In this gripping debut tinged with supernatural horror, a young Cree woman's dreams lead her on a perilous journey of self-discovery that ultimately forces her to confront the toll of a legacy of violence on her family, her community and the land they call home. When Mackenzie wakes up with a severed crow's head in her hands, she panics. Only moments earlier she had been fending off masses of birds in a snow-covered forest. In bed, when she blinks, the head disappears. Night after night, Mackenzie's dreams return her to a memory from before her sister Sabrina's untimely death: a weekend at the family's lakefront campsite, long obscured by a fog of guilt. But when the waking world starts closing in, too--a murder of crows stalks her every move around the city, she wakes up from a dream of drowning throwing up water, and gets threatening text messages from someone claiming to be Sabrina--Mackenzie knows this is more than she can handle alone. Traveling north to her rural hometown in Alberta, she finds her family still steeped in the same grief that she ran away to Vancouver to escape. They welcome her back, but their shaky reunion only seems to intensify her dreams--and make them more dangerous. What really happened that night at the lake, and what did it have to do with Sabrina's death? Only a bad Cree would put their family at risk, but what if whatever has been calling Mackenzie home was already inside?

Malavika Kannan establishes herself as the literary voice of Gen Z in this piercing coming-of-age narrative Which comes experience or narrative? Rishi thinks she knows the answer as she arrives on campus for her first year at Stanford. Her narrative is set—she’s going to leave behind the strict trappings of her Indian-American childhood in Florida, embrace her queer identity, experiment with love, and write all about it. Within a few months, she gets a new tattoo, makes her first real best friend, falls in love with her un-labeled situationship, and even gets her heart broken. Rishi’s first semester Asian American Autofiction final practically writes itself.What is not a part of Rishi’s plan, however, is the onset of the COVID pandemic. As the outside world becomes a terrifying place, she finds more and more solace in the friendships she’s made. In lieu of virtual college, Rishi and her classmates join a farm collective and grapple with America’s political situation and growing disillusionment…along with sexual tension and responsibility. It’s only when those relationships, too, start fracturing under the stress of careless decisions, unrequited crushes, jealousies, and, yes, the unprecedented times, that Rishi begins to question her own story.Unprecedented Times captures the beauty, frustration, love, and pain that exists in relationships between best friends, between lovers, between mothers and daughters, and between storytellers and themselves. Malavika Kannan’s fresh, arresting novel captures the excitement and the terror of modern young adulthood through the eyes of an unforgettable, flawed, and lovable narrator.

Malavika Kannan establishes herself as the literary voice of Gen Z in this piercing coming-of-age narrative Which comes experience or narrative? Rishi thinks she knows the answer as she arrives on campus for her first year at Stanford. Her narrative is set—she’s going to leave behind the strict trappings of her Indian-American childhood in Florida, embrace her queer identity, experiment with love, and write all about it. Within a few months, she gets a new tattoo, makes her first real best friend, falls in love with her un-labeled situationship, and even gets her heart broken. Rishi’s first semester Asian American Autofiction final practically writes itself.What is not a part of Rishi’s plan, however, is the onset of the COVID pandemic. As the outside world becomes a terrifying place, she finds more and more solace in the friendships she’s made. In lieu of virtual college, Rishi and her classmates join a farm collective and grapple with America’s political situation and growing disillusionment…along with sexual tension and responsibility. It’s only when those relationships, too, start fracturing under the stress of careless decisions, unrequited crushes, jealousies, and, yes, the unprecedented times, that Rishi begins to question her own story.Unprecedented Times captures the beauty, frustration, love, and pain that exists in relationships between best friends, between lovers, between mothers and daughters, and between storytellers and themselves. Malavika Kannan’s fresh, arresting novel captures the excitement and the terror of modern young adulthood through the eyes of an unforgettable, flawed, and lovable narrator.

In Gustave Doré, one of the most prolific and successful book illustrators of the late 19h century, Edgar Allan Poe's renowned poem The Raven found perhaps its most perfect artistic interpreter. Doré's dreamlike, otherworldly style, tinged with melancholy, seems ideally matched to the bleak despair of Poe's celebrated work, among the most popular American poems ever written. This volume reprints all 26 of Doré's detailed, masterly engravings from a rare 19th-century edition of the poem. Relevant lines from the poem are printed on facing pages and the complete text is also included. Admirers of Doré will find ample evidence here of his characteristic ability to capture the mood and meaning of a work of literature in striking imagery; lovers of The Raven will delight in seeing its mournful musing on love and loss given dramatic pictorial form.

There are two kinds of people no one ever expects to be murderers: little girls and old ladies. Elsie Mabel Fitzpatrick is eighty-one years old. She's lived on her idyllic street for sixty years—longer than anyone else. Aside from being a curmudgeon who minds everyone else's business, few would suspect that Elsie has a past she's worked exceedingly hard at concealing—because when it comes to murder, no one ever suspects little girls or old ladies. And Elsie Mabel Fitzpatrick, once a little girl and now an old lady, has a strange history of people in her life coming to a foul end.