A dual-timeline murder mystery set in an English country manor, when an ambitious professor discovers the long-lost manuscript of a Reformation-era prophetess Historian Alison Sage has made a groundbreaking archival discovery―she found a manuscript containing the prophecies of a 16th century nun, Elizabeth Barton. Barton’s prophecy condemning Henry VIII and Anne Boleyn led to her execution and the destruction of all copies of her prophecies―or so the world believed. With Alison’s discovery, she is catapulted to academic superstardom and scores an invitation to the exclusive Codex Consortium, a week of research among a select handful of fellow historians at a crumbling manor in England, located next to the ruins of the priory where Elizabeth herself once lived. What begins as a promising conference turns into a nightmare as the eerie house becomes the site of a murder. Suddenly, everyone is a suspect, and it seems that answers lie at the root of a local legend about centuries-old hidden treasure. Alison’s research makes her best-suited to solve the mystery―but when old feelings resurface for a former colleague, and the stakes of the search skyrocket, everyone's motives become murky. Alison’s cutthroat world of academia is almost as dangerous as Elizabeth Barton’s sixteenth-century England, where heretics are beheaded, visions can kill, and knowing who to trust is a deadly art. The Lost Book of Elizabeth Barton is a thrilling novel, crackling with the voices of the past and propelled by a mystery that will leave readers in suspense until the very last page.

The lonely, rockbound island of Tsunojima is notorious as the site of a series of bloody unsolved murders. Some even say it’s haunted. One thing’s for sure: it’s the perfect destination for the K-University Mystery Club’s annual trip. But when the first club member turns up dead, the remaining amateur sleuths realise they will need all of their murder-mystery expertise to get off the island alive. As the party are picked off one by one, the survivors grow desperate and paranoid, turning on each other. Will anyone be able to untangle the murderer’s fiendish plan before it’s too late?

Authentic and humorous first person account of one worker’s daily life in the huge system that is the Chinese gig economy. The system could crush you unless you, as the author, have a slightly philosophical look on everyday life. A bestseller in China in 2023 with over 160, 000 copies sold, 400,000 ebooks read, and 1,360,000 audio versions downloaded. Also sold for local publications in 15 territories.In 2023, I Deliver Parcels in Beijing became a literary sensation of the year in China. The story of a worker doing odd jobs in various anonymous mega-cities, Hu AnYan’s voice hit a nerve with a generation of young Chinese who feel at odds with an ever growing pressure to perform and succeed.Hu started posting essays about his experiences online during COVID lockdowns. His recollection of night shifts in a huge logistics center in the South of China went nights so hot that even drinking three liters of water does not require a toilet break; colleagues going for KTV instead of trying to get a few hours' sleep; where are the affordable rooms with proper air conditioning, and what is the best amount of alcohol in order to sleep but not feel drowsy a few hours later? The work is brutal, and there is no real sense of future in sight. But Hu is armed with a deadpan sense of humor and a strong idea of self, he moves on when he feels from logistics in the South to delivering parcels in Beijing, over to other odd jobs, all the while also discovering the power of reading and writing.A unique first person portrait of a society we never hear from but everyone has opinions about and benefits from.

1906: A large manor house, Wake's End, sits on the edge of a bleak Fen, just outside the town of Wakenhyrst. It is the home of Edmund Stearn and his family – a historian, scholar and land-owner, he's an upstanding member of the local community. But all is not well at Wake's End. Edmund dominates his family tyrannically, in particular daughter Maud. When Maud's mother dies in childbirth and she's left alone with her strict, disciplinarian father, Maud's isolation drives her to her father's study, where she happens upon his diary. During a walk through the local church yard, Edmund spots an eye in the undergrowth. His terror is only briefly abated when he discovers it's actually a painting, a 'doom', taken from the church. It's horrifying in its depiction of hell, and Edmund wants nothing more to do with it despite his historical significance. But the doom keeps returning to his mind. The stench of the Fen permeates the house, even with the windows closed. And when he lies awake at night, he hears a scratching sound – like claws on the wooden floor... Wakenhyrst is a terrifying ghost story, an atmospheric slice of gothic, a brilliant exploration of the boundaries between the real and the supernatural, and a descent into the mind of a psychopath.

