A captivating and profoundly moving novel with hints of supernatural intrigue, blending We Were Liars and Your Name into a can’t-miss read for fans of You’ve Reached Sam. Thirty years ago, Grace’s mom left her hometown of Hermitage, Florida and never looked back—which is exactly why Grace thinks it’s the safest place to spend her summer now. Since her mom died in a car crash, Grace has been desperate to get away from the memories and reminders of her loss. Spending the summer transcribing cassette tapes for the Hermitage Historical Society might be boring, but boring is just what Grace needs. Until she hears the voice of Jake Underwood—the boy who first recorded the cassette tapes back in 1992. When Grace realizes he can hear anything she records, despite thirty years of time between them, she strikes up an impossible conversation with Jake through the tapes. But the past isn’t any simpler than the present, and a mystery has haunted Hermitage through the generations. In the 1970’s, a hurricane made landfall and resulted in the tragic death of Jake’s uncle Charley. In a town as suffocatingly small as Hermitage, it’s impossible not to notice how no one talks about that storm, or Charley, and as the mystery unfurls, Grace can’t help but realize a worse truth: No one talks about Jake either. A beautifully written exploration of grief and what happens when untreated wounds bleed into future generations, The Underwood Tapes is the perfect read for anyone in need of a good, cathartic cry.

Enter Cloudkiss Canyon at your own risk. The Cloudkiss Killer is dead. Now a true-crime podcast is hosting a contest to find his bones. Lucy was almost the serial killer’s final victim. Carolina is a true-crime fan who fears her own rage. Maggie is a psychology student with a little too much to hide. All of them are looking for answers, for a new identity, for a place to bury their secrets. But there are more than bones hiding in the shadows…sometimes the darkness inside is more frightening than anything the dead leave behind. Perfect for fans of Sadie and Wilder Girls, this newest novel from Erica Waters follows three girls at a true-crime contest to find the bones of a lost killer—even as a mysterious force pulls at the contestants’ darkest desires.

Haunted by the vengeful spirit of her mother, seventeen-year-old Rae accepts an invitation to Seaside State Hospital, an abandoned mental institution, with one goal—get rid of the ghost. What she doesn’t expect is Gracie, an amateur exorcist who hides her dark gift behind a façade of perfume and polish. Haunted by the consequences of a botched exorcism, Gracie comes to the hospital for a chance at redemption. Seaside State is known for making things disappear. It’s said to be hungry, and the girls hope what they have to offer will whet its appetite. But when they enter the asylum, the building shifts. Shadows fall in the wrong places, the hallways seem to breathe, and Rae finds writing on the walls that matches the penmanship of her late mother; long, thin, and damaging. If they want to leave their pasts behind, the girls must contend not only with the dark forces of the hospital, but the darkness within themselves—and neither are about to let them go without a fight.

Welcome to Rivers Solomon's dark and wondrous Model Home, a new kind of haunted-house novel. The three Maxwell siblings keep their distance from the lily-white gated enclave outside Dallas where they grew up. When their family moved there, they were the only Black family in the neighborhood. The neighbors acted nice enough, but right away bad things, scary things—the strange and the unexplainable—began to happen in their house. Maybe it was some cosmic trial, a demonic rite of passage into the upper-middle class. Whatever it was, the Maxwells, steered by their formidable mother, stayed put, unwilling to abandon their home, terrors and trauma be damned. As adults, the siblings could finally get away from the horrors of home, leaving their parents all alone in the house. But when news of their parents' death arrives, Ezri is forced to return to Texas with their sisters, Eve and Emanuelle, to reckon with their family’s past and present, and to find out what happened while they were away. It was not a “natural” death for their parents . . . but was it supernatural? Rivers Solomon turns the haunted-house story on its head, unearthing the dark legacies of segregation and racism in the suburban American South. Unbridled, raw, and daring, Model Home is the story of secret histories uncovered, and of a queer family battling for their right to live, grieve, and heal amid the terrors of contemporary American life.

Welcome to Rivers Solomon's dark and wondrous Model Home, a new kind of haunted-house novel. The three Maxwell siblings keep their distance from the lily-white gated enclave outside Dallas where they grew up. When their family moved there, they were the only Black family in the neighborhood. The neighbors acted nice enough, but right away bad things, scary things—the strange and the unexplainable—began to happen in their house. Maybe it was some cosmic trial, a demonic rite of passage into the upper-middle class. Whatever it was, the Maxwells, steered by their formidable mother, stayed put, unwilling to abandon their home, terrors and trauma be damned. As adults, the siblings could finally get away from the horrors of home, leaving their parents all alone in the house. But when news of their parents' death arrives, Ezri is forced to return to Texas with their sisters, Eve and Emanuelle, to reckon with their family’s past and present, and to find out what happened while they were away. It was not a “natural” death for their parents . . . but was it supernatural? Rivers Solomon turns the haunted-house story on its head, unearthing the dark legacies of segregation and racism in the suburban American South. Unbridled, raw, and daring, Model Home is the story of secret histories uncovered, and of a queer family battling for their right to live, grieve, and heal amid the terrors of contemporary American life.

