An enchanting, illuminating, highly personal tour of some of the most iconic cemeteries of the world—part travelogue, part memoir, part hauntology by the author of Our Share of Night and "Buenos Aires's sorceress" (The New York Times)"Enriquez is a queen of horror."—Los Angeles Times"One of Latin America’s most exciting authors."—Silvia Moreno-GarciaMariana Enriquez has been fascinated by the haunting beauty of cemeteries since she was a teenager, visiting them frequently, a goth flaneur taking notes on her aesthetic obsession as she walked among the headstones. But in 2013, when the body of a friend's mother who was dissapeared during Argentina's military dictatorship was found in a common grave, she began to examine more deeply the complex meanings of cemeteries and where our bodies come to rest. In this vivid, cinematic book, Enriquez travels North and South America, Europe and Australia, visiting the catacombs of Paris, Prague's Old Jewish Cemetery, Elvis's grave at Graceland, the above-ground mausoleums of New Orleans, her hometown of Buenos Aires's Recoleta, and more. She investigates each cemetery's history, architecture, its dead (famous and not), its saints and ghosts, its caretakers and visitors. Weaving personal stories with reportage, interviews, folklore, musicology, and literature, Somebody Is Walking on Your Grave is memoir channeled through Enriquez's obsession with cemeteries, revealing as much about her own life and unique sensibility as the graveyards and tombstones she walks among. Exhilarating, unsettling, and unlike anything else, Enriquez's first work of nonfiction is as original and enthralling as the stories and novels for which she's become so admired and beloved.

THE NEW NOVEL BY THE SUNDAY TIMES BESTSELLING AUTHOR OF THE EYES ARE THE BEST PARTmolka (n): the Korean term for spy cameras secretly and illegally installed, often to capture voyeuristic images and videosDahye can't believe her luck when she finds herself in a whirlwind romance with handsome, charismatic Hyukjoon, the heir to a multi-million dollar fortune.But then a shocking revelation threatens the couple has been caught on a spycam amid Korea's growing molka epidemic, and the video is all over the internet. When Hyukjoon flees the country to avoid the intense public scrutiny, Dahye is left to grapple with the ramifications on her own; and the demons from her childhood, long dormant, begin to surface.Amid the chaos, she catches the attention of Junyoung, a nerdy, introverted IT tech at work. Junyoung harbours a dark he has been spying on the women at work with his own hidden cameras. As Dahye's life begins to unravel, she unknowingly becomes the sole target of Junyoung's perverse obsession.When the facts surrounding the invasion of her privacy come to light, Dahye is faced with the humiliating truth. Her pain and hurt turn to rage as she faces her past. Her desire for vengeance is insatiable, and she will not rest until the men who have wronged her have paid in blood...Praise for THE EYES ARE THE BEST PART:'I was enticed from the first line' OYINKAN BRAITHWAITE, author of MY SISTER, THE SERIAL KILLER'An outstanding debut' THE NEW YORK TIMES'Darkly funny' FERN BRADY, author of STRONG FEMALE CHARACTER'Smartly written . . . A writer to watch' BIG ISSUE

A virus is spreading across America, transforming the infected and making them feral with lust. Sophie, a good Catholic girl, must traverse the hellscape of the midwest to try to find her family while the world around her burns. Along the way she discovers there are far worse fates than dying a virgin.

A high-strung and inventive literary horror that will delight fans of Stephen Graham Jones and Mariana Enriquez, Ito Romo’s debut novel traces the thousand-year lineage of a new kind of vampire—the mestizo Filth Eater. Granada, 1849. After centuries of scrounging in the shadows, the vampire Radamés discovers an ancient Aztec codex that reveals the vampires of the “New World” live a more “human” life—they marry, they give birth. Spurred on by tantalizing promise of a fuller existence, Radamés glamours and schemes his way onto a ship headed for Mexico. There, in the underbelly of the forgotten Aztec city of Teotihuacán, the Andalusian vampire falls in love with a member of this ancient sect of Aztec vampires who call themselves Filth Eaters. From their union, the mestizo vampire Doro is born.  Hopping back and forth in time from the Indus River Delta in 1099 to the Muslim Spanish empire of the 1400s to a flooded cyberpunk New York City of the future, Filth Eaters pulls at the threads of empire, greed, and climate collapse, but the beating, bloody heart of the story is our very human desire for the love that gives life meaning.The debut novel from a celebrated writer of “Chicano Gothic” stories, this surprising, gory saga turns a new page for a centuries-old genre. 

In a powerfully imagined Russia at the height of the pogroms, a grief-stricken family turn to ancient magic to bring their daughter back from the grave. Yetta is a bright, quick teenage girl with a wild, searching spirit. Stifled by her mother's anxiety, her father’s rules, and the path that’s been laid out for her, she craves the kind of freedom she doesn’t know the edges of. But her family has reason to be cautious and restrictive. Fear has wrapped itself around their shtetl. Jews are mysteriously disappearing, and there are whispers of an impending Gentile attack. When violence comes to their door, Yetta is killed. Her father, in his grief, fumbles through his nascent knowledge of ancient texts and old magic to bring her back. By some miracle, Yetta is returned—but although she looks the same, Yetta is not the girl she once was. She knows there is a secret her family is keeping from her. The answer resides, in part, in the monstruous being stalking the villagers and their enemies, lurking in the woods beyond the shtetl, something that may be of her father’s making, and a being which has plans of its own.