WARNING! Under no circumstances must employees strike a deal with unauthorized personnel on Dark Enterprises property. Such behavior could result in death…or the end of the world.Colin is a low-level employee at Dark Enterprises, a Hell-like multinational corporation solving the world’s most difficult problems in deeply questionable ways. After years of toiling away in a cubicle, he's ready to climb the corporate ladder and claim the power he's never had.The only problem is, he’s pretty sure he’s about to be terminated. Like, terminated. That's tough, because his BFF has just set him up with a great guy. In fact, maybe he's a little too great. And asks a lot of questions...When Colin meets a shadowy figure promising him his heart’s deepest desire, he can’t resist the urge to fast-track his goals. In return for a small, unspecified favor, he asks for the one thing that will improve his life: a promotion.But that small favor unleashes an ancient evil. People in New York are disappearing, the world might be ending, and Management is starting to notice. Getting to the top is never easy, and now it’s up to Colin to save the world. It's the ultimate power move, after all.

Springtime in Styria. And that means war. Springtime in Styria. And that means revenge. There have been nineteen years of blood. The ruthless Grand Duke Orso is locked in a vicious struggle with the squabbling League of Eight, and between them they have bled the land white. While armies march, heads roll and cities burn, behind the scenes bankers, priests and older, darker powers play a deadly game to choose who will be king. War may be hell but for Monza Murcatto, the Snake of Talins, the most feared and famous mercenary in Duke Orso's employ, it's a damn good way of making money too. Her victories have made her popular - a shade too popular for her employer's taste. Betrayed, thrown down a mountain and left for dead, Murcatto's reward is a broken body and a burning hunger for vengeance. Whatever the cost, seven men must die. Her allies include Styria's least reliable drunkard, Styria's most treacherous poisoner, a mass-murderer obsessed with numbers and a Northman who just wants to do the right thing. Her enemies number the better half of the nation. And that's all before the most dangerous man in the world is dispatched to hunt her down and finish the job Duke Orso started... Springtime in Styria. And that means revenge.

The Necromantics dwells on the literal afterlives of history. Reading the reanimated corpses—monstrous, metaphorical, and occasionally electrified—that Mary Shelley, Robert Browning, Charles Dickens, W. B. Yeats, Bram Stoker, and others bring to life, Renée Fox argues that these undead figures embody the present’s desire to remake the past in its own image. Fox positions “necromantic literature” at a nineteenth-century intersection between sentimental historiography, medical electricity, imperial gothic monsters, and the Irish Literary Revival, contending that these unghostly bodies resist critical assumptions about the always-haunting power of history. By considering Irish Revival texts within the broader scope of nineteenth-century necromantic works, The Necromantics challenges Victorian studies’ tendency to merge Irish and English national traditions into a single British whole, as well as Irish studies’ postcolonial efforts to cordon off a distinct Irish canon. Fox thus forges new connections between conflicting political, formal, and historical traditions. In doing so, she proposes necromantic literature as a model for a contemporary reparative reading practice that can reanimate nineteenth-century texts with new aesthetic affinities, demonstrating that any effective act of reading will always be an effort of reanimation.

A woman is killed by a poisoned dart in the enclosed confines of a commercial passenger plane. Flying from Paris to London. From seat No.9, Hercule Poirot was ideally placed to observe his fellow air passengers. Over to his right sat a pretty young woman, clearly infatuated with the man opposite; ahead, in seat No.13, sat a Countess with a poorly-concealed cocaine habit; across the gangway in seat No.8, a detective writer was being troubled by an aggressive wasp. What Poirot did not yet realize was that behind him, in seat No.2, sat the slumped, lifeless body of a woman. How could this happen with the world's No. 1 private detective on board?