Television has conditioned us to tolerate visually entertaining material measured out in spoonfuls of time, to the detriment of rational public discourse and reasoned public affairs. In this eloquent, persuasive book, Neil Postman alerts us to the real and present dangers of this state of affairs, and offers compelling suggestions as to how to withstand the media onslaught. Before we hand over politics, education, religion, and journalism to the show business demands of the television age, we must recognize the ways in which the media shape our lives and the ways we can, in turn, shape them to serve out highest goals.

For readers of Ace and Belly of the Beast: A Black queer feminist exploration of asexuality—and an incisive interrogation of the sex-obsessed culture that invisibilizes and ignores asexual and A-spec identity. Everything you know about sex and asexuality is (probably) wrong. The notion that everyone wants sex—and that we all have to have it—is false. It's intertwined with our ideas about capitalism, race, gender, and queerness. And it impacts the most marginalized among us. For asexual folks, it means that ace and A-spec identity is often defined by a queerness that's not queer enough, seen through a lens of perceived lack of pleasure, connection, joy, maturity, and even humanity. In this exploration of what it means to be Black and asexual in America today, Sherronda J. Brown offers new perspectives on asexuality. She takes an incisive look at how anti-Blackness, white supremacy, patriarchy, heteronormativity, and capitalism enact harm against asexual people, contextualizing acephobia within a racial framework in the first book of its kind. Brown advocates for the "A" in LGBTQIA+, affirming that to be asexual is to be queer—despite the gatekeeping and denial that often says otherwise. With chapters on desire, f*ckability, utility, refusal, and possibilities, Refusing Compulsory Sexuality discusses topics of deep relevance to ace and a-spec communities. It centers the Black asexual experience—and demands visibility in a world that pathologizes and denies asexuality, denigrates queerness, and specifically sexualizes Black people. A necessary and unapologetic reclamation, Refusing Compulsory Sexuality is smart, timely, and an essential read for asexuals, aromantics, queer readers, and anyone looking to better understand sexual politics in America.

Exiled to the Shadows for centuries, a man more than mortal awakens in an Earth hospital with no memory of his past—and is surrounded by enemies who hunger for his destruction. For Corwin is of the blood—the rightful successor to the throne of the real world. But to rule, he must conquer impossible realities and demonic assassins... and survive the ruthless machinations of the most insidious malevolence imaginable: his own family.

In this beautiful and moving novel about family, love, and growing up, Ann Patchett once again proves herself one of America’s finest writers. In the spring of 2020, Lara’s three daughters return to the family's orchard in Northern Michigan. While picking cherries, they beg their mother to tell them the story of Peter Duke, a famous actor with whom she shared both a stage and a romance years before at a theater company called Tom Lake. As Lara recalls the past, her daughters examine their own lives and relationship with their mother, and are forced to reconsider the world and everything they thought they knew. Tom Lake is a meditation on youthful love, married love, and the lives parents have led before their children were born. Both hopeful and elegiac, it explores what it means to be happy even when the world is falling apart. As in all of her novels, Ann Patchett combines compelling narrative artistry with piercing insights into family dynamics. The result is a rich and luminous story, told with profound intelligence and emotional subtlety, that demonstrates once again why she is one of the most revered and acclaimed literary talents working today.

Informative, fascinating and extremely well-researched...Gordon Kerr's book is a mini masterpiece' - ABC Brisbane Situated at the crossroads of three continents, the Middle East has confounded the ambition of conquerors and peacemakers alike. Christianity, Judaism and Islam all had their genesis in the region but with them came not just civilisation and religion but also some of the great struggles of history. A Short History of the Middle East makes sense of the shifting sands of Middle Eastern History, beginning with the early cultures of the area and moving on to the Roman and Persian Empires; the growth of Christianity; the rise of Islam; the invasions from the east; Genghis Khan's Mongol hordes; the Ottoman Turks and the rise of radicalism in the modern world symbolised by Islamic State.

An intimate and empowering anthology of essays that explore the changing face of female desire in whip-smart, sensuous prose, with pieces by Tara Conklin, Camille Dungy, Melissa Febos, Lisa Taddeo, and others What is desire? And what are its rules? In this daring collection, award-winning and emerging female writers share their innermost longings, in turn dismantling both personal and political constructs of what desire is or can be. In the opening essay, Larissa Pham unearths the ache beneath all her wants: time. Rena Priest’s desire for a pair of five-hundred-dollar cowboy boots spurs a reckoning with her childhood on the rez and the fraught history of her hometown. Other pieces in the collection turn cultural tropes around dating, sex, and romance on their heads—Angela Cardinale tries dating as a divorced mother of two in the California suburbs only to discover sweet solace in being alone; Keyanah B. Nurse finds power in polyamory; and when Joanna Rakoff spots a former lover at a bar, the heat between them unravels her family as she is pulled into his orbit—an undoing, she decides, that’s worth everything. Including pieces by Tara Conklin, Torrey Peters, Camille Dungy, Melissa Febos, Lisa Taddeo, and so many others, these candid and insightful essays tackle the complicated knot of women’s desire. Featuring essays by Elisa Albert, Kristen Arnett, Molly McCully Brown, Angela Cardinale, Tara Conklin, Sonia Maria David, Jennifer De Leon, Camille T. Dungy, Melissa Febos, Amber Flame, Amy Gall, Aracelis Girmay, Sonora Jha, Nicole Hardy, Laura Joyce-Hubbard, TaraShea Nesbit, Keyanah B. Nurse, Torrey Peters, Amanda Petrusich, Larissa Pham, Rena Priest, Joanna Rakoff, Karen Russell, Domenica Ruta, Susan Shapiro, Terese Svoboda, Lisa Taddeo, Ann Tashi Slater, Abigail Thomas, Merritt Tierce, Michelle Wildgen, Jane Wong, and Teresa Wong