From the New York Times bestselling author of The Atlas Six, Girl Dinner is a darkly-fun novel about power, lust, and eating your fill, as wealthy moms and sorority girls practice a sinister new wellness trend . . .Good girls deserve a treat.Every member of The House, the most exclusive sorority on campus, and all its alumni, are beautiful, high-achieving, and universally respected.After a freshman year she would rather forget, sophomore Nina Kaur knows being one of the chosen few accepted into The House is the first step in her path to the brightest possible future. Once she's taken into their fold, the House will surely ease her fears of failure and protect her from those who see a young woman on her own as easy prey. Meanwhile, adjunct professor Dr. Sloane Hartley is struggling to return to work after accepting a demotion to support her partner's new position at the cutthroat University. After 18 months at home with her newborn daughter, Sloane's clothes don’t fit right, her girl-dad husband isn’t as present as he thinks he is, and even the few hours a day she's apart from her child fill her psyche with paralyzing ennui. When invited to be The House’s academic liaison, Sloane enviously drinks in the way the alumnae seem to have it all, achieving a level of collective perfection that Sloane so desperately craves.As Nina and Sloane each get drawn deeper into the arcane rituals of the sisterhood, they learn that living well comes with bloody costs. And when they are finally invited to the table, they will have to decide just how much they can stomach in the name of solidarity and power.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A disaffected, true crime-obsessed bookseller develops a dangerous obsession with a colleague. Roach would rather be listening to the latest episode of her favorite true crime podcast than assisting the boring and predictable customers at her local branch of the bookstore Spines, where she’s worked her entire adult life. A serious true crime junkie, Roach looks down her nose at the pumpkin-spice-latte-drinking casual fans who only became interested in the genre once it got trendy. But when Laura, a pretty and charismatic children’s bookseller, arrives to help rejuvenate the struggling bookstore branch, Roach recognizes in her an unexpected kindred spirit. Despite their common interest in true crime, Laura keeps her distance from Roach, resisting the other woman’s overtures of friendship. Undeterred, Roach learns everything she can about her new colleague, eventually uncovering Laura’s traumatic family history. When Roach realizes that she may have come across her very own true crime story, interest swiftly blooms into a dangerous obsession. A darkly funny suspense novel, Death of a Bookseller raises ethical questions about the fervor for true crime and how we handle stories that don’t belong to us.

A young Black girl goes missing in the woods outside her white Rust Belt town. But she’s not the first—and she may not be the last. . . . It’s watching. Liz Rocher is coming home . . . reluctantly. As a Black woman, Liz doesn’t exactly have fond memories of Johnstown, Pennsylvania, a predominantly white town. But her best friend is getting married, so she braces herself for a weekend of awkward and passive-aggressive reunions. Liz has grown, though; she can handle whatever awaits her. But on the day of the wedding, somewhere between dancing and dessert, the bride’s daughter, Caroline, goes missing—and the only thing left behind is a piece of white fabric covered in blood. It’s taking. As a frantic search begins, with the police combing the trees for Caroline, Liz is the only one who notices a pattern: a summer night. A missing girl. A party in the woods. She’s seen this before. Keisha Woodson, the only other Black girl in school, walked into the woods with a mysterious man and was later found with her chest cavity ripped open and her heart missing. Liz shudders at the thought that it could have been her, and now, with Caroline missing, it can’t be a coincidence. As Liz starts to dig through the town’s history, she uncovers a horrifying secret about the place she once called home. Children have been going missing in these woods for years. All of them Black. All of them girls. It’s your turn. With the evil in the forest creeping closer, Liz knows what she must do: find Caroline, or be entirely consumed by the darkness.

A provocative and thoroughly feminist “cult classic” (The New Yorker) about a smart, sensitive, yet deeply troubled young woman fighting to live on her own terms. I am glad I have the radiance. This time I am wiser. No one will know… The radiance drifts blue circles around my head. If I wanted to I could float up and through them. I am weightless. My brain is cool like rippling waves. Conflict does not exist. For a moment I cannot see—the lights are large orange flowers. Ellen has two lives. A single artist living alone on New York’s Upper West Side in the 1970s, she periodically descends into episodes she describes as “radiances.” While under the influence of the radiance, she becomes Princess Esmeralda, and West 72nd Street the kingdom over which she rules. Life as Esmeralda is a colorful, glorious, liberating experience for Ellen, and despite the chaos and stigma these episodes can bring, she relishes the respite from the confines of the everyday. And yet those around her, particularly the men in her life, are threatened by her incarnation as Esmeralda and the freedom it gives her. In what would turn to be her final published work, originally released in 1979, Elaine Kraf tackles a dark and disturbing subject in an utterly original, witty, and inventive manner. Provocative at the time of its publication and thoroughly iconoclastic, The Princess of 72nd Street is a remarkable portrait of an unforgettable woman.

