A pathbreaking history of the United States' overseas possessions and the true meaning of its empire We are familiar with maps that outline all fifty states. And we are also familiar with the idea that the United States is an "empire," exercising power around the world. But what about the actual territories--the islands, atolls, and archipelagos--this country has governed and inhabited? In How to Hide an Empire, Daniel Immerwahr tells the fascinating story of the United States outside the United States. In crackling, fast-paced prose, he reveals forgotten episodes that cast American history in a new light. We travel to the Guano Islands, where prospectors collected one of the nineteenth century's most valuable commodities, and the Philippines, site of the most destructive event on U.S. soil. In Puerto Rico, Immerwahr shows how U.S. doctors conducted grisly experiments they would never have conducted on the mainland and charts the emergence of independence fighters who would shoot up the U.S. Congress. In the years after World War II, Immerwahr notes, the United States moved away from colonialism. Instead, it put innovations in electronics, transportation, and culture to use, devising a new sort of influence that did not require the control of space. Rich with absorbing vignettes, full of surprises, and driven by an original conception of what empire and globalization mean today, How to Hide an Empire is a major and compulsively readable work of history.

The Fairway Players, a local theatre group, is in the midst of rehearsals when tragedy strikes the family of director Martin Hayward and his wife Helen, the play’s star. Their young granddaughter has been diagnosed with a rare form of cancer, and with an experimental treatment costing a tremendous sum, their castmates rally to raise the money to give her a chance at survival. But not everybody is convinced of the experimental treatment’s efficacy—or of the good intentions of those involved. As tension grows within the community, things come to a shocking head at the explosive dress rehearsal. The next day, a dead body is found, and soon, an arrest is made. In the run-up to the trial, two young lawyers sift through the material—emails, messages, letters—with a growing suspicion that the killer may be hiding in plain sight. The evidence is all there, between the lines, waiting to be uncovered.

A cute and quirky slice-of-life manga about four best friends and roommates discovering what happiness truly means in their late twenties.Shuuko, Eika, Misaki, and Shio are roommates and friends making their way in the busy world of Tokyo, Japan!Together they’ve been through thick and thin, but the pressures of adult life are beginning to take their toll. Shuuko worries that her laid-back nature is preventing her from finding love — but is romance what she really wants? Things grow fraught as career-driven Eika works herself to burnout, finding herself taking out her frustration on her friends. Despite Misaki’s best efforts to win the love of her “boyfriend,” he tells her that he’s not interested in marriage or even in deepening their two-year relationship. Meanwhile, warmhearted Shio is caught up by worries about her friends and what the future might bring for them.Join these four roommates as they navigate the biggest question of their late What does happiness really mean?

"I believe that the reader will discover here the essential nature of one of the strangest and most awful chapters in human history," Arthur Miller wrote of his classic play about the witch-hunts and trials in seventeenth-century Salem, Massachusetts. Based on historical people and real events, Miller's drama is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town's most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminates the destructive power of socially sanctioned violence. Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the United States. Within the text itself, Miller contemplates the parallels, writing, "Political opposition... is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it with diabolical malevolence." WIth an introduction by Christopher Bigsby. (back cover)

"I believe that the reader will discover here the essential nature of one of the strangest and most awful chapters in human history," Arthur Miller wrote of his classic play about the witch-hunts and trials in seventeenth-century Salem, Massachusetts. Based on historical people and real events, Miller's drama is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town's most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminates the destructive power of socially sanctioned violence. Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the United States. Within the text itself, Miller contemplates the parallels, writing, "Political opposition... is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it with diabolical malevolence." WIth an introduction by Christopher Bigsby. (back cover)

