Seconds before the Earth is demolished to make way for a galactic freeway, Arthur Dent is plucked off the planet by his friend Ford Prefect, a researcher for the revised edition of The Hitchhiker's Guide to the Galaxy who, for the last fifteen years, has been posing as an out-of-work actor. Together this dynamic pair begin a journey through space aided by quotes from The Hitchhiker's Guide ("A towel is about the most massively useful thing an interstellar hitchhiker can have") and a galaxy-full of fellow travelers: Zaphod Beeblebrox--the two-headed, three-armed ex-hippie and totally out-to-lunch president of the galaxy; Trillian, Zaphod's girlfriend (formally Tricia McMillan), whom Arthur tried to pick up at a cocktail party once upon a time zone; Marvin, a paranoid, brilliant, and chronically depressed robot; Veet Voojagig, a former graduate student who is obsessed with the disappearance of all the ballpoint pens he bought over the years. Where are these pens? Why are we born? Why do we die? Why do we spend so much time between wearing digital watches? For all the answers stick your thumb to the stars. And don't forget to bring a towel!

In a world supported on the back of a giant turtle (sex unknown), a gleeful, explosive, wickedly eccentric expedition sets out. There's an avaricious but inept wizard, a naive tourist whose luggage moves on hundreds of dear little legs, dragons who only exist if you believe in them, and of course THE EDGE of the planet...

What Great Artworks Say uncovers the hidden messages and subtle details of some of the world's most famous works of art. Come on a journey into the world of art, from ancient sculpture to modern painting. This illustrated book will help you understand individual artworks, how to discover their symbols and composition, and much more. By looking at the history of the artist, the techniques, customs and influences at the time, this book opens up the deeper meaning of more than fifteen essential works of art. Artworks include: Sunflowers by Vincent Van Gogh Lady with an Ermine by Leonardo da Vinci The Art of Painting by Vermeer Great Wave off Kanagawa by Hokusai A bar at the Folies-Bergère by Manet The Scream by Munch ... and many more. What Great Artworks Say is the third practical guide in the Looking at Art series, that explores some of the most important artworks in the history of art. Whether you are a complete beginner or an experienced art lover, this book has something for everyone. **Note: Images are shown in full colour.

From the award-winning author of a “battle-cry of a book” (The Guardian) Rage Becomes Her, comes a fearless and timely manifesto for identifying and rejecting male supremacy in our daily lives. Drawing on her trademark skill, wit, clarity, and sharp insight, Soraya Chemaly walks us through how male supremacy operates, adapting dynamically in order to maintain cruel, exploitative systems of oppression. Male supremacy, she asserts, isn’t primarily about men dominating women; but rather a system that first and foremost violently pits men against each other using women and marginalized communities as resources in their competition for power. Under this system, anyone who isn’t white, straight, CIS, and adhering to strict rules of traditional masculinity is considered inferior and rendered “other”—women, LGBTQ+ people, people of color, immigrants, religious minorities, the disabled, and Black and Indigenous communities. Being feminized defines vulnerability, exploitability, and disposability. There is no justice for any community until we confront this defining injustice. Most men don’t have to benefit from this system or feel powerful for this system to work, indeed only a relatively few do. While women, particularly those with multiple marginalized identities, are hurt the most, men, too, need liberation from this oppressive system. All We Want Is Everything offers both unflinching analysis and genuine hope, informed by the bold and revolutionary potential of feminist imagination. From private relationships to global politics, Chemaly shows how naming and refusing male supremacy is essential to resisting the forces tearing democracy apart. This fresh, timely, clear-eyed, and necessary manifesto is a call to refuse supremacist identities, relationships, and values in order to build more just, healthy, and sustainable worlds for everyone.

Academics hail it as the beginning of modernism, but to readers around the world—even those daunted by Moby-Dick—Bartleby the Scrivener is simply one of the most absorbing and moving novellas ever. Set in the mid-19th century on New York City's Wall Street, it was also, perhaps, Herman Melville's most prescient story: what if a young man caught up in the rat race of commerce finally just said, "I would prefer not to"? The tale is one of the final works of fiction published by Melville before, slipping into despair over the continuing critical dismissal of his work after Moby-Dick, he abandoned publishing fiction. The work is presented here exactly as it was originally published in Putnam's magazine—to, sadly, critical disdain.

From the author of The Three-Body Problem, The Dark Forest, and Death's End comes a story about unborn memories. With The Three-Body Problem, English-speaking listeners got their first chance to experience the multiple-award-winning and bestselling Three-Body Trilogy by China's most beloved science fiction author, Cixin Liu. The Weight of Memories is a Tor.com Original story. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

What is fascism? Many authors have proposed definitions, but most fail to move beyond the abstract. The esteemed historian Robert O. Paxton answers this question for the first time by focusing on the concrete: what the fascists did, rather than what they said. From the first violent uniformed bands beating up “enemies of the state,” through Mussolini’s rise to power, to Germany’s fascist radicalization in World War II, Paxton shows clearly why fascists came to power in some countries and not others, and explores whether fascism could exist outside the early-twentieth-century European setting in which it emerged. The Anatomy of Fascism will have a lasting impact on our understanding of modern European history, just as Paxton’s classic Vichy France redefined our vision of World War II. Based on a lifetime of research, this compelling and important book transforms our knowledge of fascism–“the major political innovation of the twentieth century, and the source of much of its pain.”

