There is no plague in Enfaire… Dead things have been found in the fields of Enfaire, a God-fearing town north of Reams. Not just dead things but twisted forms… unholy shapes. And there are rumours, too—of a blasphemous union and of fell creatures that haunt the night. Yet, even as plague and witch pyres blacken the sky, the town remains untouched by the malady that has already claimed thousands and will claim thousands more. It is here, in Enfaire, that an old Franciscan friar and his ward take shelter from a storm. It is here, in a little town on the edge of civilization, that they will have their faith truly tested. His Black Tongue is a tale of medieval horror, plunging the reader into the plague-torn land of 14th century France, when pestilence and death walked hand-in-hand, and life was little more than a sputtering candle, waiting to be put out. But there are worse things than death, than sickness and decay… and it comes upon leathery black wings. Includes The Bone Fields novella and the short stories The Knights of the Non-Euclidean Table and Necropolis.

Call Me By Your Name meets Elena Ferrante in this debut coming-of-age novel about a young girl who spends summers working at her family’s timeworn Italian agriturismo, the tragedy that rends her life into “before” and “after,” and her romance with an American girl, which has unexpected consequencesTo ten-year-old Leo, life is a collection. She spends her mornings tidying the rooms of her Nonna Tina’s timeworn Italian agriturismo, carefully accumulating the curious bits of left-behind detritus from guests—a pearl earring, a lock of hair. Her nights are suffused with gathering the stories that flow from her father’s lips—liquor-spun tales of Odysseus and the Trojans in secret battle. But when an accident rips the gentle membrane of Leo’s childhood, she is left vulnerable to the pains and pleasures of growing up. Years later, in a sultry summer not unlike the many that came before, the agriturismo is the only thing that remains the same. Nonna Tina has grown older, Leo’s brother Max is intractable and mercurial, and the curiosity Leo so loved to feed as a child has turned into something more confusing. When she meets Dolores, an American girl made brilliant by Leo’s perception of her, she can’t help but gather all the experiences first love promises, while shedding parts of the past she no longer fits into. Embroidering the atmospheric yearning of Call Me By Your Name with the precise, elevated prose of Elena Ferrante, Sofia Montrone’s jaw-dropping debut revels in the exuberant highs and awkward lows of girlhood and captures the universal experiences of trying to hold on to what is elusive, to deny what cannot be faced, and to say what cannot be said.

From World Fantasy Award-winning author Tasha Suri comes The Isle in the Silver Sea, a heart-shattering standalone romantasy of sapphic longing, medieval folklore and a love that spans the centuries. In an England fuelled by stories, the knight and the witch are fated to fall in love and doom each other over and over, the same tale retold over hundreds of lifetimes. Simran is a witch of the woods. Vina is a knight of the Queen’s court. When the two women begin to fall for each other, how can they surrender to their desires, when to give in is to destroy each other? As they seek a way to break the cycle, a mysterious assassin begins targeting tales like theirs. To survive, the two will need to write a story stronger than the one that fate has given to them. But what tale is stronger than The Knight and the Witch?

Naomi Novik's Scholomance series meets Plain Bad Heroines in this sapphic dark academia fantasy by instant national and international bestselling author Emily Tesh, winner of the Hugo and World Fantasy Awards. "Look at you, eating magic like you're one of us." Doctor Walden is the Director of Magic at Chetwood Academy and one of the most powerful magicians in England. Her days consist of meetings, teaching A-Level Invocation to four talented, chaotic sixth formers, more meetings, and securing the school's boundaries from demonic incursions. Walden is good at her job―no, Walden is great at her job. But demons are masters of manipulation. It’s her responsibility to keep her school with its six hundred students and centuries-old legacy safe. And it’s possible the entity Walden most needs to keep her school safe from―is herself.

An addictive forbidden romance between a fake princess and her bodyguard…After losing everything ten years ago, Sir Galeon has dedicated her life to serving her kingdom as a knight. When the prince entrusts her with guarding his soon-to-be bride in his arranged marriage, Galeon does not expect to have her heart captured by the confounding princess.Della has more than one deadly secret. Not only is she pretending to be Princess Cordelia, but she is also a witch in a world where magic is as dangerous as it is illegal. Her ability to manipulate death is the reason she is here, and her only way out. The last thing she wants is an overly loyal knight following her everywhere.Della knows that Galeon can never learn her secrets. And Galeon knows the prince’s bride is entirely off-limits.As reluctant proximity turns to tentative trust, initial attraction becomes burning desire. What should have been simple becomes terribly complicated.Yet nothing will stop Della from fulfilling the bargain she made to save her sister. Not even an inconveniently timed baby phoenix or rumors of false identity. Not even murdered corpses in the library or a jealous prince.Not even a pretty knight.The first in a series of stand-alone stories set in the same world, this slow burn steamy queer romantasy is inspired by classic fairy tales and Arthurian legend, where the shining knight is a scarred woman, the princess is also the witch, and the prince is anything but charming.This story contains grief, violence, explicit language, and a guaranteed HEA.

