A plucky yet innocent wallflower writing a dictionary of bawdy slang arranges her own marriage to the ultimate the town rake. As sexy as it is witty and as charming as it is irreverent, The Very Definition of Love is Emily Henry for the regency era. 1816– Harriet Barrington may be on her fifth season with no marriage prospects, but she’s fine with that. It gives her more time to write her dictionary of modern slang. Words are her passion, especially the exciting, filthy ones men have kept hidden from women for far too long. While researching late in the library during a party, Harriet accidentally finds herself in a compromising situation with notorious rake, Lord Alexander. To save her reputation and her younger sisters from ruin, Harriet has no choice but to slightly kidnap Alexander and strong arm him into an elopement. This arranged marriage has a very particular condition—it will be in name-only, leaving each of them to follow their own interests. For Harriet that’s her work, for Alexander, that’s women. But soon Alexander’s rakish existence is not nearly as fun as spending time with Harriet, and Harriet’s beginning to worry about how much she actually likes her husband. Behind the closed doors of their respectable home, things become a little… complicated. After all, who better to teach her the very thorough meaning of these indecent words than the renowned lover, Lord Alexander Stirling? Perhaps this marriage will teach them both a little more about that word they’ve been avoiding—love. If Carrie Bradshaw wrote a Regency romance…. Meet an irresistible new voice in sex and relationships columnist and lifelong romance fan, Sophia Benoit. Tropes Enemies-to-lovers / Marriage of convenience / There’s only one bed / Yearning / A misunderstanding / He teaches her / Regency era / Rake x wallflower

A plucky yet innocent wallflower writing a dictionary of bawdy slang arranges her own marriage to the ultimate the town rake. As sexy as it is witty and as charming as it is irreverent, The Very Definition of Love is Emily Henry for the regency era. 1816– Harriet Barrington may be on her fifth season with no marriage prospects, but she’s fine with that. It gives her more time to write her dictionary of modern slang. Words are her passion, especially the exciting, filthy ones men have kept hidden from women for far too long. While researching late in the library during a party, Harriet accidentally finds herself in a compromising situation with notorious rake, Lord Alexander. To save her reputation and her younger sisters from ruin, Harriet has no choice but to slightly kidnap Alexander and strong arm him into an elopement. This arranged marriage has a very particular condition—it will be in name-only, leaving each of them to follow their own interests. For Harriet that’s her work, for Alexander, that’s women. But soon Alexander’s rakish existence is not nearly as fun as spending time with Harriet, and Harriet’s beginning to worry about how much she actually likes her husband. Behind the closed doors of their respectable home, things become a little… complicated. After all, who better to teach her the very thorough meaning of these indecent words than the renowned lover, Lord Alexander Stirling? Perhaps this marriage will teach them both a little more about that word they’ve been avoiding—love. If Carrie Bradshaw wrote a Regency romance…. Meet an irresistible new voice in sex and relationships columnist and lifelong romance fan, Sophia Benoit. Tropes Enemies-to-lovers / Marriage of convenience / There’s only one bed / Yearning / A misunderstanding / He teaches her / Regency era / Rake x wallflower

A plucky yet innocent wallflower writing a dictionary of bawdy slang arranges her own marriage to the ultimate the town rake. As sexy as it is witty and as charming as it is irreverent, The Very Definition of Love is Emily Henry for the regency era. 1816– Harriet Barrington may be on her fifth season with no marriage prospects, but she’s fine with that. It gives her more time to write her dictionary of modern slang. Words are her passion, especially the exciting, filthy ones men have kept hidden from women for far too long. While researching late in the library during a party, Harriet accidentally finds herself in a compromising situation with notorious rake, Lord Alexander. To save her reputation and her younger sisters from ruin, Harriet has no choice but to slightly kidnap Alexander and strong arm him into an elopement. This arranged marriage has a very particular condition—it will be in name-only, leaving each of them to follow their own interests. For Harriet that’s her work, for Alexander, that’s women. But soon Alexander’s rakish existence is not nearly as fun as spending time with Harriet, and Harriet’s beginning to worry about how much she actually likes her husband. Behind the closed doors of their respectable home, things become a little… complicated. After all, who better to teach her the very thorough meaning of these indecent words than the renowned lover, Lord Alexander Stirling? Perhaps this marriage will teach them both a little more about that word they’ve been avoiding—love. If Carrie Bradshaw wrote a Regency romance…. Meet an irresistible new voice in sex and relationships columnist and lifelong romance fan, Sophia Benoit. Tropes Enemies-to-lovers / Marriage of convenience / There’s only one bed / Yearning / A misunderstanding / He teaches her / Regency era / Rake x wallflower

Love. Loyalty. Sacrifice.Grey Flynn has dedicated her life to her mage, Kier.She will be his blade on the battlefield, his healer and protector. The deep well of raw power inside her is Kier's to use. Grey would do anything for Kier - be anything for him - if he would only ask.When a quest to protect the child of an enemy kingdom pulls them into the dangerous heart of their nation's war, Grey and Kier will need to decide what they are willing to sacrifice to protect their secret. For Grey is no ordinary magical well, but heir to the lost island of Locke - the root of all power. If she dies, all magic dies with her.The Second Death of Locke is a devastatingly romantic epic fantasy and about the undying bond between a knight and their mage, perfect for fans of Gideon the Ninth and The Six Deaths of the Saint.

