Belfast, 1914. Two years after the sinking of the Titanic, high society has become obsessed with spiritualism in the form of seances that attempt to contact the spirits of loved ones lost at sea. William is a man of science and a sceptic, but one night with everyone sat around the circle something happens that places doubt in his heart and a seed of obsession in his mind. Could the spirits truly be communicating with him or is this one of Kathleen’s parlour tricks gone too far? This early 20th century gothic set in Northern Ireland contains all the mystery and intrigue one might expect from a Sarah Waters novel. Deftly plotted with echoes of The Woman in Black, readers will be thrilled to discover West’s chilling prose. Based on the true story of William Jackson Crawford and famed medium Kathleen Goligher, and with a cast of characters that include Arthur Conan Doyle and Harry Houdini, The Spirit Engineer conjures a haunting tale that will keep readers guessing until the very end.

Josie is at rock bottom. Burned out and recovering from an abusive relationship, she lives a haunted existence after returning to her isolated hometown on the edge of the Forest of Dean. But the tall, dense pine trees are not the only things casting shadows across her skin. When Josie stumbles across a dead woman's decaying, ant-infested body in the woods, she plummets into a downward spiral, facing uncomfortable truths about the victim and her own past - all whilst battling the swarming black ants that seem to have burrowed into her mind . . . and her flesh. Struggling with infestations of all kinds, Josie scratches the surface of an age-old mystery - a masked predator stalks the forest around Ellwood, a place deeply gripped by folklore and strange customs. As the village prepares for its annual festival, Josie gets closer and closer to unveiling a monster, and begins to ask Are these dark crawling insects leading her to uncover the truth? Or is she their next victim?

Josie is at rock bottom. Burned out and recovering from an abusive relationship, she lives a haunted existence after returning to her isolated hometown on the edge of the Forest of Dean. But the tall, dense pine trees are not the only things casting shadows across her skin. When Josie stumbles across a dead woman's decaying, ant-infested body in the woods, she plummets into a downward spiral, facing uncomfortable truths about the victim and her own past - all whilst battling the swarming black ants that seem to have burrowed into her mind . . . and her flesh. Struggling with infestations of all kinds, Josie scratches the surface of an age-old mystery - a masked predator stalks the forest around Ellwood, a place deeply gripped by folklore and strange customs. As the village prepares for its annual festival, Josie gets closer and closer to unveiling a monster, and begins to ask Are these dark crawling insects leading her to uncover the truth? Or is she their next victim?

If history is right, a 26 year-old beauty named Winnie Ruth Judd murdered her two best girlfriends one hot Phoenix night in 1931. Then she hacked up their bodies, stuffed the pieces into a trunk, and took them by train to Los Angeles as her baggage. If history is right, she was sentenced to die but "cheated the gallows" by acting insane. She spent nearly 40 years in Arizona's insane asylum-flummoxing officials by escaping six times. If history is right, she only got her freedom at age 66-after serving more time than any other convicted murderer in the history of the nation―because Arizona was finally tired of punishing her. But if history is wrong, Winnie Ruth Judd's life was squandered in a horrible miscarriage of justice. Award-winning journalist Jana Bommersbach reinvestigates the twisted, bizarre murder case that has captivated the nation for decades. She not only uncovers evidence long hidden, but gets Winnie Ruth Judd to break her life-long silence and finally speak. In telling the story of this American crime legend, Bommersbach also tells the story of Phoenix, Arizona―a backwater town that would become a major American city―and the story of a unique moment in American history filled with social taboos. But most of all, she tells the story of a woman with the courage to survive.

If history is right, a 26 year-old beauty named Winnie Ruth Judd murdered her two best girlfriends one hot Phoenix night in 1931. Then she hacked up their bodies, stuffed the pieces into a trunk, and took them by train to Los Angeles as her baggage. If history is right, she was sentenced to die but "cheated the gallows" by acting insane. She spent nearly 40 years in Arizona's insane asylum-flummoxing officials by escaping six times. If history is right, she only got her freedom at age 66-after serving more time than any other convicted murderer in the history of the nation―because Arizona was finally tired of punishing her. But if history is wrong, Winnie Ruth Judd's life was squandered in a horrible miscarriage of justice. Award-winning journalist Jana Bommersbach reinvestigates the twisted, bizarre murder case that has captivated the nation for decades. She not only uncovers evidence long hidden, but gets Winnie Ruth Judd to break her life-long silence and finally speak. In telling the story of this American crime legend, Bommersbach also tells the story of Phoenix, Arizona―a backwater town that would become a major American city―and the story of a unique moment in American history filled with social taboos. But most of all, she tells the story of a woman with the courage to survive.

In October 1931, a station agent found two large trunks abandoned in LA's South Pacific Train Station. What he found inside ignited one of the most scandalous tabloid sensations of the decade. Inspired by this notorious true crime, Bury Me Deep is the story of Marion Seeley, a young woman abandoned in Phoenix by her husband. At the medical clinic where she finds a job, Marion becomes fast friends with Louise, a vivacious nurse, and her roommate, Ginny. Before long, the demure Marion is swept up in the exuberant life of the girls, who supplement their scant income by entertaining the town's most powerful men with wild parties. At one of these events, Marion meets-and falls hard for-the charming Joe Lanigan, a local rogue and politician on the rise, whose ties to all three women bring events to a dramatic and deadly collision. A story born of Depression-era desperation and Jazz Age nostalgia, Bury Me Deep - with its hothouse of jealousy, illicit sex, and shifting loyalties - is a timeless portrait of the dark side of desire.

