Mula sa "Pagtanaw Pabalik at Paabante sa Wika at Lunan" ni Mark Louie Tabunan: At narito nga ang Samtoy. Bagamat may pasubali si Prop. Agcaoili na ang dayuhan ang makapangyarihan sa engkuwentro nang mabuo ang salitang ito, itinatampok ng pagsasalita ng katutubo ang kakayahang kumilos ayon sa sariling pagpapasiya, hindi lang basta nasa likod o gilid na pipi at walang magawa. Nakikibahagi sa proseso ng pakikipagtalastasan, ang artikulasyon ng boses ay panggigiit ng kakayahang mag-angkin ng espasyo, magmarka ng teritoryo, at magsalaysay ng sariling pamumuhay: "Saomi ditoy!" Ito rin ang ginagawa ng aklat na ito.

In the first scene of this provocative gut-punch of a novel, our unnamed narrator meets a magnetic writer named Ciaran and falls, against her better judgment, completely in his power. After a brief, all-consuming romance he abruptly rejects her, sending her into a tailspin of jealous obsession and longing. If he ever comes back to her, she resolves to hang onto him and his love at all costs, even if it destroys her… Part breathless confession, part lucid critique, Acts of Desperation renders a consciousness split between rebellion and submission, between escaping degradation and eroticizing it, between loving and being lovable. With unsettling, electric precision, Nolan dissects one of life’s most elusive mysteries: Why do we want what we want, and how do we want it? Heralding the arrival of a stunning new literary talent, Acts of Desperation interrogates the nature of fantasy, desire, and power, challenging us to reckon honestly with our own insatiability.

A portrait of the artist as a young woman. A novel about not just discovering but inventing oneself. The year is 1995, and email is new. Selin, the daughter of Turkish immigrants, arrives for her freshman year at Harvard. She signs up for classes in subjects she has never heard of, befriends her charismatic and worldly Serbian classmate, Svetlana, and, almost by accident, begins corresponding with Ivan, an older mathematics student from Hungary. Selin may have barely spoken to Ivan, but with each email they exchange, the act of writing seems to take on new and increasingly mysterious meanings. At the end of the school year, Ivan goes to Budapest for the summer, and Selin heads to the Hungarian countryside, to teach English in a program run by one of Ivan's friends. On the way, she spends two weeks visiting Paris with Svetlana. Selin's summer in Europe does not resonate with anything she has previously heard about the typical experiences of American college students, or indeed of any other kinds of people. For Selin, this is a journey further inside herself: a coming to grips with the ineffable and exhilarating confusion of first love, and with the growing consciousness that she is doomed to become a writer.

A young mortician goes behind the scenes, unafraid of the gruesome (and fascinating) details of her curious profession. Most people want to avoid thinking about death, but Caitlin Doughty—a twenty-something with a degree in medieval history and a flair for the macabre—took a job at a crematory, turning morbid curiosity into her life’s work. Thrown into a profession of gallows humor and vivid characters (both living and very dead), Doughty learned to navigate the secretive culture of those who care for the deceased. Smoke Gets in Your Eyes tells an unusual coming-of-age story full of bizarre encounters and unforgettable scenes. Caring for dead bodies of every color, shape, and affliction, Doughty soon becomes an intrepid explorer in the world of the dead. She describes how she swept ashes from the machines (and sometimes onto her clothes) and reveals the strange history of cremation and undertaking, marveling at bizarre and wonderful funeral practices from different cultures. Her eye-opening, candid, and often hilarious story is like going on a journey with your bravest friend to the cemetery at midnight. She demystifies death, leading us behind the black curtain of her unique profession. And she answers questions you didn’t know you had: Can you catch a disease from a corpse? How many dead bodies can you fit in a Dodge van? What exactly does a flaming skull look like? Honest and heartfelt, self-deprecating and ironic, Doughty's engaging style makes this otherwise taboo topic both approachable and engrossing. Now a licensed mortician with an alternative funeral practice, Doughty argues that our fear of dying warps our culture and society, and she calls for better ways of dealing with death (and our dead).

