A childless couple take in a mysterious boy in this ominous short story about parenthood, sacrifice, and our responsibility to the future from #1 New York Times bestselling author R. F. Kuang. Jess desperately wants to be a mother, so when she discovers a young boy lost in the woods near her home, her heart goes out to him. The boy, who Jess and her husband call “Buddy,” can’t tell them his name or anything about his family, but he’s clearly been through a lot. When her husband cautions her not to get too involved, Jess brushes him off. She would do anything for this child—and soon, she’ll have to prove it. R. F. Kuang’s Making Space is part of The Time Traveler’s Passport, an unforgettable collection of stories about memory, identity, and choice. Watch time fly as you read or listen to each short story in a single sitting.

What happened to the women we were supposed to become? Hannah, Cate and Lissa are young, vibrant and inseparable. Living on the edge of a common in East London, their shared world is ablaze with art and activism, romance and revelry - and the promise of everything to come. They are electric. They are the best of friends. Ten years on, they are not where they hoped to be. Amidst flailing careers and faltering marriages, each hungers for what the others have. And each wrestles with the same question: what does it take to lead a meaningful life? The most razor-sharp and heartbreaking novel of the year, EXPECTATION is a novel about finding your way: as a mother, a daughter, a wife, a rebel.

A darkly funny debut novel about two estranged sisters who are unknowingly thrown together by their problematic father’s dying wish Mickey and Arlo are half sisters. But they’ve never spoken and never met. Arlo adored her father—but always lived in the shadow of his magnetic personality and burdensome vices. Meanwhile, their father abandoned ​Mickey and her mother years ago, and Mickey has hated him since. When she receives news of her father’s passing, Mickey is shocked to learn that he’s left her his not-inconsiderable fortune. The Mickey must attend a series of therapy sessions before the money can be released. Unbeknownst to either woman, the psychologist Mickey’s father has ensured she meets with is her half sister, Arlo. Having cared for her beloved father on his sickbed, Arlo is devastated to discover he’s cut her out of his will. She resolves to learn where the money went and why. Working together as therapist and patient—with no idea that they’re in fact sisters—Arlo and Mickey soon get under each other’s skin. Arlo, eager to outrun a mistake in her professional past, is keen to redeem herself with her new client. But Mickey is far from the model patient. As Mickey’s personal and professional lives spiral out of control and Arlo uncovers the truth about who her new patient really is, the sisters find themselves on a crash course that will break—or save—them both.

In her first-ever sequel, Liane Moriarty examines the complexities of modern women’s lives, shining light on shame and family secrets with wit and compassion. Whether you’ve read Big Little Lies or not, this is the perfect novel for longtime fans and new readers alike. The last time we saw the women of Big Little Lies—Madeline, Celeste, Jane, Renata, and Bonnie—their children were five years old. If someone wasn’t invited to a child’s birthday party, feelings were hurt. But ten years have passed, and the kids are now in high school, with all of the drama that accompanies teendom (goodbye playdates, hello drugs, sex, and alcohol). Now, after the principal of the high school receives a severed human finger in the mail, the parents are in an uproar. But Madeline, Celeste, Jane, Renata, and Bonnie have other things to worry about. Celeste’s mother-in-law, Mary Louise, is behaving oddly—is it old-age forgetfulness and forthrightness, or something more sinister? Madeline is facing perhaps the biggest challenge of her life, Jane is at a dangerous fork in her marriage, Bonnie has realized there’s only so much solace in yoga. And Renata? Renata is living her best life—revenge is sweet. When a strange man begins lurking around the school asking supposedly innocent questions, this tightly connected group of women must finally face the full repercussions of the big little truths they have and haven’t shared with their kids. Because the stakes are now much higher than not being invited to an ice-skating show—and the ice has never been thinner for any of them.

Go gay. Go sad. Go dark. A washed-up author will stop at nothing to claw her way back to relevancy—even if it means appropriating a young gay man’s tragic story. Mallory Maddox is buried under seven years of writer’s block. With her status as a literary sensation fizzling, she’ll do anything she can to resurrect her career. Inspiration needs to strike—and fast. Enter Leo. He’s a struggling addict sleeping under bridges and trading sex for survival. He’s vulnerable. He’s enigmatic. He’s exactly what Mallory has been looking for. Mallory needs Leo if she wants another bestseller. The world needs Leo’s story right now, and Mallory believes she deserves to tell it. Really, it’s her story—she’s the one who wrote it, after all. But as secrets threaten to unravel more than just her career, Mallory must decide how far she will go to pen the perfect story. A razor-sharp satirical thriller, Fruit Fly will appeal to fans of R. F. Kuang’s Yellowface and Yomi Adegoke’s The List.

