Bestselling author Andrew Joseph White returns with another horrific YA thriller: a profound portrait of a struggling teen trying to convince the world—and himself—that he’s better than the serial killer who raised him. Morgan Slaughter, a seventeen-year-old trans boy with autism, put his serial killer father in prison years ago. Despite that, everyone thinks Morgan will grow up to be just like his dad: including his volatile mother, the documentary crew following their family, and maybe himself. Desperately, Morgan latches onto his father’s final victim—the only one who was never identified—hoping that if he unravels the mystery, he’ll finally prove he’s better than the man who hurt him. But this puts Morgan in the crosshairs of classmate Felicity Keating, who knows the truth about Morgan’s childhood—that he wasn’t just a witness to his father’s brutality, he was an accomplice. And if he doesn’t let them help with his investigation? They’ll tell everyone. Forced to confront his past, Morgan’s ugly but carefully controlled world unravels. The film crew is manipulative. His mother’s temper spirals into malice, then violence. And Morgan and Felicity may be more tightly intertwined than either of them can stomach . . . You're No Better is a gritty and unapologetic coming-of-age suspense about teens who grew up surrounded by cruelty and are clawing their way to adulthood the only way they know how.

Bestselling author Andrew Joseph White returns with another horrific YA thriller: a profound portrait of a struggling teen trying to convince the world—and himself—that he’s better than the serial killer who raised him. Morgan Slaughter, a seventeen-year-old trans boy with autism, put his serial killer father in prison years ago. Despite that, everyone thinks Morgan will grow up to be just like his dad: including his volatile mother, the documentary crew following their family, and maybe himself. Desperately, Morgan latches onto his father’s final victim—the only one who was never identified—hoping that if he unravels the mystery, he’ll finally prove he’s better than the man who hurt him. But this puts Morgan in the crosshairs of classmate Felicity Keating, who knows the truth about Morgan’s childhood—that he wasn’t just a witness to his father’s brutality, he was an accomplice. And if he doesn’t let them help with his investigation? They’ll tell everyone. Forced to confront his past, Morgan’s ugly but carefully controlled world unravels. The film crew is manipulative. His mother’s temper spirals into malice, then violence. And Morgan and Felicity may be more tightly intertwined than either of them can stomach . . . You're No Better is a gritty and unapologetic coming-of-age suspense about teens who grew up surrounded by cruelty and are clawing their way to adulthood the only way they know how.

A modern-day dark academia speculative fantasy with a twist, perfect for fans of Babel and A Deadly Education. Warren University has long stood amongst the ivy elite, built on the bones—and forbidden magic—of its most prized BIPOC students…hiding the rot of a secret society that will do anything to keep their own powers burning bright, no matter the cost to those lost along the way.

A spellbinding and heartwarming Japanese bestseller about a young woman who inherits a stationery store from her late grandmother and becomes the trusted scribe of the town.You always told me that writing is life itself.After many years abroad, Hatoko reluctantly returns to Kamakura to take over the stationery store left to her by her late grandmother. As the custodian of the store, she also inherits the profession of public scribe, a role Hatoko trained for as a child under the guidance of her strict grandmother.As the locals seek out Hatoko's help, she takes on all manner of writing letters of greeting, condolence, farewell, love, and more on behalf of those who come to her. A local community forms around Hatoko and the store, and when the secrets of her late grandmother begin to unravel, Hatoko learns that the role of the scribe requires much more than putting ink to paper.Set to the rhythm of the four seasons and the Japanese rituals and festivities that come with them, Tsubaki Stationery Store is a charming story about the importance of community and the reconciliatory power of the written word.

