Jamaican-born novelist and sociologist Erna Brodber describes Myal as “an exploration of the links between the way of life forged by the people of two points of the black diaspora—the Afro-Americans and the Afro-Jamaicans.” Operating on many literary levels—thematically, linguistically, stylistically—it is the story of women’s cultural and spiritual struggle in colonial Jamaica. The novel opens at the beginning of the 20th century with a community gathering to heal the mysterious illness of a young woman, Ella, who has returned to Jamaica after an unsuccessful marriage abroad. The Afro-Jamaican religion myal, which asserts that good has the power to conquer all, is invoked to heal Ella, who has been left “zombified” and devoid of any black soul. Ella, who is light skinned enough to pass for white, has suffered a breakdown after her white American husband produced a black-face minstrel show based on the stories of her village and childhood. This cultural appropriation is one of a series Ella encountered in her life, and parallels the ongoing theft of the labor and culture of colonized peoples for imperial gain and pleasure. The novel’s rich, vivid language and vital characters earned it the Commonwealth Writers’ Prize for Canada and the Caribbean.

You do not know me yet. My son Thomas, who is publishing this book, tells me, it is customary at this place in a novel to give the reader a little taste of the story that is held within these pages. As your storyteller, I am to convey that this tale is set in Jamaica during the last turbulent years of slavery and the early years of freedom that followed. July is a slave girl who lives upon a sugar plantation named Amity and it is her life that is the subject of this tale. She was there when the Baptist War raged in 1831, and she was present when slavery was declared no more. My son says I must convey how the story tells also of July's mama Kitty, of the negroes that worked the plantation land, of Caroline Mortimer the white woman who owned the plantation and many more persons besides - far too many for me to list here. But what befalls them all is carefully chronicled upon these pages for you to peruse. Perhaps, my son suggests, I might write that it is a thrilling journey through that time in the company of people who lived it. All this he wishes me to pen so the reader can decide if this is a novel they might care to consider. Cha, I tell my son, what fuss-fuss. Come, let them just read it for themselves.

Every day, just before sunrise and straight after sunset, magic happens. Dawn and dusk – those fleeting, half-lit hours – are when the ordinary becomes extraordinary. Skies flare with colour, landscapes shift in mood and an unseen cast of creatures emerges from the shadows. Welcome to twilight. In THE SECRET WORLD OF TWILIGHT, author and smallholder Sally Coulthard invites us into this magical in-between realm, where seductive night-blooming flowers open, secretive mammals stir, giant moths reign and fantastical sea creatures ride the tide. Twilight profoundly affects human life too – but in our age of electric light and closed doors, we've almost forgotten how to see it. Blending natural history, folklore and memoir, Coulthard reveals twilight as a vital, liminal one that has inspired awe for millennia and still has the power to illuminate our daily lives.

“I adore this book as much as I adore empowered spiders, poker-faced narrators, and cooperative bookstores. It’s wry, whip-smart, and freaking gorgeous. Sid Sharp is a maestro of comic timing and subversion.” —Kyo Maclear, author of It Began With a Page From the acclaimed author of The Wolf Suit comes another weirdly hilarious, masterfully thought-provoking, and lushly painted early reader graphic novel. Two sisters, one stubbornly cheerful (Beatrice) and one relentlessly grumpy (Magnolia), live in a drafty old house with a family of helpful spiders. When Beatrice is gifted magic yarn from a giant forest spider obsessed with sustainability named Bog Myrtle, she and the spiders set to work knitting up a perfectly warm sweater. But greedy Magnolia sees only the opportunity for profit, and quickly converts the old house into a magic sweater factory. The exhausted spiders are driven to strike, and Bog Myrtle is not pleased . . . Bog Myrtle is a witty modern folktale that touches on themes of capitalism, environmentalism, labor rights, and being a nice person.

In 1838, the Ibis, carrying a cargo of convicts and labourers, falls victim to a cyclone in the Bay of Bengal. Among the survivors are Neel, a pampered raja charged with embezzlement; Paulette, a French orphan masquerading as a deck-hand; and Deeti, a widowed poppy grower fleeing India with her lover. Also caught in the storm is Anahita, owned by the wealthy Parsi merchant Bahram Modi, which holds the largest consignment of opium ever to leave India. And the Redruth, which carries Frederick Penrose, a horticulturist determined to track down China's rare and priceless plants. They will all converge in Canton, on the edge of China, as the Opium War begins to rage.

In her heralded first novel, Gloria Naylor weaves together the stories of seven women living in Brewster Place, a bleak inner-city sanctuary, creating a powerful, moving portrait of the strengths, struggles, and hopes of black women in America. Vulnerable and resilient, openhanded and open-hearted, these women forge their lives in a place that in turn threatens and protects—a common prison and a shared home. Naylor renders both loving and painful human experiences with simple eloquence and uncommon intuition. Her remarkable sense of community and history makes The Women of Brewster Place a contemporary classic—and a touching and unforgettable read.

