An NYRB Classics Original The hero of The Invisibility Cloak lives in contemporary Beijing—where everyone is doing their best to hustle up the ladder of success while shouldering an ever-growing burden of consumer goods—and he’s a loser. Well into his forties, he’s divorced (and still doting on his ex), childless, and living with his sister (her husband wants him out) in an apartment at the edge of town with a crack in the wall the wind from the north blows through while he gets by, just, by making customized old-fashioned amplifiers for the occasional rich audio-obsessive. He has contempt for his clients and contempt for himself. The only things he really likes are Beethoven and vintage speakers. Then an old friend tips him off about a special job—a little risky but just don’t ask too many questions—and can it really be that this hopeless loser wins? This provocative and seriously funny exercise in the social fantastic by the brilliantly original Ge Fei, one of China’s finest living writers, is among the most original works of fiction to come out of China in recent years. It is sure to appeal to readers of Haruki Murakami and other fabulists of contemporary irreality.

A dark and utterly original literary horror debut, following a priest whose bloodthirsty life has extended far longer than any mere human’s—and is upended when a stranger comes to town Stutley Tillinghast lives a solitary life, ostensibly as the minister of a remote rural parish in Rhode Island. For many decades now, what little human contact he’s allowed himself has been brief, frenzied and bloody, and has always ended in a shallow grave in his cellar. There’s a name for what he is, but he prefers not to use it: it is simple enough that he has his needs, and that when they become unbearable, he fulfils them. In his long and lonely life, he has met only one other like him—the woman he still yearns for, the one who made him what he is. Then a girl arrives, searching for him. She has his last name, and bears an uncanny resemblance to that woman, awakening memories Tillinghast had long suppressed; the connection he feels for her is immediate and overwhelming. She’s also sick, very sick, with symptoms Tillinghast recognizes all too well…and only he knows how to cure her. Inspired by the real events of the New England vampire panic of the nineteenth century, TILLINGHAST is a novel to sink your teeth into: at once a gripping, atmospheric horror that turns the classic monster narrative on its head; a literary work of exceptional prose about giving into–or resisting–our impulses; and a remarkably moving father-daughter story that will leave you unexpectedly hopeful—and rooting, despite your every instinct, for the killers.

“The New Testament à la Cormac McCarthy.” – Kirkus Reviews --- Haunting visions drive a grieving butcher to hunt down an obese, pre-ministry Jesus to prevent an age of fire and ash. But when the Butcher ‘adopts’ a dead newborn, his hunt for the son of Nazareth takes a personal and horrific turn. --- How does one choose between personal redemption and world-wide salvation? --- From Bethlehem to Jerusalem to Nazareth, familiar events and figures are reimagined with a modern sensibility, building to a gut-wrenching conclusion. A heart of darkness story that explores: fathers and sons, grief, zealotry, and choice. --- “Unique and unforgettable. A visceral and immersive work of historical horror - masterfully done.” - A.C. Wise, Out of the Drowning Deep, & Wendy, Darling --- "Enthralling, gut-wrenching, and bloody, The Butcher of Nazareth is destined to become a literary classic.” Pedro Iniguez, Bram Stoker Award nominee and author of Fever Dreams of a Parasite --- “DSH’s writing is witty, smart, and precise.” – Chicago Sun-Times --- “DSH has a taut, bristling writing style stacked with compelling ideas.”- New City Journal

NB: This is the German Edition.No German language description available. Reads R to L (Japanese Style) for audiences T+. Contains Volumes 5 and 6 of Death Note!Light Yagami is an ace student with great prospects--and he’s bored out of his mind. But all that changes when he finds the Death Note, a notebook dropped by a rogue Shinigami death god. Any human whose name is written in the notebook dies, and now Light has vowed to use the power of the Death Note to rid the world of evil. Will Light's noble goal succeed, or will the Death Note turn him into the very thing he fights against?

Brian, an aimless slacker, works doubles at his shift job, forgets to clean his room and lays about with his friends Nik and Darby. He's been struggling to manage his transition to adulthood almost as much as his monthly transitions to a werewolf. Really, he is not great at the whole werewolf thing, and his recent murderous slip-ups have caught the attention of Tyler, a Millennial were-mentor determined to take the mythological world by storm. Tyler has got a plan, and weirdly his self-help punditry actually encourages Brian to shape up and to stop accidently marking out guys who ghosted him on Grindr as potential monthly victims. But as Brian gets closer to Tyler's pack, and alienated from Nik and Darby, he realises that Tyler's expansion plans are much more nefarious than a little lupine enlightenment...

With two Kiras on the loose, L asks Light to join the task force and pose as the real Kira in order to catch the copycat. L still suspects Light and figures that this is the perfect excuse to get closer to his quarry. Light agrees to the plan in order to have free access to the task force resources. But when Light manages to contact the new Kira, he discovers that his rival is anything but as expected. Will Light escape from love unscathed?

Light is chafing under L's extreme surveillance, but even 64 microphones and cameras hidden in his room aren't enough to stop Light. He steps up the game, but before the battle of wits can really begin, a family emergency distracts him. But even though Light isn't using the Death Note right now, someone else is! Who's the new "Kira" in town?

Fleabag: The Scriptures includes new writing from Phoebe Waller-Bridge alongside the filming scripts and the never-before-seen stage directions from the award-winning series.

There is a vast cultural movement emerging from beyond the Western world. Truly global in its range and allure, it is the biggest challenge yet to Hollywood, McDonald’s, and blue jeans. This is a book about these new arbiters of mass culture arising from the East―India’s Bollywood films, Turkish soap opera, or dizi, and South Korean pop music. Carefully packaging not always secular modernity with traditional values in urbanized settings, they have created a new global pop culture that can be easily consumed, especially by the many millions coming late to the modern world and still negotiating its overwhelming challenges. Acclaimed author Fatima Bhutto profiles Shah Rukh Khan, by many measures the most popular movie star in the world; goes behind the scenes of Magnificent Century, Turkey’s biggest TV show, watched by upwards of 200 million people across 43 countries; and travels to South Korea to see how K-Pop started it all, and how “Gangnam Style” became the first YouTube video with one billion views.