Through nine emotionally vivid stories, all narrated from animal perspectives, Talia Lakshmi Kolluri’s debut collection explores themes of environmentalism, conservation, identity, belonging, loss, and family with resounding heart and deep tenderness. In Kolluri’s pages, a faithful hound mourns the loss of the endangered rhino he swore to protect. Vultures seek meaning as they attend to the antelope that perished in Central Asia. A beloved donkey’s loyalty to a zookeeper in Gaza is put to the ultimate test. And a wounded pigeon in Delhi finds an unlikely friend. In striking, immersive detail against the backdrop of an ever-changing international landscape, What We Fed to the Manticore speaks to the fears and joys of the creatures we share our world with, and ultimately places the reader under the rich canopy of the tree of life.

A bold, clever, and sublimely sinister collection that dares to ask the question: “Are you ready to be un-settled?” Featuring stories by: Norris Black • Amber Blaeser-Wardzala • Phoenix Boudreau • Cherie Dimaline • Carson Faust • Kelli Jo Ford • Kate Hart • Shane Hawk • Brandon Hobson • Darcie Little Badger • Conley Lyons • Nick Medina • Tiffany Morris • Tommy Orange • Mona Susan Power • Marcie R. Rendon • Waubgeshig Rice • Rebecca Roanhorse • Andrea L. Rogers • Morgan Talty • D.H. Trujillo • Theodore C. Van Alst Jr. • Richard Van Camp • David Heska Wanbli Weiden • Royce Young Wolf • Mathilda Zeller Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home. These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.

At seventeen, Lenora Hope Hung her sister with a rope Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred. Stabbed her father with a knife Took her mother’s happy life It’s now 1983, and home-health aide Kit McDeere arrives at a decaying Hope’s End to care for Lenora after her previous nurse fled in the middle of the night. In her seventies and confined to a wheelchair, Lenora was rendered mute by a series of strokes and can only communicate with Kit by tapping out sentences on an old typewriter. One night, Lenora uses it to make a tantalizing offer—I want to tell you everything. “It wasn’t me,” Lenora said But she’s the only one not dead As Kit helps Lenora write about the events leading to the Hope family massacre, it becomes clear there’s more to the tale than people know. But when new details about her predecessor’s departure come to light, Kit starts to suspect Lenora might not be telling the complete truth—and that the seemingly harmless woman in her care could be far more dangerous than she first thought.

You can find an alternative cover edition for this ISBN here and here. When Jonathan Harker visits Transylvania to help Count Dracula with the purchase of a London house, he makes a series of horrific discoveries about his client. Soon afterwards, various bizarre incidents unfold in England: an apparently unmanned ship is wrecked off the coast of Whitby; a young woman discovers strange puncture marks on her neck; and the inmate of a lunatic asylum raves about the 'Master' and his imminent arrival. In Dracula, Bram Stoker created one of the great masterpieces of the horror genre, brilliantly evoking a nightmare world of vampires and vampire hunters and also illuminating the dark corners of Victorian sexuality and desire. This Norton Critical Edition includes a rich selection of background and source materials in three areas: Contexts includes probable inspirations for Dracula in the earlier works of James Malcolm Rymer and Emily Gerard. Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included. Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer. A Chronology and a Selected Bibliography are included.

A legendary competition. A mesmerizing romance. An unbreakable bond between two sisters. Scarlett Dragna has never left the tiny island where she and her sister, Tella, live with their powerful, and cruel, father. Now Scarlett’s father has arranged a marriage for her, and Scarlett thinks her dreams of seeing Caraval—the faraway, once-a-year performance where the audience participates in the show—are over. But this year, Scarlett’s long-dreamt-of invitation finally arrives. With the help of a mysterious sailor, Tella whisks Scarlett away to the show. Only, as soon as they arrive, Tella is kidnapped by Caraval’s mastermind organizer, Legend. It turns out that this season’s Caraval revolves around Tella, and whoever finds her first is the winner. Scarlett has been told that everything that happens during Caraval is only an elaborate performance. Nevertheless she becomes enmeshed in a game of love, heartbreak, and magic. And whether Caraval is real or not, Scarlett must find Tella before the five nights of the game are over or a dangerous domino effect of consequences will be set off, and her beloved sister will disappear forever. Welcome, welcome to Caraval . . . beware of getting swept too far away.

The Keeper of Stories meets The Lost Apothecary in this evocative and charming novel full of mystery and secrets. ‘The thing about books,’ she said ‘is that they help you to imagine a life bigger and better than you could ever dream of.’ On a quiet street in Dublin, a lost bookshop is waiting to be found… For too long, Opaline, Martha and Henry have been the side characters in their own lives. But when a vanishing bookshop casts its spell, these three unsuspecting strangers will discover that their own stories are every bit as extraordinary as the ones found in the pages of their beloved books. And by unlocking the secrets of the shelves, they find themselves transported to a world of wonder… where nothing is as it seems.