In October 1931, a station agent found two large trunks abandoned in LA's South Pacific Train Station. What he found inside ignited one of the most scandalous tabloid sensations of the decade. Inspired by this notorious true crime, Bury Me Deep is the story of Marion Seeley, a young woman abandoned in Phoenix by her husband. At the medical clinic where she finds a job, Marion becomes fast friends with Louise, a vivacious nurse, and her roommate, Ginny. Before long, the demure Marion is swept up in the exuberant life of the girls, who supplement their scant income by entertaining the town's most powerful men with wild parties. At one of these events, Marion meets-and falls hard for-the charming Joe Lanigan, a local rogue and politician on the rise, whose ties to all three women bring events to a dramatic and deadly collision. A story born of Depression-era desperation and Jazz Age nostalgia, Bury Me Deep - with its hothouse of jealousy, illicit sex, and shifting loyalties - is a timeless portrait of the dark side of desire.

Someone must have known what happened to Matilda Hacker. For someone in that house had killed her. So how could the murderer prove so elusive? Standing four storeys tall in an elegant Bloomsbury terrace, No. 4, Euston Square was a well-kept, respectable boarding house. But beneath this genteel Victorian London veneer lay murderous intrigue. On 9 May 1879, the body of a former resident, Matilda Hacker, was discovered by chance in the coal cellar. The ensuing investigation – led by Inspector Charles Hagen, rising star of the recently formed CID – stripped bare the dark side of Victorian domesticity. In this true-crime story, Sinclair McKay meticulously evaluates the evidence in first-hand sources. His gripping account sheds new light on a mystery that eluded Scotland Yard. ‘With the gusto of a penny dreadful, Murder at No. 4 Euston Road dodges any stodgy courtroom testimony that can weigh down true crime stories and sticks to the juicy details. It is hard to avoid the comparison with Kate Summerscale’s The Suspicions of Mr Whicher and it has similar historical richness and plot twisting…’ The Spectator 'Sinclair McKay is an accomplished and talented author with a rare skill... True crime fans and history buffs will enjoy this book, coming away with an enthralling true crime story and a new knowledge and understanding of Victorian London.' Crime Traveller ‘Gripping, gothic and deeply poignant’ Mail on Sunday ‘A meticulously researched book’ - Brian Viner, Daily Mail

S.T. Gibson's sensational novel is the darkly seductive tale of Dracula's first bride, Constanta. This is my last love letter to you, though some would call it a confession. . . Saved from the brink of death by a mysterious stranger, Constanta is transformed from a medieval peasant into a bride fit for an undying king. But when Dracula draws a cunning aristocrat and a starving artist into his web of passion and deceit, Constanta realizes that her beloved is capable of terrible things. Finding comfort in the arms of her rival consorts, she begins to unravel their husband's dark secrets. With the lives of everyone she loves on the line, Constanta will have to choose between her own freedom and her love for her husband. But bonds forged by blood can only be broken by death.

S.T. Gibson's sensational novel is the darkly seductive tale of Dracula's first bride, Constanta. This is my last love letter to you, though some would call it a confession. . . Saved from the brink of death by a mysterious stranger, Constanta is transformed from a medieval peasant into a bride fit for an undying king. But when Dracula draws a cunning aristocrat and a starving artist into his web of passion and deceit, Constanta realizes that her beloved is capable of terrible things. Finding comfort in the arms of her rival consorts, she begins to unravel their husband's dark secrets. With the lives of everyone she loves on the line, Constanta will have to choose between her own freedom and her love for her husband. But bonds forged by blood can only be broken by death.

Hellebore is a poisonous plant that has the power of altering perception, and it's thought to be one of the main ingredients for the witches' flying ointment. Associated with the water element, it is known for opening up portals to the Underworld and the subconscious. Hellebore is a collection of writings and essays devoted to British folk horror and the themes that inspire it: folklore, myth, history, archaeology, psychogeography, witches & the occult. The Sacrifice issue examines the role of human sacrifice in folk horror. From The Wicker Man to Blood on Satan's Claw. Delve into a world of witchcraft, megalithic monuments, and pagan survivals in hidden rural areas. Featuring words by Ronald Hutton, Katy Soar, Verity Holloway, David Southwell (Hookland), Dee Dee Chainey, Mercedes Miller, John Reppion, and Maria J. Pérez Cuervo. Artwork by Paul Watson and Eli John.

Diagnosed by her physician husband with a “temporary nervous depression—a slight hysterical tendency” after the birth of her child, a woman is urged to rest for the summer in an old colonial mansion. Forbidden from doing work of any kind, she spends her days in the house’s former nursery, with its barred windows, scratched floor, and peeling yellow wallpaper. In a private journal, the woman records her growing obsession with the “horrid” wallpaper. Its strange pattern mutates in the moonlight, revealing what appears to be a human figure in the design. With nothing else to occupy her mind, the woman resolves to unlock the mystery of the wallpaper. Her quest, however, leads not to the truth, but into the darkest depths of madness. A condemnation of the patriarchy, The Yellow Wallpaper explores with terrifying economy the oppression, grave misunderstanding, and willful dismissal of women in late nineteenth-century society. First published in January 1892 in The New England Magazine. Excerpt: Out of another I get a lovely view of the bay and a little private wharf belonging to the estate. There is a beautiful shaded lane that runs down there from the house. I always fancy I see people walking in these numerous paths and arbors, but John has cautioned me not to give way to fancy in the least. He says that with my imaginative power and habit of story-making a nervous weakness like mine is sure to lead to all manner of excited fancies, and that I ought to use my will and good sense to check the tendency. So I try.