A prize-winning memoirist and nature writer turns to the lives of plants entangled in our human world to explore belonging, displacement, identity, and the truths of our shared future A seed slips beyond a garden wall. A tree is planted on a precarious border. A shrub is stolen from its culture and its land. What happens when these plants leave their original homes and put down roots elsewhere? In fourteen essays, Dispersals explores the entanglements of the plant and human from species considered invasive, like giant hogweed; to those vilified but intimate, like soy; and those like kelp, on which our futures depend. Each of the plants considered in this collection are somehow perceived as being ‘out of place’—weeds, samples collected through imperial science, crops introduced and transformed by our hand. Combining memoir, history, and scientific research in poetic prose, Jessica J. Lee meditates on the question of how both plants and people come to belong, why both cross borders, and how our futures are more entwined than we might imagine.

The Classic of Lesbian Life and Love in the 1950s! Meet Bebo, Laura and the other women who lived in the shadows of the Village at the dawn of the gay revolution. Peek inside the bedrooms and bars where their nightly transactions take place, and learn how they felt and how they made love.

A “prequel” to the preceding tales. Although it was written last in the series, this story brings Beebo from the hayfields of Wisconsin to New York’s Greenwich Village. She arrives a very young and uncertain girl, but by the end of the story, we see the emergence of the dashing young butch she will become. Along the way there are beautiful girls to explore and a sparkling dalliance with an international movie star.

Challenging every preconception about storytelling and prose style, mixing wry humor and riveting emotional depth, Kawakami is today one of Japan’s most important and best-selling writers. She exploded onto the cultural scene first as a musician, then as a poet and popular blogger, and is now an award-winning novelist. Breasts and Eggs paints a portrait of contemporary womanhood in Japan and recounts the intimate journeys of three women as they confront oppressive mores and their own uncertainties on the road to finding peace and futures they can truly call their own. It tells the story of three women: the thirty-year-old Natsu, her older sister, Makiko, and Makiko’s daughter, Midoriko. Makiko has traveled to Tokyo in search of an affordable breast enhancement procedure. She is accompanied by Midoriko, who has recently grown silent, finding herself unable to voice the vague yet overwhelming pressures associated with growing up. Her silence proves a catalyst for each woman to confront her fears and frustrations. On another hot summer’s day ten years later, Natsu, on a journey back to her native city, struggles with her own indeterminate identity as she confronts anxieties about growing old alone and childless.

The critically acclaimed and Whiting Award–winning author of We Love You, Charlie Freeman returns with an unforgettable story about the meaning of freedom.   Coming of age as a free-born Black girl in Reconstruction-era Brooklyn, Libertie Sampson was all too aware that her purposeful mother, a practicing physician, had a vision for their future together: Libertie would go to medical school and practice alongside her. But Libertie, drawn more to music than science, feels stifled by her mother’s choices and is hungry for something else—is there really only one way to have an autonomous life? And she is constantly reminded that, unlike her mother, who can pass, Libertie has skin that is too dark. When a young man from Haiti proposes to Libertie and promises she will be his equal on the island, she accepts, only to discover that she is still subordinate to him and all men. As she tries to parse what freedom actually means for a Black woman, Libertie struggles with where she might find it—for herself and for generations to come.   Inspired by the life of one of the first Black female doctors in the United States and rich with historical detail, Kaitlyn Greenidge’s new novel resonates in our times and is perfect for readers of Brit Bennett, Min Jin Lee, and Yaa Gyasi.

The critically acclaimed and Whiting Award–winning author of We Love You, Charlie Freeman returns with an unforgettable story about the meaning of freedom.   Coming of age as a free-born Black girl in Reconstruction-era Brooklyn, Libertie Sampson was all too aware that her purposeful mother, a practicing physician, had a vision for their future together: Libertie would go to medical school and practice alongside her. But Libertie, drawn more to music than science, feels stifled by her mother’s choices and is hungry for something else—is there really only one way to have an autonomous life? And she is constantly reminded that, unlike her mother, who can pass, Libertie has skin that is too dark. When a young man from Haiti proposes to Libertie and promises she will be his equal on the island, she accepts, only to discover that she is still subordinate to him and all men. As she tries to parse what freedom actually means for a Black woman, Libertie struggles with where she might find it—for herself and for generations to come.   Inspired by the life of one of the first Black female doctors in the United States and rich with historical detail, Kaitlyn Greenidge’s new novel resonates in our times and is perfect for readers of Brit Bennett, Min Jin Lee, and Yaa Gyasi.

From the author of Confessions of the Fox comes a novel in which a yenta on her deathbed begins to look back at all her failures—including her child. In a cluttered rent-controlled apartment in the middle of Manhattan, Barbara Rosenberg - old world yenta, committed homophobe, accomplished jazzercizer - is terminally ill, high on opioids, and writing the story of her life. Forget about her late husband, her career as the receptionist for an Upper East Side plastic surgeon, and her failed aspirations to be an actress. What she really wants to talk about are her unhinged thoughts on gender, Karl Marx, Jewish diaspora, and her two great disappointing loves: an estranged trans son and a long lost best friend whose betrayal haunts Barbara still. As she descends further into delirium and illness, Barbara's theories get wilder, and her circumstances put her on a crash course with these intimates once again. Part novel, part someone's mother's unauthorized memoir, this novel is a timely exploration of sexuality, intergenerational conflict, and who gets to have an intellectual life.

A multi-voiced fusion of prose, playwriting, graphic art, and philosophy that spins an epic tale of America’s struggle for civil rights as it played out in San Francisco’s Chinatown. Divided into ten novellas, one for each year, I Hotel begins in 1968, when Martin Luther King and Bobby Kennedy were assassinated, students took to the streets, the Vietnam War raged, and cities burned.As Karen Yamashita’s motley cast of students, laborers, artists, revolutionaries, and provocateurs make their way through the history of the day, they become caught in a riptide of politics and passion, clashing ideologies and personal turmoil. And by the time the survivors unite to save the International Hotel—epicenter of the Yellow Power Movement—their stories have come to define the very heart of the American experience.