Milan, 11 ans, enfant unique, s’ennuie ferme dans une France où les échos des tragédies lointaines ne parviennent que par bribes, le soir, à la télévision. Et voilà que soudain, à la fin de l’été 1994, sa mère lui impose la présence d’un prétendu cousin de son âge, Claude. D’abord dérouté par ce garçon mutique et blessé tout juste arrivé du Rwanda, Milan trouve en lui un presque frère avec qui tout partager, sa chambre et sa banlieue enfin moins maussade, ses jeux et ses passions, ses rires et ses peines… Mais ce double devenu si proche lui est arraché aussi brusquement qu’il était apparu. Milan n’était que seul, le voici éprouvé par le chagrin, révolté par le silence de ses parents. Il ne le sait pas encore, mais pas à pas, voyage après voyage, devenu jeune homme puis adulte, il va remonter à la source du mystère familial et aux origines du drame du Rwanda, en pleine reconstruction après le génocide des Tutsis. Là-bas, il trouve une famille : sa taiseuse grand-mère ; Eusébie, généreuse et déterminée ; Claude, toujours rêveur, installé dans un joyeux caravansérail avec son copain Sartre ; la petite Stella souvent réfugiée en haut du jacaranda, son arbre fétiche ; et tant d’autres qui essaient d’avancer dans un pays blessé mais d’une phénoménale vitalité. Les plaies à vif y sont dissimulées sous un tourbillon de bruit, de musique et d’alcool. Ni tout à fait de là ni tout à fait d’ailleurs, Milan devient le passeur de secrets qu’il faut réussir à exhumer. Les révélations seront douloureuses pour chacun et Stella devra renoncer au jacaranda tant aimé, mais au bout du chemin, peut-être la réconciliation est-elle possible. Comme Milan écoute et parvient à comprendre le pays de ses origines, Gaël Faye reconstitue avec sa douceur unique les parcours contrastés de ses personnages. Sur quatre générations, il nous raconte l’histoire terrible d’un pays qui tente malgré tout l’expérience du dialogue et du pardon. Comme un arbre se dresse entre ténèbres et lumière, Jacaranda célèbre l’humanité, paradoxale, aimante, vivante.

Luminously translated by Pulitzer Prize-winning author Jhumpa Lahiri, Ties is the searing new novel by bestselling Italian novelist Domenico Starnone.Ties is the story of a marriage. Like many marriages, this one has been subject to strain, to attrition, to the burden of routine. Yet it has survived intact. Or so things appear. The rupture in Vanda and Aldo's marriage lies years in the past, but if one looks closely enough, the fissures and fault lines are evident. Their marriage is a cracked vase that may shatter at the slightest touch. Or perhaps it has already shattered, and nobody is willing to acknowledge the fact. Domenico Starnone's thirteenth work of fiction is a powerful short novel about relationships, family, love, and the ineluctable consequences of one's actions. Known as a consummate stylist and beloved as a talented storyteller, Domenico Starnone is the winner of Italy's most prestigious literary award The Strega.  Winner of The Bridge Prize for Best Novel 2015 

Luminously translated by Pulitzer Prize-winning author Jhumpa Lahiri, Ties is the searing new novel by bestselling Italian novelist Domenico Starnone.Ties is the story of a marriage. Like many marriages, this one has been subject to strain, to attrition, to the burden of routine. Yet it has survived intact. Or so things appear. The rupture in Vanda and Aldo's marriage lies years in the past, but if one looks closely enough, the fissures and fault lines are evident. Their marriage is a cracked vase that may shatter at the slightest touch. Or perhaps it has already shattered, and nobody is willing to acknowledge the fact. Domenico Starnone's thirteenth work of fiction is a powerful short novel about relationships, family, love, and the ineluctable consequences of one's actions. Known as a consummate stylist and beloved as a talented storyteller, Domenico Starnone is the winner of Italy's most prestigious literary award The Strega.  Winner of The Bridge Prize for Best Novel 2015 

From the writer and translator duo of A Magical Girl Retires, a powerful historical novel about labour activism in Japanese-occupied Korea. Set against the backdrop of Japanese-occupied Korea, Capitalists Must Starve follows a sharp-tongued, big-hearted heroine who dares to love, rebel, and carve out space for working-class women in a world determined to silence them. Echoing the unflinching narratives of Alias Grace and the sweeping historical vision of Pachinko, this feminist historical novel balances raw grit with unexpected tenderness and a defiant streak of dark humour. A stirring portrait of resistance from fierce, funny, and full of fight.