From World Fantasy Award-winning author Tasha Suri comes The Isle in the Silver Sea, a heart-shattering standalone romantasy of sapphic longing, medieval folklore and a love that spans the centuries. In an England fuelled by stories, the knight and the witch are fated to fall in love and doom each other over and over, the same tale retold over hundreds of lifetimes. Simran is a witch of the woods. Vina is a knight of the Queen’s court. When the two women begin to fall for each other, how can they surrender to their desires, when to give in is to destroy each other?  As they seek a way to break the cycle, a mysterious assassin begins targeting tales like theirs. To survive, the two will need to write a story stronger than the one that fate has given to them.But what tale is stronger than The Knight and the Witch?

An enthralling sapphic retelling of Swan Lake, for fans of Allison Saft and V.E Schwab.Magic has long been outlawed in Auréal. Odile has always known she’d be the one to restore it.Raised by a sorcerer, Odile has spent years preparing for the heist of a lifetime. It’s perfectly simple. Impersonate a princess, infiltrate the palace, steal the king's enchanted crown and restore magic to the kingdom.But when the King is unexpectedly murdered, she’s forced to recruit the help of Marie d'Odette, the real princess, and the two begin to unravel a web of lies and deceit that leaves Odile uncertain of who to trust.Soon though Odile must decide – her mission or the girl she’s falling for?The fate of the Kingdom depends on her making the right choice. . .

The exciting new contemporary romance—and her first to feature a queer romance—by New York Times bestselling author Jasmine GuilloryAvery Jensen is almost thirty, fresh off a breakup, and she’s tired of always being so uptight and well-behaved. She wants to get a hobby, date around (especially other women), flirt with everyone she sees, all the fun stuff normal people do in their twenties. One Avery doesn't know how to do any of that. She doesn't have a lot of dating experience, with men or women, and despite being self-assured at work, she doesn't have a lot of confidence when it comes to romance.Enter Taylor Cameron, Napa Valley's biggest flirt and champion heartbreaker. Taylor just broke up with her most recent girlfriend, and her best friend bet her that she can't make it until Labor Day without sleeping with someone. (Two whole months? Without sex? Taylor?!?!) So, she offers to give Avery flirting lessons. It will keep her busy, stop her from texting people she shouldn't. And it might distract her from how inadequate she feels compared to her friends, who all seem much more settled and adult than Taylor.At first, Avery is stiff and nervous, but Taylor is patient and encouraging, and soon, Avery looks forward to their weekly lessons. She tells herself it's because the lessons are fun, not because she kind of might have a little bit of a crush on Taylor. Taylor doesn't even try to deny that she's intrigued by Avery, but she's still got a bet to win. With Taylor’s help, Avery is finally doing what she wants to flirting with lots of women, making friends, having fun! But after a while, it becomes impossible for Avery and Taylor to ignore their attraction to one another, despite them both insisting to themselves and everyone else that it isn't serious. When Taylor is forced to confront her feelings for Avery, she doesn't know what to do, how to deal with it, and most importantly, if she's already ruined the best thing she's ever had.

Nan King, an oyster girl, is captivated by the music hall phenomenon Kitty Butler, a male impersonator extraordinaire treading the boards in Canterbury. Through a friend at the box office, Nan manages to visit all her shows and finally meet her heroine. Soon after, she becomes Kitty's dresser and the two head for the bright lights of Leicester Square where they begin a glittering career as music-hall stars in an all-singing and dancing double act. At the same time, behind closed doors, they admit their attraction to each other and their affair begins.

It’s 200 years after Cinderella found her prince, but the fairy tale is over. Teen girls are now required to appear at the Annual Ball, where the men of the kingdom select wives based on a girl’s display of finery. If a suitable match is not found, the girls not chosen are never heard from again. Sixteen-year-old Sophia would much rather marry Erin, her childhood best friend, than parade in front of suitors. At the ball, Sophia makes the desperate decision to flee, and finds herself hiding in Cinderella’s mausoleum. There, she meets Constance, the last known descendant of Cinderella and her step sisters. Together they vow to bring down the king once and for all–and in the process, they learn that there’s more to Cinderella’s story than they ever knew . . . This fresh take on a classic story will make readers question the tales they’ve been told, and root for girls to break down the constructs of the world around them.