Cuckoo is a searing new novel from Manhunt author Gretchen Felker-Martin, where a motley crew of kidnapped kids try to stay true to themselves while serving time in a conversion camp from hell. In the late 90s, five queer kids, whose parents want them “fixed,” find themselves thrown together at a secretive "tough love" camp deep in the scorching Utah desert. Tormented and worked to the point of collapse by hardline religious zealots intent on straightening them out, they slowly become aware that something in the mountains north of the camp is speaking to them in their dreams, and that the children who return home to their families have...changed.

Moonflow is three-time Hugo Award nominee Bitter Karella's debut horror novel-a gloriously queer and irreverent psychedelic trip into the heart of an eldritch wood and the horrors of sisterhood. Answer the call of the forest, if you dare. I see something out there, in the woods. It does not have a face. They call it the King's Breakfast. One bite and you can understand the full scope of the universe; one bite and you can commune with forgotten gods beyond human comprehension. And it only grows deep in the Pamogo forest, where the trees crowd so tight that the forest floor is pitch black day and night, where rumors of strange cults and disappearing hikers abound. Sarah makes her living growing mushrooms. When a bad harvest leaves her in a desperate fix, the lure of the King's Breakfast has her journeying into those vast uncharted woods. Her only guide is the most annoying man in the world, and he's convinced there's no danger. But as they descend deeper, they realize they're not alone. Something is luring them into the heart of the forest, and they must answer its call.

In the tradition of The Alienist and A Love Story, a decadently macabre, dark and twisty gothic debut set in 19th century Scotland – when real-life serial killers Burke and Hare terrorized the streets of Edinburgh – as a young medical student is lured into the illicit underworld of body snatching. Historical fiction, true crime, and dark academia intertwine in a harrowing tale of murder, greed, and the grisly origins of modern medicine for readers of Lydia Kang, ML Rio, Sarah Perry, and C.E. McGill. Edinburgh, Scotland, 1828. Naïve but determined James Willoughby has abandoned his posh, sheltered life at Oxford to pursue a lifelong dream of studying surgery in Edinburgh. A shining beacon of medical discovery in the age of New Enlightenment, the city’s university offers everything James desires—except the chance to work on a human cadaver. For that, he needs to join one of the private schools in Surgeon’s Square, at a cost he cannot afford. In desperation, he strikes a deal with Aneurin “Nye” MacKinnon, a dashing young dissectionist with an artist’s eye for anatomy and a reckless passion for knowledge. Nye promises to help him gain the surgical experience he craves—but it doesn’t take long for James to realize he’s made a devil’s bargain . . .   Nye is a body snatcher. And James has unwittingly become his accomplice. Intoxicated by Nye and his noble mission, James rapidly descends into the underground ranks of the Resurrectionists—the body snatchers infamous for stealing fresh corpses from churchyards to be used as anatomical specimens. Before he knows it, James is caught up in a life-or-death scheme as rival gangs of snatchers compete in a morbid race for power and prestige. James and Nye soon find themselves in the crosshairs of a shady pair of unscrupulous opportunists known as Burke and Hare, who are dead set on cornering the market, no matter the cost. These unsavory characters will do anything to beat the competition for bodies. Even if it’s cold-blooded murder . . . Exquisitely macabre and delightfully entertaining, The Resurrectionist combines fact and fiction in a rollicking tale of the risks and rewards of scientific pursuit, the passions of its boldest pioneers, and the anatomy of human desire.  

Enhanced by artificial intelligence, today's simulated females are becoming ever more lifelike as the virtual vies with the real. They have already had a dramatic impact on personal relationships, on our views of women, and our ideas about what it means to be human. From sex dolls to Siri, talking Barbies to robotic mothers, Artificial Women explores the ways in which today's simulated femalesboth real and fictionalreflect and expose our own ideas about sexuality, gender, and the impact of simulations on social relationships. Join Julie Wosk as she probes the realm of compliant robot sex workers, nurturing genial caregivers and companions, virtual assistants like Siri and Alexa, and rebellious creations in film, television, literature, art, photography, and current developments in robotics. These simulated women often reflect old stereotypes, but also highlight a new breed of female robots, cyborgs, and dolls that possess agency, self-awareness, and autonomy. Artificial Women pushes the boundaries of culture studies to consider how new digital technologies, artificial intelligences, and burgeoning simulations affect our own understandings of ourselves.