On the 22nd of January 2017, Pateh Sabally, a twenty-two-year-old Gambian refugee living in Italy since 2015, arrives in Venice from Milan. He leaves his backpack near the Scalzi Bridge, puts his train ticket and residence permit in a plastic pouch, and then plunges into the cold waters of the Grand Canal, amidst the gaze of onlookers and tourists. As he drowns, some insult him, while others shout "Africa". Outraged by this tragic death, the novel’s narrator, a young writer based in Paris, follows Pateh’s trail aiming to piece together and understand the sequence of events leading up to his death. Venice Requiem tells the story of a Venice where literature grapples with the pressing dramas of our time. Throughout the novel, the narrator quotes authors who lived in or wrote about Venice: Goldoni, Thomas Mann, Ernest Hemingway, Lord Byron, Marcel Proust, and others. Through a dialogue with the writings and experiences of these authors, the novel explores the potential of literature to rescue humanity.

Fernando Pessoa was many writers in one. He attributed his prolific writings to a wide range of alternate selves, each of which had a distinct biography, ideology, and horoscope. When he died in 1935, Pessoa left behind a trunk filled with unfinished and unpublished writings, among which were the remarkable pages that make up his posthumous masterpiece, The Book of Disquiet, an astonishing work that, in George Steiner's words, "gives to Lisbon the haunting spell of Joyce's Dublin or Kafka's Prague." Published for the first time some fifty years after his death, this unique collection of short, aphoristic paragraphs comprises the "autobiography" of Bernardo Soares, one of Pessoa's alternate selves. Part intimate diary, part prose poetry, part descriptive narrative, captivatingly translated by Richard Zenith, The Book of Disquiet is one of the greatest works of the twentieth century.

On the 22nd of January 2017, Pateh Sabally, a twenty-two-year-old Gambian refugee living in Italy since 2015, arrives in Venice from Milan. He leaves his backpack near the Scalzi Bridge, puts his train ticket and residence permit in a plastic pouch, and then plunges into the cold waters of the Grand Canal, amidst the gaze of onlookers and tourists. As he drowns, some insult him, while others shout "Africa". Outraged by this tragic death, the novel’s narrator, a young writer based in Paris, follows Pateh’s trail aiming to piece together and understand the sequence of events leading up to his death. Venice Requiem tells the story of a Venice where literature grapples with the pressing dramas of our time. Throughout the novel, the narrator quotes authors who lived in or wrote about Venice: Goldoni, Thomas Mann, Ernest Hemingway, Lord Byron, Marcel Proust, and others. Through a dialogue with the writings and experiences of these authors, the novel explores the potential of literature to rescue humanity.

Waiting by the canal in Malmö, a young cellist meets a disorientated junkie. The encounter sends him into a turmoil of memories, voices and associations. As the cellist oscillates between present and past, he is paralysed by doubt and confusion and he begins to question his own place in society. From sprawling social housing estates, via basement clubs and squat parties, and culminating in a dramatic role reversal, Wretchedness is a delirious trip through Europe’s underbelly. With a rhythmic, mesmerising flow, Tichy’s novel explores the possibility of social mobility and the ambivalent desire to escape your origins, asking how to love your neighbour when that neighbour is an addict, a criminal, wretched.

On the 22nd of January 2017, Pateh Sabally, a twenty-two-year-old Gambian refugee living in Italy since 2015, arrives in Venice from Milan. He leaves his backpack near the Scalzi Bridge, puts his train ticket and residence permit in a plastic pouch, and then plunges into the cold waters of the Grand Canal, amidst the gaze of onlookers and tourists. As he drowns, some insult him, while others shout "Africa". Outraged by this tragic death, the novel’s narrator, a young writer based in Paris, follows Pateh’s trail aiming to piece together and understand the sequence of events leading up to his death. Venice Requiem tells the story of a Venice where literature grapples with the pressing dramas of our time. Throughout the novel, the narrator quotes authors who lived in or wrote about Venice: Goldoni, Thomas Mann, Ernest Hemingway, Lord Byron, Marcel Proust, and others. Through a dialogue with the writings and experiences of these authors, the novel explores the potential of literature to rescue humanity.

