers by the millions, Carl and Princess Donut need to work harder than ever just to survive. They call it the Over City. A sprawling, once-thriving metropolis devastated by a mysterious calamity. But these streets are far from abandoned. An undead circus trawls the ruins. Murdered prostitutes rain from the sky. An ancient spell is finally ready to reveal its dark purpose. Carl still has no pants. They call it Dungeon Crawler World. For Carl and Donut, it's anything but a game.