A darkly comic suspense in the vein of All’s Well and Yellowface, She’s a Lamb! is an edgy and incisive novel that marches toward showtime with a growing unease about the dangers of magical thinking and the depths of delusion Jessamyn St. Germain is meant to be a star. Not an actor who occasionally books yogurt commercials and certainly not a lowly usher at one of Vancouver’s smallest regional theaters. No, she is bound for greatness, and that’s why the part of Maria in the theater’s upcoming production of The Sound of Music is hers. Or it’s going to be. Jessamyn may have been relegated to the position of childminder for the little brats playing the von Trapp children, but it’s so obvious she’s there for a different reason — the director wants her close to the role so when Samantha, the lead, inevitably fails, Jessamyn will be there to take her place in the spotlight. This must be it. Because if it isn’t, well, then every skipped meal, every brutal rehearsal, every inch won against a man attempting to drag her down will have all been for nothing. Sharp, relentless, and darkly funny, She’s a Lamb! is a cutting satire about the grotesque pall patriarchy casts over one woman’s delusional quest to achieve her dreams and the depths she will sink to for a chance at the life she’s convinced she deserves.

Jordan Peele’s Us meets The School For Good Mothers in this horror-tinged intergenerational saga, as a single mother’s doppelganger forces her to confront the legacy of violence that has shaped every woman in their family. Single mother Alice Chow is drowning. With a booming online cloth diaper shop, her resentful teenage daughter Luna, and her screen-obsessed son Luca, Alice can never get everything done in a day. It’s all she can do to just collapse on the couch with a bottle of wine every night. It’s a relief when Alice wakes up one morning and everything has been done. The counters are clear, the kids’ rooms are tidy, orders are neatly packed and labeled. But no one confesses they’ve helped, and Alice doesn’t remember staying up late. Someone–or something–has been doing her chores for her. Alice should be uneasy, but the extra time lets her connect with her children and with her hard-edged mother, who begins to share their haunted family history from Alice’s great-grandmother, a comfort woman during WWII, through to Alice herself. But the family demons, both real and subconscious, are about to become impossible to ignore. Sharp and incisive, The Hunger We Pass Down traces the ways intergenerational trauma transforms from mother to daughter, and asks what it might take to break that cycle.

An evil video game A lying Twitch streamer A demon hungry for her secrets After spending the summer wracked with guilt about causing the accident that killed her little sister, ambitious gamer and chronic liar Viv returns to Twitch streaming. She never told her parents the truth about the accident, but she hopes that maybe making it big in streaming and giving the money to them is penance enough for her mistakes. The weekend before school starts, Viv finds the perfect horror game to make her Twitch comeback, and during an offline practice run, an NPC asks Viv for a secret. She decides to tell them the truth about her sister’s death since a game could never share her secret―in doing so, she accidentally welcomes a demonic mimic into her life. No one believes Viv when she tells them about her evil doppelganger. Viv has lied to get her best friend’s sympathy and has spread rumors for attention, so why should anyone trust her now? The only person who believes her is Ash, a cute social outcast whom Viv once bullied. In trying to clear her name and kill the mimic, Viv discovers that her lies have hurt people who never deserved it, herself included.

A teenager longs for perfect skin. A scientist tends to fragile alien flora. A young man takes the night into his own hands. Each of these characters has a desperate desire. Can any of them be sated? Unsettling, revelatory, and laced with her signature dark humour, Eliza Clark's debut short story collection plumbs the depths of that most basic human feeling: hunger.

Be warned, this book is not for the faint of heart. Collecting fifteen different short stories from his almost thirty year career, Super-Dimensional Love Gun features stories of neurotic dark humor and unease. Konno just recently started dating a classmate, but his greatest sexual desire maybe something that could be too much for her to stomach. Miss Toomezuka has a hobby that would make others skin crawl, but when a student introduces her to a club of like minded individuals, she has an itch to try more. Known around the world for his "fashionable paranoia" style, Kago stories involve satirical situations along with grotesque subject matters and sexual body modification. His art has been featured in numerous collections, including Fakku’s own Metempsychosis and BookLoud’s ComicLoud Magazine. Love Gun will be Kago’s second English language release behind the UK’s UDWFG printing of Industrial Revolution and World War (2016). Legendary Seattle based indie comics publisher Fantagraphics will be releasing a collection of Kago art in the summer of 2018. Description 1. Nihonichi no Bishoujo no Machi (Japan's Number One Beauty Town) 2. Konno Shigure no Koufukunaru Hibi (Konno Shigure's Blessed Daily Life) 3. Toomezuka Sensei no Yuuganaru Tanoshimi (Miss Toomezuka's Refined Hobby) 4. Nukekubi Aika (Lament of the Headless) 5. Shiroi Ito (White String) 6. Koukou Kansen Shoukougun (Oral Cavity Contagion Syndrome) 7. Atsume Mono * Sawa (Collecting * Touch) 8. Atsume Mono * Mizu (Collecting * Water) 9. Ekimae Toono (Station Toono) 10. Ekimae Indo (Station India) 11. Inbiji (Invis) 12. Gotouchi Kankouannai (Local Tourist Information) 13. Koi no Choujikuuhou (Super Dimensional Love Gun) 14. Tonde Menihairu Natsu no Mushi (The Summer Bugs That Fly Into Your Eyes)

Alien meets Midsommar in this chilling debut adult novel from award-winning author Andrew Joseph White about identity, survival, and transformation amidst an alien invasion in rural West Virginia. Festering masses of worms and flies have taken root in dark corners across Appalachia. In exchange for unwavering loyalty and fresh corpses, these hives offer a few struggling humans salvation. A fresh start. It’s an offer that none refuse. Crane is grateful. Among his hive’s followers, Crane has found a chance to transition, to never speak again, to live a life that won’t destroy him. He even met Levi: a handsome ex-Marine and brutal killer who treats him like a real man, mostly. But when Levi gets Crane pregnant—and the hive demands the child’s birth, no matter the cost—Crane’s desperation to make it stop will drive the community that saved him into a devastating spiral that can only end in blood. You Weren’t Meant to Be Human is a deeply personal horror; a visceral statement about the lives of marginalized people in a hostile world, echoing the works of Stephen Graham Jones and Eric LaRocca.

In the midst of a violent student uprising in South Korea, a young boy named Dong-ho is shockingly killed. The story of this tragic episode unfolds in a sequence of interconnected chapters as the victims and the bereaved encounter suppression, denial, and the echoing agony of the massacre. From Dong-ho's best friend who meets his own fateful end; to an editor struggling against censorship; to a prisoner and a factory worker, each suffering from traumatic memories; and to Dong-ho's own grief-stricken mother; and through their collective heartbreak and acts of hope is the tale of a brutalized people in search of a voice. An award-winning, controversial bestseller, Human Acts is a timeless, pointillist portrait of an historic event with reverberations still being felt today, by turns tracing the harsh reality of oppression and the resounding, extraordinary poetry of humanity.