From the critically-acclaimed author of the Outline trilogy, an irresistible novel of fame, power, beauty and truth -- and a blazing renovation of the form. A little while ago, I told the actor M that I was thinking of writing her autobiography. She liked the idea. She's a good sport. Would you just make it up? she said.The film star M is one of the most recognizable faces of our time. Her image is everywhere. It has been like that since she was a child.With such fame, her life has the appearance of people are instantly obliging, spaces are altered to accommodate her, time can be rearranged. M may live in the same places as real people. She may meet her friends or collect her children from school or walk her dogs as they do. But it seems the rules of reality have melted away.Now, a writer has decided to pay close attention to M's life, in the hope of understanding who she really is. It is hard not to feel ugly next to M, hard not to feel insignificant. But what truths-about the very experience of living-might this proximity allow the writer to briefly capture? Is M to play a character in the book, or is it the writer who is acting the role of M?In this astonishing, explosive novel, Rachel Cusk hunts for the nature of truth without ever swerving away into self-deceptions. She investigates who we are, and pretend to be, at this late stage of modern life when we are hypnotized, more and more effectively, by the images we see everywhere. She shows us that the real value of life might lie not in beauty but in ugliness; in having a self that has survived the violence of the world. Life of M is a beautiful piece of music, audible in a world of noise and spectacle.

In a tiny Beirut apartment, sixty-three-year-old Raja and his mother live side by side. A beloved high school philosophy teacher and “the neighborhood homosexual,” Raja relishes books, meditative walks, order, and solitude. Zalfa, his octogenarian mother, views her son’s desire for privacy as a personal affront. She demands to know every detail of Raja’s work life and love life, boundaries be damned. When Raja receives an invite to an all-expenses-paid writing residency in America, the timing couldn’t be better. It arrives on the heels of a series of personal and national disasters that have left Raja longing for peace and quiet away from his mother and the heartache of Lebanon. But what at first seems a stroke of good fortune soon leads Raja to recount and relive the very disasters and past betrayals he wishes to forget. Told in Raja’s irresistible and wickedly funny voice, the novel dances across six decades to tell the unforgettable story of a singular life and its absurdities—a tale of mistakes, self-discovery, trauma, and maybe even forgiveness. Above all, The True True Story of Raja the Gullible (and His Mother) is a wildly unique and sparkling celebration of love.

In the isolated Appalachian town of Burrsville, Tess Wynne lives in precious quiet. Having been left for dead a century earlier, Tess made a deal with the devil to stay in the only home she’s known. Tending to her wildlife sanctuary, she keeps the land and its people safe – pulling on spidering threads of ancient magic, trying to preserve the balance of nature against the encroaching ravages of human influence. But, every autumn, the devil returns, offering Tess more power in exchange for a foothold into the human world. And, every autumn, Tess refuses.As Tess prepares her wildlife sanctuary for the winter, an unexpected addition to Burrsville catches the local’s attention. Freshly arrived Zeke Abdee, the town’s new pastor, begins to sinisterly mould the townspeople to his will.With everyone slowly turning on Tess, Pastor Zeke is determined to stake his claim on the very land where Tess keeps her sanctuary. Cornered, a desperate Tess pushes her magic to the darkest edges. All the while, the devil bides his time, waiting for Tess to decide if she will be prey - or predator...

Something darker than the devil stalks the North Carolina woods in Wolf Worm, a new gothic masterpiece from New York Times bestselling author T. Kingfisher. The year is 1899 and Sonia Wilson is a scientific illustrator without work, prospects, or hope. When the reclusive Dr. Halder offers her a position illustrating his vast collection of insects, Sonia jumps at the chance to move to his North Carolina manor house and put her talents to use. But soon enough she finds that there are darker things at work than the Carolina woods. What happened to her predecessor, Halder’s wife? Why are animals acting so strangely, and what is behind the peculiar local whispers about “blood thiefs?” With the aid of the housekeeper and a local healer, Sonia discovers that Halder’s entomological studies have taken him down a dark road full of parasitic maggots that burrow into human flesh, and that his monstrous experiments may grow to encompass his newest illustrator as well.

In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort. Written for J.R.R. Tolkien’s own children, The Hobbit met with instant critical acclaim when it was first published in 1937. Now recognized as a timeless classic, this introduction to the hobbit Bilbo Baggins, the wizard Gandalf, Gollum, and the spectacular world of Middle-earth recounts of the adventures of a reluctant hero, a powerful and dangerous ring, and the cruel dragon Smaug the Magnificent. The text in this 372-page paperback edition is based on that first published in Great Britain by Collins Modern Classics (1998), and includes a note on the text by Douglas A. Anderson (2001).