Oliver Marks has just served ten years in jail - for a murder he may or may not have committed. On the day he's released, he's greeted by the man who put him in prison. Detective Colborne is retiring, but before he does, he wants to know what really happened a decade ago. As one of seven young actors studying Shakespeare at an elite arts college, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingenue, extra. But when the casting changes, and the secondary characters usurp the stars, the plays spill dangerously over into life, and one of them is found dead. The rest face their greatest acting challenge yet: convincing the police, and themselves, that they are blameless.

Piranesi’s house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house. There is one other person in the house—a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.

An intimate, captivating first novel that tells the story of a family in southern France whose lives are intertwined with the history of the AIDS crisis—and with the forgotten French doctors who are among the first to detect the virus. Forty years after the death of his uncle Désiré, Anthony Passeron decided to investigate his family’s past. Evoking the social climbing of his grandparents who became the local butchers during the period of great economic growth in France from 1945 to 1975, and the gulf that opened between them and their children’s generation, Sleeping Children weaves two stories: that of the appearance of AIDS in the early 1980s in a family living in the countryside near Nice, and that of the fight against the illness that was undertaken in a French hospital. Passeron focuses on the experts in retrovirology—Luc Montagnier, Françoise Barré-Sinoussi, and their colleagues—who discovered evidence of a retrovirus that was eventually named human immunodeficiency virus.

A gritty, heart-wrenching novel about bruised innocence on the city's feral streets—the remarkable debut of a stunning literary talent Heather O'Neill dazzles with a first novel of extraordinary prescience and power, a subtly understated yet searingly effective story of a young life on the streets—and the strength, wits, and luck necessary for survival. At thirteen, Baby vacillates between childhood comforts and adult temptation: still young enough to drag her dolls around in a vinyl suitcase yet old enough to know more than she should about urban cruelties. Motherless, she lives with her father, Jules, who takes better care of his heroin habit than he does of his daughter. Baby's gift is a genius for spinning stories and for cherishing the small crumbs of happiness that fall into her lap. But her blossoming beauty has captured the attention of a charismatic and dangerous local pimp who runs an army of sad, slavishly devoted girls—a volatile situation even the normally oblivious Jules cannot ignore. And when an escape disguised as betrayal threatens to crush Baby's spirit, she will ultimately realize that the power of salvation rests in her hands alone.

Dwie nowele norweskiego mistrza krótkiej formy w nowym przekładzie. Ostatnie zapiski… to dzieło centralne dla twórczości pisarza, moment przełomowy, w którym Norweg zrezygnował z pisarstwa zaangażowanego politycznie na rzecz prozy bardziej pesymistycznej i bliższej ludzkiej naturze. Na często zadawane pytanie, dlaczego jego pisarstwo jest tak skromne objętościowo, Askildsen odpowiadał zwykle: „Piszę tylko to, co konieczne”.

Rzecz, która nie przestaje zachwycać, to skromne piękno zadrukowanej strony. Książka wydaje się najbardziej ubogą ze sztuk. Fotografia, film, malarstwo, muzyka dysponują nieskończenie bardziej sugestywnymi środkami przedstawiania świata. A literatura? Czarne znaczki na papierze. Ale kiedy wpuścić je w nasze umysły, potrafią tam dokonać cudów. Pracują w naszych głowach najskuteczniej i najciekawiej ze wszystkich znaków, jakimi opisujemy świat – przekonuje w nowym tomie esejów Ryszard Koziołek. Odkrywa w nim przed czytelnikami transformującą moc literatury, która pozwala nam budować i wzbogacać nie tylko nasz własny świat, ale też kształtować mądre, dojrzałe społeczeństwo. Ta polityczna moc literatury – budowanie wspólnoty, otwieranie przestrzeni dyskusji, łączenie doświadczeń – jest dla niego równie ważna, jak jej działanie na wyobraźnię. Na nowo więc opowiada nam o tym, na czym polega kunszt powieściowy Tokarczuk i Pilcha, dlaczego Harry Potter pozwala nam wrócić do dzieciństwa i napełnić świat zasadami moralnymi, a wreszcie jak za pomocą literatury rozmawiać o tym, co politycznie niepoprawne.

Doro is an entity who changes bodies like clothes, killing his hosts by reflex or design. He fears no one until he meets Anyanwu. Anyanwu is a shapeshifter who can absorb bullets and heal with a kiss and savage anyone who threatens her. She fears no one until she meets Doro. Together they weave a pattern of destiny (from Africa to the New World) unimaginable to mortals.

A gorgeous memoir about the sudden end to a seemingly happy marriage—an aching, love-filled, and transcendent account of surviving betrayal and discovering joyOn a chilly day in early spring, Belle Burden’s husband of twenty years announced, with no prior warning, that he was leaving her. Belle was shocked; he had always been a committed partner and a devoted father to their three children. She thought they were in love. She thought he—they—were living the life they'd always professional success, summers at their beloved beachside home, a vibrant social life. But overnight, her caring, steady husband became a man she hardly recognized. He exited his life with her like an actor shrugging off a costume.In Strangers, Belle revisits her marriage, searching for clues that her husband was not who she always thought he was. As she examines her relationship through a new lens, she reckons with her own family history and the lessons she intuited about how a woman is expected to behave in the face of betrayal. Through all of it, she is transformed. The discreet, compliant woman she once was—someone whose nickname was “Belle the Good”—gives way to someone braver, someone determined to use her voice.With unflinching honesty and profound grace, Burden charts a path through heartbreak to show the power of a woman who refuses to give up on love and rediscovers trust in herself. Strangers is a stunning, deeply moving, compulsively readable memoir heralding the arrival of a thrilling new literary talent.

