Artificial Condition

Martha Wells

It has a dark past--one in which a number of humans were killed. A past that caused it to christen itself “Murderbot." But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks. Alternate cover of ISBN 9781250186928. Another cover edition can be found here

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Gregor the Overlander (Underland Chronicles, #1)

Suzanne Collins

The story of a boy who embarks on a dangerous quest in order to fulfill his destiny -- and find his father -- in a strange world beneath New York City.When Gregor falls through a grate in the laundry room of his apartment building, he hurtles into the dark Underland, where spiders, rats, cockroaches coexist uneasily with humans. This world is on the brink of war, and Gregor's arrival is no accident. A prophecy foretells that Gregor has a role to play in the Underland's uncertain future. Gregor wants no part of it -- until he realizes it's the only way to solve the mystery of his father's disappearance. Reluctantly, Gregor embarks on a dangerous adventure that will change both him and the Underland forever.

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Letter from an Unknown Woman

Stefan Zweig

Letter from an Unknown Woman (German: Der Brief einer Unbekannten, sometimes appearing without the definite article "der") is a novella by Austrian writer Stefan Zweig. The work first appeared in the 1 January 1922 issue of the Viennese Neuen Freien Presse, before being published in book form as part of the collection Amok: Novellen einer Leidenschaft (Insel Verlag, 1922). The novella tells the story of an author who, while reading a letter written by a woman he does not remember, gets glimpses into her life story. It is generally considered to be Zweig's most famous work of fiction.

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Bird Brains: The Intelligence of Crows, Ravens, Magpies, and Jays

Candace Savage

Birds have long been viewed as the archetypal featherbrains—beautiful but dumb. But according to naturalist Candace Savage, “bird brain,” as a pejorative expression, should be rendered obsolete by new research on the family of corvids: crows and their close relations. The ancients who regarded these remarkable birds as oracles, bringers of wisdom, or agents of vengeance were on the right track, for corvids appear to have powers of abstraction, memory, and creativity that put them on a par with many mammals, even higher primates. Bird Brains presents these bright, brassy, and surprisingly colorful birds in a remarkable collection of full-color, close-up photographs by some two dozen of the world’s best wildlife photographers. Savage’s lively, authoritative text describes the life and behavior of sixteen representative corvid species that inhabit North America and Europe. Drawing on recent research, she describes birds that recognize each other as individuals, call one another by “name,” remember and relocate thousands of hidden food caches, engage in true teamwork and purposeful play, and generally exhibit an extraordinary degree of sophistication.

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Duet: An Artful History of Music

Eleanor Chan

A lush new history of music that transcends eras, borders, personalities, and genres by revealing how music is something seen, as well as heard. Classically trained musician and art historian, Eleanor Chan, takes us deep into the visual and material manifestations of music, transforming our understanding of the story of art and music. Plunging the reader into the body of a performer and the eyes of an art historian, this wonderful book explores the history of music through a series of objects, both everyday and unusual, revealing how music has always been something that we visualize. From the sumptuously illuminated manuscripts of Ethiopia and Safavid Iran to the decorated porcelain flutes of China, from Brazilian opera houses to the jazz-inspired abstract paintings by artists throughout the world, Chan opens windows onto the ways that art has been heard, and music has been seen, throughout time. From France, India, Brazil, Guyana, Iraq, Italy, Turkey, Ethiopia, Egypt and Armenia, to Greece, China, Japan, Korea, Russia, Iran, the Netherlands, Germany, Wales, Nigeria, Sweden, the United Kingdom and the United States, An Artful History of Music reveals just how many connections and cross-pollinations there have been between art and music-making cultures over the centuries and across the globe. Music is interwoven into the fabric of our lives. We listen to it, some of us play it, but throughout history we have also attempted to capture it from the musical images of Ancient Sumer to Frozen's Elsa standing on the side of a mountain, her voice making crystals in the air. In this harmonious tale of music and art, the reader embarks on visual journey through sound. With the same wonder as Katherine Rundell’s Vanishing Creatures and the paradigm-shifting power of The Story of Art Without Men by Katy Hessell, this deep and winding exploration of music’s visual and material manifestations transforms our understanding of its story - to one built by communities and the every (wo)man, not just by the artists, performers, composers whose flame shines brightest.