They say the stolen rose blooms best. When Ethan Keating Mendoza is hired as a gardener at an old Victorian residence in central Indiana, he has one clear make the roses bloom. Ethan's life is roses--he's the son of a hedge witch and a partner in his father's rose growing business--but he has no magic himself. The Kilbride estate is wild and overgrown. The roses have not bloomed in decades, and Ethan fears he may be in over his head. Worse still is Louis, the peculiar trustee of the property, who lives under a bloodthirsty curse that ties him to the garden. But Louis gives Ethan a chance, and Ethan is determined to do right by the suffering roses. As Ethan and Louis grow closer, Ethan becomes increasingly desperate to save the man he loves from the garden's curse. But the garden isn't letting them go without a fight.

An uprorious satire of celebrity, performance, and queer embodiment following two pro volleyball players juggling the unspoken jealousies in their relationship and their team rivalries ahead of their first rematch in a year Six is 6’7”, scheming to rejoin the starting lineup, and barely checks her phone. Green is 6’1”, always building her brand, and secretly jealous of her more famous girlfriend. They’re gutsy, gorgeous women going where no Asian American trans woman has gone before: the men’s pro indoor volleyball league. Six and Green are… hot girls with balls. Besides playing for rival teams, they’re also lovers tending to their relationship between away games, time zones, and their weekly Instagraph live show. Soon, they’ll reunite for the championship tournament, the first to accommodate in-person fans since the COVIS pandemic struck the world a year ago. Just as they enter an airtight bro bubble of the world’s best, they’re faced with a public crisis that necessitates an indisputably humiliating task: make a public statement online. Can Green stock up enough clout for her post-ball future? Can Six girlboss her team’s seniority politics? Can they both take a timeout to just grieve? Their rabid fans and horny haters await their next move. We’re all just desperate for a whiff of the feminine sweaty energy that makes that ball thwack with such spectacular force.

Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish. Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company. His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through space on this tiny ship, it’s up to him to puzzle out an impossible scientific mystery—and conquer an extinction-level threat to our species. And with the clock ticking down and the nearest human being light-years away, he’s got to do it all alone. Or does he?

From Nobel Prize winner Han Kang comes her first work of nonfiction published in English—a singular collection of writings including her inspiring Nobel Lecture. A LITERARY HUB AND ELECTRIC LIT MOST ANTICIPATED BOOK OF THE YEAR In this light-filled and multi-faceted book, Han Kang draws together the threads of her work and life, tracing the connections between her interior and exterior worlds through a sequence of essays, poems, photographs, and diaries, brilliantly translated by Maya West and e. yaewon & Paige Aniyah Morris. A book of reflections, of words and light, it has at its heart the tiny, north-facing courtyard garden at her home, cultivated solely through the reflected sunlight of the mirrors which she must move throughout the day, as the earth turns on its axis. In a poem written at eight years old, Han Kang imagined a “gold thread” of connection—an idea which she explores here with luminous attention, beginning with her Nobel Lecture. She writes of the wonder of following the thread we call language into the depths of other hearts, and her profound sense of an electric current which joins writer and reader. Both intimate and illuminating, Light and Thread is a book for all readers of Han Kang’s unique body of work.

From Nobel Prize winner Han Kang comes her first work of nonfiction published in English—a singular collection of writings including her inspiring Nobel Lecture. A LITERARY HUB AND ELECTRIC LIT MOST ANTICIPATED BOOK OF THE YEAR In this light-filled and multi-faceted book, Han Kang draws together the threads of her work and life, tracing the connections between her interior and exterior worlds through a sequence of essays, poems, photographs, and diaries, brilliantly translated by Maya West and e. yaewon & Paige Aniyah Morris. A book of reflections, of words and light, it has at its heart the tiny, north-facing courtyard garden at her home, cultivated solely through the reflected sunlight of the mirrors which she must move throughout the day, as the earth turns on its axis. In a poem written at eight years old, Han Kang imagined a “gold thread” of connection—an idea which she explores here with luminous attention, beginning with her Nobel Lecture. She writes of the wonder of following the thread we call language into the depths of other hearts, and her profound sense of an electric current which joins writer and reader. Both intimate and illuminating, Light and Thread is a book for all readers of Han Kang’s unique body of work.