The untold story of how Japan became a cultural superpower through the fantastic inventions that captured--and transformed--the world's imagination, from karaoke and the Walkman to anime and emoji. During the "economic miracle" of the 1970s and 80s, Japan seemed to exist in some near future, soaring on the superior technology of Sony and Toyota while the West struggled to catch up. Then a catastrophic 1990 stock-market crash ushered in what the Japanese call their "lost decades." The end of the boom times should have plunged Japan into irrelevance. But in Pure Invention, Matt Alt argues that's precisely when things got interesting--when once again, Japan got to the future a little ahead of the rest of us. Japan made itself rich after the Second World War by selling the world what it needed, in the form of better cars, appliances, and microprocessors. But it conquered hearts through wildly creative pop culture that responded to modern life in new ways. As social compacts and safety nets evaporated, in rushed a revolution of geeky gadgets, gizmos, and flights of fancy. Hello Kitty, the Nintendo Entertainment System, and illustrated entertainment empires like Pokemon and Dragon Ball Z were more than marketing hits. They transformed Japan into the world's forge of fantasies, and they transformed us as we consumed them: karaoke making everyone a star, emoji rewriting the rules of human communication, virtual game-worlds offering escapes from reality and new perspectives on it. By turns a nostalgia trip and a secret history, Pure Invention is the story of an indelible group of Japanese craftsmen, artists, businesspeople, geniuses, and oddballs. It is also an unsung chapter of globalization, in which Japanese dreams formed a new blueprint for global pop culture--and may have created the modern world as we know it.

An enchanting, highly personal tour of some of the most iconic cemeteries of the world—part travelogue, part memoir, part “excursions through death,” by the author of Our Share of Night and “queen of horror” (Los Angeles Times)“Not a travelogue so much as a grave-a-logue, Somebody is Walking on Your Grave is an exuberant, witty wander among the dead. You could not have a better friend to take you by the hand and lead you for a long traipse among tilting tombstones, dank crypts, and chilling history.”—Joe Hill“Enriquez knows cemeteries are the repositories of life’s pain and beauty. I felt more alive as I read.”—Caitlin Doughty, New York Times bestselling author of Smoke Gets in Your And Other Lessons from the Crematory“An eccentric and enlightening peek into how memorialization happens across the world.”—Publishers Weekly, starred review“Fascinating . . . Enriquez hides a celebration of life in a book about death.”—Booklist, starred reviewOne of Publishers Weekly’s Top 10 New Releases of the Fall • A Most Anticipated Book of the Literary Hub and Publishers LunchCemeteries have great stories and sometimes I steal some for my books.Mariana Enriquez—called by The New York Times a “sorceress of horror”—has been fascinated by the haunting beauty of cemeteries since she was a teenager. She has visited them frequently, a goth flaneur taking notes on her aesthetic obsession as she walks among the headstones, “where dying seems much more interesting than being alive.”But when the body of a friend’s mother who was disappeared during Argentina’s military dictatorship was found in a common grave, Enriquez began to examine more deeply the complex meanings of cemeteries and where our bodies come to rest.In this rich book of essays—“excursions through death,” she calls them—Enriquez travels through North and South America, Europe and Australia, visiting Paris’s catacombs, Prague’s Old Jewish Cemetery, New Orleans’s aboveground mausoleums, Buenos Aires’s opulent Recoleta, and more. Enriquez investigates each cemetery’s history and architecture, its saints and ghosts, its caretakers and visitors, and, of course, its dead.Weaving personal stories with reportage, interviews, myths, hauntology, and more, Somebody Is Walking on Your Grave is memoir channeled through Enriquez’s passion for cemeteries, revealing as much about her own life and unique sensibility as the graveyards and tombstones she tours. Fascinating, spooky, and unlike anything else, Enriquez’s first work of nonfiction, translated by the award-winning Megan McDowell, is as original and memorable as the stories and novels for which she’s become so beloved and admired.

A young woman and a possessed teddy bear and set out on a revenge quest unlike any other in this stylish slasher from Cho Yeeun, a rising star in Korean horror. When the fledgling coastal town of Yamu is rocked by a mass-poisoning attack at the Seaview Parc, a luxury high-rise meant to revitalize the city, Hwayoung is one of many who lost family members. Except, she has never believed that her mother was poisoned. Now, fueled by grief and a desire for revenge, Hwayoung spends her time hustling to save every penny and bring those responsible to justice. Across town, Doha wakes up in a teddy bear and realizes something sinister has taken his body. When fate brings Hwayoung and Doha together, the two team up for a revenge quest that will shake the city's shiny façade to its rotten core. This time, revenge is not just personal—it's supernatural.