A professor of literature finds herself caught up in a work of fiction… literally. Eileen Merriweather loves to get lost in a good happily-ever-after. The fictional kind, anyway. Because at least imaginary men don’t leave you at the altar. She feels safe in a book. At home. Which might be why she’s so set on going to her annual book club retreat this year—she needs good friends, cheap wine, and grand romantic gestures—no matter what. But when her car unexpectedly breaks down on the way, she finds herself stranded in a quaint town that feels like it’s right out of a novel… Because it is. This place can’t be real, and yet… she’s here, in Eloraton, the town of her favorite romance series, where the candy store’s honey taffy is always sweet, the local bar’s burgers are always a little burnt, and rain always comes in the afternoon. It feels like home. It’s perfect—and perfectly frozen, trapped in the late author’s last unfinished story. Elsy is sure that’s why she must be here: to help bring the town to its storybook ending. Except there is a character in Eloraton that she can’t place—a grumpy bookstore owner with mint-green eyes, an irritatingly sexy mouth and impeccable taste in novels. And he does not want her finishing this book. Which is a problem because Elsy is beginning to think the town’s happily-ever-after might just be intertwined with her own.

In this lush, slow-burning romance, two childhood neighbors, connected by a shared tragedy, unexpectedly reunite to ghostwrite a love story for a reclusive author. Spending the summer at her secluded Hamptons estate, they soon discover that dozens of classic romance tropes, including the ones they’re crafting on page, are mysteriously playing out in real life. Katie Caruso is a completely normal twenty-five-year-old girl. At least, for the past eight years, she’s tried to be. She likes glitter and sequins and flirting with cute boys at New York City bars. She’s also a ghostwriter for Meredith Bradford, the bestselling romance novelist of all time. But then Tyler McNally walks back into Katie’s life, and that bedazzled facade crumbles at her platform-sneakered feet. Katie and Tyler haven’t seen or spoken to each other since the overdose death of Katie’s older brother, a standout MLB pitching prospect. Tyler was her brother’s best friend, and Katie—naturally—was the girl next door. But now, Tyler is a sleeve-tattooed, Ivy League-educated aspiring literary fiction novelist, nine years sober . . . and Katie’s writing partner for the summer. As genre conventions require, Katie and Tyler soon find themselves removed from Manhattan and instead writing their love story in “forced proximity” at Meredith’s isolated Southampton home. As the summer unfolds, the tropes Katie and Tyler have written into their novel begin to play out in their own lives. Call it destiny, fate, or magic It’s clear their love story is unfinished. This time, though, they’ll fight for their happy ending. Heart-wrenching and tender, Tropesick is a love letter to the romance genre. With a wink and a nod, Okie has packed the novel with listeners’ favorite Grumpy/Sunshine Brother’s best friend Girl next door Forced proximity Forbidden love Kissing in the rain Groveling hero Second-chance romance Slow burn Only one bed

W latach 1933–1995 w konkursach pamiętnikarskich dla mieszkańców wsi mogło wziąć udział nawet dziewięćdziesiąt tysięcy kobiet. To Nowy Sącz albo pół Olsztyna pamiętnikarek. Julianna spisywała swój pamiętnik w latach trzydziestych – nocami, w tajemnicy przed mężem. Danka w latach sześćdziesiątych – rankiem, czekając, aż rozpali się pod piecem. Teresa w roku 1983 – w PKS-ie wiozącym ją do pracy w pobliskiej masarni. Janka jako nastolatka marzyła o studiach polonistycznych, ale bardziej potrzebna była w gospodarstwie. Została więc pamiętnikarką. Dla wielu bohaterek tej książki spisywanie wspomnień było aktem uznania, że ich historia zasługuje na uwagę. Po raz pierwszy miały okazję przyjrzeć się osobistym doświadczeniom i nadać im znaczenie wykraczające poza sferę prywatną. Opowiadały własnymi słowami o przemocy, biedzie czy wstydzie i w ten sposób sprzeciwiały się dominującym normom społecznym i kulturowym. Antonina Tosiek sięgnęła po setki oryginalnych rękopisów i maszynopisów nadesłanych na konkursy, a także po dane statystyczne i opracowania naukowe. Łącząc wnikliwą analizę z wrażliwością, stworzyła obraz przemian polskiej wsi w XX wieku. Obraz realistyczny i głęboko poruszający.