Runner-up for the 2015 Science Fiction and Technoculture Studies Book Prize  The fantasy of a male creator constructing his perfect woman dates back to the Greek myth of Pygmalion and Galatea. Yet as technology has advanced over the past century, the figure of the lifelike manmade woman has become nearly ubiquitous, popping up in everything from Bride of Frankenstein to Weird Science to The Stepford Wives . Now Julie Wosk takes us on a fascinating tour through this bevy of artificial women, revealing the array of cultural fantasies and fears they embody.    My Fair Ladies considers how female automatons have been represented as objects of desire in fiction and how “living dolls” have been manufactured as real-world fetish objects. But it also examines the many works in which the “perfect” woman turns out to be artificial—a robot or doll—and thus becomes a source of uncanny horror. Finally, Wosk introduces us to a variety of female artists, writers, and filmmakers—from Cindy Sherman to Shelley Jackson to Zoe Kazan—who have cleverly crafted their own images of simulated women.    Anything but dry, My Fair Ladies draws upon Wosk’s own experiences as a young female Playboy copywriter and as a child of the “feminine mystique” era to show how images of the artificial woman have loomed large over real women’s lives. Lavishly illustrated with film stills, artwork, and vintage advertisements, this book offers a fresh look at familiar myths about gender, technology, and artistic creation.     

Caliban and the Witch is a history of the body in the transition to capitalism. Moving from the peasant revolts of the late Middle Ages to the witch-hunts and the rise of mechanical philosophy, Federici investigates the capitalist rationalization of social reproduction. She shows how the battle against the rebel body and the conflict between body and mind are essential conditions for the development of labor power and self-ownership, two central principles of modern social organization. "It is both a passionate work of memory recovered and a hammer of humanity's agenda." Peter Linebaugh, author of The London Hanged"

Both a forceful polemic and a practical guide, Abolish Rent takes aim at one of the foremost engines of inequality and injustice. Rent is a wealth transfer from the poorest to the richest, the most vulnerable to the least, a monthly tribute that drives millions to debt, despair, and into the streets. In the context of a permanent housing crisis and governments in the pocket of real estate interests, Abolish Rent reorients the politics of housing around tenants political actors who can, through organizing, direct action, and collective bargaining, bring about a housing system that meets their needs. Abolish Rent is the first book-length engagement with the resurgent tenant movement. Authors Tracy Rosenthal and Leonardo Vilchis—cofounders of Los Angles’s many thousand member tenant union—offer a deeply-reported account centering poor and working class tenants who are fighting back, staying put, and remaking the city in the process. They take us to trilingual strategy meetings, raucous marches against gentrification, and daring eviction defenses where immigrants put their lives on the line. If rent abolition is our aim, tenant power must be the means—built through everyday resistance in our buildings and on our blocks. This is the revolutionary project we need to make our housing, our cities, and the world our home.

Over the past forty years, recognition has become the dominant mode of negotiation and decolonization between the nation-state and Indigenous nations in North America. The term “recognition” shapes debates over Indigenous cultural distinctiveness, Indigenous rights to land and self-government, and Indigenous peoples’ right to benefit from the development of their lands and resources. In a work of critically engaged political theory, Glen Sean Coulthard challenges recognition as a method of organizing difference and identity in liberal politics, questioning the assumption that contemporary difference and past histories of destructive colonialism between the state and Indigenous peoples can be reconciled through a process of acknowledgment. Beyond this, Coulthard examines an alternative politics—one that seeks to revalue, reconstruct, and redeploy Indigenous cultural practices based on self-recognition rather than on seeking appreciation from the very agents of colonialism. Coulthard demonstrates how a “place-based” modification of Karl Marx’s theory of “primitive accumulation” throws light on Indigenous–state relations in settler-colonial contexts and how Frantz Fanon’s critique of colonial recognition shows that this relationship reproduces itself over time. This framework strengthens his exploration of the ways that the politics of recognition has come to serve the interests of settler-colonial power. In addressing the core tenets of Indigenous resistance movements, like Red Power and Idle No More, Coulthard offers fresh insights into the politics of active decolonization.

Based on classified documents and first-person interviews, a startling history of the American war on Vietnamese civilians Americans have long been taught that events such as the notorious My Lai massacre were isolated incidents in the Vietnam War, carried out by “a few bad apples.” But as award-winning journalist and historian Nick Turse demonstrates in this groundbreaking investigation, violence against Vietnamese noncombatants was not at all exceptional during the conflict. Rather, it was pervasive and systematic, the predictable consequence of orders to “kill anything that moves.” Drawing on more than a decade of research in secret Pentagon files and extensive interviews with American veterans and Vietnamese survivors, Turse reveals for the first time how official policies resulted in millions of innocent civilians killed and wounded. In shocking detail, he lays out the workings of a military machine that made crimes in almost every major American unit all but inevitable. Kill Anything That Moves takes us from archives filled with Washington’s long-suppressed war crimes investigations to the rural Vietnamese hamlets that bore the brunt of the war; from boot camps where young American soldiers learned to hate all Vietnamese to bloodthirsty campaigns like Operation Speedy Express, in which a general obsessed with body counts led soldiers to commit what one participant called “a My Lai a month.” Thousands of Vietnam books later, Kill Anything That Moves, devastating and definitive, finally brings us face-to-face with the truth of a war that haunts Americans to this day.