Discover 67 shocking-but-true medical misfires that run the gamut from bizarre to deadly. Like when doctors prescribed morphine for crying infants. When snorting skull moss was a cure for a bloody nose. When consuming mail-order tapeworms was a latter-day fad diet. Or when snake oil salesmen peddled strychnine (used in rat poison) as an aphrodisiac in the '60s. Seamlessly combining macabre humor with hard science and compelling storytelling, Quackery is a visually rich and information-packed exploration of history's most outlandish cures, experiments, and scams. A humorous book that delves into some of the wacky but true ways that humans have looked to cure their ills. Leeches, mercury, strychnine, and lobotomies are a few of the topics that explore the lengths society has gone in the search for health.

From an eminent surgeon and historian comes the “by turns fascinating and ghastly” (The New York Times Book Review , Editors’ Choice) story of surgery’s development—from the Stone Age to the present day—blending meticulous medical research with vivid storytelling. There are not many life events that can be as simultaneously frightening and hopeful as a surgical operation. In America, tens-of-millions of major surgical procedures are performed annually, yet few of us consider the magnitude of these figures because we have such inherent confidence in surgeons. And, despite passionate debates about health care and the media’s endless fascination with surgery, most of us have no idea how the first surgeons came to be because the story of surgery has never been fully told. Now, Empire of the Scalpel elegantly reveals surgery’s fascinating evolution from its early roots in ancient Egypt to its refinement in Europe and rise to scientific dominance in the United States. From the 16th-century saga of Andreas Vesalius and his crusade to accurately describe human anatomy while appeasing the conservative clergy who clamored for his burning at the stake, to the hard-to-believe story of late-19th century surgeons’ apathy to Joseph Lister’s innovation of antisepsis and how this indifference led to thousands of unnecessary surgical deaths, Empire of the Scalpel is both a global history and a uniquely American tale. You’ll discover how in the 20th century the US achieved surgical leadership, heralded by Harvard’s Joseph Murray and his Nobel Prize–winning, seemingly impossible feat of transplanting a kidney, which ushered in a new era of transplants that continues to make procedures once thought insurmountable into achievable successes. Today, the list of possible operations is almost infinite—from knee and hip replacement to heart bypass and transplants to fat reduction and rhinoplasty—and “Rutkow has a raconteur’s touch” ( San Francisco Chronicle ) as he draws on his five-decade career to show us how we got here. Comprehensive, authoritative, and captivating, Empire of the Scalpel is “a fascinating, well-rendered story of how the once-impossible became a daily reality” ( Kirkus Reviews , starred review).

In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created--in the pulpy, boldly illustrated pages of comic books. No sooner had this new culture emerged than it was beaten down by church groups, community bluestockings, and a McCarthyish Congress--only to resurface with a crooked smile on its face in "Mad "magazine. The story of the rise and fall of those comic books has never been fully told--until "The Ten-Cent Plague." David Hajdu's remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority. When we picture the 1950s, we hear the sound of early rock and roll. "The Ten-Cent Plague "shows how--years before music--comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.

A beat movement icon and visionary poet, Allen Ginsberg broke boundaries with his fearless, pyrotechnic verse. The apocalyptic "Howl" became the subject of an obscenity trial when it was first published in 1956 -- its vindication was a watershed moment in twentieth-century history. Dark, ecstatic and rhapsodic, "Howl" shows why Ginsberg was one of the most influential poets of the twentieth century. Howl and Other Poems is a collection of Ginsberg's finest work, including "Howl," one of the principal works of the Beat Generation as well as "A Supermarket in California," "Transcription of Organ Music," "Sunflower Sutra," "America," "In the Baggage Room at Greyhound," and some of his earlier works.