A former slave fighting for justice. A reclusive warrior who no longer believes it exists. And a dark magic that will entangle their fates. Ripped from a forgotten homeland as a child, Tisaanah learned how to survive with nothing but a sharp wit and a touch of magic. But the night she tries to buy her freedom, she barely escapes with her life. Desperate to save the best friend she left behind, Tisaanah journeys to the Orders, the most powerful organizations of magic Wielders in the world. But to join their ranks, she must complete an apprenticeship with Maxantarius Farlione, a handsome and reclusive fire wielder who despises the Orders. The Orders’ intentions are cryptic, and Tisaanah must prove herself under the threat of looming war. But even more dangerous are her growing feelings for Maxantarius. The bloody past he wants to forget may be the key to her future… or the downfall of them both. But Tisaanah will stop at nothing to save those she abandoned. Even if it means gambling in the Orders’ deadly games. Even if it means sacrificing her heart. Even if it means wielding death itself. Fans of epic romantic fantasy like Sarah J. Maas and Raven Kennedy will devour this tale of dark magic, passionate romance, vengeance, and redemption.

An alternate cover edition can be found here. Drawing heavily from personal experience, Anne Brontë wrote Agnes Grey in an effort to represent the many 19th Century women who worked as governesses and suffered daily abuse as a result of their position. Having lost the family savings on risky investments, Richard Grey removes himself from family life and suffers a bout of depression. Feeling helpless and frustrated, his youngest daughter, Agnes, applies for a job as a governess to the children of a wealthy, upper-class, English family. Ecstatic at the thought that she has finally gained control and freedom over her own life, Agnes arrives at the Bloomfield mansion armed with confidence and purpose. The cruelty with which the family treat her however, slowly but surely strips the heroine of all dignity and belief in humanity. A tale of female bravery in the face of isolation and subjugation, Agnes Grey is a masterpiece claimed by Irish writer, George Moore, to be possessed of all the qualities and style of a Jane Austen title. Its simple prosaic style propels the narrative forward in a gentle yet rhythmic manner which continuously leaves the listener wanting to know more. Anne Brontë, the somewhat lesser known sister, was in fact the first to finish and publish Agnes Grey under the pseudonym of Acton Bell. Charlotte and Emily followed shortly after with Jane Eyre and Wuthering Heights. As Anne passed away from what is now known to be pulmonary tuberculosis at the age of just 29, she only published one further title; The Tenant of Wildfell Hall. As feminist in nature as Agnes Grey, Anne's brave voice resonates and permeates during one of the most prejudiced and patriarchal times of English history.

An alternate cover edition can be found here. Drawing heavily from personal experience, Anne Brontë wrote Agnes Grey in an effort to represent the many 19th Century women who worked as governesses and suffered daily abuse as a result of their position. Having lost the family savings on risky investments, Richard Grey removes himself from family life and suffers a bout of depression. Feeling helpless and frustrated, his youngest daughter, Agnes, applies for a job as a governess to the children of a wealthy, upper-class, English family. Ecstatic at the thought that she has finally gained control and freedom over her own life, Agnes arrives at the Bloomfield mansion armed with confidence and purpose. The cruelty with which the family treat her however, slowly but surely strips the heroine of all dignity and belief in humanity. A tale of female bravery in the face of isolation and subjugation, Agnes Grey is a masterpiece claimed by Irish writer, George Moore, to be possessed of all the qualities and style of a Jane Austen title. Its simple prosaic style propels the narrative forward in a gentle yet rhythmic manner which continuously leaves the listener wanting to know more. Anne Brontë, the somewhat lesser known sister, was in fact the first to finish and publish Agnes Grey under the pseudonym of Acton Bell. Charlotte and Emily followed shortly after with Jane Eyre and Wuthering Heights. As Anne passed away from what is now known to be pulmonary tuberculosis at the age of just 29, she only published one further title; The Tenant of Wildfell Hall. As feminist in nature as Agnes Grey, Anne's brave voice resonates and permeates during one of the most prejudiced and patriarchal times of English history.

One summer. Two rivals. A plot twist they didn't see coming.... Nora Stephens’ life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small-town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.

In a city split into two opposing sides, power comes in many bloodlines, money, love, and—most importantly—secrets. An heiress in the most notorious family in Lynchaven, Camilla Marchese is doing all she can to keep her family’s syndicate, the Iron Saint Railway, from slipping into bankruptcy. When the gorgeous and depraved Nicolai Attano, the leader of a rival family, offers to pay off the Inspector in exchange for her hand, she has no choice but to give up not only her throne—but her name. Nico has his own motivations for their union beyond maintaining peace with her family. A serial kidnapper known as The Collector has been ravaging the streets of Remnant Row, stirring up mistrust between natives and descendants. If Milla can help restore safety to his streets, he’ll have no need for her or her family’s company. Find the Collector, prevent a war between their sides of the city, and pay off the family debt before she turns twenty-one. If Milla can fulfill her end of the bargain, she’ll walk away with more freedom than she’s ever had before. But this deal plunges Milla into the city’s dark underbelly where remnant magic and arcane science compete in a deadly game of depravity. When forbidden feelings rise for her new husband and dark family secrets come to light, Milla must discover the truth about her past before it gets them both killed or worse—collected. Set in a post-industrial age setting on a magical Isle, Peaky Blinders meets the magic system of the Grishaverse in this rivals-to-lovers adult fantasy romance.