Two best friends fake date to reach their holiday happily ever after in this first romantic comedy in the Lovelight series. A pasture of dead trees. A hostile takeover of the Santa barn by a family of raccoons. And shipments that have mysteriously gone missing. Lovelight Farms is not the magical winter wonderland of Stella Bloom’s dreams. In an effort to save the Christmas tree farm she’s loved since she was a kid, Stella enters a contest with Instagram-famous influencer Evelyn St. James. With the added publicity and the $100,000 cash prize, Stella might just be able to save the farm from its financial woes. There’s just one problem. To make the farm seem like a romantic destination for the holidays, she lied on her application and said she owns Lovelight Farms with her boyfriend. Only…there is no boyfriend. Enter best friend Luka Peters. He just stopped by for some hot chocolate and somehow got a farm and a serious girlfriend in the process. But fake dating his best friend might be the best Christmas present he’s ever received.

Once upon a time, Andrew had cut out his heart and given it to this boy, and he was very sure Thomas had no idea that Andrew would do anything for him. Protect him. Lie for him. Kill for him. High school senior Andrew Perrault finds refuge in the twisted fairytales that he writes for the only person who can ground him to reality—Thomas Rye, the boy with perpetually ink-stained hands and hair like autumn leaves. And with his twin sister, Dove, inexplicably keeping him at a cold distance upon their return to Wickwood Academy, Andrew finds himself leaning on his friend even more. But something strange is going on with Thomas. His abusive parents have mysteriously vanished, and he arrives at school with blood on his sleeve. Thomas won’t say a word about it, and shuts down whenever Andrew tries to ask him questions. Stranger still, Thomas is haunted by something, and he seems to have lost interest in his artwork—whimsically macabre sketches of the monsters from Andrew’s wicked stories. Desperate to figure out what’s wrong with his friend, Andrew follows Thomas into the off-limits forest one night and catches him fighting a nightmarish monster—Thomas’s drawings have come to life and are killing anyone close to him. To make sure no one else dies, the boys battle the monsters every night. But as their obsession with each other grows stronger, so do the monsters, and Andrew begins to fear that the only way to stop the creatures might be to destroy their creator…

Action! Humor! Fantasy! This new series opener is a tour de force from international bestseller Jonathan Stroud. Scarlett McCain is an outlaw, a bank robber and a sharp shooter--a girl of formidable skills. Fueled by a tragic injustice in her past, she travels the broken kingdoms of England alone, carrying out daring heists in the surviving towns and fending off monstrous beasts in the wilds outside their fortified walls. Her life is dangerous, free, and simple--until she finds a wrecked bus on a lonely road. Albert Browne, the sole survivor of the accident, is a seemingly innocent and harmless youth. Against her better judgement, Scarlett agrees to escort him to safety. This is a mistake. They are soon pursued by men with dogs and guns and explosives. Scarlett is used to running from the law, but these trackers are the most skilled she's ever encountered--and they don't seem to be after her. Just who is this Albert Browne Scarlett must uncover his shocking secrets if either of them are going to survive.

The brand-new standalone thriller from the New York Times bestselling author of The Last Flight, Julie Clark. Perfect for fans of Gillian McAllister, Lisa Jewell and Claire Douglas."I know what your dad did."I set down my sandwich. "He wrote a book."The boy, whose name I no longer remember, had shaken his head, eyes sparkling with glee to be the one to tell me. To shatter my childhood right there in the school cafeteria. "Your dad killed his brother and sister. Murdered them in their own home."Ghostwriter Olivia Dumont has spent her entire professional life hiding the fact that she is the only child of legendary horror author Vincent Taylor, famous not only for his novels, but for being the prime suspect in the brutal slaying of his siblings.On the brink of financial ruin, Olivia reluctantly agrees to ghostwrite her father's last book, not realising that she will be forced to reckon with the ghosts that live at the centre of her family. Because after fifty years of silence, Vincent Taylor is finally ready to talk. But is he ready to tell the truth?

One of the best-loved of Nabokov’s novels, Pnin features his funniest and most heart-rending character. Professor Timofey Pnin is a haplessly disoriented Russian émigré precariously employed on an American college campus in the 1950's. Pnin struggles to maintain his dignity through a series of comic and sad misunderstandings, all the while falling victim both to subtle academic conspiracies and to the manipulations of a deliberately unreliable narrator. Initially an almost grotesquely comic figure, Pnin gradually grows in stature by contrast with those who laugh at him. Whether taking the wrong train to deliver a lecture in a language he has not mastered or throwing a faculty party during which he learns he is losing his job, the gently preposterous hero of this enchanting novel evokes the reader’s deepest protective instinct. Serialized in The New Yorker and published in book form in 1957, Pnin brought Nabokov both his first National Book Award nomination and hitherto unprecedented popularity.

A cuatro profesores de literatura, Pelletier, Morini, Espinoza y Norton, los une su fascinación por la obra de Beno von Archimboldi, un enigmático escritor alemán cuyo prestigio crece en todo el mundo. La complicidad se vuelve vodevil intelectual y desemboca en un peregrinaje a Santa Teresa (trasunto de Ciudad Juárez), donde hay quien dice que Archimboldi ha sido visto. Ya allí, Pelletier y Espinoza se enteran de que la ciudad es desde años atrás escenario de una larga cadena de crímenes: en los vertederos aparecen cadáveres de mujeres con señales de haber sido violadas y torturadas. Es el primer asomo de la novela a sus procelosos caudales, repletos de personajes memorables cuyas historias, a caballo entre la risa y el horror, abarcan dos continentes e incluyen un vertiginoso travelling por la historia europea del siglo XX. 2666 confirma el veredicto de Susan Sontag: "el más influyente y admirado novelista en lengua española de su generación. Su muerte, a los cincuenta años, es una gran pérdida para la literatura".