1814 promises to be another eventful season, but not, this author believes, for Anthony Bridgerton, London's most elusive bachelor, who has shown no indication that he plans to marry. And in truth, why should he? When it comes to playing the consummate rake, nobody does it better... —Lady Whistledown's Society Papers, April 1814 But this time, the gossip columnists have it wrong. Anthony Bridgerton hasn't just decided to marry—he's even chosen a wife! The only obstacle is his intended's older sister, Kate Sheffield—the most meddlesome woman ever to grace a London ballroom. The spirited schemer is driving Anthony mad with her determination to stop the betrothal, but when he closes his eyes at night, Kate is the woman haunting his increasingly erotic dreams... Contrary to popular belief, Kate is quite sure that reformed rakes do not make the best husbands—and Anthony Bridgerton is the most wicked rogue of them all. Kate is determined to protect her sister—but she fears her own heart is vulnerable. And when Anthony's lips touch hers, she's suddenly afraid she might not be able to resist the reprehensible rake herself...

#1 New York Times bestselling author Julia Quinn presents a novella featuring Violet Bridgerton along with a collection of “second epilogues” to her Bridgerton series—her beloved Regency-set novels featuring her charming, powerful Bridgerton family—now a series created by Shondaland for Netflix. Ever wonder what happens after the Happily Ever After?  Julia Quinn’s Bridgerton series remains one of the most beloved among historical romance readers, and this collection of “second epilogues”—stories that take place after the original books end—offers fans more from their favorite characters.    Also unique to this volume is a novella featuring Violet Bridgerton, beloved mother of the eight Bridgerton siblings, in addition to second epilogues for The Duke and I; The Viscount Who Loved Me; An Offer from a Gentleman; Romancing Mister Bridgerton; To Sir Phillip, With Love; When He Was Wicked, It’s in His Kiss; and On the Way to the Wedding sure to satisfy the legions of Julia Quinn fans.

Librarian note: See alternate cover editions here and here. The Duke and I is a romance set in the Regency era. In the ballrooms and drawing rooms of Regency London, rules abound. From their earliest days, children of aristocrats learn how to address an earl and curtsey before a prince—while other dictates of the ton are unspoken yet universally understood. A proper duke should be imperious and aloof. A young, marriageable lady should be amiable… but not too amiable. Daphne Bridgerton has always failed at the latter. The fourth of eight siblings in her close-knit family, she has formed friendships with the most eligible young men in London. Everyone likes Daphne for her kindness and wit. But no one truly desires her. She is simply too deuced honest for that, too unwilling to play the romantic games that captivate gentlemen. Amiability is not a characteristic shared by Simon Basset, Duke of Hastings. Recently returned to England from abroad, he intends to shun both marriage and society—just as his callous father shunned Simon throughout his painful childhood. Yet an encounter with his best friend’s sister offers another option. If Daphne agrees to a fake courtship, Simon can deter the mamas who parade their daughters before him. Daphne, meanwhile, will see her prospects and her reputation soar. The plan works like a charm—at first. But amid the glittering, gossipy, cut-throat world of London’s elite, there is only one certainty: love ignores every rule...

Librarian note: See alternate cover editions here and here. The Duke and I is a romance set in the Regency era. In the ballrooms and drawing rooms of Regency London, rules abound. From their earliest days, children of aristocrats learn how to address an earl and curtsey before a prince—while other dictates of the ton are unspoken yet universally understood. A proper duke should be imperious and aloof. A young, marriageable lady should be amiable… but not too amiable. Daphne Bridgerton has always failed at the latter. The fourth of eight siblings in her close-knit family, she has formed friendships with the most eligible young men in London. Everyone likes Daphne for her kindness and wit. But no one truly desires her. She is simply too deuced honest for that, too unwilling to play the romantic games that captivate gentlemen. Amiability is not a characteristic shared by Simon Basset, Duke of Hastings. Recently returned to England from abroad, he intends to shun both marriage and society—just as his callous father shunned Simon throughout his painful childhood. Yet an encounter with his best friend’s sister offers another option. If Daphne agrees to a fake courtship, Simon can deter the mamas who parade their daughters before him. Daphne, meanwhile, will see her prospects and her reputation soar. The plan works like a charm—at first. But amid the glittering, gossipy, cut-throat world of London’s elite, there is only one certainty: love ignores every rule...

