A compelling suspense debut about a woman infamous for escaping a cult as a teenager, whose future is threatened when dangerous secrets come back to haunt her—perfect for fans of Jessica Knoll and The Girls. Lucy Golden is a true-crime icon, infamous for the murder she committed while escaping a California cult twenty years ago. But as everyone in Los Angeles knows, fame is fleeting, and Lucy and her story are always just one news cycle away from obscurity. Not to mention, she’s fending off a stalker and moderating an icy feud between her acclaimed photographer mother and her scandalous rock star sister. Worst of all, online trolls are asking increasingly threatening questions about the legendary crime. Questions that could tear her life apart. So when a hotshot documentarian makes her case the subject of his next film, Lucy sees a chance to silence any doubters once and for all. But as filming begins, she must return to the California desert and come face-to-face with a cast of players from her torrid history. Of course, the past is never what it seems, and long-buried secrets soon collide with present-day threats. Can Lucy stop her doubters from digging up the truth before it’s too late? And how far will she go to protect the story she’s been telling—and selling—all along? Told in a narrative split between the present day and Lucy’s hit memoir about her fated summer in the cult, Paper Cut combines psychological suspense with coming-of-age Californian cult noir and a sharp examination of the true-crime phenomenon. As incisive as it is propulsive, this mesmerizing debut will keep readers hooked until the last page.

A compelling suspense debut about a woman infamous for escaping a cult as a teenager, whose future is threatened when dangerous secrets come back to haunt her—perfect for fans of Jessica Knoll and The Girls. Lucy Golden is a true-crime icon, infamous for the murder she committed while escaping a California cult twenty years ago. But as everyone in Los Angeles knows, fame is fleeting, and Lucy and her story are always just one news cycle away from obscurity. Not to mention, she’s fending off a stalker and moderating an icy feud between her acclaimed photographer mother and her scandalous rock star sister. Worst of all, online trolls are asking increasingly threatening questions about the legendary crime. Questions that could tear her life apart. So when a hotshot documentarian makes her case the subject of his next film, Lucy sees a chance to silence any doubters once and for all. But as filming begins, she must return to the California desert and come face-to-face with a cast of players from her torrid history. Of course, the past is never what it seems, and long-buried secrets soon collide with present-day threats. Can Lucy stop her doubters from digging up the truth before it’s too late? And how far will she go to protect the story she’s been telling—and selling—all along? Told in a narrative split between the present day and Lucy’s hit memoir about her fated summer in the cult, Paper Cut combines psychological suspense with coming-of-age Californian cult noir and a sharp examination of the true-crime phenomenon. As incisive as it is propulsive, this mesmerizing debut will keep readers hooked until the last page.

Lucy isn’t a normal girl. Ghost. Victim. Killer. She’s a doll on a mission—to find the man who killed her and return the favor. Lucy McQuinn has been murdered, but she’s not about to go quietly. If she doesn’t get to keep breathing, then neither does Kyle, her killer. Possessing the body of an antique doll, she sets out on a quest for revenge. But it’s hard when you’re eighteen inches tall and made of porcelain. For help, she turns to Nicola, a human and fellow outsider with her own reasons to hate Kyle. But in their small idyllic town, no one wants to hear the truth, especially not about such a promising young man. If they can’t expose his crimes, Lucy will have to roll up her lacy little sleeves and teach him a lesson the old-fashioned way—as slowly and painfully as possible. From LA Times bestselling author Barbara Truelove, She’s a Doll is a ghoulish and gleeful tribute to the unstoppable power of female rage and a love letter to the friends who have our back—in this life and the next.

From the critically acclaimed author of Bunny, a darkly funny novel about a theater professor suffering chronic pain, who in the process of staging a troubled production of Shakespeare’s most maligned play, suddenly and miraculously recovers. Miranda Fitch’s life is a waking nightmare. The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers. That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known. With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged...genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.