It's 2017, and Olga and her brother, Pedro "Prieto" Acevedo, are bold-faced names in their hometown of New York. Prieto is a popular congressman representing their gentrifying Latinx neighborhood in Brooklyn while Olga is the tony wedding planner for Manhattan's powerbrokers. Despite their alluring public lives, behind closed doors things are far less rosy. Sure, Olga can orchestrate the love stories of the 1%, but she can't seem to find her own...until she meets Matteo, who forces her to confront the effects of long-held family secrets... Twenty-seven years ago, their mother, Blanca, a Young Lord-turned-radical, abandoned her children to advance a militant political cause, leaving them to be raised by their grandmother. Now, with the winds of hurricane season, Blanca has come barreling back into their lives. Set against the backdrop of New York City in the months surrounding the most devastating hurricane in Puerto Rico's history, Olga Dies Dreaming is a story that examines political corruption, familial strife and the very notion of the American dream--all while asking what it really means to weather a storm.

The woman never goes by the same name. She never stays in the same place too long. She never ages. She never dies. But those around her do. When two grieving strangers meet by chance in Osaka airport they uncover a disturbing connection. Jake's best friend and Mariko's twin brother each died, 6,000 miles apart, in brutal and unfathomable circumstances. Each encountered a mesmerising, dark-haired woman in the days before their deaths. A woman who came looking for Mariko - and then disappeared. Jake, who has carried his loss and guilt for a decade, finds himself compelled to follow the trail set by Mariko's revelations. It's a trail that weaves across continents and centuries, leading back to the many who have died - in strange and terrifying and eerily similar ways - and those they left behind: bewildered, disbelieved, yet resolutely sure of what they saw. And, at the centre of it all, there is the same beguiling woman. Her name may have changed, but her purpose has never wavered, and as Jake races to discover who, or what she is, she has already made her next choice. But will knowing her secret be enough to stop her?

Whereas many books look at how women's bodies are represented in different religions and cultures around the world, this work explores the site of a woman's voice and identity, her head . The female head threatens to disrupt the classic gender distinctions that link men to speech, identity, and mind while relegating women to silence, anonymity, and flesh. The contributors to this collection argue that the objectification of women as sexual and reproductive bodies results in their symbolic beheading. Decapitation occurs symbolically in myths as well as in actual practices such as veiling, head covering, and cosmetic highlighting, which by sexualizing a woman's face turns it into an extension of her body. The essays explore how similar treatments of the female head find their unique articulation in diverse religious traditions and in Hindu myths of beheading, in Buddhist and Tantric practices and poetry about the hair of female nuns, in the resistance to veiling by early Christian women at Corinth, in contemporary veiling practices in a Turkish village, in the eroticization of the female mouth in ancient Judaism, and in Greek and Roman cosmetic practices. Together these essays show how the depiction of the female head is critical for an understanding of gender and its influence on other fundamental religious and cultural issues.

New York Times  bestseller Eleanor Herman, author of  Sex with Kings  and  Sex with Presidents,  returns with another work of popular history, exploring the history of misogyny against women with power from Cleopatra to Kamala Harris. Imagine Donald Trump as a woman, called Donna. Would Donna Trump have been viewed as blunt, honest, and refreshing? Would she have won the election? Imagine Hillary Clinton as a man. Howard Clinton says and does the exact same things as Hillary. Would Howard Clinton have been portrayed in a thousand Pinterest images as a witch, stirring a cauldron or riding a broomstick? Would he have been called a bitch on countless T-shirts? Would his thoughtful, circumspect answers to media questions have been seen as inauthenticity, secretiveness, and untrustworthiness? There is a particular kind of rage—let’s call it unadulterated bloodlust—usually reserved for women, especially women in power or vying for it. From the ancient world, through the European Renaissance, up to the most recent U.S. elections, the Misogynist’s Handbook, as Eleanor Herman calls it, has been wielded to put uppity women in their place. In a story that is shocking, eye-opening, and a powerful force for change, Eleanor Herman’s signature wit and humor explores the patterns that have been operating for more than three thousand years—and are still operating today—against powerful women across the globe, including Cleopatra, Anne Boleyn, Marie Antoinette, Catherine the Great, Hillary Clinton, Kamala Harris, and more. Each chapter analyzes a tried-and-true misogynistic method to keep women down, Her Overweening Ambition, Why Doesn’t She Do Something About Her Hair?, The Dangers of Female Hormones, The Alarming Shrillness of Her Voice, The Mysterious Unlikability of Female Candidates, She’s a Bitch and Other Animals, She’s a Witch and Other Monsters, and Her Sexual Depravity. Herman ends the book by looking forward, examining ways to rip up the Misogynist’s Handbook once and for all.

