For fans of Dolly Alderton and HBO’s Hacks, a whip-smart, laugh-out-loud funny debut novel about faking it (and “making it”) as a writer in Hollywood. TV writer Caroline Neumann is thirty-four and mired in professional envy and self-hatred. Even Harry, her usually supportive therapist husband, thinks it’s time for her to press pause on her career ambitions and focus on getting pregnant, despite Caroline’s serious ambivalence about having children. When Caroline accidentally stumbles on Harry’s patient session notes and offhandedly mentions what she finds in a meeting with a producer, the momentum of Hollywood takes over. Before she knows it—and unbeknownst to Harry—Caroline finds herself pitching a TV show about the deepest, darkest secrets of her husband’s favorite patient, a woman known to Caroline only as the Teacher. Amid the indignities of the Hollywood development process, Caroline must balance her burning desire for professional validation against her own morality and the health of her marriage. And when Caroline forms a real-life relationship with Teacher herself, the lines between art and life begin to blur further, shaking up Caroline’s understanding of what it means to be the “likeable female protagonist” of her own life.

Nineteen sparkling stories that weave between the lands of the living and the lands of the dead. Spirits Abroad is an expanded edition of Zen Cho’s Crawford Award winning debut collection with nine added stories including Hugo Award winner “If at First You Don't Succeed, Try, Try Again.” A Datin recalls her romance with an orang bunian. A teenage pontianak struggles to balance homework, bossy aunties, first love, and eating people. An earth spirit gets entangled in protracted negotiations with an annoying landlord, and Chang E spins off into outer space, the ultimate metaphor for the Chinese diaspora.

Egypt, 1912. In an alternate Cairo infused with the otherworldly, the Ministry of Alchemy, Enchantments and Supernatural Entities investigate disturbances between the mortal and the (possibly) divine. What starts off as an odd suicide case for Special Investigator Fatma el-Sha’arawi leads her through the city’s underbelly as she encounters rampaging ghouls, saucy assassins, clockwork angels, and plot that could unravel time itself.

Leading anthropologist Thomas Hylland Eriksen shows how anthropology is a revolutionary way of thinking about the human world. Perfect for students, but also for those who have never encountered anthropology before, this book explores the key issues in an exciting and innovative way. Eriksen explains how to see the world from below and from within – emphasising the importance of adopting an insider's perspective. He reveals how seemingly enormous cultural differences actually conceal the deep unity of humanity.Lucid and accessible, What is Anthropology? draws examples from current affairs as well as anthropological studies. The first section presents the history of anthropology, its unique research methods and some of its central concepts, such as society, culture and translation. Eriksen shows how anthropology helps to shape contemporary thinking and why it is inherently radical.In the second section he discusses core issues in greater detail. Reciprocity, or exchange, or gift-giving, is shown to be the basis of every society. Eriksen examines kinship in traditional societies, and shows why it remains important in complex ones. He argues nature is partly cultural, and explores anthropological views on human nature as well as ecology. He delves into cultural relativism and the problem of understanding others. Finally, he describes the paradoxes of identity – ethnic, national, religious or postmodern, as the case may be.

Making the radical argument that the nation-state was born of colonialism, this book calls us to rethink political violence and reimagine political community beyond majorities and minorities. In this genealogy of political modernity, Mahmood Mamdani argues that the nation-state and the colonial state created each other. In case after case around the globe—from the New World to South Africa, Israel to Germany to Sudan—the colonial state and the nation-state have been mutually constructed through the politicization of a religious or ethnic majority at the expense of an equally manufactured minority. The model emerged in North America, where genocide and internment on reservations created both a permanent native underclass and the physical and ideological spaces in which new immigrant identities crystallized as a settler nation. In Europe, this template would be used by the Nazis to address the Jewish Question, and after the fall of the Third Reich, by the Allies to redraw the boundaries of Eastern Europe’s nation-states, cleansing them of their minorities. After Nuremberg the template was used to preserve the idea of the Jews as a separate nation. By establishing Israel through the minoritization of Palestinian Arabs, Zionist settlers followed the North American example. The result has been another cycle of violence. Neither Settler nor Native offers a vision for arresting this historical process. Mamdani rejects the “criminal” solution attempted at Nuremberg, which held individual perpetrators responsible without questioning Nazism as a political project and thus the violence of the nation-state itself. Instead, political violence demands political solutions: not criminal justice for perpetrators but a rethinking of the political community for all survivors—victims, perpetrators, bystanders, beneficiaries—based on common residence and the commitment to build a common future without the permanent political identities of settler and native. Mamdani points to the anti-apartheid struggle in South Africa as an unfinished project, seeking a state without a nation.