In a tiny Beirut apartment, sixty-three-year-old Raja and his mother live side by side. A beloved high school philosophy teacher and “the neighborhood homosexual,” Raja relishes books, meditative walks, order, and solitude. Zalfa, his octogenarian mother, views her son’s desire for privacy as a personal affront. She demands to know every detail of Raja’s work life and love life, boundaries be damned. When Raja receives an invite to an all-expenses-paid writing residency in America, the timing couldn’t be better. It arrives on the heels of a series of personal and national disasters that have left Raja longing for peace and quiet away from his mother and the heartache of Lebanon. But what at first seems a stroke of good fortune soon leads Raja to recount and relive the very disasters and past betrayals he wishes to forget. Told in Raja’s irresistible and wickedly funny voice, the novel dances across six decades to tell the unforgettable story of a singular life and its absurdities—a tale of mistakes, self-discovery, trauma, and maybe even forgiveness. Above all, The True True Story of Raja the Gullible (and His Mother) is a wildly unique and sparkling celebration of love.

From the heathered fells and lowlands of Cumbria with their history of smouldering violence, to the speed and heat of summer London, to an eerily still lake in the Finnish wilderness, Sarah Hall evokes landscapes with extraordinary precision and grace. The characters within these territories are real-life survivors, but whether it's a frustrated housewife seeking extreme experience or a young woman contemplating the death of her lover, dark devices and desires rise to the surface. And the human body, too - flawed, visceral, and full of emotional conflict - provides a sensuous frame for each unfolding drama. Uniquely disturbing and deeply erotic, this collection confirms Sarah Hall as one of the greatest writers of her generation. The BEAUTIFUL INDIFFERENCE includes 'Butcher's Perfume', which was short-listed for the BBC National Short Story Prize in 2010

WINNER OF THE BBC NATIONAL SHORT STORY AWARDWINNER OF AN O.HENRY PRIZE FOR SHORT FICTION The seven stories of Sudden Traveller immerse us anew in one of the most distinctive literary imaginations. In Turkish forests or rain-drenched Cumbrian villages, characters walk, drive, dream and fly, trying to reconcile themselves with their journey through life and death. A woman fitted with life-changing technology returns to the site of her strongest memories; a man repatriated in the near east hears the name of an old love called and must unpack history's suitcase; and from the new world-waves of female anger and resistance, a mythical creature evolves. Radical, charged with a transformative creative power, each of these stories opens channels in the human mind and spirit, as Sarah Hall once more invites the reader to stand at the very edge of our possible selves.

She is running and becoming smaller, running and becoming smaller, running in the light of the reddening sun, the red of her hair and her coat falling, the red of her fur and her body loosening. Running. Holding behind her a sudden, brazen object, white-tipped. Her yellow scarf trails in the briar. All vestiges shed. Sarah Hall is an exquisite chronicler of landscapes - rural, industrial, psychological - and these haunting stories reveal a writer at the peak of her powers. Rich in the mythic symbolism of wilderness and wasteland, these tales blur the natural and urban, mundane and surreal, human and animal. Written in Hall's lyrical prose, this uncannily disturbing collection glitters with poetic and erotic imagery. Marked by a fascination with the intimacy of nature - and the nature of intimacy - Madame Zero is a stunning new collection from an author twice nominated for the Booker Prize.

The lives of four individuals—a dying painter, a blind girl, a landscape artist, and an art curator—intertwine across nearly five decades in this luminous and searching novel of extraordinary power. With How to Paint a Dead Man, Sarah Hall, "one of the most significant and exciting of Britain's young novelists" (The Guardian), delivers "a maddeningly enticing read . . . an amazing feat of literary engineering" (The Independent on Sunday).

You were the last one here, before I closed the door of Burntcoat. Before we all closed our doors . . . In an unnamed British city, the virus is spreading, and like everyone else, the celebrated sculptor Edith Harkness retreats inside. She isolates herself in her immense studio, Burntcoat, with Halit, the lover she barely knows. As life outside changes irreparably, inside Burntcoat, Edith and Halit find themselves changed as well: by the histories and responsibilities each carries and bears, by the fears and dangers of the world outside, and by the progressions of their new relationship. And Burntcoat will be transformed, too, into a new and feverish world, a place in which Edith comes to an understanding of how we survive the impossible--and what is left after we have. A sharp and stunning novel of art and ambition, mortality and connection, Burntcoat is a major work from "one of our most influential short story writers" (The Guardian). It is an intimate and vital examination of how and why we create--make art, form relationships, build a life--and an urgent exploration of an unprecedented crisis, the repercussions of which are still years in the learning.