In the first scene of this provocative gut-punch of a novel, our unnamed narrator meets a magnetic writer named Ciaran and falls, against her better judgment, completely in his power. After a brief, all-consuming romance he abruptly rejects her, sending her into a tailspin of jealous obsession and longing. If he ever comes back to her, she resolves to hang onto him and his love at all costs, even if it destroys her… Part breathless confession, part lucid critique, Acts of Desperation renders a consciousness split between rebellion and submission, between escaping degradation and eroticizing it, between loving and being lovable. With unsettling, electric precision, Nolan dissects one of life’s most elusive mysteries: Why do we want what we want, and how do we want it? Heralding the arrival of a stunning new literary talent, Acts of Desperation interrogates the nature of fantasy, desire, and power, challenging us to reckon honestly with our own insatiability.

From Nobel Prize winner Han Kang comes her first work of nonfiction published in English—a singular collection of writings including her inspiring Nobel Lecture. A LITERARY HUB AND ELECTRIC LIT MOST ANTICIPATED BOOK OF THE YEAR In this light-filled and multi-faceted book, Han Kang draws together the threads of her work and life, tracing the connections between her interior and exterior worlds through a sequence of essays, poems, photographs, and diaries, brilliantly translated by Maya West and e. yaewon & Paige Aniyah Morris. A book of reflections, of words and light, it has at its heart the tiny, north-facing courtyard garden at her home, cultivated solely through the reflected sunlight of the mirrors which she must move throughout the day, as the earth turns on its axis. In a poem written at eight years old, Han Kang imagined a “gold thread” of connection—an idea which she explores here with luminous attention, beginning with her Nobel Lecture. She writes of the wonder of following the thread we call language into the depths of other hearts, and her profound sense of an electric current which joins writer and reader. Both intimate and illuminating, Light and Thread is a book for all readers of Han Kang’s unique body of work.

Mula sa "Pagtanaw Pabalik at Paabante sa Wika at Lunan" ni Mark Louie Tabunan: At narito nga ang Samtoy. Bagamat may pasubali si Prop. Agcaoili na ang dayuhan ang makapangyarihan sa engkuwentro nang mabuo ang salitang ito, itinatampok ng pagsasalita ng katutubo ang kakayahang kumilos ayon sa sariling pagpapasiya, hindi lang basta nasa likod o gilid na pipi at walang magawa. Nakikibahagi sa proseso ng pakikipagtalastasan, ang artikulasyon ng boses ay panggigiit ng kakayahang mag-angkin ng espasyo, magmarka ng teritoryo, at magsalaysay ng sariling pamumuhay: "Saomi ditoy!" Ito rin ang ginagawa ng aklat na ito.

It’s a Friday night in a campus bar in Berkeley, fall of 2000, and Percy Marks is pontificating about music again. Hall and Oates is on the jukebox, and Percy—who has no talent for music, just lots of opinions about it—can’t stop herself from overanalyzing the song, indulging what she knows to be her most annoying habit. But something is different tonight. The guy beside her at the bar, fellow student Joe Morrow, is a songwriter. And he could listen to Percy talk all night. Joe asks Percy for feedback on one of his songs—and the results kick off a partnership that will span years, ignite new passions in them both, and crush their egos again and again. Is their collaboration worth its cost? Or is it holding Percy back from finding her own voice? Moving from Brooklyn bars to San Francisco dance floors, Deep Cuts examines the nature of talent, obsession, belonging, and above all, our need to be heard.

How to Read Now explores the politics and ethics of reading, and insists that we are capable of something better: a more engaged relationship not just with our fiction and our art, but with our buried and entangled histories. Smart, funny, galvanizing, and sometimes profane, Castillo attacks the stale questions and less-than-critical proclamations that masquerade as vital discussion: reimagining the cartography of the classics, building a moral case against the settler colonialism of lauded writers like Joan Didion, taking aim at Nobel Prize winners and toppling indie filmmakers, and celebrating glorious moments in everything from popular TV like The Watchmen to the films of Wong Kar-wai and the work of contemporary poets like Tommy Pico. At once a deeply personal and searching history of one woman's reading life, and a wide-ranging and urgent intervention into our globalized conversations about why reading matters today, How to Read Now empowers us to embrace a more complicated, embodied form of reading, inviting us to acknowledge complicated truths, ignite surprising connections, imagine a more daring solidarity, and create space for a riskier intimacy--within ourselves, and with each other.

elsewhere held and lingered is Conchitina Cruz’s third book, following Disappear (High Chair, 2004), and Dark Hours (UP Press, 2005), which won the National Book Award for Poetry. A recipient of Fulbright and Rockefeller Foundation grants, Cruz teaches creative writing and literature at UP Diliman.