When Amitav Ghosh began his research for the Ibis Trilogy some twenty years ago, he was startled to find how the lives of the nineteenth-century sailors and soldiers he wrote of were dictated not only by the currents of the Indian Ocean, but also by a precious commodity carried in enormous quantities on those opium. Most surprising of all was the discovery that his own identity and family history were swept up in the story. Smoke and Ashes is at once a travelogue, a memoir and an excursion into history, both economic and cultural. Ghosh traces the transformative effect the opium trade had on Britain, India and China, as well as on the world at large. Engineered by the British Empire, which exported opium from India to sell in China, the trade and its revenues were essential to the Empire's survival. Upon deeper exploration, Ghosh finds opium at the origins of some of the world's biggest corporations, several of America's most powerful families and institutions, and contemporary globalism itself. In India the long-term consequences were even more profound. Moving deftly between horticultural histories, the mythologies of capitalism and the social and cultural repercussions of colonialism, Smoke and Ashes reveals the pivotal role one small plant has played in the making of the world as we know it - a world that is now teetering on the edge of catastrophe. --- 'In looking at the opium poppy's role in history it is hard to ignore the feeling of an intelligence at work. The single most important indication of this is the poppy's ability to create cycles of repetition, which manifest themselves in similar phenomena over time. What opium does is clearly not random; it builds symmetries that rhyme with each other. It is, of course, impossible to know what the intentions of a plant might be, but, at the same time, it is important to recognize that these cycles will repeat, because the opium poppy is not going away anytime soon. In Mexico, for instance, despite intensive eradication efforts the acreage under poppy cultivation has continued to increase. Indeed, there is more opium being produced in the world today than at any time in the past. Only by recognizing the power and intelligence of the opium poppy can we even begin to make peace with it.'

It is 1839 and tension has been rapidly mounting between China and British India following the crackdown on opium smuggling by Beijing. With no resolution in sight, the colonial government declares war. One of the vessels requisitioned for the attack, the Hind, travels eastwards from Bengal to China, sailing into the midst of the First Opium War. The turbulent voyage brings together a diverse group of travellers, each with their own agenda to pursue. Among them is Kesri Singh, a sepoy in the East India Company who leads a company of Indian sepoys; Zachary Reid, an impoverished young sailor searching for his lost love, and Shireen Modi, a determined widow en route to China to reclaim her opium-trader husband's wealth and reputation. Flood of Fire follows a varied cast of characters from India to China, through the outbreak of the First Opium War and China's devastating defeat, to Britain's seizure of Hong Kong. THIS IS THE U.S. EDITION

In 1838, the Ibis, carrying a cargo of convicts and labourers, falls victim to a cyclone in the Bay of Bengal. Among the survivors are Neel, a pampered raja charged with embezzlement; Paulette, a French orphan masquerading as a deck-hand; and Deeti, a widowed poppy grower fleeing India with her lover. Also caught in the storm is Anahita, owned by the wealthy Parsi merchant Bahram Modi, which holds the largest consignment of opium ever to leave India. And the Redruth, which carries Frederick Penrose, a horticulturist determined to track down China's rare and priceless plants. They will all converge in Canton, on the edge of China, as the Opium War begins to rage.

At the heart of this vibrant saga is a vast ship, the Ibis. Her destiny is a tumultuous voyage across the Indian Ocean shortly before the outbreak of the Opium Wars in China. In a time of colonial upheaval, fate has thrown together a diverse cast of Indians and Westerners on board, from a bankrupt raja to a widowed tribeswoman, from a mulatto American freedman to a free-spirited French orphan. As their old family ties are washed away, they, like their historical counterparts, come to view themselves as jahaj-bhais, or ship-brothers. The vast sweep of this historical adventure spans the lush poppy fields of the Ganges, the rolling high seas, and the exotic backstreets of Canton.

The long-awaited, profoundly moving, and unforgettable new novel from PEN Award–winning Native American author Mona Susan Power, spanning three generations of Yanktonai Dakota women from the 19th century to the present day. From the mid-century metropolis of Chicago to the windswept ancestral lands of the Dakota people, to the bleak and brutal Indian boarding schools, A Council of Dolls is the story of three women, told in part through the stories of the dolls they carried.... Sissy, born 1961: Sissy’s relationship with her beautiful and volatile mother is difficult, even dangerous, but her life is also filled with beautiful things, including a new Christmas present, a doll called Ethel. Ethel whispers advice and kindness in Sissy’s ear, and in one especially terrifying moment, maybe even saves Sissy’s life. Lillian, born 1925: Born in her ancestral lands in a time of terrible change, Lillian clings to her sister, Blanche, and her doll, Mae. When the sisters are forced to attend an “Indian school” far from their home, Blanche refuses to be cowed by the school’s abusive nuns. But when tragedy strikes the sisters, the doll Mae finds her way to defend the girls.   Cora, born 1888: Though she was born into the brutal legacy of the “Indian Wars,” Cora isn’t afraid of the white men who remove her to a school across the country to be “civilized.” When teachers burn her beloved buckskin and beaded doll Winona, Cora discovers that the spirit of Winona may not be entirely lost... A modern masterpiece, A Council of Dolls is gorgeous, quietly devastating, and ultimately hopeful, shining a light on the echoing damage wrought by Indian boarding schools, and the historical massacres of Indigenous people. With stunning prose, Mona Susan Power weaves a spell of love and healing that comes alive on the page.

In 1936, Ngo Van was captured, imprisoned, and tortured in the dreaded Maison Centrale prison in Saigon for his part in the struggle to free Vietnam from French colonial rule. Five years later, Vietnamese independence was won, and Van found himself imprisoned and abused once more—this time by the Stalinist freedom fighter Ho Chi Minh. Five years after that, Van was in Paris, working with the surrealists. In the Crossfire documents Ngo Van's incredible life in Vietnam during the two world wars, and his subsequent years spent in the midst of the Parisian intelligentsia. This is the first English translation! " In the Crossfire is a story that is so many a tale of personal courage, despair and hope; a piece of political history that is both a document of revolution and betrayal. Like so much of the struggle against colonialism, for every victory there seems to be a defeat. Yet, history moves forward because, as Van makes clear, people make it move forward."—Ron Jacobs, author of The Way the Wind A History of the Weather Underground