A warm and uplifting novel about an isolated witch whose opportunity to embrace a quirky new family--and a new love--changes the course of her life. As one of the few witches in Britain, Mika Moon knows she has to hide her magic, keep her head down, and stay away from other witches so their powers don't mingle and draw attention. And as an orphan who lost her parents at a young age and was raised by strangers, she's used to being alone and she follows the rules...with one exception: an online account, where she posts videos pretending to be a witch. She thinks no one will take it seriously. But someone does. An unexpected message arrives, begging her to travel to the remote and mysterious Nowhere House to teach three young witches how to control their magic. It breaks all of the rules, but Mika goes anyway, and is immediately tangled up in the lives and secrets of not only her three charges, but also an absent archaeologist, a retired actor, two long-suffering caretakers, and...Jamie. The handsome and prickly librarian of Nowhere House would do anything to protect the children, and as far as he's concerned, a stranger like Mika is a threat. An irritatingly appealing threat. As Mika begins to find her place at Nowhere House, the thought of belonging somewhere begins to feel like a real possibility. But magic isn't the only danger in the world, and when a threat comes knocking at their door, Mika will need to decide whether to risk everything to protect a found family she didn't know she was looking for....

Shannon Chakraborty, the bestselling author of The City of Brass, spins a new trilogy of magic and mayhem on the high seas in this tale of pirates and sorcerers, forbidden artifacts and ancient mysteries, in one woman’s determined quest to seize a final chance at glory—and write her own legend. Amina al-Sirafi should be content. After a storied and scandalous career as one of the Indian Ocean’s most notorious pirates, she’s survived backstabbing rogues, vengeful merchant princes, several husbands, and one actual demon to retire peacefully with her family to a life of piety, motherhood, and absolutely nothing that hints of the supernatural. But when she’s tracked down by the obscenely wealthy mother of a former crewman, she’s offered a job no bandit could refuse: retrieve her comrade’s kidnapped daughter for a kingly sum. The chance to have one last adventure with her crew, do right by an old friend, and win a fortune that will secure her family’s future forever? It seems like such an obvious choice that it must be God’s will. Yet the deeper Amina dives, the more it becomes alarmingly clear there’s more to this job, and the girl’s disappearance, than she was led to believe. For there’s always risk in wanting to become a legend, to seize one last chance at glory, to savor just a bit more power…and the price might be your very soul.

In the thrilling conclusion to the Egyptian-inspired Scorched Throne duology, a fugitive queen may be the key to restoring her lost kingdom of Jasad, but it could cost her everything and everyone she loves. Held deep in a mountain refuge, Sylvia has been captured by the Urabi, who believe she can return their homeland to its former power. But after years of denying her legacy and a forbidden alliance with Jasad's greatest enemy, Sylvia must win the group's trust while struggling to keep control of both her magic and her mind. In the rival kingdom, Arin is caught between his father's desire to put down the brewing rebellion and the sacred edicts he's sworn to uphold. Arin must find Sylvia before his father's army, but his search will call into question the very core of Arin's beliefs about his family and the destruction of Jasad. War is inevitable and Sylvia cannot abandon her people again. The Urabi plan to raise the Jasadi fortress, and it will either kill Sylvia or destroy the humanity she's fought so hard to protect. For the first time in her life Sylvia doesn't just want to survive. She wants to win.The fugitive queen is ready to come home.

Ten years ago, the kingdom of Jasad burned. Its magic outlawed; its royal family murdered down to the last child. At least, that’s what Sylvia wants people to believe. The lost Heir of Jasad, Sylvia never wants to be found. She can’t think about how Nizahl’s armies laid waste to her kingdom and continue to hunt its people—not if she wants to stay alive. But when Arin, the Nizahl Heir, tracks a group of Jasadi rebels to her village, staying one step ahead of death gets trickier. In a moment of anger Sylvia’s magic is exposed, capturing Arin’s attention. Now, to save her life, Sylvia will have to make a deal with her greatest enemy. If she helps him lure the rebels, she’ll escape persecution. A deadly game begins. Sylvia can’t let Arin discover her identity even as hatred shifts into something more. Soon, Sylvia will have to choose between the life she wants and the one she left behind. The scorched kingdom is rising, and it needs a queen. In this Egyptian-inspired debut fantasy, a fugitive queen strikes a deadly bargain with her greatest enemy and finds herself embroiled in a complex game that could resurrect her scorched kingdom or leave it in ashes forever.

Perfect Victims is an urgent affirmation of the Palestinian condition of resistance and refusal―an ode to the steadfastness of a nation. Palestine is a microcosm of the on fire, stubborn, fragmented, dignified. While a settler colonial state continues to inflict devastating violence, fundamental truths are deliberately obscured—the perpetrators are coddled while the victims are blamed and placed on trial. Why must Palestinians prove their humanity? And what are the implications of such an infuriatingly impossible task? With fearless prose and lyrical precision, Mohammed El-Kurd refuses a life spent in cross-examination. Rather than asking the oppressed to perform a perfect victimhood, El-Kurd asks friends and foes alike to look Palestinians in the eye, forgoing both deference and condemnation. How we see Palestine reveals how we see each other; how we see everything else. Masterfully combining candid testimony, history, and reportage, Perfect Victims presents a powerfully simple dignity for the Palestinian.

At the elite Catenan Academy, a young fugitive uncovers layered mysteries and world-changing secrets in this new fantasy series by internationally bestselling author of The Licanius Trilogy, James Islington. AUDI. VIDE. TACE. The Catenan Republic – the Hierarchy – may rule the world now, but they do not know everything. I tell them my name is Vis Telimus. I tell them I was orphaned after a tragic accident three years ago, and that good fortune alone has led to my acceptance into their most prestigious school. I tell them that once I graduate, I will gladly join the rest of civilised society in allowing my strength, my drive and my focus – what they call Will – to be leeched away and added to the power of those above me, as millions already do. As all must eventually do. I tell them that I belong, and they believe me. But the truth is that I have been sent to the Academy to find answers. To solve a murder. To search for an ancient weapon. To uncover secrets that may tear the Republic apart. And that I will never, ever cede my Will to the empire that executed my family. To survive, though, I will still have to rise through the Academy’s ranks. I will have to smile, and make friends, and pretend to be one of them and win. Because if I cannot, then those who want to control me, who know my real name, will no longer have any use for me. And if the Hierarchy finds out who I truly am, they will kill me.

From the Sunday Times bestselling author of Starling House, Alix E. Harrow, comes a moving and genre-defying adventure through time – as a reluctant lady knight and a not-so-heroic-historian will fight through time and space to rewrite their tragic fates . . . and finally reveal the truths hidden beneath the greatest legend ever told. It begins where it ends: beneath the yew tree – a girl not yet a knight, and a boy without a story. It is where she pulls a sword from the heartwood and becomes a legend. And it is where, more than a thousand years later, he will find her – and lose her – and find her – and lose her again. It is where a new story will be written – but whose will it be?