Two best friends. Ten summer trips. One last chance to fall in love. Poppy and Alex. Alex and Poppy. They have nothing in common. She’s a wild child; he wears khakis. She has insatiable wanderlust; he prefers to stay home with a book. And somehow, ever since a fateful car share home from college many years ago, they are the very best of friends. For most of the year they live far apart—she’s in New York City, and he’s in their small hometown—but every summer, for a decade, they have taken one glorious week of vacation together. Until two years ago, when they ruined everything. They haven’t spoken since. Poppy has everything she should want, but she’s stuck in a rut. When someone asks when she was last truly happy, she knows, without a doubt, it was on that ill-fated, final trip with Alex. And so, she decides to convince her best friend to take one more vacation together—lay everything on the table, make it all right. Miraculously, he agrees. Now she has a week to fix everything. If only she can get around the one big truth that has always stood quietly in the middle of their seemingly perfect relationship. What could possibly go wrong?

🎧Run Time = 8 hours & 12 minutes. In Future Boy, Fox tells the remarkable story of playing two landmark roles at the same time—a slice of entertainment history that’s never been told. Using new interviews with the cast and crew of both projects, the result is a vividly drawn and eye-opening story of creative achievement by a beloved icon. A poignant, heartfelt, and funny memoir about how, in 1985, Michael J. Fox brought to life two iconic roles simultaneously—Alex P. Keaton in Family Ties and Marty McFly in Back to the Future. An amazing true story as only Michael J. Fox can tell it In early 1985, Michael J. Fox was one of the biggest stars on television. His world was about to get even bigger, but only if he could survive the kind of double duty unheard of in Hollywood. Fox’s days were already dedicated to rehearsing and taping the hit sitcom Family Ties, but then the chance of a lifetime came his way. Soon, he committed his nights to a new time-travel adventure film being directed by Robert Zemeckis and produced by Steven Spielberg—Back to the Future. Sitcom during the day, movie at night—day after day, for months. Fox’s nightly commute from a soundstage at Paramount to the backlot at Universal Studios, from one dream job to another, would become his own space-time continuum. It was in this time portal that Alex P. Keaton handed the baton to Marty McFly while Michael J. Fox tried to catch a few minutes of sleep. Alex’s bravado, Marty’s flair, and Fox’s comedic virtuosity all swirled together to create something truly special.

Would you rather wait for love like a flower, or fly toward love like a butterfly? Suiren Shibazeki is often compared to a beautiful flower—but one that grows on the tallest peak of a mountain, forever out of reach. When Suiren develops feelings for the quiet Taichi Kawasumi, however, she doesn’t want to be a distant flower. She’d rather leave her lofty perch and fly toward him like a butterfly. After Kawasumi rescues her from an unwelcome admirer, Suiren finds herself captivated by him. However, Suiren is too shy to speak to anyone, much less this reserved karate boy. What’s more, Suiren isn’t the only one interested in Kawasumi. Will a class trip offer the opportunity to reveal her feelings before it’s too late?

Luna Ishikawa is a dark and mysterious vampire―or so she’d like her new classmates to believe. The truth is, while she may be one of the not-so-mythical bloodsuckers, she doesn’t really live up to the hype. She’s short and clumsy, and she can’t even suck blood properly! So when her classmate Tatsuta Ootori discovers her little “drinking problem,” he can’t help but lend a hand. Can he nurse Luna from the small, timid animal she is into a fearsome creature of the night?!