Myung and Laleh are keepers of the whale of babel. They roam within its cosmic chambers, speak folktales of themselves, and pray to an enigmatic figure they know only as 'Great Wisa'. To Laleh, this is everything. For Myung, it is not enough. When Myung flees the whale, she stumbles into a new universe where shapeshifting islands and ancient maps hold sway. There, she sets off on an adventure that is both tragic and transformative, for her and Laleh. For at the heart of her quest lies a mystery that has confounded scholars for centuries: the truth about the mad sisters of Esi. Fables, dreams and myths come together in this masterful work of fantasy by acclaimed author Tashan Mehta, sweeping across three landscapes, and featuring a museum of collective memory and a festival of madness. At its core, it asks: In the devastating chaos of this world, where all is in flux and the truth ever-changing, what will you choose to hold on to?

From the author of the New York Times best seller Poser and the acclaimed memoir Love and Trouble, a passionate, provocative, blisteringly smart interrogation of how we make and experience art in the age of #MeToo, and of the link between genius and monstrosity. In this unflinching, deeply personal book that expands on her instantly viral Paris Review essay, What Do We Do with the Art of Monstrous Men? Claire Dederer asks: Can we love the work of Hemingway, Polanski, Naipaul, Miles Davis, or Picasso? Should we love it? Does genius deserve special dispensation? Is male monstrosity the same as female monstrosity? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss? She explores the audience's relationship with artists from Woody Allen to Michael Jackson, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art.

Two teen girls must uncover the dark, occult secrets lurking in their Cape Cod town to solve a series of murders—and save themselves from the same fate—in this twisty, witchy thriller. When Mazzy and her best friend Nora sneak down to the beach one moonlit night to cast a spell, they don’t expect to find a dead body. But as the tide rolls in, it carries the remains of a woman who is missing her hands and teeth. The girls know they should leave the investigation to the police, but they can’t shake the weird, supernatural connection they feel with the dead woman. Using spellwork and divination, they set out to find answers of their own. But after they uncover a rash of local disappearances stretching back years—and both girls start having occult visions and hearing ghostly, whispering voices—Mazzy worries that she and Nora are in danger. Then, Nora finds a second body. And a whispering voice is telling her where to find more. With everything spiraling, Mazzy needs to figure out who to trust and how to sever this supernatural connection—or she and Nora might be the next bodies to wash up on the beach.

A new edition of the revolutionary bestseller, with four million copies in print. Allen Carr’s innovative Easyway method—which he discovered after his own 100-cigarette-a-day habit nearly drove him to despair—has helped millions kick smoking without feeling anxious and deprived. That’s because he helps smokers discover the psychological reasons behind their dependency, explains in detail how to handle the withdrawal symptoms, shows them how to avoid situations when temptation might become too strong, and enables them to stay smoke-free. Carr discusses such issues as nicotine addiction; the social “brainwashing” that encourages smoking; the false belief that a cigarette relieves stress; the role boredom plays in sabotaging efforts to stop; and the main reasons for failure. With this proven program, smokers will be throwing away their packs for good.

Mutual aid is the radical act of caring for each other while working to change the world. Around the globe, people are faced with a spiralling succession of crises, from the Covid-19 pandemic and climate change-induced fires, floods, and storms to the ongoing horrors of mass incarceration, racist policing, brutal immigration enforcement, endemic gender violence, and severe wealth inequality. As governments fail to respond to—or actively engineer—each crisis, ordinary people are finding bold and innovative ways to share resources and support the vulnerable. Survival work, when done alongside social movement demands for transformative change, is called mutual aid. This book is about mutual aid: why it is so important, what it looks like, and how to do it. It provides a grassroots theory of mutual aid, describes how mutual aid is a crucial part of powerful movements for social justice, and offers concrete tools for organizing, such as how to work in groups, how to foster a collective decision-making process, how to prevent and address conflict, and how to deal with burnout. Writing for those new to activism as well as those who have been in social movements for a long time, Dean Spade draws on years of organizing to offer a radical vision of community mobilization, social transformation, compassionate activism, and solidarity.

"Organizing is both science and art. It is thinking through a vision, a strategy, and then figuring out who your targets are, always being concerned about power, always being concerned about how you're going to actually build power in order to be able to push your issues, in order to be able to get the target to actually move in the way that you want to." What if social transformation and liberation isn't about waiting for someone else to come along and save us? What if ordinary people have the power to collectively free ourselves? In this timely collection of essays and interviews, Mariame Kaba reflects on the deep work of abolition and transformative political struggle. With chapters on seeking justice beyond the punishment system, transforming how we deal with harm and accountability, and finding hope in collective struggle for abolition, Kaba's work is deeply rooted in the relentless belief that we can fundamentally change the world. As Kaba writes, "Nothing that we do that is worthwhile is done alone."