An explosive and emotional story of four siblings—each fighting their own personal battle—who return home in the wake of their father's death in order to save their family's home from being sold out from under them, from the author of One Summer in Savannah. "Don't let the white man take the house." These are the last words King Solomon says to his son before he dies. Now all four Solomon siblings must return to North Carolina to save the Kingdom, their ancestral home and 200 acres of land, from a development company, who has their sights set on turning the valuable waterfront property into a luxury resort. While fighting to save the Kingdom, the siblings must also save themselves from the secrets they've been holding onto. Junior, the oldest son and married to his wife for 11 years, is secretly in love with another man. Second son, Mance, can't control his temper, which has landed him in prison more than once. CeCe, the oldest daughter and a lawyer in New York City, has embezzled thousands of dollars from her firm's clients. Youngest daughter, Tokey, wonders why she doesn't seem to fit into this family, which has left an aching hole in her heart that she tries to fill in harmful ways. As the Solomons come together to fight for the Kingdom, each of their façades begins to crumble and collide in unexpected ways. Told in alternating viewpoints, Long After We Are Gone is a searing portrait on the power of family and letting go of things that no longer serve you, exploring the burden of familial expectations, the detriment of miscommunication, and the lessons and legacies we pass on to our children.

The Power of the Powerless (Czech: Moc bezmocných) is an expansive political essay written in October 1978 by the Czech dramatist, political dissident and later politician, Václav Havel. The essay dissects the nature of the communist regime of the time, life within such a regime and how by their very nature such regimes can create dissidents of ordinary citizens. The essay goes on to discuss ideas and possible actions by loose communities of individuals linked by a common cause, such as Charter 77. Officially suppressed, the essay was circulated in samizdat form and translated into multiple languages. It became a manifesto for dissent in Czechoslovakia, Poland and other communist regimes.

From the author of The Shallows, a bracing exploration of how social media has warped our sense of self and society. From the telegraph and telephone in the 1800s to the internet and social media in our own day, the public has welcomed new communication systems. Whenever people gain more power to share information, the assumption goes, society prospers. Superbloom tells a startlingly different story. As communication becomes more mechanized and efficient, it breeds confusion more than understanding, strife more than harmony. Media technologies all too often bring out the worst in us. A celebrated interpreter of technology’s impacts on human life, Nicholas Carr guides the reader through the dark trends that have always shadowed how telegrams disrupted diplomacy, how radio aided autocrats, how the Facebook feed sowed division, how AI now blurs reality and fantasy. With vivid examples from history, science, and politics, Superbloom unmasks a fundamental flaw in our perception of, and revolutionizes our understanding of, how media shapes society. It may be too late to curb the “superbloom” of information—but it’s not too late to change ourselves.

From the New York Times bestselling author and television and podcast host, a powerful, wide-angle reckoning with how the assault from attention capitalism on our minds and our hearts has reordered our politics and the very fabric of our society. We all feel it — the distraction, the loss of focus, the addictive focus on the wrong things for too long. We bump into the zombies on their phones in the street, and sometimes they’re us. We stare in pity at the four people at the table in the restaurant, all on their phones, and then we feel the buzz in our pocket. Something has changed for most of human history, the boundary between public and private has been clear, at least in theory. Now, as Chris Hayes writes, ‘With the help of a few tech firms, we basically tore it down in about a decade.’ Hayes argues that we are in the midst of an epoch-defining attention has become a commodified resource extracted from us, and from which we are increasingly alienated. Because there is a breaking point. Sirens are designed to compel us, and now they are going off in our bedrooms and kitchens at all hours of the day and night, doing the bidding of vast empires, the most valuable companies in history, built on harvesting human attention. The Sirens’ Call is the big book we all need to wrest back control of our lives, our politics, and our future.

Returning to Russia from a sanitarium in Switzerland, the Christ-like epileptic Prince Myshkin finds himself enmeshed in a tangle of love, torn between two women—the notorious kept woman Nastasya and the pure Aglaia—both involved, in turn, with the corrupt, money-hungry Ganya. In the end, Myshkin’s honesty, goodness, and integrity are shown to be unequal to the moral emptiness of those around him. In her revision of the Garnett translation, Anna Brailovsky has corrected inaccuracies wrought by Garnett’s drastic anglicization of the novel, restoring as much as possible the syntactical structure of the original story.

We arrived on a Tuesday, I can remember that. I can remember Hetty’s hand in mine as we moved slowly down the steps of the escalator, as if standing completely still would have been harder than moving. Hetty and Ness, best friends since childhood, have left suburban Melbourne for the first time to live abroad. Hetty is charming and captivating, the life of the party. Ness is a wallflower, hopelessly in love with her. In the student quarter of Toronto, the pair take a room in a share house full of self-assured creatives. Hetty disappears into barkeeping work and a whirlwind nightlife, while Ness drifts aimlessly. But when Ness finds Hope one day in the art gallery, an intense affair develops. There are new friends, too, and a job: at last her life starts to make some sense. And Hetty’s starts spectacularly to fall apart, in a mess of bad drugs and bad men. As winter freezes the lakeside city, the dark undercurrents of Hetty’s character—abusive relationships, a dangerous obsession with bodies of water—become ever stronger. Ness may lose the person she loves more than anyone else in the world. Beautifully written and intimate, Cherry Beach is a revelatory story of friendship and desire.