The gripping fourth book in the #1 New York Times bestselling Supernatural Investigations series that began with Amari and the Night Brothers! Perfect for fans of Tristan Strong Punches a Hole in the Sky, Percy Jackson and the Olympians, and Nevermoor. In the wake of the extreme losses to the Bureau during the war with Dylan Van Helsing and the magicians, Amari has stepped back from being a Junior Agent to spend the school year as a normal kid. But as she prepares to graduate eighth grade, she's faced with a decision: Return to the Bureau and join the elite new Junior Special Agent Program, or retire for good—which would mean safety, but also losing her memories of the supernatural world. But soon she finds that she may not have a choice. A deadly new curse is threatening both the supernatural and mortal worlds as, beneath their skin, people are slowly becoming machines—and losing their very humanity. And it's somehow related to the First Magician. Hundreds of cases have been cropping up, with no cure in sight. And when the curse hits someone close to Amari, it's up to her to get to the bottom of this deadly mystery—even if it means trusting an old enemy.

CG Drews, acclaimed author of Don't Let the Forest In, returns with another deeply unsettling and yet hauntingly beautiful tale of murder and botanical body horror, perfect for fans of Andrew Joseph White and We Have Always Lived in the Castle. Evander has lived like a ghost in the forgotten corners of the Hazelthorn estate ever since he was taken in by his reclusive billionaire guardian, Byron Lennox-Hall, when he was a child. For his safety, Evander has been given three ironclad rules to follow: He can never leave the estate. He can never go into the gardens. And most importantly, he can never again be left alone with Byron's charming, underachieving grandson, Laurie. That last rule has been in place ever since Laurie tried to kill Evander seven years ago, and yet somehow Evander is still obsessed with him. But when Byron suddenly dies, Evander inherits Hazelthorn’s immense gothic mansion and acres of sprawling grounds, along with the entirety of the Lennox-Hall family's vast wealth. There’s just one caveat: He must choose a new guardian from amongst Laurie's scheming, backstabbing relatives to help manage the estate until he turns eighteen. Except Evander's sure his guardian was murdered, and Laurie may be the only one who can help him find the killer before they come for Evander next. Perhaps even more concerning is how the overgrown garden is refusing to stay behind its walls, slipping its vines and spores deeper into the house with each passing day. As the family’s dark secrets unravel alongside the growing horror of their terribly alive, bloodthirsty garden, Evander needs to find out what he’s really inheriting before the garden demands to be fed once more.

CG Drews, acclaimed author of Don't Let the Forest In, returns with another deeply unsettling and yet hauntingly beautiful tale of murder and botanical body horror, perfect for fans of Andrew Joseph White and We Have Always Lived in the Castle. Evander has lived like a ghost in the forgotten corners of the Hazelthorn estate ever since he was taken in by his reclusive billionaire guardian, Byron Lennox-Hall, when he was a child. For his safety, Evander has been given three ironclad rules to follow: He can never leave the estate. He can never go into the gardens. And most importantly, he can never again be left alone with Byron's charming, underachieving grandson, Laurie. That last rule has been in place ever since Laurie tried to kill Evander seven years ago, and yet somehow Evander is still obsessed with him. But when Byron suddenly dies, Evander inherits Hazelthorn’s immense gothic mansion and acres of sprawling grounds, along with the entirety of the Lennox-Hall family's vast wealth. There’s just one caveat: He must choose a new guardian from amongst Laurie's scheming, backstabbing relatives to help manage the estate until he turns eighteen. Except Evander's sure his guardian was murdered, and Laurie may be the only one who can help him find the killer before they come for Evander next. Perhaps even more concerning is how the overgrown garden is refusing to stay behind its walls, slipping its vines and spores deeper into the house with each passing day. As the family’s dark secrets unravel alongside the growing horror of their terribly alive, bloodthirsty garden, Evander needs to find out what he’s really inheriting before the garden demands to be fed once more.

An electrifying collection of linked stories following a cast of characters navigating bodies, queerness, power, and sex—with radical results—from the bestselling author of Housemates. With a brash and stylish voice that implicates and confronts the reader, Emma Copley Eisenberg wades into the contradictions, joys, and violence of a modern world shaped by looking and watching, examining how our hungers can both hijack and crack open our lives. In the title story, a young girl looks to a group of fat women at her local pool to teach her about her changing body. In “Swiffer Girl,” a woman agrees to try for a baby with her partner, only to suddenly find herself haunted by the viral sex video that made the rounds during high school—a video indelibly tied to her own sense of self. In other stories, an obscure fat makeup vlogger’s strange friendship with a middle schooler forces her to reflect on her past life at a toxic beauty startup, a boomer retiree tries to understand her nonbinary child’s gender and polyamory, and a trans librarian takes a job as assistant to a famous science fiction writer only to find himself screening hookups on his octogenarian employer’s behalf. For better or for worse, these stories counsel, none of us can leave our bodies behind: they remind us what it is to be alive. As the characters in Fat Swim dance into and out of each other’s lives—and through and around Philadelphia—they seek connections and experiences that remind them of that fact, culminating in a reality-bending, tour de force finale, “Camp Sensation.” Eisenberg, whose fiction “should be studied by every contemporary author as the finest departure from the fatphobic hellscape of fiction that exists” (Electric Literature), has a singular vision, and Fat Swim is her most incisive and provocative work yet.

Sticks and stones may break their bones, but he'll just resurrect them.Four years ago, Sikras 'Catseye' Nikabod had it all: a beautiful wife, friends and family, and the endless luxuries that came with being the all-powerful necromancer to the queen.Now, his brother-in-law is a walking corpse, he's wanted for tax evasion, his oldest friend, Vessik, has slaughtered thousands of the queen's people with a skeleton army, and his wife is dead. Sort of.With the kingdom under threat, it's only natural for the queen to task Sikras with the totally normal, not-at-all-cruel chore of brutally murdering his dearest friend. Sure. Great. It's not like he already failed to stop Vessik's reign of terror twice or anything.Turns out, it's hard to kill a monster when you can't stop remembering the good man he used to be. Harder still when you're pretty sure his descent into madness is kind of, sort of, hypothetically ... all your fault.Raise a glass. Raise the dead. Just don't raise your hopes.

Vaseline on the teeth makes a smile shine. It’s a cheap stunt, but Mark Adams knows it’s optics that can win or ruin an election. Everything Mark learned about politics, he learned from his father, the congressman who still pretends he has a daughter and not a son. To protect his father’s image, Mark promises to keep his past hidden and pretend to be the cis guy everyone assumes he is. But when he sees a manipulatively charming candidate for student body president inflame dangerous rhetoric, Mark decides to risk the low profile he assured his father and insert himself as a political challenger. One big problem? No one really knows Mark. He didn’t grow up in this town, and he has few friends; plus, the ones he does have aren’t exactly with the in-crowd. Still, thanks to countless seasons of Scandal and The West Wing, these nerds know where to start: from campaign stops to voter polling to a fashion makeover. Soon Mark feels emboldened to get in front of and engage with voters—and even start a new romance. But with an investigative journalist digging into his past, a father trying to silence him, and a bully front-runner who stands in his way, Mark will have to decide which matters most: perception or truth, when both are just as dangerous.