🎧Run Time = 8 hours & 12 minutes. In Future Boy, Fox tells the remarkable story of playing two landmark roles at the same time—a slice of entertainment history that’s never been told. Using new interviews with the cast and crew of both projects, the result is a vividly drawn and eye-opening story of creative achievement by a beloved icon. A poignant, heartfelt, and funny memoir about how, in 1985, Michael J. Fox brought to life two iconic roles simultaneously—Alex P. Keaton in Family Ties and Marty McFly in Back to the Future. An amazing true story as only Michael J. Fox can tell it In early 1985, Michael J. Fox was one of the biggest stars on television. His world was about to get even bigger, but only if he could survive the kind of double duty unheard of in Hollywood. Fox’s days were already dedicated to rehearsing and taping the hit sitcom Family Ties, but then the chance of a lifetime came his way. Soon, he committed his nights to a new time-travel adventure film being directed by Robert Zemeckis and produced by Steven Spielberg—Back to the Future. Sitcom during the day, movie at night—day after day, for months. Fox’s nightly commute from a soundstage at Paramount to the backlot at Universal Studios, from one dream job to another, would become his own space-time continuum. It was in this time portal that Alex P. Keaton handed the baton to Marty McFly while Michael J. Fox tried to catch a few minutes of sleep. Alex’s bravado, Marty’s flair, and Fox’s comedic virtuosity all swirled together to create something truly special.

The #1 New York Times-bestselling author concludes her compelling Lost Bride trilogy as two women—one dead, one alive—prepare for a terrifying final showdown… Long ago, Arthur Poole built a grand house overlooking the turbulent ocean, in a Maine village that bore his name. Today, Sonya MacTavish lives in that house—a manor that has been cursed for generations. Within its walls, she has witnessed the deaths of seven brides and the thefts of seven wedding rings. And now, to break the curse and banish a malevolent spirit once and for all, a difficult task must be completed. After Sonya, her boyfriend, Trey, and their friends are forced to hear, see—and feel—the suffering of the house’s many ghosts as their torment is reenacted by the evil presence, their bond only strengthens and their anger is renewed. Refusing to let her spirit be broken, Sonya searches each room for clues to her ancestors’ hidden story, putting the picture together, unearthing small treasures, and uncovering the moments of joy that existed among the sorrows. She’s determined to bring light to this haunted place—to fill it with people, with life and hope, once again. But the enemy in the black dress continues to hover, to come at her in frightening forms. They may be illusions—but illusions can be powerful enough to wound and kill. She feeds on fear, and lies are her weapon. This dark-hearted witch wants to be mistress of Poole Manor, at any cost. And Sonya will need to fight a battle across two realms to finally take possession of the house on the clifftop—and of her own future…

The #1 New York Times-bestselling author concludes her compelling Lost Bride trilogy as two women—one dead, one alive—prepare for a terrifying final showdown… Long ago, Arthur Poole built a grand house overlooking the turbulent ocean, in a Maine village that bore his name. Today, Sonya MacTavish lives in that house—a manor that has been cursed for generations. Within its walls, she has witnessed the deaths of seven brides and the thefts of seven wedding rings. And now, to break the curse and banish a malevolent spirit once and for all, a difficult task must be completed. After Sonya, her boyfriend, Trey, and their friends are forced to hear, see—and feel—the suffering of the house’s many ghosts as their torment is reenacted by the evil presence, their bond only strengthens and their anger is renewed. Refusing to let her spirit be broken, Sonya searches each room for clues to her ancestors’ hidden story, putting the picture together, unearthing small treasures, and uncovering the moments of joy that existed among the sorrows. She’s determined to bring light to this haunted place—to fill it with people, with life and hope, once again. But the enemy in the black dress continues to hover, to come at her in frightening forms. They may be illusions—but illusions can be powerful enough to wound and kill. She feeds on fear, and lies are her weapon. This dark-hearted witch wants to be mistress of Poole Manor, at any cost. And Sonya will need to fight a battle across two realms to finally take possession of the house on the clifftop—and of her own future…