Five young women eager for success rely on the unspeakable to make their dreams come true in a chilling novel about martyrdom, ritual, and obsession by the author of We Ate the Dark. Art student Jo Kozak and her fellow classmates and best friends, Caroline, Finch, Amrita, and Saz, are one another’s muses—so close they have their own language and so devoted to the craft that they’ll do anything to keep their inspiration alive. Even if it means naively resorting to the occult to unlock their creativity and to curse their esteemed, if notoriously creepy, professor. They soon learn the horrible price to be paid for such a transgressive ritual. In its violent aftermath, things are changing. Jo is feeling unnervingly haunted by something inexplicable. Their paintings, once prodigious and full of life, are growing dark and unhealthy. And their journey together—as women, students, and artists—is starting to crumble. To right the wrong they’ve done, these five desperate friends will take their obsession a step too far. When that happens, there may be no turning back.

In seiner Ideengeschichte in acht Porträts erschließt Onur Erdur eine neue Geografie des französischen Denkens, das die zweite Hälfte des 20. Jahrhunderts prä Die Theorien von Intellektuellen wie Michel Foucault, Jean-François Lyotard und Hélène Cixous wurden maßgeblich in Nordafrika oder in der Auseinandersetzung mit den französischen Kolonien geformt. Erdurs Spurensuche führt ihn nach Algier, wo der junge Soldat Pierre Bourdieu mitten im Algerienkrieg seinen Wehrdienst ableistet; ins Küstendörfchen Sidi Bou Saïd nördlich von Tunis, wo Michel Foucault zwischen Sonnenbaden, Strandspaziergängen und ritualisierter Körperkultur zu einer Haltung des philosophischen Hedonismus gelangt; oder nach Casablanca, wo sich Roland Barthes in einer Art Erleuchtung zu einem Romancier fantasiert – und zu Jacques Derrida, Hélène Cixous oder Jacques Rancière, die ihre algerische Herkunft philosophisch reflektieren.Onur Erdurs kenntnisreiche Perspektive taucht die französisch geprägte Postmoderne ins Licht der Sonne Nordafrikas. Ein halbes Jahrhundert nach der Veröffentlichung der Hauptwerke des Poststrukturalismus blickt Schule des Südens unter das Pflaster der französischen Akademie – darunter glänzt der Strand von Tunis.

A gripping literary page-turner from a rising Irish talent in which former friends, estranged for twenty years, reckon with the terrifying events of the summer that changed their lives. In the seaside village of Kinlough, on Ireland’s west coast, three old friends meet for the first time in years. They—Helen, Joe and Mush—were part of an original group of six inseparable teenagers in the summer of 2003, with motherless, reckless Kala Lanann at its white-hot center. But later that year, Kala disappeared without a trace. Now remains have been discovered in the woods—including a skull with a Polaroid photo tucked inside—and the town is both aghast and titillated at reopening this old wound. On the eve of this gruesome discovery, Helen had reluctantly returned for her father’s wedding, the world-famous musician Joe had come home to dry out and reconnect with something authentic, and Mush had never left, too shattered by the events of that summer to venture beyond the counter of his mother’s café. But when two more girls go missing, they are forced to confront their own complicity in the events that led to Kala’s disappearance. Ultimately, they must do what others should have done before to stop the violent patterns of their town’s past repeating themselves once again. In cracklingly vivid prose, Kala brilliantly examines the sometimes brutal costs of belonging, as well as the battle in the human heart between vengeance and forgiveness, despair and redemption.

"The author's lyricism and low-key humor successfully contend with the weight of an immense melancholy. And despite its casual texture, Tondelli's prose never deviates far from the 'seam of that other reality that we call art'."-The New York Times Book ReviewLeo is an Italian writer in his 30s. Thomas, his German lover, is dead. On a plane to Munich, Thomas' home town, Leo slips into a reverie of their meeting and life in Paris, nights in Thomas' flat in Montmartre and a desperate, drug-induced flight through the forests of northern France. Tondelli's last book is a powerful novel of the strength of love and the trauma of death.Pier Vittorio Tondelli died of AIDS in Milan in 1991. The author of four novels and a collection of short stories, Tondelli was one of the most gifted Italian writers of his generation.

A memoir of lesbian identity and motherhood, and the societal pressures that place them in opposition. The daughter of an illustrious French family whose members include a former Prime Minister, a model, and a journalist, Constance Debré abandoned her marriage and legal career in 2015 to write full-time and begin a relationship with a woman. Her transformation from affluent career woman to broke single lesbian was chronicled in her 2018 novel Play boy, praised by Virginie Despentes for its writing that is at once “flippant and consumed by anxiety.” In Love Me Tender, Debré goes on to further describe the consequences of that life-changing decision. Her husband, Laurent, seeks to permanently separate her from their eight-year old child. Vilified in divorce court by her ex, she loses custody of her son, allowed to see him only once every two weeks for a supervised hour. Deprived of her child, Debré gives up her two-bedroom apartment and bounces between borrowed apartments, hotel rooms, and a studio the size of a cell. She involves herself in brief affairs with numerous women who vary in age, body type, language, and lifestyle. But the closer she gets to them, the more distant she feels. Apart from cigarettes and sex, her life is completely ascetic: a regime of intense reading and writing, interrupted only by sleep and athletic swimming. She shuns any place where she might observe children, avoiding playgrounds and parks “as if they were cluster bombs ready to explode, riddling her body with pieces of shrapnel.” Writing graphically about sex, rupture, longing, and despair in the first person, Debré’s work is often compared with the punk-era writings of Guillaume Dustan and Herve Guibert, whose work she has championed. As she says of Guibert: “I love him because he says I and he’s a pornographer. That seems to be essential when you write. Otherwise you don’t say anything.” But in Love Me Tender, Debré speaks courageously of love in its many forms, reframing what it means to be a mother beyond conventional expectations.

In this stunning novel, Assia Djebar intertwines the history of her native Algeria with episodes from the life of a young girl in a story stretching from the French conquest in 1830 to the War of Liberation of the 1950s. The girl, growing up in the old Roman coastal town of Cherchel, sees her life in contrast to that of a neighboring French family, and yearns for more than law and tradition allow her to experience. Headstrong and passionate, she escapes from the cloistered life of her family to join her brother in the maquis' fight against French domination. Djebar's exceptional descriptive powers bring to life the experiences of girls and women caught up in the dual struggle for independence--both their own and Algeria's.

Plunge into this hypnotic tale of female sexuality and power Two women arrive in a village on the Spanish coast. Rose is suffering from a strange illness and her doctors are mystified. Her daughter Sofia has brought her here to find a cure with the infamous and controversial Dr Gomez - a man of questionable methods and motives. Intoxicated by thick heat and the seductive people who move through it, both women begin to see their lives clearly for the first time in years. Through the opposing figures of mother and daughter, Deborah Levy explores the strange and monstrous nature of womanhood. Dreamlike and utterly compulsive, Hot Milk is a delirious fairy tale of feminine potency, a story both modern and timeless.