A groundbreaking anthology that illuminates historical and contemporary solidarity between Black and Asian feminists, helping us make sense of the world we’re in and the world we must imagine and build. For many in the US and abroad, calls to #SayHerName, the uptick in violence against Asian Americans throughout the COVID-19 pandemic, and the 2021 Atlanta spa shootings remain raw and unhealed. Create the World Black and Asian Feminist Solidarities contextualizes a cross-racial feminist politics that explicitly addresses solidarity between Black and Asian feminists. Taken together, the pieces remind us that wherever there is struggle against oppressive systems, there is great possibility for empathy, respect, and solidarity.A collaborative project between Black Women Radicals and the Asian American Feminist Collective, this unprecedented work brings together organizers, artists, journalists, poets, novelists, and more, introducing readers to new ways of understanding and reflecting on race and feminism. The anthology wrestles with contemporary feminism through a multitude of angles—from the Combahee River Collective to nail salons and massage parlors, from misogynoir to the model minority myth.This innovative anthology features poetry, critical essays, interviews, creative nonfiction, and other contributions by Barbara Smith, Tamara Nopper, Franny Choi, Sonya Renee Taylor, and other vital, radical, feminist voices.

In the heart of a quiet town, a young woman tends to her plant shop, but beneath the surface of her lush, green sanctuary lies something far darker.... Will you dare to disrespect her plants? Tucked away in the corner of a neighborhood in Dosan, South Korea, is the Plant Shop. Shop owner Yoohee has started anew, and her meticulously grown foliage thrives under her tender care. To both her customers and herself, Plant Shop is a refuge, where petunias and marigolds bloom and the air itself is like an elixir of peace. By day, Yoohee dispenses advice on gardening, but she also finds herself offering a special service off the clock. Women who are at their wits’ end come to her about a man they hope might disappear from their lives. Pulling extra hours is taxing, but Yoohee has encountered—and dealt with—these kind of men in her own life, men who treated her (and her beloved plants) with utter disrespect. So as night falls, Yoohee trades her apron for a shovel and a hoe and disappears into her moonlit garden. There, she buries not just the remains of the day, but also the bloody remnants of a few unfortunate encounters. As men begin to disappear…will anyone ever suspect the Plant Lady? A highly acclaimed novel from South Korea, Plant Lady brings atmospheric tension and delicate humor to a story of obsession and misogyny that will keep you rooted right to its simmering last page.

Ketterdam: a bustling hub of international trade where anything can be had for the right price—and no one knows that better than criminal mastermind Kaz Brekker. Kaz is offered a chance at a deadly job that could make him rich beyond his wildest dreams. But he can’t pull it off alone... A convict with a thirst for revenge. A sharpshooter who can’t walk away from a wager. A runaway with a privileged past. A spy known as the Wraith. A Heartrender using her magic to survive the slums. A thief with a gift for unlikely escapes. Six dangerous outcasts. One impossible heist. Kaz’s crew is the only thing that might stand between the world and destruction—if they don’t kill each other first.

Ursula K. Le Guin’s magnificent work of imagination, a visionary, genre-crossing story about a future utopian community on the Northern California coast. A masterly, hypnotic and her most consistently lyric and luminous book. This new edition includes an introduction by Shruti Swamy, author of A House is a Body. Midway through her career, Ursula K. Le Guin embarked on one of her most detailed, impressive literary projects, a novel that took more than five years to complete. Blending story and fable, poetry, artwork, and song, Always Coming Home is this legendary writer’s fictional ethnography of the Kesh, a people of the far future living in a post-apocalyptic Napa Valley. Having survived ecological catastrophe brought on by relentless industrialization, the Kesh are a peaceful people who reject governance and the constriction of genders, limit population growth to prevent overcrowding and preserve resources, and maintain a healthy community in which everyone works to contribute to its well-being. This richly imagined story unfolds through a series of narrated “translations” that illuminate individual lives, including a woman named Stone Telling, who travels beyond the Valley and comes to reside with another tribe, the patriarchal Condor people. With sharp poignancy, Le Guin explores the complexities of the Kesh’s unified society and presents to us—in exquisite detail—their lives, histories, adventures, customs, language, and art.  In addition to poems and folk tales, Le Guin created verse dramas, records of oral performances, recipes, and even an alphabet and glossary of the Kesh language. The novel is illustrated throughout with drawings by artist Margaret Chodos and includes a musical component—original recordings of Kesh songs that Le Guin collaborated on with composer Todd Barton—bringing this utterly original and compelling world to life.