A twisting, gothic literary thriller sure to delight fans of Our Wives Under the Sea by Julia Armfield, The Wonder by Emma Donaghue, and The Paying Guests by Sarah Waters. It is 1962, and Marta Khoury, a trailblazing marine archaeologist, has been called to Cairnroch, a small island off the east coast of Scotland. A Victorian shipwreck, dragged from arctic waters, holds the remains of a celebrated explorer and the treasures of his final expedition. But on her first dive down to the ship, Marta becomes convinced she has seen a dark figure lurking amid the wreckage.When the Cuban Missile Crisis and the deep chill of a record-breaking winter keeps Marta stranded on Cairnroch, she forms a relationship with Elsie, a local woman working in the island’s only hotel. When the ship's artefacts inexplicably disappear, Marta and Elsie have to brave the freezing conditions to search for the missing objects before anyone else catches on. As something eerie seems to follow her at every step, Marta must confront if the haunting is a figment of her imagination, the repercussions from a terrible mistake from her past, or if something more sinister is at play that will trap her and everyone on the island—and their secrets—in an icy wilderness.

Jack Sparks died while writing this book. It was no secret that journalist Jack Sparks had been researching the occult for his new book. No stranger to controversy, he'd already triggered a furious Twitter storm by mocking an exorcism he witnessed. Then there was that video: forty seconds of chilling footage that Jack repeatedly claimed was not of his making, yet was posted from his own YouTube account. Nobody knew what happened to Jack in the days that followed - until now.

After a storm has killed off all the island's men, two women in a 1600s Norwegian coastal village struggle to survive against both natural forces and the men who have been sent to rid the community of alleged witchcraft. Finnmark, Norway, 1617. Twenty-year-old Maren Bergensdatter stands on the craggy coast, watching the sea break into a sudden and reckless storm. Forty fishermen, including her brother and father, are drowned and left broken on the rocks below. With the menfolk wiped out, the women of the tiny Northern town of Vardø must fend for themselves. Three years later, a sinister figure arrives. Absalom Cornet comes from Scotland, where he burned witches in the northern isles. He brings with him his young Norwegian wife, Ursa, who is both heady with her husband's authority and terrified by it. In Vardø, and in Maren, Ursa sees something she has never seen before: independent women. But Absalom sees only a place untouched by God and flooded with a mighty evil. As Maren and Ursa are pushed together and are drawn to one another in ways that surprise them both, the island begins to close in on them with Absalom's iron rule threatening Vardø's very existence. Inspired by the real events of the Vardø storm and the 1620 witch trials, The Mercies is a feminist story of love, evil, and obsession, set at the edge of civilization.

I am a Weyward, and wild inside. 2019: Under cover of darkness, Kate flees London for ramshackle Weyward Cottage, inherited from a great aunt she barely remembers. With its tumbling ivy and overgrown garden, the cottage is worlds away from the abusive partner who tormented Kate. But she begins to suspect that her great aunt had a secret. One that lurks in the bones of the cottage, hidden ever since the witch-hunts of the 17th century. 1619: Altha is awaiting trial for the murder of a local farmer who was stampeded to death by his herd. As a girl, Altha’s mother taught her their magic, a kind not rooted in spell casting but in a deep knowledge of the natural world. But unusual women have always been deemed dangerous, and as the evidence for witchcraft is set out against Altha, she knows it will take all of her powers to maintain her freedom. 1942: As World War II rages, Violet is trapped in her family's grand, crumbling estate. Straitjacketed by societal convention, she longs for the robust education her brother receives––and for her mother, long deceased, who was rumored to have gone mad before her death. The only traces Violet has of her are a locket bearing the initial W and the word weyward scratched into the baseboard of her bedroom. Weaving together the stories of three extraordinary women across five centuries, Emilia Hart's Weyward is an enthralling novel of female resilience and the transformative power of the natural world.

Three women in three different eras encounter danger and witchcraft in this eerie multigenerational horror saga from the New York Times bestselling author of Mexican Gothic.“Back then, when I was a young woman, there were still witches”: That was how Nana Alba always began the stories she told her great-granddaughter Minerva—stories that have stayed with Minerva all her life. Perhaps that’s why Minerva has become a graduate student focused on the history of horror literature and is researching the life of Beatrice Tremblay, an obscure author of macabre tales.In the course of assembling her thesis, Minerva uncovers information that reveals that Tremblay’s most famous novel, The Vanishing, was inspired by a true Decades earlier, during the Great Depression, Tremblay attended the same university where Minerva is now studying and became obsessed with her beautiful and otherworldly roommate, who then disappeared under mysterious circumstances.As Minerva descends ever deeper into Tremblay’s manuscript, she begins to sense that the malign force that stalked Tremblay and the missing girl might still walk the halls of the campus. These disturbing events also echo the stories Nana Alba told about her girlhood in 1900s Mexico, where she had a terrifying encounter with a witch.Minerva suspects that the same shadow that darkened the lives of her great-grandmother and Beatrice Tremblay is now threatening her own in 1990s Massachusetts. An academic career can be a punishing pursuit, but it might turn outright deadly when witchcraft is involved.