Define and Rule focuses on the turn in late nineteenth-century colonial statecraft when Britain abandoned the attempt to eradicate difference between conqueror and conquered and introduced a new idea of governance, as the definition and management of difference. Mahmood Mamdani explores how lines were drawn between settler and native as distinct political identities, and between natives according to tribe. Out of that colonial experience issued a modern language of pluralism and difference. A mid-nineteenth-century crisis of empire attracted the attention of British intellectuals and led to a reconception of the colonial mission, and to reforms in India, British Malaya, and the Dutch East Indies. The new politics, inspired by Sir Henry Maine, established that natives were bound by geography and custom, rather than history and law, and made this the basis of administrative practice. Maine’s theories were later translated into “native administration” in the African colonies. Mamdani takes the case of Sudan to demonstrate how colonial law established tribal identity as the basis for determining access to land and political power, and follows this law’s legacy to contemporary Darfur. He considers the intellectual and political dimensions of African movements toward decolonization by focusing on two key figures: the Nigerian historian Yusuf Bala Usman, who argued for an alternative to colonial historiography, and Tanzania’s first president, Mwalimu Julius Nyerere, who realized that colonialism’s political logic was legal and administrative, not military, and could be dismantled through nonviolent reforms.

Cyrus Beldon was born to kill vampires. Or so says his indomitable family legacy. For generations, the Beldon hunters have kept the peace between humans and vampires, navigating tense diplomacy with the elite Honorable Families and eliminating threats when needed. Cyrus is content to leave the hunting and slaying to his capable older siblings, but when his oldest brother is murdered by Honorable vampires in a shocking break of the truce, Cyrus becomes determined to find out why his brother was not merely killed, but turned into a bloodthirsty creature known as a Wild vampire. Cyrus’s hunt for information on the monster that became of his brother leads him to discover an experiment suggesting that recently-turned vampires can have their humanity restored, and with this revolutionary possibility within his reach, Cyrus dares to hope for a future in which he can save vampires instead of killing them. He traces the studies back to one of the five Honorable Families, and with the help of studious and infuriatingly proud Lucien Vista, Cyrus delves into vampire biology to seek the core cause of Wild turns—and a cure for them. Amid multiple high-profile murders, rising tension between the Beldons and the Honorable Families, and dangerous sparks between Cyrus and Lucien, the truce is at a tipping point, and Cyrus and Lucien must decide how far they are willing to go to keep the peace between their families—or if it’s already too late.

(This is an alternate-cover edition for ISBN 9780374530631) The American short story master Flannery O'Connor's haunting first novel of faith, false prophets, and redemptive wisdom. Wise Blood, Flannery O'Connor's astonishing and haunting first novel, is a classic of twentieth-century literature. It is the story of Hazel Motes, a twenty-two-year-old caught in an unending struggle against his inborn, desperate fate. He falls under the spell of a "blind" street preacher named Asa Hawks and his degenerate fifteen-year-old daughter, Sabbath Lily. In an ironic, malicious gesture of his own non-faith, and to prove himself a greater cynic than Hawks, Motes founds the Church Without Christ, but is still thwarted in his efforts to lose God. He meets Enoch Emery, a young man with "wise blood," who leads him to a mummified holy child and whose crazy maneuvers are a manifestation of Motes's existential struggles. This tale of redemption, retribution, false prophets, blindness, blindings, and wisdom gives us one of the most riveting characters in American fiction.