Faking a love story is a whole lot easier than being in love . . . The world can see that international A-list actress Whitman ("Win") Tagore and jet-setting playboy Leo Milanowski are made for each other. Their kisses start Twitter trends and their fights break the internet. From red carpet appearances to Met Gala mishaps, their on-again, off-again romance has titillated the public and the press for almost a decade. But it's all a lie. As a woman of color, Win knows the Hollywood deck is stacked against her, so she's perfected the art of controlling her public persona. Whenever she nears scandal, she calls in Leo, with his endearingly reckless attitude, for a staged date. Each public display of affection shifts the headlines back in Win's favor, and Leo uses the good press to draw attention away from his dysfunctional family. Pretending to be in a passionate romance is one thing, but Win knows that a real relationship would lead to nothing but trouble. So instead they settle for friendship, with a side of sky-rocketing chemistry. Except this time, on the French Riviera, something is off. A shocking secret in Leo's past sets Win's personal and professional lives on a catastrophic collision course. Behind the scenes of their yacht-trips and PDA, the world's favorite couple is at each other's throats. Now they must finally confront the many truths and lies of their relationship, and Win is forced to consider what is more important: a rising career, or a risky shot at real love? The View Was Exhausting is a funny, wickedly observant modern love story set against the backdrop of exotic locales and the realities of being a woman of color in a world run by men.

The final installment in the Regency Vows series follows the heir to a dukedom and a young widow, once very much in love, as they reunite years later to fake an engagement for the benefit of her sister.West, the Marquess of Weston, and Sophie, Lady Fitzwilliam Bridewell, have lately been spending a considerable amount of time together. But West and Sophie are not new acquaintances. In fact, years ago, they had once been nearly engaged until West’s almost fatal curricle accident and his meddling father threw them off course. Now recently widowed, Sophie has put aside all thoughts of romance. But when her widowed sister, Alexandra, mentions a fondness for an earl, Sophie realizes that she may be holding her sister back. Alexandra won’t move forward with an engagement until Sophie, too, settles down again, and so Sophie approaches West with a plan. They will announce their engagement and break things off once Alexandra is happily married. It’ll be simple. After all, it’s not like she is going to fall for West a second time, not when Sophie has sworn not to risk her heart again.

The final installment in the Regency Vows series follows the heir to a dukedom and a young widow, once very much in love, as they reunite years later to fake an engagement for the benefit of her sister.West, the Marquess of Weston, and Sophie, Lady Fitzwilliam Bridewell, have lately been spending a considerable amount of time together. But West and Sophie are not new acquaintances. In fact, years ago, they had once been nearly engaged until West’s almost fatal curricle accident and his meddling father threw them off course. Now recently widowed, Sophie has put aside all thoughts of romance. But when her widowed sister, Alexandra, mentions a fondness for an earl, Sophie realizes that she may be holding her sister back. Alexandra won’t move forward with an engagement until Sophie, too, settles down again, and so Sophie approaches West with a plan. They will announce their engagement and break things off once Alexandra is happily married. It’ll be simple. After all, it’s not like she is going to fall for West a second time, not when Sophie has sworn not to risk her heart again.

Nebula, Locus, and Alex Award-winner P. Djèlí Clark returns to his popular alternate Cairo universe for his fantasy novel debut, A Master of Djinn Cairo, 1912: Though Fatma el-Sha’arawi is the youngest woman working for the Ministry of Alchemy, Enchantments and Supernatural Entities, she’s certainly not a rookie, especially after preventing the destruction of the universe last summer. So when someone murders a secret brotherhood dedicated to one of the most famous men in history, al-Jahiz, Agent Fatma is called onto the case. Al-Jahiz transformed the world 50 years ago when he opened up the veil between the magical and mundane realms, before vanishing into the unknown. This murderer claims to be al-Jahiz, returned to condemn the modern age for its social oppressions. His dangerous magical abilities instigate unrest in the streets of Cairo that threaten to spill over onto the global stage. Alongside her Ministry colleagues and her clever girlfriend Siti, Agent Fatma must unravel the mystery behind this imposter to restore peace to the city -or face the possibility he could be exactly who he seems…