Katharine Hilbery is beautiful and privileged, but uncertain of her future. She must choose between becoming engaged to the oddly prosaic poet William Rodney, and her dangerous attraction to the passionate Ralph Denham. As she struggles to decide, the lives of two other women - women's rights activist Mary Datchet and Katharine's mother, Margaret, struggling to weave together the documents, events and memories of her own father's life into a biography - impinge on hers with unexpected and intriguing consequences. Virginia Woolf's delicate second novel is both a love story and a social comedy, yet it also subtly undermines these traditions, questioning a woman's role and the very nature of experience.

Woolf’s first novel is a haunting book, full of light and shadow. It takes Mr. and Mrs. Ambrose and their niece, Rachel, on a sea voyage from London to a resort on the South American coast. “It is a strange, tragic, inspired book whose scene is a South America not found on any map and reached by a boat which would not float on any sea, an America whose spiritual boundaries touch Xanadu and Atlantis” (E. M. Forster).

From the beginning, Myrna Loy’s screen image conjured mystery, a sense of something withheld. “Who is she?” was a question posed in the first fan magazine article published about her in 1925. This first ever biography of the wry and sophisticated actress best known for her role as Nora Charles, wife to dapper detective William Powell in The Thin Man, offers an unprecedented picture of her life and an extraordinary movie career that spanned six decades. Opening with Loy’s rough-and-tumble upbringing in Montana, the book takes us to Los Angeles in the 1920s, where Loy’s striking looks caught the eye of Valentino, through the silent and early sound era to her films of the thirties, when Loy became a top box office draw, and to her robust post–World War II career. Throughout, Emily W. Leider illuminates the actress’s friendships with luminaries such as Cary Grant, Clark Gable, and Joan Crawford and her collaborations with the likes of John Barrymore, David O. Selznick, Sam Goldwyn, and William Wyler, among many others. This highly engaging biography offers a fascinating slice of studio era history and gives us the first full picture of a very private woman who has often been overlooked despite her tremendous star power.

At her peak, Helen Twelvetrees was leading lady to legends like John Barrymore and Spencer Tracy. Other early co-stars who were billed below her included Joan Blondell, John Wayne, and Clark Gable. Twelvetrees broke out in Her Man (1930) and affirmed her stardom in Millie (1931). Her ten-year Hollywood career is highlighted by a run of starring roles in pre-Code era melodramas, but Helen Twelvetrees kept working long after movie audiences had forgotten her. She lost momentum for a variety of reasons. External factors such as typecasting, studio anarchy, and Production Code enforcement, combined with an independent attitude that spurred inconvenient headlines and whispers of temperament are among those that kept her career from progressing. At her peak she chose to follow natural impulses and start a family, but in terms of her career, her pregnancy couldn’t have come at a worse time. When she returned to the screen it was with a new studio, and the types of films she was known for were not as popular as they had been before her maternity leave. Afterward, time itself may have been Helen Twelvetrees’ greatest enemy: one can only remain an ingenue for so long. Helen Twelvetrees, Perfect Ingenue is one-half biography, one-half film retrospective. Presented here are the life, loves, and career of an unexpectedly modern woman. An extensive collection of notes supports corrections and new findings about Twelvetrees, including her accurate birth-date and a previously unreported marriage, while also supplying additional background about each of her thirty-two movies: the good, the bad, and the lost. Foreword by Dan Van Neste, author of The Whistler: Stepping Into the Shadows. Illustrated with still photographs from the author's personal collection.

Audrey Hepburn is an icon like no other, yet the image many of us have of Audrey—dainty, immaculate—is anything but true to life. Here, for the first time, Sam Wasson presents the woman behind the little black dress that rocked the nation in 1961. The first complete account of the making of Breakfast at Tiffany's, Fifth Avenue, 5 A.M. reveals little-known facts about the cinema classic: Truman Capote desperately wanted Marilyn Monroe for the leading role; director Blake Edwards filmed multiple endings; Hepburn herself felt very conflicted about balancing the roles of mother and movie star. With a colorful cast of characters including Truman Capote, Edith Head, Givenchy, "Moon River" composer Henry Mancini, and, of course, Hepburn herself, Wasson immerses us in the America of the late fifties before Woodstock and birth control, when a not-so-virginal girl by the name of Holly Golightly raised eyebrows across the country, changing fashion, film, and sex for good. Indeed, cultural touchstones like Sex and the City owe a debt of gratitude to Breakfast at Tiffany's. In this meticulously researched gem of a book, Wasson delivers us from the penthouses of the Upper East Side to the pools of Beverly Hills, presenting Breakfast at Tiffany's as we have never seen it before—through the eyes of those who made it. Written with delicious prose and considerable wit, Fifth Avenue, 5 A.M. shines new light on a beloved film and its incomparable star.