The long-awaited new novel from the author of global sensation Tender Is the Flesh: a thrilling work of literary horror about a woman cloistered in a secretive, violent religious order, while outside the world has fallen into chaos. From her cell in a mysterious convent, a woman writes the story of her life in whatever she can find—discarded ink, dirt, and even her own blood. A lower member of the Sacred Sisterhood, deemed an unworthy, she dreams of ascending to the ranks of the Enlightened at the center of the convent and of pleasing the foreboding Superior Sister. Outside, the world is plagued by catastrophe—cities are submerged underwater, electricity and the internet are nonexistent, and bands of survivors fight and forage in a cruel, barren landscape. Inside, the narrator is controlled, punished, but safe. But when a stranger makes her way past the convent walls, joining the ranks of the unworthy, she forces the narrator to consider her long-buried past—and what she may be overlooking about the Enlightened. As the two women grow closer, the narrator is increasingly haunted by questions about her own past, the environmental future, and her present life inside the convent. How did she get to the Sacred Sisterhood? Why can’t she remember her life before? And what really happens when a woman is chosen as one of the Enlightened? A searing, dystopian tale about climate crisis, ideological extremism, and the tidal pull of our most violent, exploitative instincts, this is another unforgettable novel from a master of feminist horror.

A haunting Southern Gothic from an award-winning master of suspense, A House With Good Bones explores the dark, twisted roots lurking just beneath the veneer of a perfect home and family. "Mom seems off." Her brother's words echo in Sam Montgomery's ear as she turns onto the quiet North Carolina street where their mother lives alone. She brushes the thought away as she climbs the front steps. Sam's excited for this rare extended visit, and looking forward to nights with just the two of them, drinking boxed wine, watching murder mystery shows, and guessing who the killer is long before the characters figure it out. But stepping inside, she quickly realizes home isn’t what it used to be. Gone is the warm, cluttered charm her mom is known for; now the walls are painted a sterile white. Her mom jumps at the smallest noises and looks over her shoulder even when she’s the only person in the room. And when Sam steps out back to clear her head, she finds a jar of teeth hidden beneath the magazine-worthy rose bushes, and vultures are circling the garden from above. To find out what’s got her mom so frightened in her own home, Sam will go digging for the truth. But some secrets are better left buried.

What happens when we imagine loving the people--and the parts of ourselves--that we do not believe are worthy of love? A transformative collection of intimate and lyrical love letters that offer a path toward compassion, forgiveness, and self-acceptance."Required reading."--Glennon Doyle Kai Cheng Thom grew up a Chinese Canadian transgender girl in a hostile world. As an activist, psychotherapist, conflict mediator, and spiritual healer, she's always pursued the same deeply personal mission: to embrace the revolutionary belief that every human being, no matter how hateful or horrible, is intrinsically sacred. But then Kai Cheng found herself in a crisis of faith, overwhelmed by the viciousness with which people treated one another, and barely clinging to the values and ideals she'd built her life around: justice, hope, love, and healing. Rather than succumb to despair and cynicism, she gathered all her rage and grief and took one last leap of faith: she wrote. Whether prayers or spells or poems--and whether there's a difference--she wrote to affirm the outcasts and runaways she calls her kin. She wrote to flawed but nonetheless lovable men, to people with good intentions who harm their own, to racists and transphobes seemingly beyond saving. What emerged was a blueprint for falling back in love with being human.

One night in the reform club, Phileas Fogg bets his companions that he can travel across the globe in just eighty days. Breaking the well-established routine of his daily life, he immediately sets off for Dover with his astonished valet Passepartout. Passing through exotic lands and dangerous locations, they seize whatever transportation is at hand—whether train or elephant—overcoming set-backs and always racing against the clock.