Japan is otaku heaven for Hina, and she’s so busy collecting as much merch as her new apartment can hold that she almost doesn’t feel bad about missing out on the special menus at Vampire Cross cafes. If only she had a human friend who could eat all the themed food for her! But connecting with humans isn’t easy until Hina literally bumps into her neighbor Kyuta, a prickly boy who looks just like Mao. Having her best friend live next door will be so convenient! If she can just convince him to actually be friends…

Fleabag meets Big Swiss in this bold debut about a charismatic misfit who livestreams her life for seven days and nights to raise money to save her comatose sister—a poignant and darkly funny exploration of grief, forgiveness, and redemption.Dell Danvers is barely keeping it together. She’s behind on rent for her studio apartment (formerly a walk-in closet), she’s being plagued by perpetual stomach pain, and her younger sister, Daisy, is in a coma at a hospital that wants to pull the plug. Freshly unemployed and subsisting on selling plants to trust fund kids, Dell impulsively starts a 24-hour livestream under the username mademoiselle_dell to fundraise for private life support for Daisy. Dell is her stream’s dungeon master, banishing those who don’t abide by her terms and steadily rising up the platform’s ranks with her sympathetic story and angry-funny screen presence. Once she discovers she has a talent for eating spicy food, her streaming fame explodes and her pepper consumption escalates from jalapeño to ghost to the hottest pepper on the Carolina Reaper. Dell is finally good at something—but as her behavior becomes riskier and a shadowy troll threatens to expose her dark past, Dell must reckon with what her digital life ignores, and what real redemption means. Narrated in seven taut chapters, one for each day of Dell’s livestream, Just Watch Me careens through a week in the life of this charismatic misfit with a heart of gold. Voyeuristic and visceral, audacious and outrageous, Lior Torenberg’s debut is both a razor-sharp tragicomedy about the internet economy and a surreptitiously moving tale about the desire to be watched, and the terror of being seen.

From Kurdish poet and writer Farhad Pirbal, a heartbreaking collection of short stories. Each tale in The Potato Eaters underlines “otherness”, or isolation and displacement in contemporary society. His characters are at once resonant and shocking, his ability to decry trauma reminiscent of American greats like Morrison and Hurston. The title story from this collection is one of the most acclaimed Kurdish short stories; it features a town that, due to famine, only survives on potatoes. The community comes to appreciate the base cuisine and abandon currency for their coveted starch. When the story’s protagonist returns from his travels, he brings gold home and he is met with utter apathy; he is a stranger in his own country. “Lamartine” tells the story of a struggling poetry expert with a PhD on Lamartine’s lines in search of a lucrative career. He has trouble finding the right words to get a job. He visits a local career agency and in plain verse, asks for a career; he and the agent imagine a world wherein poets are paid by the line instead of the hour, a world in which artists always have a steady income. After the encounter, he says to a statue of his hero, “we really do live pitifully, us all like us, artists and poets. Often I have thought that a demon, at the beginning of time, must have nursed misfortune our first milk.” “The Deserter” spotlights a forgetful soldier struggling to find his lost leg in 1989. He hobbles for nearly ten days until his Corporal informs him to prepare for war. “How?”, he wonders. The two go in search for a new leg, scavenging through piles of human body parts. In war, all warriors lose pieces of legs, arms, minds, hearts and souls. He reflects on his “My generation and I…we are the sacrifice of our era; the sacrifice to war and the dirty battles of those fools and frauds we call today’s leaders.” The story ends there—without resolution. This finality parallels the ramifications of stories and lives cut short, questions left unanswered.

Estamos en París en 1885. Como cada año a mediados de Cuaresma, se celebra el popular baile de primavera en el hospital de la Salpêtrière, donde durante una noche la flor y nata de París se encanalla al ritmo de valses y polcas en compañía de las internas, ataviadas con los más extravagantes disfraces. Una velada festiva que, en el fondo, esconde una sórdida realidad: el baile no es más que uno de los últimos experimentos del profesor Charcot, decidido a convertir a las enfermas de la Salpêtrière en mujeres como las demás. Gracias a la escritura depurada de Victoria Mas y a una admirable reconstrucción histórica, esta primera novela, terrible pero poderosa, se ha convertido en un himno de libertad en honor a todas las mujeres.

From the award-winning author of The Twisted Ones comes a gripping and atmospheric retelling of Edgar Allan Poe's classic "The Fall of the House of Usher." When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruravia. What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves. Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all.

A seductive, disorienting, and wholly original story about parallel lives, unfolding over a day and a night in the sweltering heat of Seoul's summer. For two years, 28-year-old Kim Ayami has worked at Seoul's only audio theatre for the blind. But Ayami has just been made redundant, and thinking about the future feels like staring into the unknown. Open to anything, Ayami spends a night in the company of her former boss, searching for a mutual friend who has disappeared, and the following day looking after a visiting poet who turns out to be not what he seems. Walking the streets of the city with each man in turn, Ayami talks about art, love and the inaccessible country to the north. But in the sweltering heat of Seoul at the height of the summer, order gives way to chaos and the edges of reality start to fray, with Ayami becoming an unwitting guide to its increasingly tangled threads. For readers of Han Kang's The Vegetarian and Samanta Schweblin's Fever Dream, Untold Night and Day asks whether more than one version of ourselves can exist at once – and shows why Bae Suah is considered one of the boldest and most important voices in Korean literature today.

On the first floor of the big house of the Moriyama family, is a small library. There, on the shelves next to the old books, live the Little People, a tiny family who were once brought from England to Japan by a beloved nanny. Since then, each generation of Moriyama-family children has inherited the responsibility of filling the blue glass with milk to feed the Little People and it's now Yuri's turn. The little girl dutifully fulfils her task but the world around the Moriyama family is changing. Japan is caught in the whirl of what will soon become World War II, turning her beloved older brother into a fanatic nationalist and dividing the family for ever. Sheltered in the garden and the house, Yuri is able to keep the Little People safe, and they do their best to comfort Yuri in return, until one day owing to food restrictions milk is in shorter supply...