Nashawna "NuNu" Spearman, a local Chicago native, lives her life by one simple USE WHAT YOU GOT TO GET WHAT YOU WANT. She's a certified bad bish that knows how to use her honey to make money. But when her one of her many honey money-making plans falls through, she suddenly finds herself having to life normally...for once. The prospect of prison forces her to take a plea deal that requires community service. That's how she ends up in the company of a popular South Side of Chicago Pastor who is also running for Mayor of the city. One thing leads to another, NuNu finds herself scheming and scamming once again. But will her plan backfire? Find out more in PASTORS EAT PWUSSY TOO!

Spanning five generations, sweeping across a century and a half of almost unknown history, this acclaimed and unexpectedly funny novel is the story of a man seeking himself in the mirror of his family's past. There were Canes in Canada before the United States erupted into civil war. Their roots are deep, their legacy is rich, but Langston Cane V knows little of his heritage. He is thirty-eight, divorced, and childless and has just been fired for sabotaging a government official's speech. The eldest son of a white mother and prominent black father, Langston feels more acutely than ever the burden of his illustrious family name and his racially mixed heritage. To be black in a white society is hard enough; to be half-black, half-white is to have no identity at all. Or so Langston believes. After a run-in with his father, Langston takes off for his feisty aunt's house in Baltimore, where he embarks on a remarkable quest for his family's past. It's said that those who forget history are condemned to repeat it, but to Langston, history offers not condemnation but reprieve. For when he stumbles across a treasure trove of family documents, he sets off on a journey through time that will lead him back to the famous antislavery raid on Harpers Ferry, Virginia, and the great-great-grandfather who fought beside John Brown. He rediscovers the long line of relatives who have battled for racial justice, decade after decade. He finds passion, dignity, and courage--and, at last, by unearthing and giving voice to those who came before him, he finds himself. Rich in historical detail and gracefully flowing from the slave trade of nineteenth-century Virginia to the present, Any Known Blood gives life to a story never before told, a story of five generations of a black Canadian family whose tragedies and victories merge with the American experience.

A mythic love story set in Trinidad and Tobago, Ayanna Lloyd Banwo's radiant debut introduces two unforgettable outsiders brought together by their connection with the dead. You were never the smartest child, but even you should know that when a dead woman offers you a cigarette, the polite thing to do would be to take it. Especially when that dead woman is your mother. The St. Bernard women have lived in Morne Marie, the house on top of a hill outside Port Angeles, for generations. Built from the ashes of a plantation that enslaved their ancestors, it has come to shelter a lineage that is bonded by much more than blood. One woman in each generation of St. Bernards is responsible for the passage of the city's souls into the afterlife. But Yejide's relationship with her mother, Petronella, has always been contorted by anger and neglect, which Petronella stubbornly carries to her death bed, leaving Yejide unprepared to fulfill her destiny. Raised in the countryside by a devout Rastafarian mother, Darwin has always abided by the religious commandment not to interact with death. He has never been to a funeral, much less seen a dead body. But when his ailing mother can no longer work and the only job he can find is grave digging, he must betray the life she built for him in order to provide for them both. Newly shorn of his dreadlocks and his past and determined to prove himself, Darwin finds himself adrift in a city electric with possibility and danger. Yejide and Darwin will meet inside the gates of Fidelis, Port Angeles's largest and oldest cemetery, where the dead lie uneasy in their graves and a reckoning with fate beckons them both. A masterwork of lush imagination and immersive lyricism, When We Were Birds is a spellbinding novel about inheritance, loss, and love's seismic power to heal.