Two friends must uncover the truth about the bloody reappearance of a cryptid in this queer, X-Files-inspired thriller from the author of Bad Creek. To save her family’s struggling ranch, 18-year-old Claire fabricates a video of her hometown’s legendary alien cryptid, Old Lucky, that grabs the attention of paranormal vloggers Lenny and Evan. Lenny is plagued with doubts about their channel’s future, so catching Old Lucky might just be her chance at finding something real. After Evan deserts Lenny, believing the investigation to be a hoax, Claire agrees to “help” Lenny uncover the history of Old Lucky—and preserve her deceit. But the more the girls are drawn together and the more clues they unearth, the more secrets rise to the surface. The cows are being mutilated, the ranch hand has disappeared, and the strange lights in the sky are back. Something inhuman lurks in Scarberry, where danger lives close to home. The Monsters We Made is an eerie and suspenseful exploration of one town’s dark history and the people who brought it back to life.

Two friends must uncover the truth about the bloody reappearance of a cryptid in this queer, X-Files-inspired thriller from the author of Bad Creek. To save her family’s struggling ranch, 18-year-old Claire fabricates a video of her hometown’s legendary alien cryptid, Old Lucky, that grabs the attention of paranormal vloggers Lenny and Evan. Lenny is plagued with doubts about their channel’s future, so catching Old Lucky might just be her chance at finding something real. After Evan deserts Lenny, believing the investigation to be a hoax, Claire agrees to “help” Lenny uncover the history of Old Lucky—and preserve her deceit. But the more the girls are drawn together and the more clues they unearth, the more secrets rise to the surface. The cows are being mutilated, the ranch hand has disappeared, and the strange lights in the sky are back. Something inhuman lurks in Scarberry, where danger lives close to home. The Monsters We Made is an eerie and suspenseful exploration of one town’s dark history and the people who brought it back to life.

From Gillian Flynn Books, a lyrical YA horror by debut author Wen-yi Lee that’s perfect for fans of She Is a Haunting, Stephen King’s IT, and The Haunting of Hill House. Art student Isadora Chang swore never to return to Slater. Growing up, Isa never felt at ease in the repressive former mining town, even before she realized she was bisexual—but after the deaths of two of her childhood friends, Slater went from feeling claustrophobic to suffocating. Isa took off before the town could swallow her, too, even though it meant leaving behind everything she knew, including her last surviving friend Mason. When Isa’s abusive father kicks the bucket, she agrees to come back just long enough to collect the inheritance. But then Mason, son of the local medium, turns up at the cemetery with a revelation and a plea: their friends were murdered by a supernatural entity, and he needs Isa to help stop the evil—before it takes anyone else. When Isa begins to hear strange songs on the wind, and eerie artwork fills her sketchbook that she can’t recall drawing, she’s forced to stop running and confront her past. Because something is waiting in the shadows of Slater’s valleys, something that feeds on the pain and heartbreak of its children. Whatever it is, it knows Isa’s back… and it won’t let her escape twice.

From Gillian Flynn Books, a lyrical YA horror by debut author Wen-yi Lee that’s perfect for fans of She Is a Haunting, Stephen King’s IT, and The Haunting of Hill House. Art student Isadora Chang swore never to return to Slater. Growing up, Isa never felt at ease in the repressive former mining town, even before she realized she was bisexual—but after the deaths of two of her childhood friends, Slater went from feeling claustrophobic to suffocating. Isa took off before the town could swallow her, too, even though it meant leaving behind everything she knew, including her last surviving friend Mason. When Isa’s abusive father kicks the bucket, she agrees to come back just long enough to collect the inheritance. But then Mason, son of the local medium, turns up at the cemetery with a revelation and a plea: their friends were murdered by a supernatural entity, and he needs Isa to help stop the evil—before it takes anyone else. When Isa begins to hear strange songs on the wind, and eerie artwork fills her sketchbook that she can’t recall drawing, she’s forced to stop running and confront her past. Because something is waiting in the shadows of Slater’s valleys, something that feeds on the pain and heartbreak of its children. Whatever it is, it knows Isa’s back… and it won’t let her escape twice.