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Rest Stop
Nat Cassidy
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Katabasis
R.F. Kuang
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Goodnight Punpun Omnibus, Vol. 1
Inio Asano
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Strong start. Slow, repetitive middle. Anticlimactic end. Wanted to love it but all the characters, including our narrator, felt too one dimensional and predictable.
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White Is for Witching
Helen Oyeyemi
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Yume
Sifton Tracey Anipare
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Just finished Chapter 25 (classroom scene) and it left me shocked and grossed out—surely that’s the point but…oof. I have read other books like this but most skirted around the explicit details and focused on character studies or other themes.
But this? I don’t know if I can sit through anything more detailed than Ch 25. So for those farther along than me, or folks who have finished the book, how many MORE scenes are there like this? Like if I can’t deal with this chapter, do I need to cut my losses and just DNF?
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My Husband
Maud Ventura
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Butter: A Novel of Food and Murder
Asako Yuzuki
Post from the Half His Age forum
Just finished Chapter 25 (classroom scene) and it left me shocked and grossed out—surely that’s the point but…oof. I have read other books like this but most skirted around the explicit details and focused on character studies or other themes.
But this? I don’t know if I can sit through anything more detailed than Ch 25. So for those farther along than me, or folks who have finished the book, how many MORE scenes are there like this? Like if I can’t deal with this chapter, do I need to cut my losses and just DNF?
grease-cee started reading...

Half His Age
Jennette McCurdy
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• Too disjointed of a storyline • The relationship between Charlie and Eve felt more like a friendship, very hard to believe they were partners • Repetitive writing, author often used the same words in back to back sentences—made prose feel stagnant • Audiobook “transition” noise between documentation and the actual story felt out of place and wayyyy too screechy • Audio performances were pretty good
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We Live Here Now
Sarah Pinborough
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We Live Here Now
Sarah Pinborough
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