Starring an unforgettably fierce 99-year-old Jamaican heroine, A House for Miss Pauline is a transporting and tender story with a mystery at its heart that asks profound and urgent questions about who owns the land on which our identities are forged. For readers of Nicole Dennis-Benn, James McBride, and other stories about colonialism and personal history. When the stones of her house begin to rattle and shift and call out mysterious messages to her in the middle of the night, Pauline Sinclair, age ninety-nine, knows she will not make it to her 100th birthday. She has lived a modest life in Mason Hall, a rural Jamaican village, educating herself with stolen books, raising her two children, surviving by becoming one of the most successful ganja farmers in the area, and experiencing both deep passion and true loss with her beloved “baby father” Clive.   Behind this seemingly benign façade, however, Miss Pauline has buried many secrets. To avenge her enslaved ancestors, she has built her house, stone by stone, from the ruins of a plantation on her land. And she knows more than she has told about the disappearance of Turner Buchanan—a white American man who came to Mason Hall decades ago to claim her land as his and his children’s. The whispering stones, Miss Pauline realizes, are telling her that she must make peace with the past before she dies.   With help from her American granddaughter, Justine, and Lamont, a teenager she enlists to drive her around the island, she sets off to find the people she has wronged. But as the people and stories of her past come to invade her present, she discovers that there are shocking secrets even she could not have anticipated.   Lyrical, funny, eerie, and profound, infused with the patois and natural beauty of Jamaica, A House for Miss Pauline tells a timely and nuanced story about identity, colonialism, and land—and introduces an unforgettable heroine who is a model for living life on her own terms.

In the vein of The Pisces and The Vegetarian, Chlorine is a debut novel that blurs the line between a literary coming-of-age narrative and a dark unsettling horror tale, told from an adult perspective on the trials and tribulations of growing up in a society that puts pressure on young women and their bodies... a powerful, relevant novel of immigration, sapphic longing, and fierce, defiant becoming.Ren Yu is a swimmer. Her daily life starts and ends with the pool. Her teammates are her only friends. Her coach, her guiding light. If she swims well enough, she will be scouted, get a scholarship, go to a good school. Her parents will love her. Her coach will be kind to her. She will have a good life. But these are human concerns. These are the concerns of those confined to land, those with legs. Ren grew up on stories of creatures of the deep, of the oceans and the rivers. Ones that called sailors to their doom. Ones that dragged them down and drowned them. Ones that feasted on their flesh. Ones of the creature that she's always longed to become: mermaid. Ren aches to be in the water. She dreams of the scent of chlorine--the feel of it on her skin. And she will do anything she can to make a life for herself where she can be free. No matter the pain. No matter what anyone else thinks. No matter how much blood she has to spill.

Delving into new worlds populated by robots, witches, talking pandas, and giant stags, this collection offers funny, haunting, and heartbreaking poems. Highlighting the poet’s dazzling lyrical instincts balanced by her stinging wit, it moves between high art, pop culture, science fiction, and detective fiction to produce a series of unforgettable surprises. The characters herein speak from the page, from the lonely android seeking love in the wrong places to Sherlock Holmes’s hunting for a Yeti in Tibet. By searching out the heart of every real or fantastical situation, this compilation explores what it means to be human.

Alternate cover edition of ISBN 9780451450524 She was magical, beautiful beyond belief—and completely alone... The unicorn had lived since before memory in a forest where death could touch nothing. Maidens who caught a glimpse of her glory were blessed by enchantment they would never forget. But outside her wondrous realm, dark whispers and rumours carried a message she could not ignore: "Unicorns are gone from the world." Aided by a bumbling magician and an indomitable spinster, she set out to learn the truth. but she feared even her immortal wisdom meant nothing in a world where a mad king's curse and terror incarnate lived only to stalk the last unicorn to her doom...

"Ali's ghazals are contemporary and colloquial, deceptively simple, yet still grounded in tradition....Highly recommended."― Library Journal The beloved Kashmiri-American poet Agha Shahid Ali presents his own American ghazals. Calling on a line or phrase from fellow poets, Ali salutes those known and loved―W. S. Merwin, Mark Strand, James Tate, and more―while in other searingly honest verse he courageously faces his own mortality.

A young musician finds himself locked inside a gas station bathroom in the middle of the night by an unseen assailant, caught between the horrors on the other side of the door and the horrors rapidly skittering down the walls inside.

Alternate cover edition of ISBN 0553213695 / 9780553213690 "As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect. He was laying on his hard, as it were armor-plated, back and when he lifted his head a little he could see his domelike brown belly divided into stiff arched segments on top of which the bed quilt could hardly keep in position and was about to slide off completely. His numerous legs, which were pitifully thin compared to the rest of his bulk, waved helplessly before his eyes." With it's startling, bizarre, yet surprisingly funny first opening, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetle-like insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century fiction. As W.H. Auden wrote, "Kafka is important to us because his predicament is the predicament of modern man."