Hundreds of insiders--from stars to stuntmen--recall the Golden Age of Hollywood and how Tinseltown became a business dominated by four major studios. By the author of Hollywood Beauty. Simultaneous.

Come and meet those dancing feet! The lyrics from "42nd Street" still evoke fantastic memories of Busby Berkeley and actress, dancer, and singer Ruby Keeler, who is best-known for starring with Dick Powell in musicals produced at Warner Bros., notably 42nd Street (1933), Golddiggers of 1933 (1933), Footlight Parade (1933), Flirtation Walk (1934), and Go Into Your Dance (1935). Ruby's life and career was no tap dance. Underage at fourteen, she first danced where the underworld meet the elite in New York speakeasies during the Prohibition Era. Plucked from obscurity and thrust onto Broadway in musicals, she captured the attention of Florenz Ziegfeld, and she soon appeared in his Whoopee! with Eddie Cantor and Show Girl (1929) with Jimmy Durante. Topsy turvy Hollywood converted to talking pictures that were first popularized by Al Jolson in The Jazz Singer (1927). Jolson met Ruby, and their eleven-year turbulent marriage swept the two of them into widely publicized movie successes, yet their acclaim stood on shaky ground. In this first-ever book by actor and singer Ed Harbur, discover Ruby's childhood, her early career, her idyllic second marriage, and her phenomenal return to Broadway after twenty-seven years to star in No, No, Nanette. Tragedy followed the triumph, when Ruby suffered a life-threatening stroke, yet she emerged to enjoy a long and successful recovery and served as a champion advocate for stroke victims. The four-part book spans sections devoted to Biography, Film Appearances, Stage Appearances, and TV and Short Subject Appearances. Illustrated with hundreds of never before seen photographs, including stage and screen productions and candid shots of Ruby at work and in private life. Index. Bibliography.

• A  New York Times Book Review  Editors’ Choice • The third volume of Simon Callow’s acclaimed Orson Welles biography, covering the period of his exile from America (1947 – 1964), when he produced some of his greatest works, including Touch of Evil In One-Man Band , the third volume in his epic and all-inclusive four-volume survey of Orson Welles’s life and work, the celebrated British actor Simon Callow again probes in comprehensive and penetrating detail into one of the most complex, contradictory artists of the twentieth century, whose glorious triumphs (and occasional spectacular failures) in film, radio, theater, and television introduced a radical and original approach that opened up new directions in the arts.  This volume begins with Welles’s self-exile from America, and his realization that he could function only to his own satisfaction as an independent film maker, a one-man band, in fact, which committed him to a perpetual cycle of money raising. By 1964, he had filmed Othello , which took three years to complete; Mr. Arkadin , the most puzzling film in his output; and a masterpiece in another genre, Touch of Evil , which marked his one return to Hollywood, and like all too many of his films was wrested from his grasp and reedited. Along the way he made inroads into the fledgling medium of television and a number of stage plays, of which his 1955 London Moby-Dick is considered by theater historians to be one of the seminal productions of the century. His private life was as spectacularly complex and dramatic as his professional life. The book reveals what it was like to be around Welles, and, with an intricacy and precision rarely attempted before, what it was like to be him, answering the riddle that has long fascinated film scholars and lovers alike: Whatever happened to Orson Welles?

Simon Callow’s celebrated first volume of Orson Welles’s life concluded with the brash young director unveiling what would prove to be his—and arguably American cinema’s—greatest achievement: Citizen Kane. But instead of embarking on an illustrious career in Hollywood, as Callow vividly details in Hello Americans, Welles became increasingly unable to function within the structure of the moviemaking industry. Hello Americans offers readers a critical look at the years after Citizen Kane up to Macbeth (1947), from his difficult and self-defeating temperament to some of the monstrous personalities with whom he was involved. Callow fully illustrates each film of the period—The Magnificent Ambersons, Journey into Fear, The Stranger, The Lady from Shanghai—as well as Welles’s off-screen activities—his dedicated but ill-fated attempts to be a radio comedian and stage magician; his fervent desire to revive spectacular theater single-handedly; his newspaper columns; and his political interests, which he pursued passionately. The result is an expertly researched and elegantly written portrait that will remain the final word on this larger than life genius for generations to come.