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Gore Capitalism

Sayak Valencia

An analysis of contemporary violence as the new commodity of today's hyper-consumerist stage of capitalism. “Death has become the most profitable business in existence.” —from Gore Capitalism Written by the Tijuana activist intellectual Sayak Valencia, Gore Capitalism is a crucial essay that posits a decolonial, feminist philosophical approach to the outbreak of violence in Mexico and, more broadly, across the global regions of the Third World. Valencia argues that violence itself has become a product within hyper-consumerist neoliberal capitalism, and that tortured and mutilated bodies have become commodities to be traded and utilized for profit in an age of impunity and governmental austerity. In a lucid and transgressive voice, Valencia unravels the workings of the politics of death in the context of contemporary networks of hyper-consumption, the ups and downs of capital markets, drug trafficking, narcopower, and the impunity of the neoliberal state. She looks at the global rise of authoritarian governments, the erosion of civil society, the increasing violence against women, the deterioration of human rights, and the transformation of certain cities and regions into depopulated, ghostly settings for war. She offers a trenchant critique of masculinity and gender constructions in Mexico, linking their misogynist force to the booming trade in violence. This book is essential reading for anyone seeking to analyze the new landscapes of war. It provides novel categories that allow us to deconstruct what is happening, while proposing vital epistemological tools developed in the convulsive Third World border space of Tijuana.

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From Rage to Reason: Why We Need Sex Crime Laws Based on Facts, Not Fear

Emily Horowitz

Analyzing sex-offense laws and false claims, this book shows that laws based on vengeance rather than justice or evidence create new forms of harm while failing to address the real and pervasive problem of sexual violence. In this timely and extensively researched book, sociologist Emily Horowitz shows how current sex-offense policies in the United States create new forms of harm and prevent those who have caused harm from the process of constructive repentance or contributing to society after punishment. Horowitz also illustrates the failure of criminal justice responses to social problems. Sharing detailed narratives from the experiences of those on registries and their loved ones, Horowitz reveals the social impact and cycle of violence that results from dehumanizing and banishing those who have already been held accountable. From Rage to Reason offers a new perspective on how and why false claims about sex offenses became so pervasive and how these myths fostered ineffective policies that have little to do with the reality of most sexual abuse. It argues that to truly prevent sexual abuse, we must unearth the sources of these misunderstandings, debunk these claims in a systematic way, and have frank and genuine discussions about the limits of legal responses to complex social problems.

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Who's Afraid of Gender?

Judith Butler

From a global icon, a bold, essential account of how a fear of gender is fueling reactionary politics around the world. Judith Butler, the groundbreaking thinker whose iconic book Gender Trouble redefined how we think about gender and sexuality, confronts the attacks on “gender” that have become central to right-wing movements today. Global networks have formed “anti-gender ideology movements” that are dedicated to circulating a fantasy that gender is a dangerous, perhaps diabolical, threat to families, local cultures, civilization―and even “man” himself. Inflamed by the rhetoric of public figures, this movement has sought to nullify reproductive justice, undermine protections against sexual and gender violence, and strip trans and queer people of their rights to pursue a life without fear of violence. The aim of Who’s Afraid of Gender? is not to offer a new theory of gender but to examine how “gender” has become a phantasm for emerging authoritarian regimes, fascist formations, and transexclusionary feminists. In their vital, courageous new book, Butler illuminates the concrete ways that this phantasm of “gender” collects and displaces anxieties and fears of destruction. Operating in tandem with deceptive accounts of “critical race theory” and xenophobic panics about migration, the anti-gender movement demonizes struggles for equality, fuels aggressive nationalism, and leaves millions of people vulnerable to subjugation. An essential intervention into one of the most fraught issues of our moment, Who’s Afraid of Gender? is a bold call to refuse the alliance with authoritarian movements and to make a broad coalition with all those whose struggle for equality is linked with fighting injustice. Imagining new possibilities for both freedom and solidarity, Butler offers us a hopeful work of social and political analysis that is both timely and timeless―a book whose verve and rigor only they could deliver.

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