A wonderfully entertaining coming-of-age story, Northanger Abbey is often referred to as Jane Austen's "Gothic parody." Decrepit castles, locked rooms, mysterious chests, cryptic notes, and tyrannical fathers give the story an uncanny air, but one with a decidedly satirical twist. The story's unlikely heroine is Catherine Morland, a remarkably innocent seventeen-year-old woman from a country parsonage. While spending a few weeks in Bath with a family friend, Catherine meets and falls in love with Henry Tilney, who invites her to visit his family estate, Northanger Abbey. Once there, Catherine, a great reader of Gothic thrillers, lets the shadowy atmosphere of the old mansion fill her mind with terrible suspicions. What is the mystery surrounding the death of Henry's mother? Is the family concealing a terrible secret within the elegant rooms of the Abbey? Can she trust Henry, or is he part of an evil conspiracy? Catherine finds dreadful portents in the most prosaic events, until Henry persuades her to see the peril in confusing life with art. Executed with high-spirited gusto, Northanger Abbey is a lighthearted, yet unsentimental commentary on love and marriage.

Shannon Chakraborty, the bestselling author of The City of Brass, spins a new trilogy of magic and mayhem on the high seas in this tale of pirates and sorcerers, forbidden artifacts and ancient mysteries, in one woman’s determined quest to seize a final chance at glory—and write her own legend. Amina al-Sirafi should be content. After a storied and scandalous career as one of the Indian Ocean’s most notorious pirates, she’s survived backstabbing rogues, vengeful merchant princes, several husbands, and one actual demon to retire peacefully with her family to a life of piety, motherhood, and absolutely nothing that hints of the supernatural. But when she’s tracked down by the obscenely wealthy mother of a former crewman, she’s offered a job no bandit could refuse: retrieve her comrade’s kidnapped daughter for a kingly sum. The chance to have one last adventure with her crew, do right by an old friend, and win a fortune that will secure her family’s future forever? It seems like such an obvious choice that it must be God’s will. Yet the deeper Amina dives, the more it becomes alarmingly clear there’s more to this job, and the girl’s disappearance, than she was led to believe. For there’s always risk in wanting to become a legend, to seize one last chance at glory, to savor just a bit more power…and the price might be your very soul.

Enter the isle of Cadence in this novel from the #1 New York Times bestselling author of Divine Rivals—a Scottish-inspired romantic fantasy brimming with enemies-to-lovers romance, magic and spirits, and a captivating mystery It starts with a letter and an ominous journey across dark waters. Ten years after being sent away to the mainland to become a bard, Jack Tamerlaine is summoned home to the enchanted isle of Cadence. Girls are going missing from the island, and Adaira, his childhood nemesis and the future leader of the clan, believes Jack is the only one who can find them. The elemental spirits that dwell in every breath of air, splash of water, blade of grass, and flicker of fire find mirth in the lives of the humans, and a bard’s music—a unique form of summoning magic—is the only way to summon them and ask that the girls be returned. Yet as Jack and Adaira get closer to solving the mystery, it becomes apparent that an older, darker secret about Cadence lurks beneath the surface, and no harp song may be strong enough to stop it. With unforgettable characters, a thrilling plot, and a lush folklore-infused world, A River Enchanted is a stirring story of duty, love, and creating harmony between opposing forces. This first book in the Elements of Cadence duology marks Rebecca Ross’s brilliant entry on the adult fantasy stage.

Introduction by Bernadette Brennan Behind the uneasy trees rose the hills, and beyond them again the country of the lost, huge wilderness between this last haunt of civilization and the unpeopled sea. Exhausted and losing faith, an Anglican minister flees his mission in Australia’s northwest for the vast emptiness of the outback. In the soul country of the desert the old man searches for the islands of the Aboriginal dead, reflecting on past transgressions and on his life’s work. A Lear-like tale of madness and destruction, published when Randolph Stow was only twenty-two, To the Islands is compelling and wise—a poetic masterpiece.

After Laura and Clare are abandoned by their mother, Felix is there to help, even to marry Laura if she will have him. Little by little the sisters grow complicit with his obsessions, his cruelty, his need to control. A novel of relentless and acute psychological power, from one of Australia's greatest writers.

The shocking thing about the girls was how nearly normal they seemed when their mother let them out for the one and only date of their lives. Twenty years on, their enigmatic personalities are embalmed in the memories of the boys who worshipped them and who now recall their shared adolescence: the brassiere draped over a crucifix belonging to the promiscuous Lux; the sisters' breathtaking appearance on the night of the dance; and the sultry, sleepy street across which they watched a family disintegrate and fragile lives disappear.

A dark retelling of the Brothers Grimm's Goose Girl, rife with secrets, murder, and forbidden magic Cordelia knows her mother is unusual. Their house doesn’t have any doors between rooms, and her mother doesn't allow Cordelia to have a single friend—unless you count Falada, her mother's beautiful white horse. The only time Cordelia feels truly free is on her daily rides with him. But more than simple eccentricity sets her mother apart. Other mothers don’t force their daughters to be silent and motionless for hours, sometimes days, on end. Other mothers aren’t sorcerers. After a suspicious death in their small town, Cordelia’s mother insists they leave in the middle of the night, riding away on Falada’s sturdy back, leaving behind all Cordelia has ever known. They arrive at the remote country manor of a wealthy older man, the Squire, and his unwed sister, Hester. Cordelia’s mother intends to lure the Squire into marriage, and Cordelia knows this can only be bad news for the bumbling gentleman and his kind, intelligent sister. Hester sees the way Cordelia shrinks away from her mother, how the young girl sits eerily still at dinner every night. Hester knows that to save her brother from bewitchment and to rescue the terrified Cordelia, she will have to face down a wicked witch of the worst kind.

From the New York Times bestselling author of Mexican Gothic comes a sweeping romance with a dash of magic. They are the Beautiful Ones, Loisail’s most notable socialites, and this spring is Nina’s chance to join their ranks, courtesy of her well-connected cousin and his calculating wife. But the Grand Season has just begun, and already Nina’s debut has gone disastrously awry. She has always struggled to control her telekinesis—neighbors call her the Witch of Oldhouse—and the haphazard manifestations of her powers make her the subject of malicious gossip. When entertainer Hector Auvray arrives to town, Nina is dazzled. A telekinetic like her, he has traveled the world performing his talents for admiring audiences. He sees Nina not as a witch, but ripe with potential to master her power under his tutelage. With Hector’s help, Nina’s talent blossoms, as does her love for him. But great romances are for fairytales, and Hector is hiding a truth from Nina—and himself—that threatens to end their courtship before it truly begins. The Beautiful Ones is a charming tale of love and betrayal, and the struggle between conformity and passion, set in a world where scandal is a razor-sharp weapon.