“A splendidly entertaining, definitive work.”—Entertainment WeeklyIn this first installment of his masterful biography, Simon Callow captures the chameleonic genius of Orson Welles as only an actor/director deeply rooted in the entertainment industry could. Here is Welles’s prodigious childhood; his youth in New York, with its fraught partnership with John Houseman and the groundbreaking triumph of his all-black Macbeth; the pioneering radio work that culminated in the notorious 1938 broadcast of War of the Worlds; and finally, his work in Hollywood, including an authoritative account of the making of Citizen Kane. Rich in detail and insight, this is far and away the definitive look at Orson Welles—a figure even more extraordinary than the myths that have surrounded him.

In this luminous memoir, Rita Moreno shares her remarkable journey from a young girl with simple beginnings in Puerto Rico to Hollywood legend--and one of the few performers, and the only Hispanic, to win an Oscar, Grammy, Tony and two Emmys. Born Rosita Dolores Alverio in the idyll of Puerto Rico, Moreno, at age five, embarked on a harrowing sea voyage with her mother and wound up in the harsh barrios of the Bronx, where she discovered dancing, singing, and acting as ways to escape a tumultuous childhood. Making her Broadway debut by age thirteen--and moving on to Hollywood in its Golden Age just a few years later--she worked alongside such stars as Gary Cooper, Yul Brynner, and Ann Miller. When discovered by Louis B. Mayer of MGM, the wizard himself declared: "She looks like a Spanish Elizabeth Taylor." Cast by Gene Kelly as Zelda Zanders in Singin' in the Rain and then on to her Oscar-winning performance in West Side Story, she catapulted to fame--yet found herself repeatedly typecast as the "utility ethnic," a role she found almost impossible to elude. Here, for the first time, Rita reflects on her struggles to break through Hollywood's racial and sexual barriers. She explores the wounded little girl behind the glamorous facade--and what it took to find her place in the world. She talks candidly about her relationship with Elvis Presley, her encounters with Howard Hughes, and the passionate romance with Marlon Brando that drove her to attempt suicide. And she shares the illusiveness of a "perfect" marriage and the incomparable joys of motherhood. Infused with Rita Moreno's quick wit and deep insight, this memoir is the dazzling portrait of a stage and screen star who longed to become who she really is--and triumphed.

Chaperoned by her young friend Caroline Abbott, free-spirited, recently widowed Lilia Herriton journeys to the Tuscan town of Monteriano where she falls in love with Gino Carella, a dashing villager who is twelve years her junior. The couple marries before Mrs. Herriton, Lilia’s snobbish mother-in-law, and her son Philip can prevent what they view as an unsuitable match. Intervention by Mrs. Herriton and Philip in the events that follow lead to horrific consequences. As in Forster’s subsequent novels, Where Angels Fear to Tread explores class consciousness and bourgeois obsession with appearances. This Warbler Classics edition includes a detailed biographical timeline.

A quest across America, from the northernmost tip of Maine to California’s Monterey Peninsula To hear the speech of the real America, to smell the grass and the trees, to see the colors and the light—these were John Steinbeck's goals as he set out, at the age of fifty-eight, to rediscover the country he had been writing about for so many years. With Charley, his French poodle, Steinbeck drives the interstates and the country roads, dines with truckers, encounters bears at Yellowstone and old friends in San Francisco. Along the way he reflects on the American character, racial hostility, the particular form of American loneliness he finds almost everywhere, and the unexpected kindness of strangers.

In 1996 Roger Deakin, the late, great nature writer, set out to swim through the British Isles. From the sea, from rock pools, from rivers and streams, tarns, lakes, lochs, ponds, lidos, swimming pools and spas, from fens, dykes, moats, aqueducts, waterfalls, flooded quarries, even canals, Deakin gains a fascinating perspective on modern Britain.Detained by water bailiffs in Winchester, intercepted in the Fowey estuary by coastguards, mistaken for a suicide on Camber sands, confronting the Corryvreckan whirlpool in the Hebrides, he discovers just how much of an outsider the native swimmer is to his landlocked, fully-dressed fellow citizens.This is a personal journey, a bold assertion of the native swimmer's right to roam, and an unforgettable celebration of the magic of water.