From New York Times bestselling author Akwaeke Emezi comes a steamy paranormal romance set in the Black South—a bold new foray that takes us on a journey of magic and fantasy, from the whispering creeks outside the city of Salvation to the very depths of Hell itself. Tenderhearted Galilee was raised by the Kincaids, a formidable clan of Black women sequestered deep in the weeping willows and dark rushing creeks of their land. Galilee has always known that she’s different—that there is an old and unknowable secret around her very existence. It has been a hollow ache inside her since her childhood, something she assumes she will always have to live with. Until she meets Lucifer Helel. He’s fronting as the head of security for her wealthy friend Oriaku’s family, protecting a mysterious, ancient artifact, but from the moment she lays eyes on him, Gali knows he’s not human. From her first incendiary touch, Lucifer knows something even Gali herself doesn’t—that she isn’t human either.  Leviathan. As Lucifer’s most trusted prince of Hell, Levi is ruthless and determined to eliminate the intolerable danger that is Galilee before she brings death and disaster to those he loves. While unseen battles rage between Hell, Heaven, and earth, Lucifer and Galilee’s attraction threatens to bring all the structures of their existence crashing down around them. Soon, loyalties will be shattered and reformed as Kincaid secrets clash with the princes of Hell, driving even the most powerful to their knees. Galilee Kincaid must decide if she will step into herself and embrace the consequences of power in this astonishing, seductive, and wildly original fantasy.

How the Word Is Passed meets Braiding Sweetgrass in a cultural and personal reclamation of Black history and Black botanical mastery, told through the stories of long-lived trees. The histories of trees in America are also the histories of Black Americans. Pecan trees were domesticated by an enslaved African named Antoine; sycamore trees were both havens and signposts for people trying to escape enslavement; poplar trees are historically associated with lynching; and willow bark has offered the gift of medicine. These trees, and others, testify not only to the complexity of the Black American narrative but also to a heritage of Black botanical expertise that, like Native American traditions, predates the United States entirely. In When Trees Testify, award-winning plant biologist Beronda L. Montgomery explores the way seven trees—as well as the cotton shrub—are intertwined with Black history and culture. She reveals how knowledge surrounding these trees has shaped America since the very beginning. As Montgomery shows, trees are material witnesses to the lives of enslaved Africans and their descendants. Combining the wisdom of science and history with stories from her own path to botany, Montgomery talks to majestic trees, and in this unique and compelling narrative, they answer.

A prize-winning memoirist and nature writer turns to the lives of plants entangled in our human world to explore belonging, displacement, identity, and the truths of our shared future A seed slips beyond a garden wall. A tree is planted on a precarious border. A shrub is stolen from its culture and its land. What happens when these plants leave their original homes and put down roots elsewhere? In fourteen essays, Dispersals explores the entanglements of the plant and human from species considered invasive, like giant hogweed; to those vilified but intimate, like soy; and those like kelp, on which our futures depend. Each of the plants considered in this collection are somehow perceived as being ‘out of place’—weeds, samples collected through imperial science, crops introduced and transformed by our hand. Combining memoir, history, and scientific research in poetic prose, Jessica J. Lee meditates on the question of how both plants and people come to belong, why both cross borders, and how our futures are more entwined than we might imagine.

One of the classic works of marine biology, a favorite for generations, has now been completely revised and expanded. Between Pacific Tides is a book for all who find the shore a place of excitement, wonder, and beauty, and an unsurpassed introductory text for both students and professionals. This book describes the habits and habitats of the animals that live in one of the most prolific life zones of the world--the rocky shores and tide pools of the Pacific Coast of the United States. The intricate and fascinating life processes of these creatures are described with affectionate care. The animals are grouped according to their most characteristic habitat, whether rocky shore, sandy beach, mud flat, or wharf piling, and the authors discuss their life history, physiology, and community relations, and the influence of wave shock and shifting tide level. Though the basic purpose and structure--and much of the text--of the book remain the same, content has been increased by about 20 percent; a multitude of changes and additios has been made in the text; the Annotated Systematic Index and General Bibliography have been updated and greatly expanded (now almost 2,300 entries); more than 200 new photographs and drawings have been incorporated; and an entirely new chapter has been added--a topical presentation of the several factors influencing distribution of organisms along the shore. This edition also includes John Steinbeck's Foreword to the 1948 edition.

Natalie Diaz’s highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book AwardPostcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality. Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.

A heartfelt, comedic coming-of-age debut from a bright new talentWhen we meet Eagle Valiant Brosi, he is a long-haired commune kid, bullied by other kids, teachers, and his neighbors. And because of his speech impediment, Eagle observes silently and often. Mom—a classic earthy, free spirit prone to discursive lectures on natural medicine and the efficacy of certain plants—is the only one who really cares. So Eagle lets others talk and talk and talk, revealing their true natures and selfish (sometimes even selfless) motivations.In Black Cohosh, Eagle pieces together the puzzling and hurtful things he has been told as he takes his first, tragic steps into adulthood. While things may seem grim, Brosi’s drawings are loose and limber, stretching and falling across each page. His cast of hippie archetypes come with iconic thatches of hair, bushy beards, and scrawny, gesticulating arms. Black Cohosh is a captivating debut from a natural storyteller with the expert timing of a veteran comedian and the soothing empathy of a death doula.