Set in one of the world’s most beautiful landscapes, Kuleana is the story of award-winning journalist Sara Kehaulani Goo’s family saga to hold on to her family’s ancestral Hawaiian lands—and find herself along the way.Along the rugged shores of Maui’s east coast lies Hana, one of the last remaining stretches of Hawai’i untouched by hotels or billionaire retreats. The 60 acres of the author’s family lands, extending from mountain to sea, were given in 1848 by King Kamehameha III. When a property tax bill arrives with a 500% increase, Goo and her family members are forced to make a decision about the they must fight to keep the land or do as so many other Hawaiian families have done and sell to the next Mainland millionaire. From an early age, Goo was enchanted by the land, which includes a massive 16th century temple with a mysterious past. But as the financial crisis spurs her into action, she uncovers how much land her family already lost over generations -- and the larger story of displacement of Native Hawaiians. The author transports readers through the dark colonial history of the islands and takes them along as she learns to hula and reconnect with her culture. Only then can she fulfill her “kuleana”—a word meaning responsibility and stewardship, carried through the generations.Part journalistic offering and part memoir, Kuleana interrogates deeper questions of identity and what we owe those who come before us and after us. Goo’s breathtaking story of unexpected homecomings, familial hardship, and fierce devotion to ancestry writes a new story about Hawai’i, its native people, and their struggle to hold onto their land and culture today.

A sweeping and trenchant exploration of the history of Native American boarding schools in the U.S., and the legacy of abuse wrought by systemic attempts to use education as a tool through which to destroy Native culture.From the mid-19th century to the late 1930s, tens of thousands of Native children were pulled from their families to attend boarding schools that claimed to help create opportunity for these children to pursue professions outside their communities and otherwise "assimilate" into American life. In reality, these boarding schools—sponsored by the US Government but often run by various religious orders with little to no regulation—were an insidious attempt to destroy tribes, break up families, and stamp out the traditions of generations of Native people.  Children were beaten for speaking their native languages, forced to complete menial tasks in terrible conditions, and utterly deprived of love and affection.Ojibwe journalist Mary Pember's mother was forced to attend one of these institutions—a seminary in Wisconsin, and the impacts of her experience have cast a pall over Mary's own childhood, and her relationship with her mother. Highlighting both her mother's experience and the experiences of countless other students at such schools, their families, and their children, Medicine River paints a stark portrait of communities still reckoning with the legacy of acculturation that has affected generations of Native communities. Through searing interviews and assiduous historical reporting, Pember traces the evolution and continued rebirth of a culture whose country has been seemingly intent upon destroying it.

Three voices. Three acts of defiance. One mass injustice. The story of camp as you’ve never seen it before. Japanese Americans complied when evicted from their homes in World War II -- but many refused to submit to imprisonment in American concentration camps without a fight. In this groundbreaking graphic novel, meet: -- JIM AKUTSU, the inspiration for John Okada’s No-No Boy, who refuses to be drafted from the camp at Minidoka when classified as a non-citizen, an enemy alien; -- HIROSHI KASHIWAGI, who resists government pressure to sign a loyalty oath at Tule Lake, but yields to family pressure to renounce his U.S. citizenship; and -- MITSUYE ENDO, a reluctant recruit to a lawsuit contesting her imprisonment, who refuses a chance to leave the camp at Topaz so that her case could reach the U.S. Supreme Court. Based upon painstaking research, We Hereby Refuse presents an original vision of America’s past with disturbing links to the American present.

In Patriarchy of the Wage, Silvia Federici, best-selling author and the most important Marxist feminist of our time, asks why Marx and the Marxist tradition were so crucial in their denunciation of capitalism’s exploitation of human labor and blind to women’s work and struggle on the terrain of social reproduction. Why was Marx unable to anticipate the profound transformations in the proletarian family that took place at the turn of the nineteenth century creating a new patriarchal regime? In this fiery collection of penetrating essays published here for the first time, Federici carefully examines these questions and in the process has provided an expansive redefinition of work, class, and class-gender relations. Seeking to delineate the specific character of capitalist “patriarchalism,” this magnificently original approach also highlights Marx’s and the Marxist tradition’s problematic view of industrial production and the State in the struggle for human liberation. Federici’s lucid argument that most reproductive work is irreducible to automation is a powerful reminder of the poverty of the revolutionary imagination that consigns to the world of machines the creation of the material conditions for a communist society.