From insidious murder weapons to blaze-igniting crinolines, clothing has been the cause of death, disease and madness throughout history, by accident and design. Clothing is designed to protect, shield and comfort us, yet lurking amongst seemingly innocuous garments we find hats laced with mercury, frocks laden with arsenic and literally 'drop-dead gorgeous' gowns. Fabulously gory and gruesome, Fashion Victims takes the reader on a fascinating journey through the lethal history of women's, men's and children's dress, in myth and reality. Drawing upon surviving fashion objects and numerous visual and textual sources, encompassing louse-ridden military uniforms, accounts of the fiery deaths of Oscar Wilde's half-sisters and dancer Isadora Duncan's accidental strangulation by entangled scarf; the book explores how garments have tormented those who made and wore them, and harmed animals and the environment in the process. Vividly chronicling evidence from Greek mythology to the present day, Matthews David puts everyday apparel under the microscope and unpicks the dark side of fashion. Fashion Victims is lavishly illustrated with over 125 images and is a remarkable resource for everyone from scholars and students to fashion enthusiasts.

From the author of the #1 international bestseller and Indie Next Pick The History of Bees, a captivating new standalone novel about the threat of a worldwide water shortage as seen through the eyes of a father and daughter. In 2019, seventy-year-old Signe sets out on a hazardous voyage to cross an entire ocean in only a sailboat. She is haunted by the loss of the love of her life, and is driven by a singular and all-consuming mission to make it back to him. In 2041, David flees with his young daughter, Lou, from a war-torn Southern Europe plagued by drought. They have been separated from their rest of their family and are on a desperate search to reunite with them once again, when they find Signe's abandoned sailboat in a parched French garden, miles away from the nearest shore. As David and Lou discover personal effects from Signe's travels, their journey of survival and hope weaves together with Signe's, forming a heartbreaking, inspiring story about the power of nature and the human spirit in this second novel from the author of the "spectacular and deeply moving" (New York Times bestselling author Lisa See) The History of Bees.

It is the morning of the reaping that will kick off the tenth annual Hunger Games. In the Capitol, eighteen-year-old Coriolanus Snow is preparing for his one shot at glory as a mentor in the Games. The once-mighty house of Snow has fallen on hard times, its fate hanging on the slender chance that Coriolanus will be able to outcharm, outwit, and outmaneuver his fellow students to mentor the winning tribute. The odds are against him. He's been given the humiliating assignment of mentoring the female tribute from District 12, the lowest of the low. Their fates are now completely intertwined -- every choice Coriolanus makes could lead to favor or failure, triumph or ruin. Inside the arena, it will be a fight to the death. Outside the arena, Coriolanus starts to feel for his doomed tribute... and must weigh his need to follow the rules against his desire to survive no matter what it takes.

An exploration into the very similar work of selling art and selling sex, from a luminous new voice Sex and art, we’re told, are sacred, two spheres that ought to be kept separate from the ravages of the marketplace. Yet both prop up two incredibly lucrative industries, built on the commodification of creativity and desire, authenticity and intimacy. Our reaction to this should not be moral or political outrage, nor legal regulation or denial, but rather—as Sophia Giovannitti argues here—acceptance, through which we can find a more autonomous way to live. In this searching and provocative work, drawing on cultural and political theory, the contemporary art world, and the author’s own experience as a sex worker and artist trying to make a living, Giovannitti argues that if we delve into our anxieties around art and sex, we can instead find new ways to live and spaces, however small, of freedom. When there is nothing left to protect, she argues, everything is possible.

In New York City where we lay our scene, two rival witch families fight to maintain control of their respective criminal ventures. On one side of the conflict are the Antonova sisters, each one beautiful, cunning, and ruthless, and their mother, the elusive supplier of premium intoxicants known only as Baba Yaga. On the other side, the influential Fedorov brothers serve their father, the crime boss known as Koschei the Deathless, whose community extortion ventures dominate the shadows of magical Manhattan. After twelve years of tenuous coexistence, a change in one family’s interests causes a rift in the existing stalemate. When bad blood brings both families to the precipice of disaster, fate intervenes with a chance encounter, and in the aftershocks of a resurrected conflict, everyone must choose a side. As each of the siblings struggles to stake their claim, fraying loyalties threaten to rot each side from the inside out. If, that is, the enmity between empires doesn’t destroy them first.

"She doesn't know what to do, and that amounts to a state of torture." Crystal toils day and night to earn top grades at her cram school. She's also endlessly texting, shopping, drinking, vexing her boyfriends, cranking up her mp3s, and fantasizing about her next slice of cheesecake. Her non- stop frenzy never quite manages the one thing that might calm her down: opening up about the pressures that are driving her to the edge. She certainly hasn't talked with her best friend, Mina, nor Mina's brother, whom she's developing a serious crush on. And Crystal's starting to lose her grip. In this shocking English debut, award-winning Korean author Kim Sagwa delivers an astonishingly complex portrait of modern-day adolescence. With pitch-perfect dialogue and a precise eye for detail, Kim creates a piercingly real teen protagonist--at once powerful, vulnerable, and utterly confused. As one bad decision leads to another, this promising life spirals to a devastating climax.

Lyrics and never-before-seen poetry and sketches from the iconic vocalist of Florence and the Machine Songs can be incredibly prophetic, like subconscious warnings or messages to myself, but I often don't know what I'm trying to say till years later. Or a prediction comes true and I couldn't do anything to stop it, so it seems like a kind of useless magic.