One of the most beautiful and complete collections of stories, legends, myths, folktales, and traditions to ever emerge from Wales. Compiled by an American—the United States consul for Wales in the late nineteenth century—this volume was the work of several years’ labor.Scouring the hills and valleys of Wales after falling in love with the land, the author wrote down the oral traditions, stories, myths, and legends related to him by the people he met on his travels. The result was a spectacular work, divided up into four “Faerie Realm,” the “Spirit-World,” “Quaint Old Customs,” and “Bells, Wells, Stones, and Dragons.”Rarely has a nation’s mythos and essence been so elegantly captured as in this work. The legacy of Welsh mythology and folklore has entered the vocabulary of modern English, and spread around the world, being some of the oldest tales in all Europe.

Andrea Stewart returns with The Bone Shard Emperor, the second installment of this unmissable, action-packed, magic-laced fantasy epic. The Emperor is Dead. Long live the Emperor.   Lin Sukai finally sits on the throne she won at so much cost, but her struggles are only just beginning. Her people don’t trust her. Her political alliances are weak. And in the north-east of the Empire, a rebel army of constructs is gathering, its leader determined to take the throne by force.   Yet an even greater threat is on the horizon, for the Alanga – the powerful magicians of legend – have returned to the Empire. They claim they come in peace, and Lin will need their help in order to defeat the rebels and restore peace.   But can she trust them?  

Winter, with its unsettling blend of the cosy and the sinister, has long been a popular time for gathering by the bright flame of a candle, or the warm crackling of a fire, and swapping stories of ghosts and strange happenings. Now eight bestselling, award-winning authors - master storytellers of the sinister and the macabre - bring this time-honoured tradition to vivid life in a spellbinding collection of new and original haunted tales. From a bustling Covent Garden Christmas market to the frosty moors of Yorkshire, from a country estate with a dreadful secret, to a London mansion where a beautiful girl lies frozen in death, these are stories to make your hair stand on end, send shivers down your spine and to serve as your indispensable companion to the long nights of winter. So curl up, light a candle, and fall under the spell of The Haunting Season . . . Featuring new and original tales from: Bridget Collins Sunday Times bestselling author of The Binding Imogen Hermes Gowar Sunday Times bestselling author of The Mermaid and Mrs Hancock Kiran Millwood Hargrave Sunday Times bestselling author of The Mercies Andrew Michael Hurley Sunday Times bestselling author of The Loney Jess Kidd International award-winning author of Things in Jars Elizabeth Macneal Sunday Times bestselling author of The Doll Factory Natasha Pulley Sunday Times bestselling author of The Watchmaker of Filigree Street Laura Purcell Award-winning author of The Silent Companions

A quest to recover a legendary lost weapon by bumbling young apprentice monk, mouse Matthias. Redwall Abbey, tranquil home to a community of peace-loving mice, is threatened by Cluny the Scourge savage bilge rat warlord and his battle-hardened horde. But the Redwall mice and their loyal woodland friends combine their courage and strength.

What science has gotten so shamefully wrong about women, and the fight, by both female and male scientists, to rewrite what we thought we knew For hundreds of years it was common sense: women were the inferior sex. Their bodies were weaker, their minds feebler, their role subservient. No less a scientist than Charles Darwin asserted that women were at a lower stage of evolution, and for decades, scientists—most of them male, of course—claimed to find evidence to support this. Whether looking at intelligence or emotion, cognition, or behavior, science has continued to assert that men and women are fundamentally different. Biologists claim women are better suited to raising families or are, more gently, uniquely empathetic. Men, on the other hand, continue to be regarded as excelling at tasks that require logic, spatial reasoning, and motor skills. But a huge wave of new research reveals that women are as strong, strategic, and smart as anyone else. In Inferior, acclaimed science writer Angela Saini weaves together a fascinating—and necessary—new science of women, investigating the gender wars in biology, psychology, and anthropology, and delving into cutting-edge studies to uncover a fascinating new portrait of women's brains, bodies, and role in human evolution. As Saini takes readers on a journey to uncover science's failure to understand women, she finds that we're still living with the legacy of an establishment that's just beginning to recover from centuries of entrenched exclusion and prejudice.

Piranesi’s house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house. There is one other person in the house—a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.

One book. Two readers. A world of mystery, menace, and desire. A young woman picks up a book left behind by a stranger. Inside it are his margin notes, which reveal a reader entranced by the story and by its mysterious author. She responds with notes of her own, leaving the book for the stranger, and so begins an unlikely conversation that plunges them both into the unknown. The book: Ship of Theseus, the final novel by a prolific but enigmatic writer named V.M. Straka, in which a man with no past is shanghaied onto a strange ship with a monstrous crew and launched onto a disorienting and perilous journey. The writer: Straka, the incendiary and secretive subject of one of the world’s greatest mysteries, a revolutionary about whom the world knows nothing apart from the words he wrote and the rumors that swirl around him. The readers: Jennifer and Eric, a college senior and a disgraced grad student, both facing crucial decisions about who they are, who they might become, and how much they’re willing to trust another person with their passions, hurts, and fears. S., conceived by filmmaker J. J. Abrams and written by award-winning novelist Doug Dorst, is the chronicle of two readers finding each other in the margins of a book and enmeshing themselves in a deadly struggle between forces they don’t understand, and it is also Abrams and Dorst’s love letter to the written word.

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