“Walang pasubaling orihinal na ambag ang nobelang ito sa tradisyong makalipunan sa nobelang nasusulat sa wikang Filipino. Pinagtangkaan, at sa aking palagay ay pinagtagumpayan ng awtor ang ilang mga bagay na masasabing naiiba, kundi man nagpapauna sa pagkamalay, pagdama at pagsasalaysay ng “totoong” buhay at karanasan ng mga OFW sa nobelang ito.” -Dr. Rosario Torres Yu, PhD

“Lily King is one of our great literary treasures.”—Madeline Miller From the New York Times bestselling author of Writers & Lovers comes a magnificent and intimate new novel of desire, friendship, loss, and the lasting impact of first love You knew I’d write a book about you someday. Our narrator understands good love stories—their secrets and subtext, their highs and their free falls. But her greatest love story, the one she lived, never followed the simple rules. In the fall of her senior year of college, she meets two star students from her 17th-Century Lit Sam and Yash. Best friends living off-campus in the elegant house of a professor on sabbatical, the boys invite her into their intoxicating world of academic fervor, rapid-fire banter and raucous card games. They nickname her Jordan, and she quickly discovers the pleasures of friendship, love and her own intellectual ambition. Youthful passion is unpredictable though, and she soon finds herself at the center of a charged and intricate triangle. As graduation comes and goes, choices made will alter these three lives forever. Decades later, Jordan is living the life she dreamed of, and the vulnerable days of her youth seem comfortably behind her. But when a surprise visit and unexpected news brings the past crashing into the present, Jordan returns to a world she left behind and is forced to confront the decisions and deceptions of her younger self. Written with the superb wit and emotional sensitivity fans and critics of Lily King have come to adore, Heart the Lover is a deeply moving story that celebrates love, friendship, and the transformative nature of forgiveness. Wise, unforgettable, and with a delightful connective thread to Writers & Lovers, this is King at her very best, affirming her as a masterful chronicler of the human experience and one of the finest novelists at work today.

The hidden story of the wanton slaughter -- in Indonesia, Latin America, and around the world -- backed by the United States. In 1965, the U.S. government helped the Indonesian military kill approximately one million innocent civilians. This was one of the most important turning points of the twentieth century, eliminating the largest communist party outside China and the Soviet Union and inspiring copycat terror programs in faraway countries like Brazil and Chile. But these events remain widely overlooked, precisely because the CIA's secret interventions were so successful. In this bold and comprehensive new history, Vincent Bevins builds on his incisive reporting for the Washington Post, using recently declassified documents, archival research and eye-witness testimony collected across twelve countries to reveal a shocking legacy that spans the globe. For decades, it's been believed that parts of the developing world passed peacefully into the U.S.-led capitalist system. The Jakarta Method demonstrates that the brutal extermination of unarmed leftists was a fundamental part of Washington's final triumph in the Cold War.

For fans of Sally Rooney and Ottessa Moshfegh, A Bit Much is a darkly funny novel about the complexity of friendships, the agony of insecurity, and the beautiful and embarrassing nature of loving someone. Alice is twenty-four and falling apart. She’s lost her job, her appetite, her ability to sleep. And now she’s worried she’s going to lose Mia, her closest friend, who’s being treated for a serious illness. On the days Alice can get herself out of bed, she visits Mia at the hospital. While they sink into familiar patterns—Alice makes Mia laugh, Mia tells Alice she needs to get laid—they know their friendship is changing, and they can’t control what will happen in the days ahead. Still focused on Mia, while trying to convince others she’s a stable, happy person, Alice meets her neighbour James—someone she used to try to avoid. They’re interested in each other, but Alice, who is a lethal combination of judgmental and insecure, is hesitant; she has never had luck with dating, and she thinks now is a weird time since Mia needs her. And Alice figures he probably sucks anyway. Mia encourages Alice to be social, while attempting to hide her own loneliness and fear as her body breaks down. But as Alice tries to push herself to do more, including allowing herself to get close to James, she struggles to move forward knowing Mia can’t. A Bit Much takes an intimate look at female friendships, new relationships, and the disorienting times in which we live. Brilliantly caustic and strangely funny, it introduces Sarah Jackson as a captivating new voice in Canadian literature.